Tag Archives: Kanye West

2015 Grammy Awards: Predictions & Personal Picks

57th Grammy AwardsThis year’s Grammy Awards air on Sunday, February 8, and country music will be represented with performances Eric Church, Miranda Lambert, and the tantalizing pairing of Brandy Clark and Dwight Yoakam.   Most of the awards will be handed out before the show, and we will post the relevant winners here, as part of a Grammy Open Thread where CU readers and writers can share their thoughts on this year’s awards.

Four CU writers, including myself, have shared our predictions and personal picks for the general and country-related categories below.  Of course, one of the coolest things about the Grammys is that it celebrates a wide range of music from the past year, and as you’ll see by our varying levels of participation, our tastes here at CU run the gamut.

This year, I’m as excited about the performances by Madonna, Kanye West (twice!), and that Hozier and Annie Lennox duet as I am about any of the country performers, and I’ll be rooting for West and Childish Gambino to sweep the Rap and Hip-Hop categories.

Who do you think will be the big winners on Sunday night, and who are you hoping will win and looking forward to seeing perform?  As always, share your thoughts in the comments!

Meghan Trainor All About That BassRecord of the Year

Will Win:

  • Iggy Azalea featuring Charli XCX, “Fancy”
  • Sia, “Chandelier”
  • Sam Smith, “Stay With Me” (Darkchild Version) - Kevin, Leeann, Jonathan, Ben
  • Taylor Swift, “Shake it Off”
  • Meghan Trainor, “All About That Bass”

Should Win:

  • Iggy Azalea featuring Charli XCX, “Fancy”
  • Sia, “Chandelier” – Jonathan
  • Sam Smith, “Stay With Me” (Darkchild Version)
  • Taylor Swift, “Shake it Off”
  • Meghan Trainor, “All About That Bass” – Kevin, Leeann

Kevin: In a decent year for pop music, any one of these records could credibly represent the year.  I think Sam Smith is Grammy catnip, so I expect him to win big.  I think “All About That Bass” was the most creative and interesting record of the five.

Leeann: I’m a fan of the Sam Smith song, but I agree with Kevin that “All About That Bass” is the most creative and interesting, not to mention the catchiest.

Jonathan: I actually thought it was a weak year for mainstream pop, as reflected by this fairly poor slate of nominees. Smith is right in that Adele / Norah Jones adult-pop wheelhouse that Grammy voters love, so he’s the most likely winner.  Sia’s “Chandelier” is the most progressive take on pop music among the five, though, if “Shake it Off” were to win anything, this would probably be the least egregious place to recognize Swift’s hit. I would have gladly rooted for the mash-up between Iggy Azalea’s and Reba’s respective takes on “Fancy.”

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Single Review: Brad Paisley, “This is Country Music”

I don’t think there’s ever been a song that I’ve wished remained an instrumental as much as this one, as the gorgeous instrumentation, especially the fiddle, is the very best example of what the title claims.

But alas, our reigning Entertainer of the Year insists on tackling the title with lyrics, and it doesn’t end well.  It doesn’t even begin well, with the ridiculous notion that country music is where you need to go to hear that Jesus is the answer, as it’s not afraid of rubbing folks the wrong way by saying so in a song. Michael W. Smith and countless Winans have made a career out of doing so without ever recording a country song.

Has Paisley managed to live an entire life in the south without ever stumbling upon Contemporary Christian or Gospel Music?  Of course he hasn’t. He’s just decided to do another tired country music spin on American exceptionalism.

We’re not the only country in the world that has freedom. By some measures, we might not even have the most of it.  But it makes us feel good to sing along to a song that pretends we’re the only home of the brave and the only land of the free.

This at least accomplishes national solidarity, so it can serve a meaningful purpose. What purpose does it serve to convince people that country music is the only place – the only place! – where we can find songs about cancer and Jesus?  And Mama? Don’t forget Mama!  Given that Kanye West wrote a better Mama song than any country composition this side of “No Charge”, Paisley best not perform “This is Country Music”  on the MTV Awards.

Given that the song quickly devolves into drinking on the weekend and hating on your boss by the second verse, it’s probably a waste of time to over-think this, even if it was Paisley’s insistence that has us going all meta in the first place. By the time he gets all serious again, this time via a soldier not coming home from war, Paisley has weighed down his impassioned defense of country music with so many genre stereotypes that he ends up being a witness for the prosecution.

If you happen to be curious about country music and want a song that also demonstrates “this is country music” without eliciting the knee-jerk response, “Why should I care?”, then I suggest you check out Sugarland’s “Very Last Country Song” instead.  It captures the same sentiment attempted here more effectively, and without the nonsensical “My genre can beat up your genre” undercurrent.

Grade: C

Listen: This is Country Music

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