So with the site up and running again, we’re back to work. What better way to kick things off than with a Daily Top Five of your favorite songs about work? Here’s my list: Sawyer Brown, “Cafe on the Corner” Alabama, “40 Hour Week (For a Livin’)” Dolly Parton, “He’s a Go Getter” Martina McBride, “Goin’ to Work” Aaron Tippin, “I Got it Honest”
Articles by Kevin John Coyne
Every once in a while, I’ll rediscover an artist that I’ve liked enough to listen to extensively, but somehow worked their way out of my rotation. Hearing them again, I’ll wonder why I ever stopped listening to them in the first place! For today’s top five, we’re asking you to share five tracks you love from one of your “forgotten favorites.” Here’s my list for Ricky Van Shelton: I’ll Leave this World Loving You Somebody Lied Keep it Between the Lines I Meant Every Word He Said The Picture
“Roots and Wings” Miranda Lambert Written by Miranda Lambert That’s right. Miranda’s so much on her game right now that a song written for a truck commercial outclasses most of the competition. This isn’t entirely unprecedented in country music. Dottie West wrote “Country Sunshine” for Coca-Cola, and even though it became a signature hit for her, she still tweaked the lyrics for maximum product placement.
Following up on today’s Say What?, we’re going full Gill for today’s Daily Top Five. What are your favorite Vince Gill albums, songs, and harmony tracks? Here are my lists: Albums These Days High Lonesome Sound I Still Believe in You The Key Pocket Full of Gold Songs The Key to Life Worlds Apart Threaten Me with Heaven What You Give Away When I Call Your Name Harmony Tracks “I Don’t Paint Myself into Corners” – Trisha Yearwood “No Place That Far” – Sara Evans “I Don’t Know Why You Don’t Want Me” – Rosanne Cash “How Great Thou Art” – Carrie Underwood “Timber, I’m Falling in Love” – Patty Loveless
In a long, fascinating interview with the Houston Press, Vince Gill was asked about the recent controversy involving female artists and country radio. Here’s what he had to say: “That’s one of the greatest tragedies in this stretch of life for me,” Gill says. “Because I’ve been inspired as much or more by women artists, equally, than I have as men. So if there’s only a couple that are getting the opportunity to really knock it out of the park at radio, then you just go, “What about Patsy Cline/Kitty Wells/Tammy Wynette/Loretta Lynn?’ “I could go on and on and on and on and name you about 50 great female artists,” Gill continues. “And I don’t know why that is. To me, they’re making much more…interesting records. They’re saying more things I’d prefer to hear, lyrically and song-wise, and that’s compelling. This Ashley Monroe kid, she writes songs like she’s Read More
Inspired by today’s Randy Houser single review, what are your top five early singles that made you think an artist was going to be way better than they ended up being? Here’s my list: Big & Rich, “Save a Horse (Ride a Cowboy)” Gretchen Wilson, “Redneck Woman” Deana Carter, “Strawberry Wine” The Band Perry, “If I Die Young” Billy Dean, “Somewhere in My Broken Heart”
“We Went” Randy Houser Written by John King, Matt Rogers, and Justin Wilson Randy Houser released one of my favorite debut singles back in 2008. I wrote back then that he sounded like a young Ronnie Dunn. He still sounds like Ronnie Dunn, but now he sounds like him when he was phoning in rave-ups during the latter days of Brooks & Dunn.
Every album tries to starts off strong, but it’s usually the second track that convinces you to keep listening to the rest. What do you think are the best second tracks on albums? Here’s my list: “Straight Tequila Night”, John Anderson (Seminole Wind) “Blown Away”, Carrie Underwood (Blown Away) “Dry Town”, Miranda Lambert (Crazy Ex-Girlfriend) “Guitars, Cadillacs”, Dwight Yoakam (Guitars, Cadillacs, Etc., Etc.) “Let Him Fly”, Patty Griffin (Living With Ghosts)
How could you ever tell them apart? Thank goodness we have the diversity and variety of male voices in country music to keep things fresh. With deep gratitude to country music programmers for knowing what we really want. Thanks to your leadership, the genre is so much richer with talent today than it was in 1993.