Despite the Grammys and even the ACM’s demonstrating more consistent taste over the past few years, the CMA’s remain the most significant industry awards that honor country music. This year’s slate of nominees gives the organization an opportunity to build on the credibility of last year’s George Strait victory. His win for Entertainer saved a dismal show in its closing minutes. Here’s our take on this year’s contenders: Entertainer of the Year Should Win: Luke Bryan Miranda Lambert Blake Shelton George Strait – Kevin, Jonathan, Tara, Ben Keith Urban Will Win: Luke Bryan Miranda Lambert Blake Shelton George Strait – Jonathan, Kevin, Tara, Ben Keith Urban Kevin: I’d settle for a Miranda Lambert victory, as she had an amazing year. But my first choice is George Strait, who deserves a fourth trophy for that record-breaking final concert. The rest of these nominees have either won before or still seem to Read More
This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark. Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days. Entertainer of the Year Luke Bryan Miranda Lambert Blake Shelton George Strait Keith Urban Who’s In: Miranda Lambert, Keith Urban Who’s Out: Jason Aldean, Taylor Swift George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert. Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.
While on the surface, music revolves around artists and the songs they sing, it’s the music producers who are ultimately essential to the finished product that we all hear and critique. Most producers have a hand in the vocals, the instrumentation and even the song selections that we hear on our favorite or not so favorite albums. Often times, when I hear that certain producers are going to produce upcoming projects, I automatically get an idea of what the project will sound like based on that particular producer’s previous works. For instance, when I hear that Dann Huff is to produce an album, I fairly or unfairly assume that the album will be slick pop-country that will include a lot of needless eighties influenced electric guitar solos. Similarly, whenever Scott Hendricks is connected to an album, I’m even more sure that I won’t be impressed by the finished product that Read More