My latest playlist is of covers. First, I have the original version (or the one that’s famous for being the original) followed by my favorite cover of it. My only rule is that I have to like both versions. So, songs where I like the cover but not the original won’t make the list.
A Story Song.
Here are the staff picks:
Tara Seetharam: “The Dance” – Garth Brooks
I’m not sure if this song really constitutes as a “story”song, but its metaphor is so beautifully written that it feels as rich as the best country songs in this category. Regret is a funny thing; sometimes it’s easier to succumb to it than it is to own and embrace your memories – fleeting though they may be. Brooks takes this somewhat tried and true theme and spins it into a poignant, lovely tribute.
It’s hard to believe, but it’s that time of year again: the 2011 Grammy Awards air this Sunday at 8 p.m. Eastern. Country music has its hand in the Grammy pot via major nominations for Lady Antebellum, performances by Miranda Lambert, Lady A and Martina McBride, and appearances by Keith Urban, Zac Brown, Blake Shelton and Kris Kristofferson. We’ve picked and predicted the awards below – chime in with your own thoughts, and stop by on Sunday night for our live blog!
- Arcade Fire, The Suburbs – Dan
- Eminem, Recovery – Kevin, Tara
- Lady Antebellum, Need You Now
- Lady Gaga, The Fame Monster
- Katy Perry, Teenage Dream
- Arcade Fire, The Suburbs
- Eminem, Recovery – Kevin, Dan, Tara
- Lady Antebellum, Need You Now
- Lady Gaga, The Fame Monster
- Katy Perry, Teenage Dream
Growing up, Thanksgiving was my favorite holiday, and it’s still pretty high up there today. When I was younger, I loved it because it was the one day out of the year that the extended family was all in one place, gathered around what seemed like an endless table. Those days are long gone, so now I appreciate the concept as much as the actual day.
For one day a year, people actually take the time to reflect on what they’re thankful for and verbalize it. I wish we could make it a semi-annual event, maybe add another three or four day weekend. Who wouldn’t be grateful for that?
As Dan observed in his single review of “Up on the Ridge”, there was a noticeable decline in Dierks Bentley’s music after his well received Long Trip Alone album. It is purely speculative to suggest, but one can’t help but wonder if Bentley himself felt staleness creeping into his music as well. It’s not farfetched for the idea to be true, since Dierks has proven himself to be an astute artist in the past. So, why wouldn’t he notice if there was, indeed, a shift?
As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.
As always, we start with a look at this year’s nominees and work our way back to 1968.
- Zac Brown Band, “Toes”
- Billy Currington, “People Are Crazy”
- Lady Antebellum, “Need You Now”
- Miranda Lambert, “White Liar”
- David Nail, “Red Light”
There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.
- Trace Adkins, “You’re Gonna Miss This”
- Jamey Johnson, “In Color”
- Miranda Lambert, “Gunpowder & Lead”
- Heidi Newfield, “Johnny and June”
- Brad Paisley, “Waitin’ On a Woman”
Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.
The ACM Awards has traditionally been overshadowed by the CMA Awards, despite its longer existence. This is for several reasons. First, the ACM originally existed to emphasize the West Coast country music scene, whereas the CMA Awards represented Nashville from the start. The ACM has also been more commercially-oriented from the beginning, as the history of this category proves. Eighteen of the last twenty winners in this ACM category are multi-platinum sellers, and the organization allowed greatest hits albums to compete for more than a decade.
Still, the ACM category has bragging rights of its own. Critically-acclaimed albums like Storms of Life, Trio, Killin’ Time and Crazy Ex-Girlfriend won at the ACMs but were overlooked by the CMAs. Additionally, women have also been far more successful at this ceremony. Only five women have ever won the CMA Album trophy, and one of them was Sissy Spacek! At the ACMs, women have dominated the category for the past three years, and the category has honored everyone from Loretta Lynn and Donna Fargo to K.T. Oslin and Shania Twain.
A special note about ACM flashbacks. Like the Grammys, the ACMs issue their award for a given year the following year, so the awards for 2009, for example, are given out in 2010. For the purposes of the flashbacks, Country Universe notes the year the award is presented. While the ACM first presented awards in 1966, the Album category wasn’t introduced until 1968.
As with other flashbacks, we begin with a look at this year’s nominees:
- Lady Antebellum, Lady Antebellum
- Miranda Lambert, Revolution
- Brad Paisley, American Saturday Night
- Carrie Underwood, Play On
- Zac Brown Band, The Foundation
Three previous winners – Miranda Lambert, Brad Paisley, and Carrie Underwood – compete against the debut albums of two hot bands. Lady Antebellum and Zac Brown Band each picked up a Grammy this year and are well represented on the rest of the ACM ballot. This is a very competitive race. Even the sales-friendly nature of the ACMs doesn’t help much here, as four of these albums are platinum and Lambert’s just went gold.
- Jamey Johnson, That Lonesome Song
- Montgomery Gentry, Back When I Knew It All
- George Strait, Troubadour
- Taylor Swift, Fearless
- Carrie Underwood, Carnival Ride
Taylor Swift became the third consecutive female artist to win in this category, a feat that would’ve seemed unthinkable earlier in the middle part of the decade, when country radio all but exiled women from radio.
By Guest Contributor Cory DeStein.
Over the river and through the snow to the ‘Shine All Night Tour’ we go…On this particular Saturday night a friend and I traveled through the snow and ice to attend the Martina McBride and Trace Adkins tour stop at the Peterson Event Center, here in Pittsburgh. This is the third time I have been fortunate enough to experience a Martina tour, along with the ‘Timeless’ and ‘Waking Up Laughing’ tour, and like those performances the country diva did not fail to deliver.
In front of a black back drop Trace kicked off the show, much to the delight of fan club section nestled quite noticeably to the right of the stage, rose onto the stage with his opening number “I Got My Game On” one of the many novelty songs he charmed the audience with throughout his one hour set.
Trace has one hell of a powerful voice, but he sadly didn’t go out of his way to show it throughout the show. He rather focused more on hits like “Honky Tonk Badonkadonk” “Hot Mama” “Swing” and “Rough and Ready” along with other similar tunes. Towards the end of his set, he introduced his recently crowned ACM Song of the Year, “You’re Gonna Miss This.”
A tense uncertainty hung over 2009, as the world waited to see what would become of a new American president, an economy in crisis, and a full deck of divisive social issues.
Popular music tends to respond to such a climate in one of two ways: by confronting the issues and their ramifications head-on, or by cranking up the escapism to drown it all out for a bit. 2009 leaned heavily on the latter course, as the thumping sex-pop of Lady GaGa and the fluttery boy-centrism of Taylor Swift dominated the airwaves and the registers, offering listeners a chance to believe, if only for a few passing moments, that the world was as simple as a ride on a disco stick or the defeat of an evil cheer captain.
Gretchen Peters is best-known as a singer-songwriter, and a successful one at that, having penned the CMA. Song Of The Year “Independence Day” in 1994 and scored a top five hit when Faith Hill recorded her song, “The Secret of Life” in 1999. It is surprising then that, with her seventh album, One to the Heart, One to the Head, she and Tom Russell would release an album consisting almost completely of covers. Reminiscent of Willie Nelson’s penchant for relaxed delivery, One to the Heart, One to the Head flows with subtle emotion and western imagery. – William Ward