Written by Sam Hunt, Shane McAnally, and Josh Osborne
“Take Your Time” is interesting for its combination of rapidly delivered spoken word and warmly sung melody, and for its tentative attempts to acknowledge a woman’s own agency.
The structure borrows heavily from contemporary urban music, and will sound familiar to anyone who has listened to a fair amount of Drake. But Hunt keeps the proceedings grounded enough in country that it doesn’t sound nearly as reductive as it could’ve been.
One hallmark of a great singer is the ability to suspend the listener’s disbelief.
The storyline of “Cop Car” is very far-fetched, one of those Nashville compositions that takes fantastical lengths to try and tell the story of a young couple falling in love. In this case, they’re doing so right after being arrested for trespassing, while in handcuffs in the back seat of a police car.
Keith Urban’s heartfelt delivery and careful choice of what lines to emphasize keep the proceedings grounded. He’s so effective at capturing the feeling of falling in love that the specifics of the event surrounding the moment are appropriately secondary to the emotions at play.
I don’t believe the story, but I believe him.
Written by Zach Crowell, Sam Hunt, and Matt Jenkins