How could you ever tell them apart? Thank goodness we have the diversity and variety of male voices in country music to keep things fresh. With deep gratitude to country music programmers for knowing what we really want. Thanks to your leadership, the genre is so much richer with talent today than it was in 1993.
“Little Red Wagon” Miranda Lambert Written by Audra Mae and Joe Ginsburg The bizarre handling of the singles from Miranda Lambert’s Platinum continues unabated with the arrival of “Little Red Wagon.” After leading off with far-and-away the two worst tracks on the album—the aesthetically and politically regressive “Automatic” and the empty bombast of “Somethin’ Bad”—then tagging “Smokin’ and Drinkin’,” an understated collaboration with Little Big Town, as the set’s next single before abruptly pulling the plug without explanation, Lambert’s team have declared “Little Red Wagon” as Lambert’s official third single. It’s been a long, strange ride thus far— one that smacks of the kind of nonsense typically reserved for veteran artists signed to Curb Records or to Sara Evans, rather than to an artist who is actively being pushed as one of the format’s superstars.
He may have been the runner-up on one of the weakest seasons of Survivor (finishing second to
this strategic powerhouse), but Chase Rice has beaten tough competition from the likes of Jason Aldean’s “1994,” Parmalee’s “Carolina,” Ashton Shepherd’s “This is America,” Blake Shelton’s “Boys Round Here,” Krystal Keith’s “Daddy Dance with Me,” and Luke Bryan’s “That’s My Kind of Night” for the title of 2013’s worst country single.