Single Review: Chris Young featuring Cassadee Pope, “Think of You”

January 19, 2016 // 8 Comments

Chris Young’s new duet single portrays a recently broken up man and woman revisiting the stomping grounds they once shared as a couple. The verses are laced with small details that make it easy for the listener to picture the scene. Young notes the “same old bar, same burned out lights,” while asking “Why in the hell does it feel like a different place?”

Single Review: Chris Lane, “Fix”

January 11, 2016 // 25 Comments

Combining the absolute worst lyrical tropes of peak bro-country with the faux R&B production Sam Hunt and Thomas Rhett have popularized, Chris Lane’s “Fix” is the harbinger of another dreadful year at country radio.

Single Review: Maren Morris, “My Church”

January 4, 2016 // 12 Comments

The most obvious points of comparison for singer-songwriter Maren Morris and her single “My Church” are to Sheryl Crow’s self-titled masterpiece and its follow-up, The Globe Sessions. Though Crow spent the 1990s as a pop star, her ties to the country genre were clear. “If It Makes You Happy” was always a honky-tonk anthem waiting to happen, while “The Difficult Kind,” “Home,” and “Mississippi” all sound more recognizably country than do current chart-topping hits by Sam Hunt, Kelsea Ballerini, and Thomas Rhett.

Year-End Rodeo 2015: Individual Ballots

December 29, 2015 // 5 Comments

Now that our final lists of the 40 Best Singles of 2015 and 20 Best Albums of 2015 are posted and open for discussion, we have decided to post each of our seven writers’ individual ballots for the year-end countdowns, so we can give at least a bit of attention to even more great music from the past year.

The Best Albums of 2015, Part Two: #10-#1

December 28, 2015 // 6 Comments

The upper half of our albums list reflects the revitalization of country music in 2015, courtesy of mostly younger artists with fresh perspectives in their lyrics and arrangements. There is still a legend or two in the mix, but if this year has proven anything, it’s that the genre’s future is in good hands.

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