Category Archives: 5 Five-Second Single Reviews

Single Reviews Round-Up: Rascal Flatts, Toby Keith, Tim McGraw ft. Taylor Swift and Keith Urban, & Kip Moore

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Rascal Flatts, “Changed”

Like “I Won’t Let Go” a few years back, “Changed” is built on a sweeping sentiment, rousing melody and very little else. That’s not an inherently bad thing; despite an ounce of detail about the confessor, “Changed” feels like a confession –it pleads and swells and submits. Add in an earnest and relatively restrained performance, and the song has legs.

Written by Gary LeVox, Wendell Mobley & Neil Thrasher

Grade: B

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Toby Keith, “Hope on the Rocks”

There’s something slightly jarring about the patrons’ terribly depressing hardships when the only payoff in the song is alcohol-infused hope. Maybe that’s the point, or maybe the bartender’s storyline is just a pinch undercooked. Regardless, it’s hard to knock the lovely, retro-Keith vocals and arrangement.

Written by Toby Keith

Grade: B

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Tim McGraw ft. Taylor Swift and Keith Urban, “Highway Don’t Care”

In theory, this is a cool track: Swift’s removed, floating performance makes sense in a song about loneliness, and Urban’s vigorous guitar work could mirror the discord in any relationship. But the melody just isn’t as driving as the three artists think it is, and the pairing of McGraw and Swift doesn’t have much grit, sonically or romantically. There’s little to grab onto past the second or third listen.

Written by Mark Irwin, Josh Kear, & Brad and Brett Warren

Grade: C+

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Kip Moore, “Hey Pretty Girl”

No, love isn’t always as simple as the six-step journey that’s traced here, but the bittersweet melody and Moore’s naturally urgent delivery give the

story subtle dimension. Best of all is the jolt that comes from one ever-relevant line in the chorus, smartly directed at the listener: “Happiness don’t drag its feet” is as sage a piece of advice as any given by our favorite ’90s storytellers.

Written by Dan Couch & Kip Moore

Grade: A-

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Single Reviews Round-Up: Katie Armiger, Brett Eldredge, Justin Moore, Kelly Clarkson ft. Vince Gill, Miss Willie Brown, & Jason Aldean ft. Luke Bryan and Eric Church

Katie Armiger, “Better in a Black Dress”

Written by Katie Armiger and Blair Daly

An ode to being a chains-free, red wine-drinking hot mess could be tacky and unnecessarily snarky. In Armiger’s hands, it’s tasteful, swampy and empowering. Grade: B+

Brett Eldredge, “Don’t Ya” 

It’s been awhile since we’ve heard a voice as soulful as Eldredge’s massage a melody as enticing as this one. “Just Got Started Loving You” this song is not, but with its sly lyrics and irresistible chorus, it comes close. Grade: B+

Justin Moore, “Til My Last Day” 

Written by Brian Dean Maher, Justin Moore & Jeremy Stover

This year, country radio’s dark horse is the deceptively solid, slightly retro, mid-tempo song – think “Hard to Love,” “Time is Love,” “Beer Money” and “Lovin’ You is Fun.” Moore’s latest trails the pack, an earworm whose earnestness boosts it from bland to charming. Grade: B

Kelly Clarkson ft. Vince Gill, “Don’t Rush” 

Written by  Lindsay Chapman, Natalie Hemby & Blu Sanders

You can’t blend two of the greatest voices of our generation without a decent result. Unfortunately, that’s all this is – a pleasant, sweetly sung sleeper that doesn’t do much to elevate either of these enormous talents. Grade: B-

Miss Willie Brown, “You’re All That Matters to Me” 

Written by Robert John “Mutt” Lange

A manic, over-the-top love letter that’s simply not wacky enough to be the self-parody that its music video suggests. Grade: C

Jason Aldean ft. Luke Bryan and Eric Church, “The Only Way I Know” 

Written by Ben Hayslip and David Lee Murphy

Three of the fastest-rising male artists in country music are also three of the most distinct male artists in country music, each having built his fanbase on a unique persona and brand of swagger. Oddly, this collaboration seems to meld their personalities together into one that’s less interesting than all three.

But that’s not the bigger issue at hand. The song sinks because of its empty lyrics, its jarring theme of “humble pride” against a needlessly aggressive arrangement, and its subtle implication that a work ethic cut from a different cloth than the narrators’ is a lesser one.

Grade: D

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Summer Single Reviews Round-Up: Luke Bryan, Jake Owen, Jerrod Niemann, Zac Brown Band, Dierks Bentley

We’re halfway through the summer months, which means we’ve heard the handful of summer-oriented singles played on the radio approximately 17,283 times by now. In keeping with CU’s retro theme, let’s hit the singles we missed upon their initial release (sorry y’all!).

Luke Bryan, “Country Girl (Shake It For Me)”

Written by Luke Bryan & Dallas Davidson

Whereas Jason Aldean would likely have soaked this dance number in aggression, Bryan melts away its sexist edge by layering it with goofiness and playful energy. The result is a shamelessly catchy ditty that makes me want to shake it for the squirrels. File that under: Things I never thought I’d say. Grade: B

Jake Owen, “Barefoot Blue Jean Night”

Written by Dylan Altman, Eric Paslay & Terry Sawchuk

Look, I’m all about overdramatizing memories, so the atmospheric, arena rock set-up of the song doesn’t feel inherently ridiculous to me. But in order for a larger-than-life arrangement to have any traction, you’ve got to paint your memories with at least a nugget of lyrical depth. Grade: C+


Jerrod Niemann, “One More Drinkin’ Song”

Written by Richie Brown & Jerrod Niemann

Sounds like part George Strait, part Garth Brooks, part Niemann (+). Feels like a lack of creativity (-). Grade: B-

Zac Brown Band (Feat. Jimmy Buffett), “Knee Deep”

Written by Coy Bowles, Zac Brown, Wyatt Durrette & Jeffrey Steele

Like the innocent little brother of “Toes,” “Knee Deep” lacks spunk but radiates the same sea-breezy blissfulness. Bonus points for the crisp craftsmanship. Grade: B

Dierks Bentley, “Am I The Only One”

Written by Jim Beavers, Dierks Bentley & Jon Randall

If you can refrain from doing the obvious –holding this song up against the splendor of Up On The Ridge–, it falls a little less flat. Then again, I kind of dig the boozy lethargy, especially in Bentley’s performance– it’s like he really doesn’t give a damn about anything so long as he gets his party on. (Seriously, though, if I don’t even watch “Idol” on a Friday night, who does?) Grade: B-

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5 Five-Second Single Reviews: Trace Adkins, Jason Aldean, The Dirt Drifters, OCMS, Darius Rucker

Trace Adkins, “Just Fishin’” (Listen)

Written by Casey Beathard, Monty Criswell and Ed Hill

Wish this weren’t quite so heavy-handed about driving home the theme; a subtler approach could have made it a Strait-type classic. Still a nice, fresh idea, though.

Grade: B

Jason Aldean featuring Ludacris, “Dirt Road Anthem (Remix)” (Listen)

Written by Colt Ford and Brantley Gilbert

The jauntier rapping and production on Ludacris’ verse brings the track to life. They should have let him take over and just given Jason the choruses, a la Nelly/Tim’s “Over and Over.”

Grade: C+


The Dirt Drifters, “Always a Reason” (Listen)

Written by Ryan Fleener, Jeff Middleton and Justin Wilson

Their Springsteen is showing too much, but I still hope it’s a hit. Like “Something Better” before it, solid blue-collar bar rock.

Grade: B+

Old Crow Medicine Show, “Wagon Wheel”

Written by Bob Dylan and Ketch Secor

I’m confused. Are they actually releasing this oldie as a single? Wasn’t it already one? This is probably just some random promo thingy. In any case, still one of country music’s all-time great sing-alongs.

Grade: A+


Darius Rucker, “I Got Nothin’”

Written by Darius Rucker and Clay Mills

You got somethin’; you just ain’t usin’ it.

Grade: C

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5 Five-Second Single Reviews: Laura Alaina, Rodney Atkins, Sara Evans, Joe Nichols, Kellie Pickler

Lauren Alaina, “Like My Mother Does” (Listen)

Written by Nathan Chapman, Liz Rose and Nicole Williams

Not bad, but not nearly enough to acquit her from those pending desecration charges.

Grade: B-


Rodney Atkins, “Take a Back Road” (Listen)

Written by Rhett Akins and Luke Laird

Like you don’t already know exactly what this song sounds like.  (Bonus “+” for rhyming gravel with travel.)

Grade: C+

Sara Evans, “My Heart Can’t Tell You No” (Listen)

Written by Simon Climie and Dennis Morgan

Watery, country-pop claptrap.

Grade: D


Joe Nichols, “Take it Off” (Listen)

A radio jingle looking for a product.

Grade: C

Kellie Pickler, “Tough” (Listen)

Written by Leslie Satcher

Man! I Feel Like a Redneck Woman!

Grade: C

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