The ultimate icon of Southern country rock, Hank Williams Jr. emerged from the long, influential shadow of his father to become one of the genre’s most distinctive personalities.
The comfortingly reliable George Strait mixes it up a bit during his 1992-1993 run of singles with a cover of a beloved classic, hardcore country, a surprising country rocker, and a sweet love song for good measure.
Strait ably tackles the Hank Williams classic. He doesn’t surpass the original, but it’s cool that he brought the song back in 1992. Imagine if somebody tried to do that now.
KIN: Songs by Mary Karr & Rodney Crowell
A collection of songs written by industry veteran Rodney Crowell along with bestselling author and poet Mary Karr, recorded by a who’s who of country and Americana music greats. It should be enough to set the mouth of many a roots music aficiando watering.
Nashville, Vol. 1: Tear the Woodpile Down
The casual listener may remember Marty Stuart for the string of country radio hits he enjoyed in the late eighties and early nineties. However, Stuart’s legacy was cemented by groundbreaking projects released after his commercial heyday had drawn to a close, particularly 1999’s landmark The Pilgrim as well as 2010’s career-best effort Ghost Train: The Studio B Sessions. Through such critically lauded work Stuart has built up a reputation as an elder statesman of country music, acting to preserve country music’s heritage and traditions, while simultaneously working to move the genre forward.
The Little Willies
For the Good Times
After having first formed in 2003, The Little Willies released their self-titled debut album in 2006, four years after pianist and vocalist Norah Jones had found success with her jazz and pop flavored solo album Come Away With Me.
Six years later, a second Little Willies album finally comes to light, following in the tradition of the first by featuring covers of country classics. For the Good Times finds The Little Willies covering classics songs by some of country music’s most revered (and most covered) artists, including nods to Willie Nelson, Johnny Cash, Hank Williams, Lefty Frizzell, Loretta Lynn, and Dolly Parton, among others.
From the very first strains of the downbeat acoustic guitar followed by the eerie steel intro, it’s evident that this is no typical country love song or drinking ditty. Instead, it’s set at Hank Williams’ grave at midnight whereupon the narrator, presumably Alan Jackson, sees Hank’s ghost.
A Song That Reminds You of a Certain Event.
The staff picks are:
Tara Seetharam: “I Will…But” – SHeDaisy
My freshmen girls choir performed this song at our high school spring show ten years ago. The photos of me in a tacky red bandana halter top are painful, but the memories of my first taste of high school choir are precious.
Born and raised in Texas, he grew up fully immersed in Western swing, southern blues, and gospel music. By age twelve, he’d made his first public performance. Never liking school, he dropped out in ninth grade. He chose auto body repair as his career, but did music on the side at night, more as a hobby than anything else.
As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.
As always, we start with a look at this year’s nominees and work our way back to 1968.
- Zac Brown Band, “Toes”
- Billy Currington, “People Are Crazy”
- Lady Antebellum, “Need You Now”
- Miranda Lambert, “White Liar”
- David Nail, “Red Light”
There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.
- Trace Adkins, “You’re Gonna Miss This”
- Jamey Johnson, “In Color”
- Miranda Lambert, “Gunpowder & Lead”
- Heidi Newfield, “Johnny and June”
- Brad Paisley, “Waitin’ On a Woman”
Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.