Author Archives: Kevin John Coyne

Single Review: Joe Nichols, “Hard to Be Cool”

Joe Nichols Hard to Be Cool

“Hard to Be Cool”
Joe Nichols

Written by Rob Hatch and Jason Sellers

I’m always rooting for Joe Nichols. He’s got a smooth twang, two qualities that usually don’t go together.  He’s made some solid music over the years, too.

What gets him in trouble is his strange tendency toward songs that walk the line between clever and corny. He seems to be drawn to songs that come up with an interesting concept, but never get around to building a compelling song around it.

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Single Review: Terri Clark, “I Cheated on You”

Terri Clark Some Songs

“I Cheated on You”
Terri Clark

Written by Brent Anderson, Brandy Clark, and Forrest Whitehead

“I Cheated on You” is likely to be the best country single of 2015 that barely gets heard south of the Canadian border.

Terri Clark’s latest single is perfectly structured, has an edge that can come only with maturity, and tells such an obvious country cheating tale that it’s amazing that it’s never been told this way before.

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Single Review: Blake Shelton, “Sangria”

Blake Shelton Sangria

“Sangria”
Blake Shelton

Written by J.T. Harding, Josh Osborne, and Trevor Rosen

This is Shelton’s best single an a good long while.

It’s smooth and seductive, without sounding overly coy or even the least bit tacky. The Sangria angle is used well both literally and figuratively, and the lyrics are creative enough that they don’t run the concept into the ground.

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Single Review: Jason Aldean, “Tonight Looks Good on You”

Jason Aldean Tonight Looks Good On You

“Tonight Looks Good on You”
Jason Aldean

Written by Rhett Akins, Dallas Davidson, and Ashley Gorley

Great artists start trends, and when everybody else is catching up to what they started, they’ve already moved on to something fresh.

Jason Aldean is not a great artist.

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Single Review: Dustin Lynch, “Hell of a Night”

Dustin Lynch Hell of  a NIght

“Hell of a Night”
Dustin Lynch

Written by Jaron Boyer, Zach Crowell, and Adam Sanders

I’m starting to believe that the “bro-country” movement doesn’t even exist, and it’s really just an attempt to ascribe meaning to a trend as old as Music City itself: lazy songwriting.

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Single Review: Kelsea Ballerini, “Love Me Like You Mean It”

Kelsea Ballerini Love me Like You Mean It

“Love Me Like You Mean It”
Kelsea Ballerini

Written by Kelsea Ballerini, Lance Carpenter, Josh Kerr, and Forest Glen Whitehead

This sounds like a demo recording for a Taylor Swift album that will never be recorded.

Credit to Kelsea Ballerini for co-writing her single and for not getting vocally lost in the shuffle of a fairly busy production.   I suppose there’s some promise underneath all of the proceedings here, and there’s nothing inherently awful about any of it.

But it takes a special kind of narcissistic charm to pull off a laundry list of requests for a potential beau, and she has neither the outsize personality or outsize list of demands to pull this off.  It would’ve worked better if she’d gone the vulnerable angle instead of the “I mean business” one, which she simply doesn’t have the assertiveness to convincingly convey.

It’s so milquetoast that it’s more like “Take it or Leave it” than “Love Me Like You Mean It.”

Grade: C-

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Single Review: Michael Ray, “Kiss You in the Morning”

Michael Ray Kiss You in the Morning

“Kiss You in the Morning”
Michael Ray

Written by Larry Michael White and Justin Tyler Wilson

Launching a new artist with this generic a single does a tremendous disservice to their budding career.

“Kiss You in the Morning” sounds exactly like everything else on the radio. It covers the most well-trodden lyrical ground in today’s country music. Ray’s a decent enough singer and the production is controlled, so it’s not memorable for being bad. Trouble is, it’s not really memorable at all.

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Discussion: Play the New Stuff, or Stick to the Hits?

Shania Twain Rock This Country TourShania Twain is returning to the road for the first time in more than a decade, and she’s calling it her farewell tour.

Well, technically, she’s calling it the Rock This Country tour, but it’s being marketed as both her return to and retirement from the road.

I should be all over this.  She’s one of my favorite all-time artists, and I loved her tour in support of Up!, which I still consider her best album.

But even though I enjoyed her Vegas television special last month, and even though any set list would be stacked with songs that I love, I’m honestly not that interested in seeing the show.

This is for a simple reason:  She’s not touring in support of new material.

I think I’m in the minority on this one, but I don’t like it when an artist only plays their hits from the past.   There’s something sterile about it, as if artistic vitality has been left in the rear view mirror and the artist is just attempting to recreate a time that has already passed.

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Single Review: Lady Antebellum, “Long Stretch of Love”

Lady Antebellum Long Stretch of Lonesome

“Long Stretch of Love”
Lady Antebellum

Written by David Haywood, Josh Kear, Charles Kelley, and Hillary Scott

A woefully anemic rocker.

Lady Antebellum have never exactly been known for over-the-top emoting, but this might be the most listless I’ve ever heard the band.

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Single Review: Florida Georgia Line, “Sippin’ on Fire”

Florida Georgia Line Sippin on Fire

“Sippin’ on Fire”
Florida Georgia Line

Written by Rodney Clawson, Matt Dragstrem, and Cole Taylor

There isn’t much logic in hoping for a successful act to abandon the formula that has gotten them where they are today.   Why fix what their fans don’t even care is broken?

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