Here are three of my current favorites:
Carlene Carter, “Me and the Wildwood Rose”
from the album Carter Girl
“Me and the Wildwood Rose” was always one of my favorite Carlene Carter tracks. Back when it was released in 1990, it had a wistful nostalgia for the grandmother that she had lost. In 2014, all of the other folks mentioned in the song, including her little sister “the Wildwood Rose”, have also passed on. The new version is so heavy with grief, it is only Carter’s effervescent spirit that keeps it from being too heavy.
It bugs me when I do something that I really think is great and they don’t acknowledge it at all. It’s kind of weird for me, but I don’t slit my wrists. What would kill me is if I did something that I didn’t believe in at all, that I hated, just because they said you’ll have a hit, and then it wasn’t a hit. That, to me, would be death.
Many a star was launched in the nineties, a few of them right out of the gate. This section includes the debut singles from Toby Keith, Jo Dee Messina, LeAnn Rimes, and Doug Stone, along with Grammy-winning hits by Alison Krauss and Dwight Yoakam.
400 Greatest Singles of the Nineties: #100-#76
The Battle Hymn of Love
Kathy Mattea & Tim O’Brien
1990 | Peak: #9
Wedding songs are typically made of the same fiber, but this one is a little different: it’s energized by burning conviction and fierce pledges. – Tara Seetharam
1996 | Peak: #10
Sure, the novelty of thirteen year-old Rimes’ prodigious Patsy imitation helped things along. But that unshakable yodeled hook would have made “Blue” a classic in any era of country music. – Dan Milliken
The hits come from all over the place here. Breakthrough hits from Trace Adkins and Carlene Carter join one-hit wonders Brother Phelps and George Ducas. And alongside crafty covers of songs by sixties rock band The Searchers and nineties country artist Joy Lynn White, you can also find tracks from three diamond-selling country albums.
400 Greatest Singles of the Nineties: #200-#176
Carrying Your Love With Me
1997 | Peak: #1
A traveler gets through his lonely nights on the sheer strength of love. It’s perhaps a little too saccharine for some, but the sweet melody and Strait’s understated vocals make the record work. – Tara Seetharam
1990 | Peak: #3
A man sits around in a bar “talking ’bout the good old times, bragging on how it used to be.” Simple premise, but the gorgeously melancholy melody and performance lift the record to Haggardly heights. – Dan Milliken
We don’t do as many discussions as we used to at CU, and it’s possible that we already did this one. But seeing the title of this week’s #1 country album, I couldn’t resist:
Jerrod Niemann, Judge Jerrod & The Hung Jury
I’d call it juvenile, but I don’t think I would’ve laughed as a kid, either. But I’m sure some people found it funny.
Here are a few others that make me wince:
Pam Tillis, Above and Beyond the Doll of Cutey
I. Don’t. Get. It. “(You Just Want to Be) Weird”, indeed.