Tag Archives: George Strait

The Best Albums of 1993, Part One: #20-#11

Today, we kick off our Best of 1993 feature with the first part of our album retrospective.  Included in this list are the debut albums of two underrated singer-songwriters, confident projects from the genre’s leading ladies, and highlights from legends of both the mainstream and alternative country landscapes.

When our writers wax rhapsodic about the glory days of the nineties, one reason why is that albums as great as this aren’t even among the top ten albums of the year.

Look for the conclusion of the albums list tomorrow and the singles list next weekend!

Lari White Lead Me Not

#20
Lari White

Lead Me Not

#9 – JK | #19 – KJC

Rather than establishing a clear identity for Lari White as an artist, Lead Me Not made for an eclectic debut, as White and producer Rodney Crowell explored styles ranging from traditional country and jazzy torch ballads to torrid Southern gospel and even Latin-flavored pop-country. What made the album such a compelling listen, then, were White’s wry POV as a songwriter and her powerhouse, note-perfect performances. Though Lead Me Not proved that Lari White would remain a difficult act to pigeonhole, it also established her as an artist of uncommon range and a singer of real depth and power. – Jonathan Keefe

Recommended Tracks: “Lead Me Not,” “What a Woman Wants,” “Don’t Leave Me Lonely,” “Good Good Love”

 

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Daily Double Top Five: Most Played Tracks

Willie Nelson Merle Haggard Django and JimmieBack in the day, we used to do iPod checks.   Seemed so current at the time!

Now, we’re gonna ask you to go to Spotify or your phone or whatever, and just let us know what you’re listening to the most.

Two Daily Top Fives Today:  Your five most played songs from a 2015 album, and your most played country songs of all time.

Here are my lists, sticking to one song per artist:

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Daily Top Five: Better With Time

Willie NelsonAs we grow older, our tastes change and some would even say that they mature. Such is the case with me, as you’ll see in the list below. There was a time when I did not like these artists (gasp!) and a time when I didn’t like these songs. However, something made them grow on me to the point that I absolutely love them now.

Which artists and songs have grown on you over time?

Here are my lists:

Artists:

  1. Willie Nelson
  2. Dwight Yoakam
  3. Emmylou Harris
  4. Miranda Lambert
  5. Sturgill Simpson

Songs:

  1. Josh Turner, “Another Try”
  2. Vince Gill, “Go Rest High on that Mountain”
  3. Dierks Bentley, “What Was I Thinking”
  4.  George Strait, “Troubadour
  5. Randy Travis, “Before You Kill Us All”

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2015 ACM Awards: Country Universe Viewer’s Guide

The fiftieth annual Academy of Country Music Awards air tonight, and Country Universe has you covered!  Here’s a rundown of all of the major categories, along with some commentary from our writers about who should win, who will, and what the nominations as a whole say about the current state of country music.

Share your thoughts about this year’s show in the comments, and check back for a list of winners when it’s all said and done.

Update: Join the CU crew on Twitter (@CountryUniverse) during the show to share your thoughts as things unfold!

Garth Brooks 3Entertainer of the Year

Should Win:

  • Jason Aldean
  • Garth Brooks – Jonathan
  • Luke Bryan – Sam
  • Florida-Georgia Line
  • Miranda Lambert – Ben, Kevin

Will Win:

  • Jason Aldean
  • Garth Brooks
  • Luke Bryan
  • Florida Georgia Line
  • Miranda Lambert – Jonathan, Ben, Sam, Kevin

BF: I think Lambert is due, but I could get on board with a win for Brooks, whose comeback tour certainly warrants recognition. Those are about the only two possible victories I could swallow.

SG: This is fan-voted, so it really comes down to who can most mobilize their fan base. I give Miranda the nod, simply because she and her husband can both rally the troops. As to who deserves it, it’s hard to deny the impact that Luke Bryan has had on country music, love him or loathe him. He also seems like a fair entertainer, whether it’s shimmying around the stage or falling off them.

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Single Review: George Strait, “Let it Go”

George Strait Let it Go

“Let it Go”
George Strait

Written by Keith Gattis, Bubba Strait, and George Strait

George Strait is country music’s Frank Sinatra.

What he does looks effortless and spawns countless imitators, but none of them can actually replicate what makes him special.

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2015 ACM Awards: Nominations & Analysis

The third most prestigious country music industry award nominations – but the most important ones handed out in the spring – have been announced.  Here’s a rundown of all the major categories, along with some back-of-the-envelope analysis:

Garth Brooks 3Entertainer

  • Jason Aldean
  • Garth Brooks
  • Luke Bryan
  • Florida Georgia Line
  • Miranda Lambert

Who’s In: Jason Aldean, Garth Brooks, Florida Georgia Line

Who’s Out: Blake Shelton, George Strait, Taylor Swift

Last year’s winner, George Strait, didn’t get a return invitation, but Garth Brooks, who has won this award six times before, returns to the competition.  Much like Strait’s farewell tour was a reminder of his extensive popularity, Garth’s ability to sell out several dates per city overshadows the lukewarm reception to his new material at radio and retail.   Taylor Swift’s exit is directly tied to her cutting ties with the genre. Jason Aldean’s return makes logical sense, but it’s quite the mystery to see Blake Shelton gone and Florida Georgia Line in.

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The Twenty Best Albums of 1994

As 2014 comes to a close, the Country Universe staff has been collectively impressed by the number of quality albums that were released this year.  How many of those albums, however, will we still be listening to in twenty years?

We have that benefit of hindsight for the year 1994, and we’ve compiled our twenty favorite studio sets from that year.  At their time of release, some of our favorites were comeback albums from veteran artists, some were from current artists reaching new artistic and commercial peaks, and some were debut sets from artists that went on to become mainstays on country radio or in the Americana music scene that was just coming together twenty years ago.

What they all have in common is that each and every one of them still sounds great today, and they collectively show the wide breadth that the country music landscape was transforming into as the genre reached wider levels of popularity than it had ever seen before.

Randy Travis This is Me

#20
Randy Travis
This is Me

BF #11 | KJC #15 | LW #19

Travis’ legendary status was practically secure by 1994, but This is Me shows an artist neither resting on his laurels nor struggling to keep up with the young new talent of the era. The album serves up one solid song after another, with its best tracks delivering clever new takes on signature country themes, thus further advancing an already respectable legacy. – Ben Foster

Recommended Tracks: “Before You Kill Us All”, “This is Me”, “The Box”

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The Best Singles of 1994, Part 1: #40-#31

Our Best of 1994 Singles List kicks off today with the bottom quarter of our top forty. The list was compiled by weighing each individual writer’s choices, with preference given to songs that appeared on multiple lists. Each writer’s individual ranking is listed under the songwriter credits.

Bonus retro fun: Check out those cassette singles covers!

Alan Jackson Livin' On Love

#40
“Livin’ on Love”
Alan Jackson

Written by Alan Jackson

SG #14 | JK #23 | BF #37

Country music has, historically, given voice to those disenfranchised by poverty, validating and finding the value in the struggles of economic hardship. What elevates the appropriately bare-bones narrative of “Livin’ on Love” is the warmth and real sense of empathy in Jackson’s performance. – Jonathan Keefe

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CMA Awards 2014: Staff Predictions and Picks

Despite the Grammys and even the ACM’s demonstrating more consistent taste over the past few years, the CMA’s remain the most significant industry awards that honor country music.  This year’s slate of nominees gives the organization an opportunity to build on the credibility of last year’s George Strait victory.  His win for Entertainer saved a dismal show in its closing minutes.

Here’s our take on this year’s contenders:

George Strait ACMEntertainer of the Year

Should Win:

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait – Kevin, Jonathan, Tara, Ben
  • Keith Urban

Will Win:

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait – Jonathan, Kevin, Tara, Ben
  • Keith Urban

Kevin:  I’d settle for a Miranda Lambert victory, as she had an amazing year.  But my first choice is George Strait, who deserves a fourth trophy for that record-breaking final concert.   The rest of these nominees have either won before or still seem to have their best days ahead of them.  There will never be another George Strait again.

Jonathan: The appalling sense of entitlement Jason Aldean has shown in his seemingly endless campaign of adult temper-tantrums disguised as interviews since these nominees were announced makes it all the more satisfying that the voters didn’t exclusively consider commercial and touring stats when voting for this award. I think that will likely continue with the final ballots, giving Strait the win here as a final send-off– a win that, as Kevin said, Strait’s last concert fully justifies based on even Aldean’s logic.

Tara: I have a feeling I’ll be pulling for Lambert next year, but 20 months after seeing it, I’m still high on Strait’s phenomenal farewell show. He deserves this.

Ben: Why not? Miranda will have plenty more shots at it, but this could be our last chance to see George Strait accept a CMA Entertainer of the Year trophy. Let the cowboy ride away in style.

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Album Review: Tim McGraw, Sundown Heaven Town

Tim mcgraw sundown heaven town

Tim McGraw
Sundown Heaven Town

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Tim McGraw returning to form is the musical equivalent of reconnecting with an old friend, where spending a little time with them suddenly reminds you why you were such good friends in the first place.

Sundown Heaven Town is McGraw’s strongest album in ten years, his best since 2004’s award-winning Live Like You Were Dying, which I still consider his strongest collection to date.  In the years since that collection, he’s been chasing trends more than setting them.  Each album had its strong moments, but always fewer than the previous one.  His simple formula – find a great song, sing it with enthusiasm, and keep the clutter in check – got lost along the way.

It’s not a coincidence that all of his recent awards attention have been for collaborations, usually with artists who hit the scene well after him.   He’s been chasing trends, not setting them.

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