The pop music world is still buzzing over last week’s release of 1989: Not Taylor Swift’s pop-cultural juggernaut, but alt-country singer-songwriter Ryan Adams’ cover album of 1989 “in the style of The Smiths.” A quick review of the iTunes comments on Adams’ version of 1989 reveals that a not insubstantial portion of Swift’s fanbase hasn’t gotten a handle on his angle or his appeal, while the mainstream music press is agog over Adams’ guile and audacity.
100 Greatest Men: The Complete List He started out as an unconventional songwriter trying to be a conventional artist. But when Willie Nelson let his hair down, he became a country legend for the ages. Nelson was raised by his grandparents in Texas, who encouraged him to play the guitar and to write songs. When his sister Bonnie married fiddle player Buddy Fletcher, Nelson joined his band as the frontman, staying with him until he graduated high school and did a brief stint in the Air Force.
The 100 Greatest Albums of the Decade, Part 5
Bruce Robison, Country Sunshine
One of modern country’s little-known heroes, Robison has built a career on simple songs of unusually strong focus, voice and insight. His strongest collection of this decade mainly explores love at its point of disenchantment, with characters sitting at various fallouts pondering who’s to blame, who used who, or why the feelings aren’t requited. Not so much Sunshine, then, but quite a bit of Country. – Dan Milliken
Recommended Tracks: “Friendless Marriage”, “What Would Willie Do”, “Tonight”
Rascal Flatts, Feels Like Today
The group has yet to hit the nail on the “Rascal Flatts” head again like they did with this country-pop album – a collection of powerful, melody-driven songs on which Gary LeVox manages to tastefully reign in his tenor. When paired with the right material, the Flatts boys can emote like it’s nobody’s business, resulting in soaring, genuine performances. – Tara Seetharam
Pop on those thinking caps; we’ve encountered a dilemma that Wikipedia alone cannot remedy!
See, like any warm-blooded entertainment blog, CU totally gets off on ranking stuff. So naturally, we’ve been hard at work piecing together our opinions on the decade’s finest albums and singles. The former category has proven easy enough to probe; the latter, however, presents a significant challenge, since singles that aren’t mainstream hits are often swept under the public carpet as the years go by.
There’s a certain sadness to the month of September. The first hints of fall feel like the beginning of the end, as summer warmth tuns to autumn chill. Perhaps that’s why there are so many great songs about this time of year, nearly all of them tinged with sadness.
For me, “September When it Comes” is the most beautiful example of this theme. The track was recorded by Rosanne Cash and Johnny Cash just months before he passed away. The song eerily foreshadowed his death, which would come to pass that very September:
Updated for 2009 While the Grammys have honored country music from the very first ceremony in 1959, they did not begin honoring by gender until 1965, when the country categories were expanded along with the other genre categories. This year, the 45th trophy for Best Male Country Vocal Performance will be awarded. In a continuation of our Grammy Flashback series, here is a rundown of the Best Country Vocal Performance, Male category. It was first awarded in 1965, and included singles competing with albums until the Best Country Album category was added in 1995. When an album is nominated, it is in italics, and a single track is in quotation marks. As usual, we start with a look at this year’s nominees and work our way back. Be sure to vote in My Kind of Country’s Best Male Country Vocal Performance poll and let your preference for this year’s race be known! Read More
A look back at the previous winners and nominees of the Best Country Album Grammy, updated to include the 2009 contenders. The Grammys have been doing better in the country categories since they reintroduced the Best Country Album category in 1995, which had only been in existence for two years in the 1960s. Prior to 1995, albums and singles were both eligible in the vocalist categories, so full albums would compete against single tracks in Best Male Country Vocal Performance, for example. Looking over the history of this fairly young category, you can see trends emerge, with certain acts clearly being favorites of NARAS. You see the same trend with the CMAs, just with different people. What is clear with the Grammys is that radio and retail success will only carry you so far. For awards that are supposed to be based on artistic merit, that’s how it should be. Read More