Tag Archives: Brooks & Dunn

ACM Flashback: Album of the Year

The ACM Awards has traditionally been overshadowed by the CMA Awards, despite its longer existence. This is for several reasons.  First, the ACM originally existed to emphasize the West Coast country music scene, whereas the CMA Awards represented Nashville from the start.  The ACM has also been more commercially-oriented from the beginning, as the history of this category proves.  Eighteen of the last twenty winners in this ACM category are multi-platinum sellers, and the organization allowed greatest hits albums to compete for more than a decade.

Still, the ACM category has bragging rights of its own. Critically-acclaimed albums like Storms of Life, Trio, Killin’ Time and Crazy Ex-Girlfriend won at the ACMs but were overlooked by the CMAs.  Additionally, women have also been far more successful at this ceremony. Only five women have ever won the CMA Album trophy, and one of them was Sissy Spacek!  At the ACMs, women have dominated the category for the past three years, and the category has honored everyone from Loretta Lynn and Donna Fargo to K.T. Oslin and Shania Twain.

A special note about ACM flashbacks. Like the Grammys, the ACMs issue their award for a given year the following year, so the awards for 2009, for example, are given out in 2010.  For the purposes of the flashbacks, Country Universe notes the year the award is presented. While the ACM first presented awards in 1966, the Album category wasn’t introduced until 1968.

As with other flashbacks, we begin with a look at this year’s nominees:

2010

  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, Revolution
  • Brad Paisley, American Saturday Night
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Three previous winners – Miranda Lambert, Brad Paisley, and Carrie Underwood – compete against the debut albums of two hot bands.  Lady Antebellum and Zac Brown Band each picked up a Grammy this year and are well represented on the rest of the ACM ballot.  This is a very competitive race. Even the sales-friendly nature of the ACMs doesn’t help much here, as four of these albums are platinum and Lambert’s just went gold.

2009

  • Jamey Johnson, That Lonesome Song
  • Montgomery Gentry, Back When I Knew It All
  • George Strait, Troubadour
  • Taylor Swift, Fearless
  • Carrie Underwood, Carnival Ride

Taylor Swift became the third consecutive female artist to win in this category, a feat that would’ve seemed unthinkable earlier in the middle part of the decade, when country radio all but exiled women from radio.

2008

  • Rodney Atkins, If You’re Going Through Hell
  • Kenny Chesney, Just Who I Am: Poets and Pirates
  • Miranda Lambert, Crazy Ex-Girlfriend
  • Brad Paisley, 5th Gear
  • Taylor Swift, Taylor Swift

A visibly shocked Lambert accepted the trophy for her critically acclaimed sophomore set.  While it did go gold, it remains an anomaly among ACM album winners. You have to go all the way back to 1979 (Oak Ridge Boys) to find another ACM album winner that didn’t sell platinum or higher.

2007

  • Brooks & Dunn, Hillbilly Deluxe
  • Vince Gill, These Days
  • Rascal Flatts, Me and My Gang
  • George Strait, It Just Comes Natural
  • Carrie Underwood, Some Hearts

Carrie Underwood became the first solo female artist to win this award in eleven years with her 7 million-selling Some Hearts.

2006

  • Gary Allan, Tough All Over
  • Brad Paisley, Time Well Wasted
  • Rascal Flatts, Feels Like Today
  • Sugarland, Twice the Speed of Life
  • Lee Ann Womack, There’s More Where That Came From

A strikingly strong lineup, with the victory going to Brad Paisley. Due to differences in eligibility between the two shows, there are two CMA winners in this category. Not only did Paisley repeat his victory the following fall, Womack won the CMA the previous year.

2005

  • Kenny Chesney, When the Sun Goes Down
  • Sara Evans, Restless
  • Tim McGraw, Live Like You Were Dying
  • Keith Urban, Be Here
  • Gretchen Wilson, Here for the Party

Though he’s always been popular with the CMA and Grammy voters, Urban’s only Album award to date came courtesy of the ACMs. Oddly enough, they haven’t nominated him since.

2004

  • Brooks & Dunn, Red Dirt Road
  • Toby Keith, Shock’n Y’All
  • Martina McBride, Martina
  • Brad Paisley, Mud on the Tires
  • George Strait, Honkytonkville

On an evening where he won several major awards, Keith picked up his second Album of the Year trophy from the ACMs for an album that included the #1  hits “American Soldier”, “Whiskey Girl”,  and “I Love This Bar.”

2003

  • Kenny Chesney, No Shoes, No Shirt, No Problems
  • Dixie Chicks, Home
  • Alan Jackson, Drive
  • Toby Keith, Unleashed
  • Trick Pony, On a Mission

If you think all of those 2009 nominations for Heidi Newfield were surprising, check out Trick Pony’s presence in this category among four albums that sold more than 4 million copies each.  Alan Jackson picked up his third trophy in this category for the album that included “Where Were You (When the World Stopped Turning)” and “Drive (For Daddy Gene)”.

2002

  • Brooks & Dunn, Steers & Stripes
  • Toby Keith, Pull My Chain
  • Tim McGraw, Set This Circus Down
  • Soundtrack, O Brother, Where Art Thou?
  • Travis Tritt, Down the Road I Go

Big comeback albums for Brooks & Dunn and Travis Tritt were nominated, but it was no surprise to see the victory go to the landmark soundtrack that sold more than eight million copies in the end.

2001

  • Johnny Cash, American III: Solitary Man
  • Billy Gilman, One Voice
  • Toby Keith, How Do You Like Me Now?!
  • Brad Paisley, Who Needs Pictures
  • Lee Ann Womack, I Hope You Dance

Even Keith was a veteran in comparison to Gilman and Paisley, who were nominated with their debut albums, but the biggest surprise was the nomination of Cash for his third project with Rick Rubin. Even the CMA didn’t recognize those collaborations until the fourth volume and “Hurt.”

2000

  • Asleep at the Wheel, Ride With Bob
  • Dixie Chicks, Fly
  • Faith Hill, Breathe
  • George Jones, Cold Hard Truth
  • Tim McGraw, A Place in the Sun

An impressively eclectic lineup is unsurprisingly represented by the consensus choice Dixie Chicks, the one act that everybody used to agree on.

1999

  • Garth Brooks, Double Live
  • Dixie Chicks, Wide Open Spaces
  • Faith Hill, Faith
  • Jo Dee Messina, I’m Alright
  • George Strait, One Step at a Time

For the fourth time in the nineties, the trophy went to an artist’s breakthrough album.  After their shocking win at the Grammys a few weeks earlier, this Dixie Chicks victory wasn’t quite as surprising.

1998

  • Garth Brooks, Sevens
  • Patty Loveless, Long Stretch of Lonesome
  • Tim McGraw, Everywhere
  • George Strait, Carrying Your Love With Me
  • Shania Twain, Come On Over

Strait’s third victory in this category tied him with Alabama for most wins.  It was also his first album to top the overall Billboard 200, a feat he’s repeated with three additional albums.

1997

  • Brooks & Dunn, Borderline
  • Tracy Lawrence, Time Marches On
  • Patty Loveless, The Trouble With the Truth
  • LeAnn Rimes, Blue
  • George Strait, Blue Clear Sky

Strait’s victory came with an album that featured the #1 hits “Blue Clear Sky” and “Carried Away”, along with the rodeo-themed “I Can Still Make Cheyenne.”

1996

  • Brooks & Dunn, Waitin’ On Sundown
  • Patty Loveless, When Fallen Angels Fly
  • Tim McGraw, All I Want
  • George Strait, Lead On
  • Shania Twain, The Woman in Me

Although Loveless won the CMA award the previous fall, the ACM sided with the Grammy winner for Best Country Album, Shania Twain’s landmark set, The Woman in Me.

1995

  • Garth Brooks, In Pieces
  • Mary Chapin Carpenter, Stones in the Road
  • Vince Gill, When Love Finds You
  • Alan Jackson, Who I Am
  • Tim McGraw, Not a Moment Too Soon

McGraw’s only victory in this category came with his first nomination. This set remains his top-selling to date, thanks to the presence of the massive hits “Don’t Take the Girl”, “Indian Outlaw”, “Down on the Farm”, and the title track.

1994

  • Brooks & Dunn, Hard Workin’ Man
  • Billy Ray Cyrus, It Won’t Be the Last
  • Vince Gill, I Still Believe In You
  • Alan Jackson, A Lot About Livin’ (And a Little ‘Bout Love)
  • Various Artists, Common Thread: The Songs of the Eagles
  • Dwight Yoakam, This Time

Alan Jackson picked up his second victory in this category with an album that included “Chattahoochee”, which would remain his biggest hit for nearly a decade.

1993

  • Garth Brooks, The Chase
  • Brooks & Dunn, Brand New Man
  • Mary Chapin Carpenter, Come On Come On
  • Billy Ray Cyrus, Some Gave All
  • Wynonna, Wynonna

These are some big selling albums. Wynonna and Mary Chapin Carpenter both sold five million and they are tied for last place among the nominees.  It’s easy to forget how fresh the Brooks & Dunn sound was when it first arrived on the scene.  Five hits, including the classic title track, “Neon Moon”, and “Boot Scootin’ Boogie”, helped power them to a win.

1992

  • Garth Brooks, No Fences
  • Garth Brooks, Ropin’ the Wind
  • Alan Jackson, Don’t Rock the Jukebox
  • Ricky Van Shelton, Backroads
  • Travis Tritt, It’s All About to Change

In perhaps the most bizarre moment in this category’s history, Garth Brooks competed again with No Fences, which won the same award last year. Alan Jackson emerged victorious with his sophomore set.

1991

  • Alabama, Pass it On Down
  • Garth Brooks, No Fences
  • Vince Gill, When I Call Your Name
  • Alan Jackson, Here in the Real World
  • Ricky Van Shelton, RVS III

No Fences includes the Garth Brooks classics “Friends in Low Places”, “Unanswered Prayers”, and “The Thunder Rolls”. It remains his highest-selling album to date, and second only to Shania Twain’s Come On Over among all single-disc country albums in history.

1990

  • Clint Black, Killin’ Time
  • Rodney Crowell, Diamonds and Dirt
  • Kathy Mattea, Willow in the Wind
  • Nitty Gritty Dirt Band, Will the Circle Be Unbroken? Vol. II
  • Randy Travis, Old 8×10

The winning album demonstrates why Clint Black was the head of the Class of ’89, even though he’d soon be overshadowed by fellow newbie Garth Brooks.

1989

  • Vern Gosdin, Chiseled in Stone
  • K.T. Oslin, This Woman
  • Ricky Van Shelton, Loving Proof
  • George Strait, If You Ain’t Lovin’ You Ain’t Livin’
  • Dwight Yoakam, Buenos Noches From a Lonely Room

K.T. Oslin dominated the awards circuit in 1988 and 1989, with her final victories coming at the ACM Awards.  Her Album of the Year winner included the #1 hit “Hold Me”, along with the top five hits “Hey Bobby” and the title track.

1988

  • The Judds, Heart Land
  • Dolly Parton, Linda Ronstadt, and Emmylou Harris, Trio
  • George Strait, Ocean Front Property
  • Randy Travis, Always and Forever
  • Hank Williams Jr., Born to Boogie

The classic project by legends Dolly Parton, Linda Ronstadt, and Emmylou Harris also won a CMA for Vocal Event and a Grammy for Best Country Performance by a Duo or Group with Vocals.

1987

  • The Judds, Rockin’ With the Rhythm
  • Ricky Skaggs, Live in London
  • George Strait, 7
  • Randy Travis, Storms of Life
  • Dwight Yoakam, Guitars, Cadillacs, Etc., Etc.

The neo-traditionalist movement at its peak, with a win by its standard-bearing artist with his standard-bearing debut album.

1986

  • Alabama, 40 Hour Week
  • Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson, Highwayman
  • The Judds, Why Not Me
  • George Strait, Does Fort Worth Ever Cross Your Mind
  • Hank Williams Jr., Five-O

The only #1 hit from this album was the title track, but “The Fireman” and “The Cowboy Rides Away” have since become signature songs for the legendary artist.

1985

  • Alabama, Roll On
  • Earl Thomas Conley, Don’t Make it Easy On Me
  • Ricky Skaggs, Don’t Cheat in Our Hometown
  • George Strait, Right or Wrong
  • Hank Williams Jr., Man of Steel

Their third victory in four years came on the strength of the hits “Roll On (Eighteen Wheeler)”, “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)”, “(There’s a) Fire in the Night”, and “When We Make Love.”

1984

  • Alabama, The Closer You Get
  • John Anderson, Wild & Blue
  • Merle Haggard, Going Where the Lonely Go
  • Merle Haggard & Willie Nelson, Pancho & Lefty
  • Ricky Skaggs, Highways & Heartaches

Over a field of traditionalists old and new, the pop-country supergroup Alabama won their second Album award. In addition to the hit title track, The Closer You Get… included the hits “Lady Down on Love” and “Dixieland Delight.”

1983

  • Alabama, Mountain Music
  • Willie Nelson, Always On My Mind
  • Kenny Rogers, Love Will Turn You Around
  • Ricky Skaggs, Waitin’ For the Sun to Shine
  • Don Williams, Listen to the Radio

Nelson’s biggest single powered the album of the same name to victory. It also included a pair of #2 hits: “Last Thing I Needed First Thing This Morning” and “Let it Be Me.”

1982

  • Alabama, Feels So Right
  • Rosanne Cash, Seven Year Ache
  • George Jones, Still the Same Ole Me
  • Oak Ridge Boys, Fancy Free
  • Dolly Parton, 9 to 5 and Odd Jobs

With the exception of George Jones, all the nominees here enjoyed significant pop success with these projects. Alabama won their first trophy in this category with Feels So Right, which included the hit title track, “Old Flame”, and their biggest crossover hit, “Love in the First Degree.”

1981

  • Charley Pride, There’s a Little Bit of Hank in Me
  • Kenny Rogers, Greatest Hits
  • Soundtrack, Coal Miner’s Daughter
  • Soundtrack, Urban Cowboy
  • Don Williams, I Believe in You

For all that it’s been maligned, the Urban Cowboy soundtrack does have a lot of classic hits on it.  Some of them were recycled, like “Devil Went Down to Georgia” and “Lyin’ Eyes”, but some were introduced on the soundtrack, most notably Anne Murray’s “Could I Have This Dance” and Johnny Lee’s “Lookin’ For Love.”

1980

  • Larry Gatlin, Straight Ahead
  • Emmylou Harris, Blue Kentucky Girl
  • Waylon Jennings, Greatest Hits
  • Willie Nelson, Willie Sings Kristofferson
  • Kenny Rogers, Kenny

Those of you wondering how on earth Larry Gatlin was the winner in this field should know that this was actually a platinum-selling album. Perhaps its big hit, “All the Gold in California”, endeared the project to west coast voters.

1979

  • Ronnie Milsap, It Was Almost Like a Song
  • Anne Murray, Let’s Keep it That Way
  • Willie Nelson, Stardust
  • Oak Ridge Boys, Y’All Come Back Saloon
  • Kenny Rogers & Dottie West, Every Time Two Fools Collide

They had made several albums as gospel stars, but it was their first big country hit that fueled this win for Album of the Year.

1978

  • Waylon Jennings, Ol’ Waylon
  • Dolly Parton, Here You Come Again
  • Elvis Presley, Moody Blue
  • Kenny Rogers, Kenny Rogers
  • Conway Twitty, Greatest Hits Vol. II

This self-titled album was renamed “Lucille” in later pressings to capitalize on its biggest hit.

1977

  • Mickey Gilley, Gilley’s Smokin’
  • Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, Wanted! The Outlaws
  • Loretta Lynn, Somebody Somewhere
  • Marty Robbins, El Paso City
  • Conway Twitty, Now and Then

Gilley’s winning album features his most well known hit, “Don’t the Girls All Get Prettier at Closing Time.” It’s the most recent album in the category’s history that hasn’t reached at least gold status.

1976

  • Glen Campbell, Rhinestone Cowboy
  • Freddie Fender, Before the Next Teardrop Falls
  • Merle Haggard, Keep Movin’ On
  • Loretta Lynn & Conway Twitty, Feelins’
  • Willie Nelson, Red Headed Stranger

This shared award is the only Album trophy that either Lynn or Twitty won from the ACM or CMA, though Lynn did go on to win Best Country Album three decades later at the Grammys.

1975

  • John Denver, Back Home Again
  • Merle Haggard, Merle Haggard Presents His 30th Album
  • Loretta Lynn, They Don’t Make ‘Em Like My Daddy
  • Cal Smith, Country Bumpkin
  • Bob Wills, For the Last Time

Denver’s biggest country album, it spent thirteen weeks atop the country album chart. The title track topped the chart, and “Annie’s Song” became a wedding standard.

1974

  • Merle Haggard, I Love Dixie Blues…so I Recorded “Live” in New Orleans
  • Loretta Lynn, Love is the Foundation
  • Charlie Rich, Behind Closed Doors
  • Johnny Rodriguez, Introducing Johnny Rodriguez
  • Conway Twitty & Loretta Lynn, Louisiana Woman, Mississippi Man

Rich’s classic set has sold four million copies, an unheard of tally for a country album from this time period. It didn’t hurt that the title track and “The Most Beautiful Girl” were crossover hits, with the latter actually topping the pop singles chart.

1973

  • Mac Davis, Baby Don’t Get Hooked On Me
  • Donna Fargo, The Happiest Girl in the Whole U.S.A.
  • Merle Haggard, The Best of the Best of Merle Haggard
  • Merle Haggard, It’s Not Love (But It’s Not Bad)
  • Merle Haggard, Let Me Tell You About a Song
  • Freddie Hart, Bless Your Heart

Donna Fargo triumphed in a field of six albums, half of which were recorded by Merle Haggard! The Fargo set produced two million-selling singles – the title track and “Funny Face”.

1972

  • Merle Haggard, Hag
  • Merle Haggard, Someday We’ll Look Back
  • Freddie Hart, Easy Loving
  • Ray Price, I Won’t Mention it Again
  • Charley Pride, Charley Pride Sings Heart Songs

The title track was a massive hit, helping Hart’s Easy Loving reach gold status and spend nine weeks atop the country albums chart.

1971

  • Glen Campbell, The Glen Campbell Goodtime Album
  • Merle Haggard, The Fightin’ Side of Me
  • Merle Haggard, A Tribute to the Best Damn Fiddle Player in the World (or, My Salute to Bob Wills)
  • Ray Price, For the Good Times
  • Charley Pride, Charley Pride’s 10th Album

Who knows how many times Haggard could’ve won this award if he wasn’t nominated against himself? This year, Ray Price’s For the Good Times was the victor, thanks to the Kristofferson-penned title track.

1970

  • Glen Campbell, Live
  • Johnny Cash, At Folsom Prison
  • Merle Haggard, Okie From Muskogee
  • Charley Pride, Best of Charley Pride
  • Tammy Wynette, Greatest Hits

Haggard’s only victory in this category was for a live album. Incidentally, he won over two other live albums and a pair of greatest hits sets.

1969

  • Glen Campbell, Wichita Lineman
  • Bobbie Gentry & Glen Campbell, Bobbie Gentry & Glen Campbell
  • Merle Haggard, The Best of Merle Haggard
  • Merle Haggard, Mama Tried
  • Buck Owens, Best of Buck Owens

Campbell won for the second year in a row, this time sharing the victory with Bobbie Gentry of “Ode to Billie Joe” fame.

1968

  • Glen Campbell, Burning Bridges
  • Glen Campbell, Gentle on My Mind
  • Merle Haggard, Branded Man
  • Merle Haggard, I’m a Lonesome Fugitive
  • Wynn Stewart, It’s Such a Pretty World Today

California favorite Glen Campbell won the first ACM trophy in this category, and he’d remain a favorite of the Academy over the next decade.

Facts & Feats

Multiple Wins:

  • (3) – Alabama, Alan Jackson, George Strait
  • (2) – Glen Campbell, Dixie Chicks, Toby Keith

Most Nominations:

  • (17) – Merle Haggard
  • (12) – George Strait
  • (7) – Garth Brooks, Glen Campbell, Willie Nelson
  • (6) – Alabama, Tim McGraw
  • (5) – Loretta Lynn, Brad Paisley, Kenny Rogers

Most Nominations Without a Win:

  • (4) – Vince Gill, Waylon Jennings, Charley Pride, Ricky Skaggs
  • (3) – Johnny Cash, Kenny Chesney, The Judds, Patty Loveless, Ricky Van Shelton, Hank Williams Jr., Dwight Yoakam

Albums that won the ACM Award and the CMA Award:

  • Merle Haggard, Okie From Muskogee
  • Charlie Rich, Behind Closed Doors
  • Willie Nelson, Always on My Mind
  • Alabama, The Closer You Get
  • George Strait, Does Fort Worth Ever Cross Your Mind
  • Garth Brooks, No Fences
  • George Strait, Blue Clear Sky
  • George Strait, Carrying Your Love With Me
  • Dixie Chicks, Fly
  • Soundtrack, O Brother Where Art Thou?
  • Alan Jackson, Drive
  • Brad Paisley, Time Well Wasted
  • George Strait, It Just Comes Natural
  • Taylor Swift, Fearless

Albums that Won the ACM award and the Grammy for Album of the Year:

  • Soundtrack, O Brother Where Art Thou?
  • Taylor Swift, Fearless

Albums that Won the ACM award and the Grammy for Best Country Album (only presented in 1965-1966 and 1995-present):

  • Shania Twain, The Woman in Me
  • Dixie Chicks, Wide Open Spaces
  • Dixie Chicks, Fly
  • George Strait, Troubadour
  • Taylor Swift, Fearless

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Filed under ACM Awards

2010 ACM Nominations

You know the drill. For each of the categories, we’ll look at who’s broken in since last year, who’s been excused, and then make a totally judgy statement about what it all means.

Entertainer of the Year

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band

Who’s In: Who isn’t?

Who’s Out: No one.

Snap Judgment: My best guess about the surprise expansion of this category is that ACM thinks the Oscars are onto something. They’re not. But while the Oscars risk having a Best Picture nomination lose some of its prestige, I don’t think the same quite holds true for ACM Entertainer, since an artist can already be nominated multiple times throughout a career anyway (and most are). So this could actually work, I guess. If nothing else, it’ll be interesting.

Top Male Vocalist of the Year

  • Kenny Chesney
  • Brad Paisley
  • Darius Rucker
  • George Strait
  • Keith Urban

Who’s In: Darius Rucker

Who’s Out: Toby Keith

Snap Judgment: No surprises here; it’s the same pool the CMA picked this past fall.

Top Female Vocalist of the Year

  • Miranda Lambert
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood
  • Lee Ann Womack

Who’s In: Reba McEntire

Who’s Out: Martina McBride

Snap Judgment: Martina shaft! Drama drama!

Top Vocal Group of the Year

  • Lady Antebellum
  • Little Big Town
  • Randy Rogers Band
  • Rascal Flatts
  • Zac Brown Band

Who’s In: Zac Brown Band

Who’s Out: The Lost Trailers

Snap Judgment: I imagine Love And Theft’s and Gloriana’s managers will be spending the morning trying to figure out who the hell Randy Rogers Band is. Seriously, I don’t know how RRB keeps squeezing into this race. Not complaining, though!

Top Vocal Duo of the Year

  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland

Who’s In: Steel Magnolia

Who’s Out: Big & Rich

Snap Judgment: What’s this? Five duos who actually did something in the last year? Get outta here.

Top New Solo Vocalist of the Year

  • Luke Bryan
  • Jamey Johnson
  • Chris Young

Who’s In: Chris Young, Luke Bryan (both re-entries from previous years)

Who’s Out: Jake Owen (won last year), James Otto

Snap Judgment: I’m just pretending this is the Top New Male category, since ACM’s annual changing around of award names and criteria can be kind of silly. This is going to be an interesting race to watch, especially since all three of these guys are nominated their second time here. It’s the last chance any of them will have to win it.

Top New Vocal Duo of the Year

  • Bomshel
  • Joey + Rory
  • Steel Magnolia

Who’s In: This category was merged with New Vocal Group last year, so none of these duos (being duos) were there.

Snap Judgment: Seriously, doesn’t this whole “actually having semi-active vocal duos” thing kind of weird you out at this point? (P.S. Vote for Joey + Rory!)

Top New Vocal Group of the Year

  • Eli Young Band
  • Gloriana
  • The Lost Trailers

Who’s In: Gloriana

Who’s Out: Zac Brown Band (won last year)

Snap Judgment: Love And Theft HQ must be a grim, grim place today.

Album of the Year

  • Brad Paisley, American Saturday Night
  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, Revolution
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Snap Judgment: Not a bad lineup, but the ACM’s lenience in the Album category never ceases to amaze. Lady Antebellum came out two full years ago.

Single Record of the Year

  • Lady Antebellum, “Need You Now”
  • Billy Currington, “People Are Crazy”
  • David Nail, “Red Light”
  • Zac Brown Band, “Toes”
  • Miranda Lambert, “White Liar”

Snap Judgment: I’m used to scratching my head in this category. Whatever.

Song of the Year

  • “Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “White Liar” – Natalie Hemby & Miranda Lambert
  • “You Belong With Me” – Liz Rose & Taylor Swift

Snap Judgment: …It’s like, do people even pay attention to lyrics anymore?

Video of the Year

  • Randy Houser, “Boots On”
  • Lady Antebellum, “Need You Now”
  • Brad Paisley, “Welcome to the Future”
  • Miranda Lambert, “White Liar”
  • Taylor Swift, “You Belong With Me”

Snap Judgment: Actually not a bad pool. The Lady A video is pretty boring, though.

Vocal Event of the Year

  • Blake Shelton feat. Trace Adkins, “Hillbilly Bone”
  • Brooks & Dunn feat. Billy Gibbons, “Honky Tonk Stomp”
  • Carrie Underwood feat. Randy Travis, “I Told You So”
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Jack Ingram with Patty Griffin, “Seeing Stars”

Snap Judgment: Eh.

- – -

What are y’all’s thoughts?

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Filed under ACM Awards

Grammy 2010 Staff Picks & Predictions

Even in Grammy’s darkest hours, CU brings its picking powers!

– Superhero television show about our blog from the 50’s.

We won’t be live-blogging this time around, but will be reacting to the show in a full post tomorrow, and welcome your reactions in comments on this post. The awards telecast starts at 8 pm Eastern, and I imagine there will be some red carpet action in the hour prior.

Record of the Year

Picks

  • Beyonce, “Halo” – Kevin
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” - Tara
  • Lady GaGa, “Poker Face” - Dan
  • Taylor Swift, “You Belong with Me”

Predictions

  • Beyonce, “Halo”
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Kevin, Dan, Tara
  • Lady GaGa, “Poker Face”
  • Taylor Swift, “You Belong with Me”

Kevin: Am I wrong for preferring Eric Cartman’s rendition of “Poker Face” over the original? This is a pretty lightweight slate of contenders. I really like “Halo”, but I suspect Kings of Leon will win, simply because it’s the only rock song in a lineup of pop hits.

Dan: “Poker Face” just feels very representative of popular music in 2009. I wouldn’t whine if it got passed over so that “Bad Romance” could take this award next year, though.

Tara: I would’ve pulled for “Single Ladies” in a heartbeat had it been submitted, but “Use Somebody” is just as deserving of this award. It’s a fantastic song even outside the context of its moment in pop culture, and it’s the kind of larger-than-life song that the voters have picked to win in the past.

Album of the Year

Picks

  • Beyonce, I Am…Sasha Fierce
  • Black Eyed Peas, The E.N.D.
  • Lady GaGa, The Fame Kevin, Tara
  • Dave Matthews Band, Big Whiskey and the Groogrux King
  • Taylor Swift, Fearless - Dan

Predictions

  • Beyonce, I Am…Sasha Fierce
  • Black Eyed Peas, The E.N.D.
  • Lady GaGa, The Fame
  • Dave Matthews Band, Big Whiskey and the Groogrux King - Kevin
  • Taylor Swift, Fearless - Dan, Tara

Kevin: I’d like to see dance music get some respect in the big category, even if there are a half-dozen Madonna albums at this point that would’ve been worthier winners than The Fame. Again, I think the Top 40 votes are going to be split, leaving Dave Matthews Band the winners.

Dan: In little over a year, Fearless has grown from success story to cultural artifact. It’s that rare pop album that seems to have a personality all its own, like Jagged Little Pill in a yellow sundress (and sung about as well). I could see anyone but the Peas taking this, but I think Swift’s support in both Nashville and the Top 40 crowd will take her to the top.

Tara: I have to say I was fairly shocked to see Swift’s truckload of Grammy nominations, so I’m having a little trouble wrapping my mind around the Academy’s thought process – but, I suppose a Swift win in this category is inevitable. However, I fully back Lady GaGa, who is the perfect storm of creativity, vision, swagger and raw vocal talent (remember that, pop world?). Continue reading

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My Grammy Wish List: 2010 Edition

Since this was a solo blog, doing a Grammy Wish List has been an annual tradition.  I’m not too excited about this year’s Grammys, to be honest. 2009 was a weak year in my opinion, and the shortened 11-month eligibility period didn’t help matters.  But a tradition is a tradition, so here are my picks in the eleven categories that I care about this year:

* denotes my personal wish:

Record of the Year

  • Beyoncé, “Halo”  *
  • The Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody”
  • Lady Gaga, “Poker Face”
  • Taylor Swift, “You Belong With Me”

It’s always nice to see a country radio hit in there, but I honestly can’t stand “You Belong With Me.”  I dig the Kings of Leon song, but the record that I enjoy the most here is “Halo.”  Some pundits have suggested that Beyoncé threw her chances at this trophy by submitting “Halo” instead of “Single Ladies”, but I like that song even less than “You Belong With Me.” Love “Halo”, though.

Song of the Year

  • Lady Gaga & RedOne, “Poker Face”
  • Hod David & Musze, “Pretty Wings”
  • Thaddis Harrell, Beyoncé Knowles, Terius Nash & Christopher Stewart, “Single Ladies (Put a Ring On It)”
  • Caleb Followill, Jared Followill, Matthew Followill & Nathan Followill, “Use Somebody”  *
  • Liz Rose & Taylor Swift, “You Belong With Me”

Great to see Liz Rose in there, too, but I still can’t stand the song.  I think “Use Somebody” is a great composition that could easily be a hit in other formats if the right artist covered it. Are you listening, Sugarland?

Best New Artist

  • Zac Brown Band *
  • Keri Hilson
  • MGMT
  • Silversun Pickups
  • The Ting Tings

Zac Brown Band don’t quite live up to the hype, but they come a lot closer than last year’s nominee, Lady Antebellum.

Best Country Album

  • Zac Brown Band, The Foundation
  • George Strait, Twang *
  • Taylor Swift, Fearless
  • Keith Urban, Defying Gravity
  • Lee Ann Womack, Call Me Crazy

There isn’t an album here that is built for more than cherry-picking. Strait’s set has the most cherries.

Best Female Country Vocal Performance

  • Miranda Lambert, “Dead Flowers”
  • Martina McBride, “I Just Call You Mine”
  • Taylor Swift, “White Horse”
  • Carrie Underwood, “Just a Dream” *
  • Lee Ann Womack, “Solitary Thinkin’”

The only women who brought their A-game to this category are Swift and Underwood.  “White Horse” might be the better song, but Underwood’s is the better vocal performance by a country mile.

Best Male Country Vocal Performance

  • Trace Adkins, “All I Ask For Anymore”
  • Billy Currington, “People Are Crazy”
  • Jamey Johnson, “High Cost of Living”
  • George Strait, “Living For the Night” *
  • Keith Urban, “Sweet Thing”

I love the Strait song, so it’s my pick, but this is one of the only strong categories this year and I wouldn’t mind seeing any of these five win.

Best Country Performance by a Duo or Group With Vocals

  • Brooks & Dunn, “Cowgirls Don’t Cry”
  • Zac Brown Band, “Chicken Fried”
  • Lady Antebellum, “I Run to You”
  • Rascal Flatts, “Here Comes Goodbye”
  • Sugarland, “It Happens” *

No A-game here, but Sugarland’s B-game is better than the rest.

Best Country Vocal Collaboration

  • Dierks Bentley & Patty Griffin, “Beautiful World”
  • Kenny Chesney & Mac McAnally, “Down the Road”
  • Brad Paisley & Keith Urban, “Start a Band”
  • Carrie Underwood & Randy Travis, “I Told You So” *
  • Lee Ann Womack & George Strait, “Everything But Quits”

Some amazing pairings here, but Underwood and Travis are the only ones with the material to match the talent.

Best Female Pop Vocal Performance

  • Adele, “Hometown Glory”
  • Beyoncé, “Halo”
  • Katy Perry, “Hot N Cold”
  • Pink, “Sober” *
  • Taylor Swift, “You Belong With Me”

Pink is an awesome songwriter, and easily the most substantial female pop star to come along in the last decade.  “Sober” is one of her best.

Best Pop Vocal Album

  • The Black Eyed Peas, The End
  • Colbie Caillat, The Breakthrough
  • Kelly Clarkson, All I Ever Wanted
  • The Fray, The Fray
  • Pink, Funhouse *

It’s not quite as good as I’m Not Dead, but it comes close.

Best Dance Recording

  • The Black Eyed Peas, “Boom Boom Pow”
  • David Guetta and Kelly Rowland, “When Love Takes Over”
  • Lady Gaga, “Poker Face”
  • Madonna, “Celebration” *
  • Britney Spears, “Womanizer”

Even her throwaway singles are built to last.

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The 201 Greatest Singles of the Decade, Part 5: #120-#101

The 201 Greatest Singles of the Decade, Part 5: #120-#101

120 Keith Urban Be Here

#120
“Tonight I Wanna Cry”
Keith Urban
2005
Peak: #2

A chillingly frank portrait of loneliness, awkward reference to “All By Myself” notwithstanding. Few mainstream vocalists today could pull off something this intense. – Dan Milliken

119 Loretta Van Lear Rose

#119
“Portland, Oregon”
Loretta Lynn with Jack White
2004
Peak: Did not chart

If you can take a healthy dose of dirty rock ‘n’ roll in your country, this is one of the coolest-sounding records of the decade, a classic one-night-stand duet. That it’s a very cross-generational pairing singing it would be creepy if not for the goofy smiles shining through Lynn’s and White’s performances. – DM Continue reading

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The 201 Greatest Singles of the Decade, Part 4: #140-#121

The 201 Greatest Singles of the Decade, Part 4: #140-#121

140 Bon Jovi Nice Day

#140
“Who Says You Can’t Go Home”
Bon Jovi featuring Jennifer Nettles
2005
Peak: #1

Packed as country music has been lately with rocked-up little singalongs, perhaps it was only natural that one of the leading bands in rocked-up little singalongs should cross over for a bit to show everybody how it’s done. It was newcomer Nettles, though, who stole this show, driving Bon Jovi’s ditty home with an infectiously joyful performance. – Dan Milliken

139 Johnny Cash V

#139
“God’s Gonna Cut You Down”
Johnny Cash
2006
Peak: Did not chart

The arrangement is cool enough, but it’s Cash’s stoic, slicing vocal performance that makes his version of this song so memorable. – Tara Seetharam Continue reading

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CMA Awards: Predictions and Personal Picks

The CMA Awards are upon us again, and I must say that this is the most underwhelming lineup I’ve ever seen, and I started watching the show back in 1991. We’ll be back to live blog the festivities on Wednesday night. In the meantime, enjoy our personal picks in each category, along with who we think will actually win.

brad-paisleyEntertainer of the Year

Should Win:
  • Kenny Chesney
  • Brad Paisley – Leeann, Tara
  • George Strait
  • Taylor Swift – Kevin, Dan
  • Keith Urban
Will Win:
  • Kenny Chesney
  • Brad Paisley – Kevin, Leeann, Tara
  • George Strait
  • Taylor Swift – Dan
  • Keith Urban

Kevin: Much like the field finally cleared for him in the Male Vocalist race two years ago, I expect that this is Paisley’s year to win with his sixth nomination. I think Taylor Swift deserves to win, though. There’s no getting around the fact that she’s the biggest thing out there right now.

Leeann: I won’t be shocked (or really even disappointed) if Taylor Swift picks it up, but I really feel it’s finally Brad’s year.

Dan: Swift is the face of the genre right now, and she’s putting out better-written material than many of the veterans in this category. It looks like a race between her and Paisley, and I think she may actually get it.

Tara: It wouldn’t be inappropriate for Swift to take this award, and I would much (understatement) prefer her to win this over the vocalist award. But to me, Paisley is the all-around entertainer, and I think it’s his year to be recognized.

brad-paisleyMale Vocalist of the Year

Should Win:
  • Kenny Chesney
  • Brad Paisley – Leeann, Tara
  • Darius Rucker
  • George Strait – Dan
  • Keith Urban – Kevin
Will Win:
  • Kenny Chesney
  • Brad Paisley – Kevin, Leeann, Dan, Tara
  • Darius Rucker
  • George Strait
  • Keith Urban

Leeann: I have no doubt that Paisley will win again, as he  has had a strong year and the CMAs tend to prefer him for this award.  While I think Urban is technically a very worthy opponent, the combination of Paisley’s warm voice and stronger album makes me continue to root for him.  I’d also be just as happy if Strait won, however, and feel that his and Paisley’s albums were the strongest of the year.

Dan: Looks like an easy Paisley win, but I’ll give Strait the nod for all-around strength this past year.

Tara: I don’t anticipate that Paisley’s winning streak will be broken. I’m pulling for him on the strength of his material, but wouldn’t mind one bit if Urban took the award. Just please, CMAs, don’t give it to Rucker!

Kevin: Paisley’s poised to pick up his third trophy, with his only real competition being five-time winner George Strait. I’d give a fourth trophy to previous winner Keith Urban over the rest of the field. He really sang rings around the rest of ‘em when comparing their latest albums.

Carrie Underwood 09Female Vocalist of the Year

Should Win:
  • Miranda Lambert - Leeann
  • Martina McBride
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood – Kevin, Dan, Tara
Will Win:
  • Miranda Lambert
  • Martina McBride
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood – Kevin, Leeann, Dan, Tara

Dan: I tend to find Underwood boring, but I do think she released some of her better singles this past year. Swift just isn’t a strong enough vocalist to merit this prize, and I’d rather see Lambert win in a year where she has more momentum going, which could well be next year.

Tara: It will no doubt spark controversy when Underwood takes her fourth trophy and joins the ranks of Reba McEntire and Martina McBride, and that’s another discussion all together – but looking at the nominees for this year, it’s clear she deserves to win. In terms of sheer vocal talent, few artists in the genre come close to her. I’d love to see Lambert take this award (and Underwood would too!), but like Dan, I don’t think it’s her time just yet.

Kevin: I won’t believe a different winner in this race until I see it. I was underwhelmed by the latest albums from Lambert, McBride, McEntire, and Swift, and quite frankly, Underwood is the only lady of the five to put out more than one single this year that I actually really liked (“Just a Dream”, “I Told You So.”) I remain in her corner.

Leeann: Carrie will deserve to win this award when she wins it this year.  I, however, still prefer Lambert’s voice and feel that her output (album) is the most interesting of the nominees.

Sugarland JoeyVocal Duo of the Year

Should Win:

  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Sugarland – Kevin, Leeann, Dan, Tara
Will Win:
  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Sugarland – Kevin, Leeann, Dan, Tara

Tara: Sugarland continues to excite me, and I think they deserve this award again.

Kevin: I love Joey + Rory, but Sugarland have really been blowing me away lately.  I’d pick them for Entertainer if they’d been nominated.

Leeann: I’d technically love for Joey + Rory to win, but I know full well that Sugarland is the duo that truly deserves to win based upon their impact this year.

Dan: Sugarland. But I want to talk to whoever is picking their singles.

lady-antebellum-and-a-chairVocal Group of the Year

Should Win:

  • Eagles
  • Lady Antebellum – Tara
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band – Kevin, Leeann, Dan

Will Win:

  • Eagles
  • Lady Antebellum – Kevin, Leeann, Dan, Tara
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band

Kevin: I find Zac Brown Band more interesting, and I think they have a real shot at winning this. I suspect Lady Antebellum has a bit more industry support, though, so I’ll give them the edge.

Leeann: Lady A will win because they’ve got more industry support and popularity with radio, but the Zac Brown Band has certainly put out more interesting music and have a refreshingly unique sound that deserves to be rewarded.

Dan: Pretty much what Kevin and Leeann said. “Chicken Fried” notwithstanding.

Tara: It’s definitely a race between Zac Brown Band and Lady Antebellum, and I can understand why my co-bloggers are rooting for the former. But even if Lady Antebellum’s talent needs a little cultivating, their music strikes a very personal chord with me, and I’ll be thrilled when they take this award. Can you believe Rascal Flatts might actually walk away from an awards show empty-handed?

zac-bbNew Artist of the Year

Should Win:
  • Randy Houser
  • Jamey Johnson – Dan
  • Jake Owen
  • Darius Rucker
  • Zac Brown Band – Kevin, Leeann, Tara

Will Win:

  • Randy Houser
  • Jamey Johnson – Kevin
  • Jake Owen
  • Darius Rucker – Dan, Leeann, Tara
  • Zac Brown Band

Kevin: A weak lineup that speaks volumes about why country music is where it is today. I think Zac Brown Band should win. They’ve really been the real breakthrough act of the five. But I suspect in this battle of “Honky Tonk Badonkadonk” co-writers, Jamey Johnson will emerge victorious.

Leeann: While I’m tempted to root for Jamey Johnson, I think Zac Brown Band has a chance of keeping me intrigued over the next few years (even if they fall out of the mainstream), though I don’t think they’ve reached their potential  just yet.  I predict that Darius Rucker will actually win, however, as he’s been the most successful in the last year.

Dan: Time will tell whether Johnson is able to remain a strong artistic force, but I’d say he has as good a chance as any of these five if he can keep from getting self-important. Rucker is the biggest star on the ballot, though, and I suspect he’ll squeak the win over Johnson and Zac Brown Band.

Tara: Johnson and Zac Brown Band are both deserving recipients of this award, but I personally prefer the band’s music. With the commercial success Rucker’s seen in the past year, though, I think it’s his award to lose. Not too sure how I feel about that.  

thatlonesomesongAlbum of the Year

Should Win:

  • Jamey Johnson, That Lonesome Song – Leeann, Dan
  • Brad Paisley, American Saturday NightTara
  • Sugarland, Love on the InsideKevin
  • Taylor Swift, Fearless
  • Keith Urban, Defying Gravity
Will Win:
  • Jamey Johnson, That Lonesome Song – Kevin, Dan, Tara
  • Brad Paisley, American Saturday Night
  • Sugarland, Love on the Inside
  • Taylor Swift, Fearless – Leeann
  • Keith Urban, Defying Gravity

Leeann: While Johnson’s album hasn’t really stuck with me over the past year or so, I still think it’s the best album out of the bunch.  I think Swift will win, however, due to the volume of sales and hit singles.

Dan: All of these albums have strengths, but That Lonesome Song is the only one that makes me optimistic about country music’s future. I expect it to triumph, though Swift’s has a great shot, too.

Tara: Paisley’s album, to me, strikes that sweet balance of traditional and contemporary. I think it’s a strong, interesting and relevant album that epitomizes why Paisley is so deservingly successful. But Johnson will deserve this award when he takes it, and I recognize and appreciate his positive influence on mainstream country music.

Kevin: I expected more nods overall for Jamey Johnson. I think that the eligibility period hurt him, with the project less fresh in voters’ minds. But the CMA values traditional country more than any other awards organization, so I expect him to win this. I enjoy the Sugarland album far more than any of the other four, so I’m rooting for that one.

Jamey smile 2Single of the Year

Should Win:

  • “Chicken Fried” – Zac Brown Band
  • “I Run to You” – Lady Antebellum
  • “In Color” – Jamey Johnson – Kevin, Leeann, Dan, Tara
  • “People Are Crazy” – Billy Currington
  • “Then” – Brad Paisley
Will Win:
  • “Chicken Fried” – Zac Brown Band
  • “I Run to You” – Lady Antebellum
  • “In Color” – Jamey Johnson – Kevin, Leeann, Tara
  • “People Are Crazy” – Billy Currington – Dan
  • “Then” – Brad Paisley

Dan: I’ve just got a bad feeling about that Currington single. “I Run To You” does have some smokin’ production, but “In Color” is the only one of the five I can still stand.

Tara: Ouch. I’m pleased that “I Run to You” is nominated as it’s a personal favorite, but I don’t think any song other than “In Color” is deserving of this award. Again…ouch.

Kevin: This is the weakest lineup in the history of this category.

Leeann: Johnson’s song feels old to me now, but it’s the best song in this underwhelming category, though I’m sure David Letterman disagrees.  While I like the production on “People Are Crazy” the best in this line-up, the hook (not to mention the frustratingly weak story development) is just lame.

randy-travisSong of the Year

Should Win:
  • “Chicken Fried” – Zac Brown & Wyatt Durette
  • “I Told You So” – Randy Travis – Kevin, Leeann, Tara
  • “In Color” – Jamey Johnson – Dan
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “Then” – Chris Dubois, Ashley Gorley & Brad Paisley
Will Win:
  • “Chicken Fried” – Zac Brown & Wyatt Durette
  • “I Told You So” – Randy Travis – Leeann
  • “In Color” – Jamey Johnson – Kevin, Dan, Tara
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “Then” – Chris Dubois, Ashley Gorley & Brad Paisley

Tara: I would absolutely love to see Travis take this award; Underwood’s success with the song proves that the best-written country songs are timeless. I think “In Color” has more pull, though.

Kevin: I think Johnson will win, but kudos to Carrie Underwood for recognizing the value of the Randy Travis-penned gem and making it a hit all over again.

Leeann: This is not one of my favorite Randy Travis songs, but for nostalgia’s sake, I’m rooting for him to win this one. I even think it has a chance of winning, since it was a hit song for one of today’s country music’s most popular artists. I think the Paisley composition is, by far, the weakest though.

Dan: I like probable-winner “In Color” marginally more than “I Told You So.” Any of the other three winning would hurt me way down deep.

randy-travis-and-carrie-underwoodMusical Event of the Year

Should Win:

  • “Cowgirls Don’t Cry” – Brooks & Dunn featuring Reba McEntire
  • “Down the Road” – Kenny Chesney with Mac McAnally
  • “Everything But Quits” – Lee Ann Womack with George Strait
  • “I Told You So” – Carrie Underwood featuring Randy Travis – Kevin, Tara
  • “Old Enough” – The Raconteurs with Ricky Skaggs and Ashley Monroe – Leeann, Dan
  • “Start a Band” – Brad Paisley and Keith Urban
Will Win:
  • “Cowgirls Don’t Cry” – Brooks & Dunn featuring Reba McEntire
  • “Down the Road” – Kenny Chesney with Mac McAnally
  • “Everything But Quits” – Lee Ann Womack with George Strait
  • “I Told You So” – Carrie Underwood featuring Randy Travis – Kevin, Dan, Tara
  • “Old Enough” – The Raconteurs with Ricky Skaggs and Ashley Monroe
  • “Start a Band” – Brad Paisley and Keith Urban – Leeann

Kevin: Will the CMA really pass up the chance to give a trophy to Randy Travis for the first time in 21 years? I hope not.

Leeann: Paisley’s and Urban’s collaboration was originally accidentally left off the ballot, but the superstar pairing is the most likely to win.  Conversely, I suspect that the inclusion of the collaboration with Ricky Skaggs and Ashley Monroe was likely an accident, but I’d still love to see this dark horse nomination win. It’s certainly the most interesting song of the category.  I might have gone for the Underwood/Travis pairing if Travis’ inclusion didn’t seem so random.  I liked Underwood’s original version better, as Vince Gill’s harmony seemed more natural.

Dan: It’s totally between “I Told You So” and “Start A Band”, but I’m pulling for the underdog Raconteurs record, too. I like my collaborations a little spontaneous like that, and it’s always great to see outsiders included in the CMA fold.

Tara: While I have a particular soft spot for “Down the Road,” which I thought was one of the best singles of 2008, it should come as no surprise that I’m pulling for the beautiful, rough-and-pure “I Told You So.” I think it will easily win.

george_straitMusic Video of the Year

Should Win:
  • “Boots On” – Randy Houser
  • “Love Story” – Taylor Swift
  • “People Are Crazy” – Billy Currington
  • “Start a Band” – Brad Paisley and Keith Urban
  • “Troubadour” – George Strait – Kevin, Dan, Tara
Will Win:
  • “Boots On” – Randy Houser
  • “Love Story” – Taylor Swift – Kevin, Dan, Tara
  • “People Are Crazy” – Billy Currington
  • “Start a Band” – Brad Paisley and Keith Urban
  • “Troubadour” – George Strait

Dan: I enjoy the Strait video most, but Swift’s is the flashiest, and that tends to win out.

Tara: Strait’s video is poignant and tastefully done. I never understood the appeal of Swift’s Shakespearean video, but apparently a whole generation of country music fans does. My money’s on Swift.

Kevin: I think the Swift fairytale will get the most votes, but the Strait clip hypnotizes me every time it’s on. Who knew a simple slide show could be so powerful and such a perfect fit for a song?

paul-franklinMusician of the Year
Should Win:
  • Eddie Bayers (drums)
  • Paul Franklin (steel guitar) – Kevin, Leeann, Dan, Tara
  • Dan Huff (guitar)
  • Brent Mason (guitar)
  • Mac McAnally (guitar)

Will Win:

  • Eddie Bayers (drums)
  • Paul Franklin (steel guitar)
  • Dan Huff (guitar)
  • Brent Mason (guitar)
  • Mac McAnally (guitar) – Kevin, Leeann, Dan, Tara

Dan: I should really start paying more attention to this kind of thing. But I know Paul Franklin’s been doing steel for everyone from Lyle Lovett to Rascal Flatts in the past year. Respek!

Tara:
Franklin’s the one I’m most familiar with, and I agree with Kevin and Dan that he deserves it. I’ll admit I’m not entirely sure how to gauge who’ll win this year, but I suppose I’d go with McAnally again.

Kevin: I guess that McAnally will repeat his victory from last year. The other previous winners won quite a bit of time ago – Dann Huff in 2001 and 2004, Brent Mason in 1997 and 1998.  My sympathy goes to Eddie Bayers, who is nominated for the tenth time and has yet to win. I have no choice but to pull for Paul Frankin, though, who has lost this award sixteen times.  Here’s hoping that seventeen’s a charm!

Leeann: Please don’t let it be Dann Huff! That’s all I ask.  Of course, I’m partial to the steel guitar, not to mention that it’s a shame that a steel guitar player has to work so hard to win a country music award.

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The Worst Singles of the Decade, Part 3: #30-#21

It Stinks!After  Part 1 and Part 2 , we’re wading further into the sea of mediocrity.

The Worst Singles of the Decade, Part 3: #30-#21

#30
Terri Clark, “Dirty Girl”

Double entendres are a lot more enjoyable when the naughty meaning is the real one.

#29
Jamey Johnson, “The Dollar”

Real kids don’t talk like this.

#28
Garth Brooks & Trisha Yearwood, “Love Will Always Win”

This treacly ballad is the nadir of Trisha’s career and one “It’s Midnight Cinderella” away from being Garth’s as well.

#27
Darryl Worley, “Have You Forgotten?”

Featuring more straw men than a Wizard of Oz audition.

#26
Clint Black, “I Raq and Roll”

“Have You Forgotten?” without all the nuance and subtlety.

#25
Shania Twain and Billy Currington, “Party For Two”

Proof positive that spoken dialogue can ruin a song before it even begins.

#24
Martina McBride, “God’s Will”
He was dressed as a bag of leaves? That’s his costume? Hey, at least she didn’t kill him off in the last verse.

#23
Brooks & Dunn, “Play Something Country”

There are so many poorly written female characters in Brooks & Dunn songs, it’s hard to pick just one to represent them all. But I’ll give the nod to this one, simply because it has her howling the title to a melodic hook that’s a blatant rip-off of Mary Chapin Carpenter’s “Shut Up and Kiss Me.”

#22
Jason Aldean, “Johnny Cash”

The “country star as song name” trend hasn’t yielded anything worthwhile, but at least “Tim McGraw” and “Kristofferson” have some tenuous connection to their titular song. “Johnny Cash” is just shameless name-dropping.

#21
Gretchen Wilson, “Red Bird Fever”

In retrospect, this should’ve been a huge red flag that Wilson wasn’t built to last.  My personal favorite moment of this St. Louis Cardinals shout-out comes in the chorus, when she sings “Let me get a big ‘Go Cards!’ from the Red Bird fans like me. Go Cards!” and the backup singers answer back, “Hell yeah!”  because they couldn’t be bothered to change the “Redneck Woman” backing track.

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CMA Noms ’09

cma_awardIt’s that time of year again! For each major category, we’ll look at who’s broken in since last year, who’s been booted out, plus some initial thoughts. As always, we invite you to share your own opinions in the comments. Without further ado:

Entertainer

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Keith Urban

Who’s In: Taylor Swift

Who’s Out: Sugarland

Snap Judgment: With Carrie Underwood and Sugarland a little out of the spotlight recently, it’s no shock to see the regular foursome of Chesney, Paisley, Strait and Urban prevail. Swift was a logical inclusion given her across-the-board dominance, but I gotta say that I’m surprised to see her acknowledged for it by the historically traditional-leaning CMA.

Male Vocalist

  • Kenny Chesney
  • Brad Paisley
  • Darius Rucker
  • George Strait
  • Keith Urban

Who’s In: Darius Rucker

Who’s Out: Alan Jackson

Snap Judgment: Pretty predicable. Rucker has shown he can get serious spins at radio, which is probably what won him this slot over Jamey Johnson.

Female Vocalist

  • Miranda Lambert
  • Martina McBride
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood

Who’s In: Reba McEntire

Who’s Out: Alison Krauss

Snap Judgment: Again, no big surprises. Martina always hangs in there somehow, doesn’t she?

Vocal Duo

  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Sugarland

Who’s In: Joey + Rory

Who’s Out: The Wreckers (finally!), oddly not Big & Rich

Snap Judgment: I guess there has to be at least one defunct act in this category every year, huh?

Vocal Group

  • Eagles
  • Lady Antebellum
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band

Who’s In: Zac Brown Band

Who’s Out: Emerson Drive

Snap Judgment: I’m baffled to see the Eagles still here. I expect there will be a lot more shake-up in this category next year, with Love and Theft, Eli Young Band and The Lost Trailers all experiencing a rise in profile recently.

New Artist

  • Randy Houser
  • Jamey Johnson
  • Jake Owen
  • Darius Rucker
  • Zac Brown Band

Who’s In: Completely new line-up!

Snap Judgment: A strong group. Johnson, Rucker and Zac Brown Band are selling better than many of the veteran acts, so they’re the serious contenders this year, but all five nominees show great artistic potential.

Album

  • Brad Paisley, American Saturday Night
  • Jamey Johnson, That Lonesome Song
  • Sugarland, Love On The Inside
  • Taylor Swift, Fearless
  • Keith Urban, Defying Gravity

Snap Judgment: Probably as good a line-up as you could’ve hoped for. Never thought I’d live to see a CMA category where I thought Keith Urban had the weakest offering!

Single

  • “Chicken Fried” – Zac Brown Band
  • “I Run To You” – Lady Antebellum
  • “In Color” – Jamey Johnson
  • “People Are Crazy” – Billy Currington
  • “Then” – Brad Paisley

Snap Judgment: Sigh.

Song

  • “Chicken Fried” – Zac Brown & Wyatt Durette
  • “I Told You So” – Randy Travis
  • “In Color” – Jamey Johnson, Lee Thomas Miller & James Otto
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “Then” – Brad Paisley, Chris DuBois and Ashley Gorley

Snap Judgment: I mean, it’s not like Randy Travis ever had his own hit with “I Told You So” or anything.

Musical Event

  • “Cowgirls Don’t Cry” – Brooks & Dunn featuring Reba McEntire
  • “Down The Road” – Kenny Chesney with Mac McAnally
  • “Everything But Quits” – Lee Ann Womack with George Strait
  • “I Told You So” – Carrie Underwood featuring Randy Travis
  • “Old Enough” – The Raconteurs featuring Ricky Skaggs and Ashley Monroe
  • “Start A Band” – Brad Paisley with Keith Urban

Snap Judgment: How in the world did that Raconteurs record sneak in there? Props, CMA!

Music Video

  • “Boots On” – Randy Houser
  • “Love Story” – Taylor Swift
  • “People Are Crazy” – Billy Currington
  • “Start A Band” – Brad Paisley with Keith Urban
  • “Troubadour” – George Strait

Snap Judgment: Not bad. Houser’s doesn’t have much, but the only one I outright dislike is Currington’s. It’s just another excuse for him to sit around looking scruffy on a beach.

Musician

  • Eddie Bayers
  • Paul Franklin
  • Dann Huff
  • Brent Mason
  • Mac McAnally

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Filed under CMA Awards

Producing the CMAs

This is a guest contribution by regular commenter, Michael Hawkins, who posts as Highwayman3.

CMAThe movies have the Oscars, the world of music has the Grammys, and that world subdivided into the country genre has the CM’s—the annual extravaganza that we fans look forward to every year. We see our favorites perform, win awards and lose with smiling gracious faces, or not [insert the inevitable Faith Hill reference here]. Everyone picks their favorites in each category as to who they’d like to win. But what about the show itself, the backdrop for which these prestigious awards are presented?

Recently, there have been posts at both The 9513 and on this site where people have been weighing in on their favorite moments from these awards. It occurred to me that none of those moments have happened in the last few years. The awards have slid into mediocrity, which is a fitting representation of the current state of country music. I understand producing these awards must be tough because you have to be everything to everyone, and acknowledge the traditional country, the Disney country, the old and new alike, and bring in people who don’t belong for the sake of ratings.

What’s wrong with the show?

The awards themselves seem like an after thought, filler in between all the endless performances. The main suspense isn’t who wins, but rather, how many performances the producers can fit in 3 hours. Also, it’s become an award show that is ashamed of its roots, barely mentioning who is inducted into the Hall of Fame. Any artist with the slightest sign of a wrinkle, regardless of their legend status is shunned and hidden in the audience next to seat fillers and radio contest winners. It’s an award show with self esteem issues, not cool enough to stand on its own. You can bet the main attraction used to promote this year’s show will be a non-country performer like Kid Rock, The Eagles of last year, and Jamie Foxx of two years ago.

What can be done?

Well, the first order of business would be for the Sommet Center to take out a one day restraining order from Miley Cyrus on November 11, 2009, or better yet, the whole Cyrus family, Billy Ray, Noah, aunts, uncles, cousins, etc. Yes, she’ll bring in ratings, but we’ve gotten along fine without her for 40 plus years.

The CMA’s need to take a cue from  the Grammy awards, or even the American Idol finale. There are so many surprises, legends, moving moments, coming at you, left right and center, you don’t know what’s coming next, all you know is you’re in for the ride, you’re loving every second and you’re talking about it the next day. Last year, the biggest surprise was Shania Twain presenting Entertainer of the Year, which she has done at least 3 times before, and to those who keep up on country news, it was hardly a surprise at all.

What can possibly be done to make the night more entertaining?

How about taking a cue from this yearis Academy Awards and only announce a handful of performers, leaving the rest a mystery? Don’t tell us who and what everyone’s performing, which leaves more room for surprises. Also, like the Oscars, don’t announce who is presenting, and before each award have a mini-montage of past winners. Then at the end, the curtain opens and a surprise past winner comes out and shares insights on their winning experience. Instead of the otherwise cheesy dialogue or weird presenter pairings, it would make more sense if they just brought out Trisha Yearwood for Female Vocalist, Vince for Male, The Judds for Duo, Alabama forGroup, and hand it off to the winner like an Olympic torch or rite of passage. This way of thinking would work out great for the Entertainer of the Year category, in bringing out past winners, Roy Clark, and Barbara Mandrell, who also happen to be this year’s Hall of Fame inductees.

Speaking of the Hall of Fame, I would prefer it if it went back to how it used to be with a taped bio and artists performing a medley of hits. But even that is too much to ask. If they are going to cut it out entirely, the least they could do is show 3 separate 30-60 second bios of each of the inductees at different times as they are going to commercial and have them wave from the audience. Or, from the paragraph above, show a taped piece just before Barbara and Roy present Entertainer.

The most boring parts of the show are seeing full performances from all the mundane hits of the past year. Was it necessary for Darius Rucker to perform “Don’t Think I Don’t Think About It” last year when he wasn’t nominated? Yes, it’s necessary for the biggest hits to be performed, but does every top 5 hit of the past year have to be sung? Instead, encourage them to sing unique songs, like Alan Jackson in 2005 performing, “Wonderful Tonight”, songs you’ll actually remember more than 5 minutes after they are performed. Another idea, which the Grammys have down pat, is pairing people up. Think of the Al Green, Keith Urban, Justin Timberlake and Boys 2 Men grouping of earlier this year. For the CMA’s, this would be a perfect year to acknowledge the 20th anniversary of the hat act boom of 89. Why not bring out Alan Jackson, Clint Black, Garth Brooks, and Travis Tritt for a small medley?

Instead of each of the new artist nominees performing their full songs – do we really want to see Julianne Hough performing a full version of her song this year? –  it would be great if they stole from the ACM’s all-star opener this year, and did the same thing with the 5 nominees. Lady Antebellum can be the ring leader like Brooks & Dunn were at the ACMs, and they all can perform a small portion of their hits. To wrap it up, Lady Antebellum can present the award. This will allow more time for the Collaboration and Video of the year awards to be back on the telecast.

If you ran the CMAs, thinking creatively but realistically, which special moments would you create that could go down in history and make country’s biggest night more fun to watch? How would you make George Strait’s performance less predictable? And how would you measure that Miley restraining order? In inches, feet, yards, or miles?

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Filed under CMA Awards, Guest Commentary