He’s talking about all the little details of family life that can seem irrelevant, or even irritating, like dad watching a game of the tube with a cigarette in one hand and whiskey in the other. But I couldn’t help thinking of McGraw himself, an artist that I never thought I’d miss because I didn’t expect him to go away.
Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year. Originally a revolving door of winners, the winner in early years was often not even nominated the following year. In 1981, Barbara Mandrell became the first artist to win the award twice. Alabama succeeded her with a three year run from 1982-1984. Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.
Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.
- Bill Anderson
- Eddy Arnold
- Merle Haggard
- Sonny James
- Buck Owens
One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.” He remains the only member of the Hall of Fame to win this award after being inducted.
I’ve only recently discovered the Most Played feature on iTunes, since it never had any relevance until iPods were large enough in memory to sync all of my music. So going back to early 2011, I have a lengthy list of the songs I’ve played the most.
2001 | #1
I will append a “-” onto the grade as a means of acknowledging the fact that the Bruce Robison original is overall superior. That said, Tim McGraw’s hit recording of “Angry All the Time” is an excellent record in its own right.
I’m sure there are relatively few artists who would have listened to Bruce Robison’s noncharting self-written 1998 single “Angry All the Time” and thought, ‘Hey, that sounds like a hit!’ But “Angry All the Time” was a classic instance of McGraw finding a hit in the most unlikely of places, and thus giving mass exposure to what was already an achingly beautiful, yet underrated composition.
He started out as one of the lesser-ran hat acts of the nineties boom, catapulted to fame on the strength of a novelty song. But skillful song selection and deepening commitment to artistry helped Tim McGraw emerge as one of the genre’s strongest talents.