May 16, 2010
It’s not a hard and fast rule, but oftentimes, the most intriguing albums come from extreme adversity. Such is the case for Chely Wright, whose finest project to date is her latest album, Lifted off the Ground, which comes from a long period of deep depression and subsequent painful self-examination of where she fits in the world. Masterfully produced by Rodney Crowell, the album is mostly a reflection of Wright’s darkest times of tumult, which naturally results in an album of varied emotions.
To set the tone for the project, the album opens with the slow-burning “Broken”, a resignation of lovers who can’t open themselves up enough to let the other person in. “Damn Liar” is an aggressive condemnation to, you guessed it, a no-good liar, while “Like Me” wistfully (and possibly controversially) contemplates the future of a close friend, “Who’s gonna end up holding your hand? / A beautiful woman or a tall, handsome man?” The most clever song on a very solid album, however, is the quirky “Notes to the Coroner”, wherein the protagonist points to her in-depth diary as her notes to the coroner on what caused her death, which simply happens to be a broken heart.
It’s not mainstream country music like she once did, but rather, more folk-tinged with a bit of tasteful pop influence sprinkled throughout, which will likely feel more comfortable with the Americana crowd. As a result, Rodney Crowell’s sympathetic production expertly supports Wright’s clear voice with a crisp, yet soft, foundation. Moreover, by pouring her heart and unfiltered thoughts into this album, we are treated to an introspective collection of songs with unique and accessible melodies and, more importantly, intelligent insights.