Country Universe has reviewed more than a thousand singles during its ten year run. Some of them have been real turkeys. Here are some of the worst, with highlights and links to the original reviews.
“Party Like Cowboyz”
Big & Rich
Reviewed on December 12, 2012
“Yes, from the opening cry of ‘Come on, cowboys and cowgirls, it’s time to par-tay!’ to the stupid ‘Z’ slapped onto the end of the title, this is just bad, bad, bad.” – Ben Foster
Written by Don Sampson and Wynn Varble
Simply put, “Mom” is the best single that Garth Brooks has released since the first term of the Bill Clinton administration.
Got your head around that yet? Good. Now process this: The best single Garth Brooks has released since the first term of the Bill Clinton administration is a Bonnie Tyler cover.
“Eat Sleep Love You Repeat”
Written by Ryan Bizarri and Walker Hayes
I don’t think anybody does “Aw, Shucks” country better than Rodney Atkins.
Whether that’s a compliment or an indictment depends on your level of appreciation for simple-minded sincerity. Personally, I find it endearing when it’s done reasonably well.
PrizeFighter: Hit After Hit
PrizeFighter: Hit after Hit includes the first set of new material from Trisha Yearwood in seven years. That new material, six tracks in total, is uniformly excellent and often extraordinary, adding to her already impressive legacy as the genre’s finest singer and interpreter of the last thirty years. What a pity that the rest of the collection cheapens and sullies that legacy.
Let’s start with those wonderful new tracks. The lead single and title cut, “PrizeFighter”, is an inspiring, get back up when you fall power anthem, featuring supporting vocals by Kelly Clarkson. In true Trisha form, the preview track is better than just about anything else on the radio today, yet still only hints at the treasures that await on the rest of the album.
As part of our tenth anniversary, the staff of Country Universe decided to celebrate a year that came ten years before our decade-old website: 1994. What can we say? We always look forward to looking backward!
Over the next few days, we’ll reveal our choices for the forty best singles and twenty best albums of 1994. We considered all charted singles and albums for inclusion on our list, along with additional selections that didn’t chart but are of notable critical and/or historical significance.
“Mean to Me”
Written by Scooter Carusoe and Brett Eldredge
Winning a major award seems as good a time as any to pay closer attention to an artist. Brett Eldredge collected his New Artist award at last week’s CMA Awards while his current hit, “Mean to Me”, was already ascending the charts.
Let’s get real here. We know going in that nothing can happen in 3 minutes and 50 seconds to make us say, “Hey, he totally deserved to win over Brandy Clark.” But “Mean to Me” does indicate that he’s a lot closer to Dierks Bentley or Kip Moore than he is to any of the interchangeable C-list acts that are singing about drinking and girls with their bare feet on the dashboard.
The 2014 CMA Awards show had more great moments than any telecast in years, pulling off the rare feat of making the genre appear far healthier and more appealing than it actually is! Here is a complete list of winners, followed by a few thoughts on the show itself.
As always, share your own thoughts in the comments!
2014 CMA Winners
Despite the Grammys and even the ACM’s demonstrating more consistent taste over the past few years, the CMA’s remain the most significant industry awards that honor country music. This year’s slate of nominees gives the organization an opportunity to build on the credibility of last year’s George Strait victory. His win for Entertainer saved a dismal show in its closing minutes.
Here’s our take on this year’s contenders:
Entertainer of the Year
- Luke Bryan
- Miranda Lambert
- Blake Shelton
- George Strait – Kevin, Jonathan, Tara, Ben
- Keith Urban
- Luke Bryan
- Miranda Lambert
- Blake Shelton
- George Strait – Jonathan, Kevin, Tara, Ben
- Keith Urban
Kevin: I’d settle for a Miranda Lambert victory, as she had an amazing year. But my first choice is George Strait, who deserves a fourth trophy for that record-breaking final concert. The rest of these nominees have either won before or still seem to have their best days ahead of them. There will never be another George Strait again.
Jonathan: The appalling sense of entitlement Jason Aldean has shown in his seemingly endless campaign of adult temper-tantrums disguised as interviews since these nominees were announced makes it all the more satisfying that the voters didn’t exclusively consider commercial and touring stats when voting for this award. I think that will likely continue with the final ballots, giving Strait the win here as a final send-off– a win that, as Kevin said, Strait’s last concert fully justifies based on even Aldean’s logic.
Tara: I have a feeling I’ll be pulling for Lambert next year, but 20 months after seeing it, I’m still high on Strait’s phenomenal farewell show. He deserves this.
Ben: Why not? Miranda will have plenty more shots at it, but this could be our last chance to see George Strait accept a CMA Entertainer of the Year trophy. Let the cowboy ride away in style.
Florida Georgia Line
Written by Cary Barlowe, Sarah Buxton, Jesse Frasure, Tyler Hubbard, and Brian Kelley
Apparently, this is the real second single from Florida Georgia Line’s new album. “Anything Goes”, which we reviewed last month, was just a promotional single to preview the album.
I didn’t think it was possible for the real second single to be worse than that record.
“Sun Daze” is much, much worse than that record.
“Somewhere in My Car”
Written by J.T. Harding and Keith Urban
First off, let’s give Keith Urban a tremendous amount of credit for his sleight of hand song craft here.
The core of “Somewhere in My Car” is another one of those “drive out late night with a girl and get a little crazy” numbers that we’ve heard a million times before. But Urban uses a clever framing device, with the protagonist being a lonely man who doesn’t want to go home, because all that’s waiting for him are the memories of when he and she were…cue “drive out late night with a girl and get a little crazy” chorus.