Mary Chapin Carpenter
Ashes and Roses
Mary Chapin Carpenter could be considered an example of the rare artist who releases her best and most significant work right in the midst of her commercial heyday, or whose music might have even benefited from considering the ever-present concerns of what could be grasped by mainstream audiences. In the years since Carpenter’s hot streak ended – She hasn’t had a Top 40 hit since 1999’s “Almost Home” – she seems to have lost sight of the need to bring her thoughts down to an accessible, digestible level.
The countdown continues, with appearances by popular new artists joined by a pair of nineties veterans.
The Best Singles of 2010, Part 2: #30-#21
Roll With It
It’s easy to overlook Corbin’s second single as just another breezy summer tune, but it stands above the rest, thanks to its near-perfect execution. From the spirited delivery to the skillful handling of otherwise trite phrases –like the title phrase and “it won’t be no thang”— “Roll With It” makes a fresh, invigorating case for shedding everyday troubles and, well, rolling with it. – Tara Seetharam
I Put My Ring Back On
Mary Chapin Carpenter
“I Put My Ring Back On” is a throwback to the sounds of Mary Chapin Carpenter’s glory days on the charts. It’s catchy with a message of relational perseverance. As a result, it’s one of the two most memorable songs on her latest album. – Leeann Ward
In theory, Wynonna Judd has the gravitas to pull off a feisty inspirational song like “I Will Stand By You,” the kind that builds on momentum and resolve instead of hope and compassion. And the lyrics, though clichéd, aren’t necessarily enough to kill the song’s spirit – because who better than Wynonna to breathe fire and energy into nondescript lyrics?
I don’t know what’s going on with Mary Chapin Carptenter. She made my favorite album of all-time, Stones in the Road, and it wasn’t particularly upbeat. But the songs were amazingly good. I’m still learning new things from that album a full sixteen years after its release.
And so we come to the end. The top of our list includes a wide range of artists singing a wide range of country music styles. Thematically, these entries are diverse, but what they all have in common is what has always made for great country music. They are all perfectly-written songs delivered with sincerity by the artists who brought them to life.
400 Greatest Singles of the Nineties: #25-#1
Smoke Rings in the Dark
1999 | Peak: #12
A dark, atmospheric wonder, as Allan delivers the final eulogy for a love that couldn’t help burning out. – Dan Milliken
Just to See You Smile
1997 | Peak: #1
Being deeply enamored of someone can make it easy – even appealing – to forfeit your own well-being. This single’s sunny sound reflects the persistent affection pulsing through its protagonist, but its story demonstrates the heartbreak to which such unmeasured selflessness leads. – DM
The themes of love and loss have permeated country music for as long as it’s been in existence. This second-to-last batch of great nineties hits contains songs that are direct descendants of well-known classics like “Can the Circle Be Unbroken” and “I’m So Lonesome I Could Cry”, along with a Shania Twain hit that would have made Roba Stanley smile.
400 Greatest Singles of the Nineties: #50-#26
Here’s a Quarter (Call Someone Who Cares)
1991 | Peak: #2
From the first forceful guitar strum on, this kiss-off number somehow manages to seem unusually cool and collected in its own aggression. You get the impression that Tritt’s character has been anticipating this moment, and has already determined that he’s going to relish every second of it. – Dan Milliken
I’ve Come to Expect it From You
1990 | Peak: #1
This is about as dark and bitter as George Strait gets. It’s a coat that he wears well. – Kevin Coyne
Johnny Cash may have been too dark for country radio back in 1994, but his morbid single lives on alongside debut singles, seventies covers, and a whole lot of Mary Chapin Carpenter.
400 Greatest Singles of the Nineties: #125-#101
1999 | Peak: #1
Sure, the melody of the chorus sounds just like “It Matters to Me.” But “Breathe” took the country power ballad to new heights, becoming Hill’s signature hit in the process. – Kevin Coyne
Life’s a Dance
John Michael Montgomery
1992 | Peak: #4
It’s the catchy fiddle riff that’s so memorable about John Michael Montgomery’s debut, number one, single. He is known for being a balladeer, but this one is an up-tempo motivational song. – Leeann Ward