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2012 ACM Awards: Staff Picks & Predictions

Throw on your bedazzled boots – the 47th annual Academy of Country Music Awards air live from Las Vegas this Sunday at 8 p.m. EST. The show promises to be a melting pot of performances, with oddball duets like Rascal Flatts and Steve Martin – and no, that’s not an April Fools joke. The CU staff picked and predicted the awards below. Tell us your thoughts, and check back for our live blog on Sunday night!

Entertainer of the Year

Should Win:

  • Jason Aldean
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift – Jonathan, Dan, Tara, Leeann, Kevin, Ben, Sam

Will Win:

  • Jason Aldean – Sam
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift – Jonathan, Dan, Tara, Kevin, Ben

Ben: Okay, so I was going to go with Aldean based on his massive success… but Swift’s music has just been too dang good lately.

Jonathan: Swift is the only one of the five who has released any music I really liked during the eligibility period; that fan voting is part of whatever mysterious algorithm is used to determine the winner of this award helps her case. I recognize that Aldean has a good look at this, too, but I’ll admit to just digging my heels in and refusing to get on board with the idea that he’s considered the standard-bearing artist in country music.

Tara: Swift released some of the best material of her career in the eligibility period, and her star seems as bright as it’s ever been. And while I can’t picture her losing something fan-voted, I wouldn’t be shocked if Aldean snuck up on her, especially given the secret fan / academy vote ratio. I just hope that this time next year, there are a few shake-ups in this category. I’m bored.

Dan: I like Swift the best, but can’t muster the energy to root actively against Aldean like I did with, say, Rascal Flatts.

Kevin:  Aldean vs. Swift, with me erring on the side of the one who made more music that I liked this year.

Sam: Just a hunch, but the Taylor Swift voters might be as fanatical as usual because Carrie Underwood isn’t nominated for this award. That might give Aldean the chance to sneak in.

Male Vocalist of the Year

Should Win:

  • Jason Aldean – Dan, Kevin, Sam
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Chris Young – Ben, Jonathan, Tara

Will Win:

  • Jason Aldean – Dan, Sam
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton – Ben, Jonathan, Tara, Kevin
  • Chris Young

Dan: Aldean remains the hottest guy out there by a huge margin, and occasionally puts out something decent like “Fly Over States.” I’ll just keep picking him to win this until he does. La la la.

Ben: Aldean’s success speaks for itself, but I would really like to see Chris Young take this. He released a solid new album, remained a consistent hitmaker at radio, and has made the most music that I’ve actually cared about. But seeing as the industry award voters have been showing a lot of excessive Shelton love as of late, my gut says that Blake Shelton is going to get this. (There are no awards for TV Judge of the Year or Newlywed of the Year, so the ACM will probably give him this one instead)

Jonathan: So let’s talk about Chris Young for a minute. The guy has a fantastic voice, one of the strongest and most distinctive instruments to come down Music Row in a minute, and that alone is enough to elevate him above most of the other men who have scored major airplay in the past couple of years. But the discrepancy between the quality of Young’s vocal performances and the quality of the songs he’s performing is a problem, and here’s yet another instance of an artist with the potential to be really and truly great receiving a thumbs-up from the industry for work that’s just occasionally on the better side of okay. Where’s the incentive for someone like Young to be even better if he’s being recognized now? And what does it say that, despite his wildly uneven material, he’s far and away the class of this particular field of nominees?

Tara: I have to disagree with Jonathan on this one; I find Neon to be a refreshing, neo-traditional gem, more organic than it is uneven. In this stage of Young’s career, I view his body of work as a stepping stone and an indication of potential, and I have no issue with it being rewarded. But it won’t be; Mr. Lambert’s got the entertainment industry on lockdown. And I can’t say I really mind.

Kevin: Picking Aldean as the “should win” solely because he had the biggest year, though I suspect Shelton will win anyway.

Sam: I get the love for Miranda Lambert, but the Blake Shelton love is largely lost on me. Not a fan of Aldean either, but he’s due for this award.

Female Vocalist of the Year

Should Win:

  • Sara Evans
  • Miranda Lambert – Dan, Ben, Tara, Leeann, Sam
  • Martina McBride
  • Taylor Swift – Jonathan, Kevin
  • Carrie Underwood

Will Win:

  • Sara Evans
  • Miranda Lambert – Dan, Ben, Jonathan, Tara, Leeann, Sam
  • Martina McBride
  • Taylor Swift – Kevin
  • Carrie Underwood

Dan: I think Swift has been the strongest solo act this past year, but Lambert released a decent fourth album and a terrific group one. With no place on the ballot to reward Pistol Annies (fix that, CMAs?), this’ll do.

Ben: Swift put out a string of very good singles, but… Four the Record + Pistol Annies = The Miranda Lambert love will be fully justified.

Jonathan: If we’re counting Pistol Annies, then I can absolutely see the case for Lambert and could be convinced to vote accordingly, and I think she still has the momentum to win here. If we’re just looking at solo material, though, I’m unapologetically sticking with Swift’s “Mean” and “Sparks Fly,” which trump anything that the other four women in the category released during the eligibility period. With Underwood having a new album to support and, hopefully, Kellie Pickler getting the recognition she deserves for her latest work, this category should be a hell of a lot more interesting and competitive come CMA time.

Tara: Swift delivered the better material, but Lambert delivered the better performances, Hell On Heels notwithstanding. By my definition of FVOTY, this should go to Lambert. (And I’m stoked for the fall award season, too.)

Leeann:  I have no real reason to believe that the Academy would take this from Lambert this year.

Kevin:  Can you believe that Swift is the only nominee who hasn’t won this yet?  I know Lambert should be the favorite, especially given the ACM’s fondness for her.  But I can’t shake the feeling that she’s lost some momentum with her latest project.

Sam: Miranda will continue to own this category until someone like Carrie Underwood steps up with a new album.

Vocal Duo of the Year

Should Win

  • Love and Theft
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland – Leeann
  • Thompson Square – Dan, Ben, Tara

Will Win:

  • Love and Theft
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland – Dan, Ben, Leeann, Kevin
  • Thompson Square – Jonathan, Tara, Sam

Ben: The Civil Wars are really the only duo I’ve cared about this past year, but they have been stupidly excluded in favor of Love and Theft (who only released one mediocre single in the past year), so I’m going with Thompson Square instead. They’ve been doing well at radio, and their music has not been terribly grating, but I’m pretty sure that the ACM will remain stuck on Sugarland.

Dan: With The Civil Wars absent from ACM’s roster and Sugarland having a messy year across the board, Thompson Square seems like the last band standing. And they’re cute, right?

Jonathan: The song remains the same: This category should’ve been merged with Vocal Group of the Year eons ago to trim the fat. Given that the ACMs are still ostensibly more radio-oriented than the CMAs and that Sugarland have actively alienated radio with the god-awful singles from their god-awful album, I’m going to say that Thompson Square pull off the upset here. Just don’t ask me to hum or even to name more than one of their songs…

Tara: I honestly can’t muster an opinion. What’s Sugarland been up to these days, anyway?

Leeann:  This category isn’t even worth comment this year.

Kevin: Saying somebody should win implies that I think there’s a worthy winner, so I’m just going to say that Sugarland will win.

Sam: No Bellamy Brothers nod? You mean country music actually had five legit nominees for a Duo award this year? Artistically, The Civil Wars and Foster & Lloyd would be the most deserving this year.

Vocal Group of the Year

Should Win:

  • The Band Perry
  • Eli Young Band
  • Lady Antebellum
  • Rascal Flatts
  • Zac Brown Band – Dan, Ben, Jonathan, Tara, Leeann, Kevin, Sam

Will Win:

  • The Band Perry – Sam
  • Eli Young Band
  • Lady Antebellum – Dan, Ben, Jonathan, Tara, Leeann, Kevin
  • Rascal Flatts
  • Zac Brown Band

Ben: I’ve tried to hold out hope that the award industries would lay off the ridiculous Lady A adoration, but the CMAs and Grammys have shown me otherwise.

Jonathan: No reason to think the ACMs will break the trend of giving unearned trophies to the C students in the class.

Tara: I remain firmly in ZBB’s corner; the band produced my favorite single of 2011. But I would much, much prefer this award to go to the flavor of the month Eli Young Band than the flavor of the year Lady Antebellum.

Dan: I miss Little Big Town, but this is the first time in recent memory that this category has had five competitive groups. Like Aldean in the Male Vocalist race, Zac Brown Band sell as well as anyone and haven’t won yet, so I’ll probably keep picking them until they do, too. La la la x2.

Leeann: I’d love to see Zac Brown Band take it this year, but I don’t have enough faith that Lady A won’t just keep the award.

Kevin:  Always gonna root for ZBB.  Just losing hope that they’ll ever actually win.

Sam: ZBB is operating on a higher level than any other vocal group, but I’m alright with The Band Perry’s quirkiness getting some recognition.

New Artist of the Year

Should Win:

  • Brantley Gilbert
  • Hunter Hayes – Dan, Tara
  • Scotty McCreery

Will Win:

  • Brantley Gilbert
  • Hunter Hayes
  • Scotty McCreery – Ben, Dan, Jonathan, Tara, Leeann, Kevin, Sam

Dan: Of the three, I think Hayes has the most raw talent (played every instrument on his album!) and could one day be an interesting artist. So, vote of optimism! ;D

Ben: I think this will be between Gilbert and McCreery. My gut says Scotty McCreery “will” win, but this line-up is just too depressing for me to make a case for who “should” win. Dan makes a good point about Hunter Hayes though…

Jonathan: I can’t.

Tara: Uh…I guess this is as good a time as any to confess my love for “Storm Warning.”

Leeann: I don’t even have the heart to choose who I think should win, but I’m guessing the “American Idol” winner will win.

Kevin: New Coke >>>> New Artist of the Year.

Sam: This is fan voted, right? Well, if McCreery’s fans can vote him to win “American Idol”…

Album of the Year

Should Win:

  • Eric Church, ChiefDan, Ben, Jonathan, Tara, Leeann, Kevin
  • Miranda Lambert, Four The Record – Sam
  • Kenny Chesney, Hemingway’s Whiskey
  • Jason Aldean, My Kinda Party
  • Lady Antebellum, Own The Night

Will Win:

  • Eric Church, Chief
  • Miranda Lambert, Four The Record
  • Kenny Chesney, Hemingway’s Whiskey
  • Jason Aldean, My Kinda PartyDan, Ben, Sam
  • Lady Antebellum, Own The NightJonathan, Tara, Leeann, Kevin

Ben: Eric Church edges out Miranda as my pick, but I’m fairly sure this will go to Aldean, and I refuse to predict that Lady Antebellum will win this.

Jonathan: I liked Lambert’s album exponentially less each time I listened to it, so I stopped listening to all but two of its tracks (“Fine Tune” and “Dear Diamond”) months ago to preserve at least some degree of fondness for it. Church’s album has some significant limitations of its own, but, song-for-song, it’s the strongest set in this line-up. I have no idea what I would ever actually say to a person who believes that Richard Marx’s Repeat Offender Amy Grant’s House of Love Lady Antebellum’s Own the Night scans as a country album in any substantive way, or that it’s the best country album of this or any year. But clearly there are people who do believe that, and recent history says there are enough of them for Lady A to win this.

Tara: It’s a toss up between Lambert and Church for me, with Church’s realized hard-assness giving Chief a slight edge. But it’s Lady A’s to lose – and I’m not sure anything in the industry has frustrated me more than their wins as of late. It’s worse than laughably unfair; it’s potential-threatening. And it has to stop.

Dan: When Church is bad, he’s cringe-worthy. When he’s good, he kicks most of the ass he told you he’d kick.

Leeann: I won’t be surprised if Lady A wins, but I’d love to see Eric Church win for the most interesting album of the bunch. I wouldn’t mind seeing Miranda Lambert win either.

Kevin: I just hope I’m wrong a lot this year.

Sam: Pretty sad when a “good for a Jason Aldean album” album beats out two superior albums from Church and Lambert, but I think that will be the case.

Single Record of the Year

Should Win:

  • Eli Young Band, “Crazy Girl”
  • Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay”
  • Toby Keith, “Red Solo Cup”
  • Chris Young, “Tomorrow”
  • Kenny Chesney featuring Grace Potter, “You and Tequila” – Ben, Dan, Tara, Leeann, Kevin, Sam

Will Win:

  • Eli Young Band, “Crazy Girl”
  • Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay” – Dan, Ben, Jonathan, Tara, Leeann, Kevin, Sam
  • Toby Keith, “Red Solo Cup”
  • Chris Young, “Tomorrow”
  • Kenny Chesney featuring Grace Potter, “You and Tequila”

Ben: “Tequila” outclasses most of the field, though “Tomorrow” is also a solid contender. I get the novelty value of “Red Solo Cup,” but Single Record of the Year? Nah…

Jonathan: Even for a novelty song, I thought “Red Solo Cup” was poorly constructed and lazily written, but I kind of hope it wins, if only to prove that this year’s ACMs are just a straight-up farce.

Tara: I don’t love any of these, but “You and Tequila” is the only one I can imagine holding up in ten years.

Dan: Whatever.

Leeann: I can’t even believe “Red Solo Cup” is a contender! I’d love to see Kenny win for one of his best recordings, though I suspect Jason Aldean and Kelly Clarkson will win due to their cross genre appeal and all.

Kevin: Please let me be wrong a lot this year.

Sam: I will be rooting for “Red Solo Cup” and its inspired idiocy, but this could be part of Jason Aldean’s big night at the ACM.

Song of the Year

Should Win:

  • “Crazy Girl” – Lee Brice & Liz Rose
  • “Home” – Brett Beavers, Dierks Bentley & Dan Wilson – Leeann
  • “Just a Kiss” – Dallas Davidson, Dave Haywood, Charles Kelley & Hillary Scott
  • “Threaten Me With Heaven” – Amy Grant, Vince Gill, Dillon O’Brian & Will Owsley – Jonathan, Tara, Kevin
  • “You and Tequila” – Matraca Berg & Deana Carter – Dan, Ben, Sam

Will Win:

  • “Crazy Girl” – Lee Brice & Liz Rose
  • “Home” – Brett Beavers, Dierks Bentley & Dan Wilson – Dan, Ben, Jonathan, Tara, Sam
  • “Just a Kiss” – Dallas Davidson, Dave Haywood, Charles Kelley & Hillary Scott – Kevin
  • “Threaten Me With Heaven” – Amy Grant, Vince Gill, Dillon O’Brian & Will Owsley
  • “You and Tequila” – Matraca Berg & Deana Carter – Leeann

Dan: “Home” has felt like awards bait to me since I first heard it. Me, I’m a “Tequila” guy.

Ben: Ditto to Dan.

Jonathan: As much as I’d like to see Berg and Carter pick up some new hardware, I’d still give the edge to Gill’s song. When “Home” does win, which I agree it will, I’ll just pretend it means that Jason Isbell has finally won a major industry award.

Tara: “Threaten Me With Heaven” is gorgeously written, but I won’t mind if (and when) “Home” takes the award. Country music could use a shot of graceful patriotism.

Leeann: I’m pleased to have three songs that I’d be happy to see win the award this year. I feel like either Chesney or Bentley will rightfully win…I hope so at least.

Kevin:  Pretty please?

Video of the Year

Should Win:

  • Eric Church, “Homeboy”
  • Lady Antebellum, “Just a Kiss”
  • Taylor Swift, “Mean” – Ben, Dan, Jonathan, Tara, Kevin, Sam
  • Toby Keith, “Red Solo Cup”
  • Jason Aldean, “Tattoos On This Town”

Will Win:

  • Eric Church, “Homeboy”
  • Lady Antebellum, “Just a Kiss”
  • Taylor Swift, “Mean” – Kevin
  • Toby Keith, “Red Solo Cup” – Ben, Dan, Jonathan, Tara, Sam
  • Jason Aldean, “Tattoos On This Town”

Ben: I could actually live with “Red Solo Cup” winning this, but I still enjoy “Mean” quite a bit more.  Plus I kind of hate Lady Antebellum’s video for being nothing more than a glorified iPad commercial.  I also think “Mean” deserved a nomination for Single Record of the Year, so I would like to see it acknowledged here.  Still, I don’t think I can bet against “Red Solo Cup.”

Jonathan: That “Mean” didn’t score the Single and Song of the Year nominations with the ACMs that it has elsewhere seems revealing, with “Red Solo Cup” as the most likely beneficiary. I just hope that the faux gravitas of the “Homeboy” clip doesn’t give it any footing.

Tara: I’m equally disappointed that “Mean” didn’t snag a nomination for Single or Song of the Year. With the video almost as freshly produced as the single, it’s an easy one to root for in this category. I have no inkling as to who will win, but I’ll piggyback off of my co-bloggers on the frat party anthem.

Dan: I could do without how the “Mean” clip ends with a little girl idolizing Taylor Swift, but am I gonna vote against the country music video that had the anti-gay-bullying message? No, I’m not.

Kevin: I think the Swift clip has enough pizazz to triumph in the end over Toby’s YouTube video.

Vocal Event of the Year

Should Win:

  • Aaron Lewis featuring George Jones & Charlie Daniels, “Country Boy”
  • Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay”
  • Brad Paisley featuring Alabama, “Old Alabama”
  • Brad Paisley duet with Carrie Underwood, “Remind Me” – Tara, Kevin, Ben
  • Kenny Chesney featuring Grace Potter, “You and Tequila” – Dan, Jonathan, Leeann, Sam

Will Win:

  • Aaron Lewis featuring George Jones & Charlie Daniels, “Country Boy”
  • Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay” – Jonathan, Dan, Leeann, Kevin, Sam
  • Brad Paisley featuring Alabama, “Old Alabama”
  • Brad Paisley duet with Carrie Underwood, “Remind Me” – Tara, Ben
  • Kenny Chesney featuring Grace Potter, “You and Tequila”

Jonathan: The Lewis track is one of the worst singles of the past five years or more, and its nomination is an indication of how deeply modern country music hates the actual traditions and values of the genre.

Tara: As middle-of-the-road as it is, something in the melody of “Remind Me” intrigues me. And I have a random feeling the voters will use this category to reward their dethroned male and female vocalists of the year.

Dan: It’ll be interesting to see if “Remind Me” can unseat “Don’t You Wanna St– oh, who am I kidding. Nothing is interesting anymore.

Leeann: Ugh. I pretty much know that Jason Aldean and Kelly Clarkson will win, but I’d love to be wrong. Meanwhile, I continue to faithfully root for the Chesney/Potter collaboration.

Kevin: I like my Vocal Events to be full-out Vocal Events, so I’m going for Paisley/Underwood over Chesney with backing vocals from Potter.  The latter pair made the better record, though.

Ben:  I’m with Tara and Kevin.  “You and Tequila” is the best record overall, but that has more to do with Berg and Carter’s songwriting than with Potter’s contributions.  “Remind Me” is the one that feels like an actual event.

Sam: Aldean & Clarkson outscreamed Paisley & Underwood, so they lay claim to the trophy. Chesney and Potter, what were you two thinking by just going out there and singing? Next time, I want to hear some wailing and primal screams, because that’s what makes for a successful duet these days.

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Single Review: Eli Young Band, “Even if It Breaks Your Heart”

While I would prefer that contemporary country artists stop looking to the pop-rock music of the mid-1980s for their primary influences, I can at least credit Eli Young Band’s relative good taste.

Other A-list groups may aspire to the MOR sounds of Air Supply and REO Speedwagon, but Eli Young Band’s “Even if It Breaks Your Heart” tips its hand to the Replacements and Paul Westerberg.

Which is to say that at least they’re trying to sound like a very good band instead of an awful one, so they’ve handily cleared a bar that their peers have set just a few scant inches off the ground.

As a cover of singer-songwriter Will Hoge’s single from a couple of years back, “Even if It Breaks Your Heart” is to-the-note faithful to the original arrangement and to its homage to all of the things the Replacements did well: The electric guitar power-chords are heavy and carry just a hint of distortion, giving the track a sturdy rock wash that can’t entirely mask how much the melody and construction owe to classic pop conventions.

What that has to do with classic country conventions is another matter entirely, but, considering how few singles on country radio at the moment have a memorable melody or show any real regard for how to structure a hook, “Even if It Breaks Your Heart” does get a few important things right.

Lead singer Mike Eli, for his part, sings the song with as much conviction as he can muster. The natural rasp in Hoge’s voice brought a greater sense of gravity to his performance than Eli can pull off, but he makes a game effort to sell the song’s familiar narrative. As yet another testament to dues-paying and big dreams, “Even if It Breaks Your Heart” is fine enough, but “Chasin’ That Neon Rainbow,” it ain’t.

So it’s a matter of good but not great song, given a credible performance by a competent band with the wherewithal not to want to sound like Journey. While that, regrettably enough, might actually make for one of the year’s standout country singles, “Even if It Breaks Your Heart” is undermined by its frankly terrible engineering.

Eli Young Band were on the losing side of the Loudness War in the recording of their track: Precious few guitar chords in the full duration of the performance actually ring to the full breadth of their tone, giving the single a clipped, tinny sound. Just as there’s no excusing the poor taste of so many of today’s country artists, there’s no excuse, given the available technology, for a single to sound as bad as this.

Written by Will Hoge and Eric Paslay.

Grade: Solid B for the song and performance, but a D for the recording…

Listen: Even if It Breaks Your Heart

 

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2010 ACM Nominations

You know the drill. For each of the categories, we’ll look at who’s broken in since last year, who’s been excused, and then make a totally judgy statement about what it all means.

Entertainer of the Year

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band

Who’s In: Who isn’t?

Who’s Out: No one.

Snap Judgment: My best guess about the surprise expansion of this category is that ACM thinks the Oscars are onto something. They’re not. But while the Oscars risk having a Best Picture nomination lose some of its prestige, I don’t think the same quite holds true for ACM Entertainer, since an artist can already be nominated multiple times throughout a career anyway (and most are). So this could actually work, I guess. If nothing else, it’ll be interesting.

Top Male Vocalist of the Year

  • Kenny Chesney
  • Brad Paisley
  • Darius Rucker
  • George Strait
  • Keith Urban

Who’s In: Darius Rucker

Who’s Out: Toby Keith

Snap Judgment: No surprises here; it’s the same pool the CMA picked this past fall.

Top Female Vocalist of the Year

  • Miranda Lambert
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood
  • Lee Ann Womack

Who’s In: Reba McEntire

Who’s Out: Martina McBride

Snap Judgment: Martina shaft! Drama drama!

Top Vocal Group of the Year

  • Lady Antebellum
  • Little Big Town
  • Randy Rogers Band
  • Rascal Flatts
  • Zac Brown Band

Who’s In: Zac Brown Band

Who’s Out: The Lost Trailers

Snap Judgment: I imagine Love And Theft’s and Gloriana’s managers will be spending the morning trying to figure out who the hell Randy Rogers Band is. Seriously, I don’t know how RRB keeps squeezing into this race. Not complaining, though!

Top Vocal Duo of the Year

  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland

Who’s In: Steel Magnolia

Who’s Out: Big & Rich

Snap Judgment: What’s this? Five duos who actually did something in the last year? Get outta here.

Top New Solo Vocalist of the Year

  • Luke Bryan
  • Jamey Johnson
  • Chris Young

Who’s In: Chris Young, Luke Bryan (both re-entries from previous years)

Who’s Out: Jake Owen (won last year), James Otto

Snap Judgment: I’m just pretending this is the Top New Male category, since ACM’s annual changing around of award names and criteria can be kind of silly. This is going to be an interesting race to watch, especially since all three of these guys are nominated their second time here. It’s the last chance any of them will have to win it.

Top New Vocal Duo of the Year

  • Bomshel
  • Joey + Rory
  • Steel Magnolia

Who’s In: This category was merged with New Vocal Group last year, so none of these duos (being duos) were there.

Snap Judgment: Seriously, doesn’t this whole “actually having semi-active vocal duos” thing kind of weird you out at this point? (P.S. Vote for Joey + Rory!)

Top New Vocal Group of the Year

  • Eli Young Band
  • Gloriana
  • The Lost Trailers

Who’s In: Gloriana

Who’s Out: Zac Brown Band (won last year)

Snap Judgment: Love And Theft HQ must be a grim, grim place today.

Album of the Year

  • Brad Paisley, American Saturday Night
  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, Revolution
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Snap Judgment: Not a bad lineup, but the ACM’s lenience in the Album category never ceases to amaze. Lady Antebellum came out two full years ago.

Single Record of the Year

  • Lady Antebellum, “Need You Now”
  • Billy Currington, “People Are Crazy”
  • David Nail, “Red Light”
  • Zac Brown Band, “Toes”
  • Miranda Lambert, “White Liar”

Snap Judgment: I’m used to scratching my head in this category. Whatever.

Song of the Year

  • “Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “White Liar” – Natalie Hemby & Miranda Lambert
  • “You Belong With Me” – Liz Rose & Taylor Swift

Snap Judgment: …It’s like, do people even pay attention to lyrics anymore?

Video of the Year

  • Randy Houser, “Boots On”
  • Lady Antebellum, “Need You Now”
  • Brad Paisley, “Welcome to the Future”
  • Miranda Lambert, “White Liar”
  • Taylor Swift, “You Belong With Me”

Snap Judgment: Actually not a bad pool. The Lady A video is pretty boring, though.

Vocal Event of the Year

  • Blake Shelton feat. Trace Adkins, “Hillbilly Bone”
  • Brooks & Dunn feat. Billy Gibbons, “Honky Tonk Stomp”
  • Carrie Underwood feat. Randy Travis, “I Told You So”
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Jack Ingram with Patty Griffin, “Seeing Stars”

Snap Judgment: Eh.

- – -

What are y’all’s thoughts?

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The 201 Greatest Singles of the Decade, Part 8: #60-#41

The 201 Greatest Singles of the Decade, Part 8: #60-#41

#60
“Long Trip Alone”
Dierks Bentley
2006
Peak: #10

In a perfect world, this would be this decade’s wedding standard. – Kevin Coyne

#59
“Your Man”
Josh Turner
2005
Peak: #1

Lush baritone against an effortlessly charismatic, enticing invitation to let Turner be “your man.” How can you resist? – Tara Seetharam Continue reading

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Picking the CMA Nominees: Vocal Duo and Vocal Group

It’s often argued that Vocal Duo and Vocal Group should be combined into one category, but this is one of those rare years where the two categories have more than five worthy nominees between them.

My picks for Vocal Duo:

The only real filler in this category is Big & Rich, who have been largely dormant this past year.

As for Vocal Group, all five of my picks have been very active these past twelve months:

  • Eli Young Band
  • Lady Antebellum
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band

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It’s often argued that Vocal Duo and Vocal Group should be combined into one category, but this is one of those rare years where the two categories have more than five worthy nominees between them.
My picks for Vocal Duo:
Big & Rich
Brooks & Dunn
Joey + Rory
Montgomery Gentry
Sugarland
The only real filler in this category is Big & Rich, who have been largely dormant this past year.
As for Vocal Group, all five of my picks have been very active these past twelve months:
Eli Young Band
Lady Antebellum
Little Big Town
Rascal Flatts
Zac Brown Band
What are your picks for Vocal Duo and Vocal Group?
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Album Sales Update: July 2009

It’s time for an album sales update, our first since May 23.   Brad Paisley is off to a strong start with American Saturday Night, selling 130k in its first week. That’s about 70k less than his previous two studio albums – Time Well Wasted and 5th Gear – opened with, but not a terrible drop-off, considering the state of the music market.

Meanwhile, the new studio albums by Rascal Flatts and Keith Urban are slowing down considerably, now being outpaced on a weekly basis by 2008 releases by Taylor Swift, Zac Brown Band, Darius Rucker and Lady Antebellum.

Among younger acts with a new album in 2009, the most impressive sales are coming from Jason Aldean, while 2008 releases from Kellie Pickler, Billy Currington, and Randy Houser are showing new signs of life.

Biggest disappointments? It’s hard not to look in the direction of Martina McBride, who has barely cleared the 100k mark on her new studio set.  Lee Ann Womack’s 2008 set just made it over that mark, too.  Then again, one only needs to have sold 455 copies to make the chart this week, with the anchor position going to Wynonna with that total. Her covers album Sing – Chapter 1 has sold 41k to date.

Here are the latest totals for albums released over the past three years that are still charting:

2009

  • Rascal Flatts, Unstoppable – 842,000
  • Keith Urban, Defying Gravity – 452,000
  • Jason Aldean, Wide Open – 384,000
  • Kenny Chesney, Greatest Hits II – 281,000
  • Dierks Bentley, Feel That Fire – 219,000
  • Martina McBride, Shine – 104,000
  • John Rich, Son of a Preacher Man – 103,000
  • Eric Church, Carolina – 94,000
  • Rodney Atkins, It’s America – 88,000
  • Jake Owen, Easy Does It – 81,000
  • Randy Travis, I Told You So: Ultimate Hits – 78,000
  • Montgomery Gentry, For Our Heroes – 64,000
  • Willie Nelson & Asleep at the Wheel, Willie & The Wheel – 56,000
  • Steve Earle, Townes – 47,000
  • Colt Ford, Ride Through the Country – 45,000
  • Jason Michael Carroll, Growing Up is Getting Old – 45,000
  • Wynonna, Sing – Chapter 1 – 41,000
  • Hank Williams Jr. – 127 Rose Avenue – 34,000
  • Ryan Bingham, Roadhouse Sun – 15,000
  • Tracy Lawrence, Rock – 11,000
  • Darryl Worley, Sounds Like Life – 8,000
  • Holly Williams, Here With Me – 5,000
  • Charlie Robison, Beautiful Day – 3,000
  • Tanya Tucker, My Turn – 3,000

2008

  • Taylor Swift, Fearless – 3,464,000
  • Sugarland, Love on the Inside – 1,683,000
  • George Strait, Troubadour – 914,000
  • Alan Jackson, Good Time – 869,000
  • Darius Rucker, Learn to Live – 754,000
  • Kenny Chesney, Lucky Old Sun – 721,000
  • Zac Brown Band, Foundation – 681,000
  • Rascal Flatts, Greatest Hits Vol. 1 – 680,000
  • Lady Antebellum, Lady Antebellum – 674,000
  • Toby Keith, 35 Biggest Hits – 652,000
  • Jamey Johnson, That Lonesome Song – 509,000
  • Toby Keith, That Don’t Make Me a Bad Guy – 403,000
  • James Otto, Sunset Man – 374,000
  • Julianne Hough, Julianne Hough – 314,000
  • Kellie Pickler, Kellie Pickler – 261,000
  • Dierks Bentley, Greatest Hits – 255,000
  • Brad Paisley, Play – 247,000
  • Dolly Parton, Backwoods Barbie – 208,000
  • Tim McGraw, Greatest Hits Vol. 3 – 206,000
  • Billy Currington, Little Bit of Everything – 191,000
  • Trace Adkins, X – 185,000
  • Montgomery Gentry, Back When I Knew it All – 184,000
  • Joey + Rory, Life of a Song – 167,000
  • Blake Shelton, Startin’ Fires – 165,000
  • Eli Young Band, Jet Black and Jealous – 108,000
  • Lee Ann Womack, Call Me Crazy – 102,000
  • Craig Morgan, Greatest Hits – 81,000
  • Hank Williams III, Damn Right Rebel Proud – 80,000
  • Randy Houser, Anything Goes – 79,000
  • Lost Trailers, Holler Back – 69,000

2006-2007

  • Taylor Swift, Taylor Swift – 4,129,000
  • Carrie Underwood, Carnival Ride – 2,918,000

10 Comments

Filed under Crunching the Numbers, News

Eli Young Band, “Radio Waves”

eli young couchEli Young Band’s latest sounds like a hit from top to bottom, with crisp pop-rock production, likable vocals, and a brisk tempo that allows the song to breeze by pleasantly, even as the chorus just misses its intended melodic mark.

As I’ve said before, they’re basically just playing Rascal Flatts’ game with a little less drama, and the result here is pretty enjoyable, the kind of musical comfort food you expect from summer radio when it’s behaved.

If you enjoy the song, I have to recommend that you check out the Sugarland’s charming album cut “Tennessee”, which tells the same basic story with a similar beat and a little more personality. But “Radio Waves” will find a home where its title puts it, and it should.

Written by Blu Sanders & Mike Eli

Grade: B

Listen: Radio Waves

Buy:

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Album Sales Update

Here are the latest totals for albums released over the past three years that are still charting:

2009

  • Rascal Flatts, Unstoppable – 669,000
  • Keith Urban, Defying Gravity – 349,000
  • Jason Aldean, Wide Open – 241,000
  • Dierks Bentley, Feel That Fire – 189,000
  • Martina McBride, Shine – 89,000
  • John Rich, Son of a Preacher Man – 89,000
  • Rodney Atkins, It’s America – 72,000
  • Jake Owen, Easy Does It – 70,000
  • Eric Church, Carolina – 66,000
  • Randy Travis, I Told You So: Ultimate Hits – 59,000
  • Randy Rogers Band, Randy Rogers Band – 57,000
  • Pat Green, What I’m For – 54,000
  • Willie Nelson & Asleep at the Wheel, Willie & The Wheel – 50,000
  • Billy Ray Cyrus, Back to Tennessee – 29,000
  • Jason Michael Carroll, Growing Up is Getting Old – 26,000
  • Dean Brody, Dean Brody – 5,000

2008

  • Taylor Swift, Fearless – 3,220,000
  • Sugarland, Love on the Inside – 1,594,000
  • George Strait, Troubadour – 860,000
  • Alan Jackson, Good Time – 803,000
  • Keith Urban, Greatest Hits – 737,000
  • Kenny Chesney, Lucky Old Sun – 696,000
  • Darius Rucker, Learn to Live – 642,000
  • Rascal Flatts, Greatest Hits Vol. 1 – 642,000
  • Toby Keith, 35 Biggest Hits – 630,000
  • Lady Antebellum, Lady Antebellum – 572,000
  • Zac Brown Band, Foundation – 511,000
  • Jamey Johnson, That Lonesome Song – 438,000
  • Toby Keith, That Don’t Make Me a Bad Guy – 384,000
  • James Otto, Sunset Man – 368,000
  • Julianne Hough, Julianne Hough – 309,000
  • Dierks Bentley, Greatest Hits – 244,000
  • Brad Paisley, Play – 238,000
  • Jewel, Perfectly Clear – 226,000
  • Kellie Pickler, Kellie Pickler – 216,000
  • Dolly Parton, Backwoods Barbie – 199,000
  • Heidi Newfield, What am I Waiting For? – 197,000
  • Tim McGraw, Greatest Hits Vol. 3 – 196,000
  • Trace Adkins, X – 174,000
  • Montgomery Gentry, Back When I Knew it All – 173,000
  • Blake Shelton, Startin’ Fires – 152,000
  • Joey + Rory, Life of a Song – 152,000
  • Billy Currington, Little Bit of Everything – 133,000
  • Chuck Wicks, Starting Now – 129,000
  • Jimmy Wayne, Do You Believe Me Now – 127,000
  • Lee Ann Womack, Call Me Crazy – 94,000
  • Eli Young Band, Jet Black and Jealous – 92,000
  • Hank Williams III, Damn Right Rebel Proud – 76,000
  • Craig Morgan, Greatest Hits – 73,000
  • Lost Trailers, Holler Back – 65,000
  • Randy Houser, Anything Goes – 58,000

2006-2007

  • Taylor Swift, Taylor Swift – 4,129,000
  • Carrie Underwood, Carnival Ride – 2,852,000
  • Trace Adkins, Greatest Hits Vol. 2 – 627,000

20 Comments

Filed under Crunching the Numbers

Nab Eli Young Band's Latest Album for $.99

I like Eli Young Band. These boys play catchy pop-rock tunes with a little bit of country flourish, and given the right songs, they do it very well. “When it Rains” is so good that it climbed into the Top 40 with hardly any promotion, and listening to numbers like “Get in the Car and Drive” and “Enough is Enough” is like hearing Rascal Flatts with a less polarizing lead vocalist and more subdued production style.

The group is fairly new on the mainstream country scene, but they've been building up a grassroots following in Texas for years, and it's beginning to pay off, with single “Always the Love Songs” currently sitting at #14 on the charts.

Now, thanks to Amazon's Daily Deal, you can own their major-label debut, containing all of the above songs, for only a buck. It's a solid album – I gave it 3 stars myself – and at the price you'd normally pay for just one track, it's hard to lose!

Buying instructions: click on the big “Play” symbol to play the clips. When they start playing, a little box with information about the track will appear at the bottom of the box. Click where it says the album’s name (Jet Black & Jealous) to reach the full album. Alternatively, you can click the yellow “Buy MP3″ button to go to the page of the individual song that’s

playing, from which you can also reach the full album’s page.


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8 Comments

Filed under Bargain Hunter

ACM Top New Artist Winners

header_acm-awards1The winners have been announced for three of the Top New Artist categories at this year’s ACM Awards:

  • Top New Male Vocalist: Jake Owen
  • Top New Female Vocalist: Julianne Hough
  • Top New Vocal Duo or Group: Zac Brown Band

Jake Owen’s victory is something of an upset, as he was nominated against James Otto and Jamey Johnson, two men who received multiple Grammy nominations. Johnson still has a shot at some ACM awards this year, as he’s nominated in three other categories: Single, Song and Album of the Year. Owen is nominated for Vocal Event for his part in Sugarland’s multi-artist “Life in a Northern Town.”

Julianne Hough was chosen over Sarah Buxton and Ashton Shepherd, while Zac Brown Band won over the Eli Young Band and the Lost Trailers.

Owen, Hough and Zac Brown Band will compete for the Top New Artist award during the three-hour telecast on Sunday, April 5. We’ll be live-blogging, of course. Look for our predictions and personal picks later this week.

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