Tag Archives: Sugarland

2010 ACM Nominations

You know the drill. For each of the categories, we’ll look at who’s broken in since last year, who’s been excused, and then make a totally judgy statement about what it all means.

Entertainer of the Year

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band

Who’s In: Who isn’t?

Who’s Out: No one.

Snap Judgment: My best guess about the surprise expansion of this category is that ACM thinks the Oscars are onto something. They’re not. But while the Oscars risk having a Best Picture nomination lose some of its prestige, I don’t think the same quite holds true for ACM Entertainer, since an artist can already be nominated multiple times throughout a career anyway (and most are). So this could actually work, I guess. If nothing else, it’ll be interesting.

Top Male Vocalist of the Year

  • Kenny Chesney
  • Brad Paisley
  • Darius Rucker
  • George Strait
  • Keith Urban

Who’s In: Darius Rucker

Who’s Out: Toby Keith

Snap Judgment: No surprises here; it’s the same pool the CMA picked this past fall.

Top Female Vocalist of the Year

  • Miranda Lambert
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood
  • Lee Ann Womack

Who’s In: Reba McEntire

Who’s Out: Martina McBride

Snap Judgment: Martina shaft! Drama drama!

Top Vocal Group of the Year

  • Lady Antebellum
  • Little Big Town
  • Randy Rogers Band
  • Rascal Flatts
  • Zac Brown Band

Who’s In: Zac Brown Band

Who’s Out: The Lost Trailers

Snap Judgment: I imagine Love And Theft’s and Gloriana’s managers will be spending the morning trying to figure out who the hell Randy Rogers Band is. Seriously, I don’t know how RRB keeps squeezing into this race. Not complaining, though!

Top Vocal Duo of the Year

  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland

Who’s In: Steel Magnolia

Who’s Out: Big & Rich

Snap Judgment: What’s this? Five duos who actually did something in the last year? Get outta here.

Top New Solo Vocalist of the Year

  • Luke Bryan
  • Jamey Johnson
  • Chris Young

Who’s In: Chris Young, Luke Bryan (both re-entries from previous years)

Who’s Out: Jake Owen (won last year), James Otto

Snap Judgment: I’m just pretending this is the Top New Male category, since ACM’s annual changing around of award names and criteria can be kind of silly. This is going to be an interesting race to watch, especially since all three of these guys are nominated their second time here. It’s the last chance any of them will have to win it.

Top New Vocal Duo of the Year

  • Bomshel
  • Joey + Rory
  • Steel Magnolia

Who’s In: This category was merged with New Vocal Group last year, so none of these duos (being duos) were there.

Snap Judgment: Seriously, doesn’t this whole “actually having semi-active vocal duos” thing kind of weird you out at this point? (P.S. Vote for Joey + Rory!)

Top New Vocal Group of the Year

  • Eli Young Band
  • Gloriana
  • The Lost Trailers

Who’s In: Gloriana

Who’s Out: Zac Brown Band (won last year)

Snap Judgment: Love And Theft HQ must be a grim, grim place today.

Album of the Year

  • Brad Paisley, American Saturday Night
  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, Revolution
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Snap Judgment: Not a bad lineup, but the ACM’s lenience in the Album category never ceases to amaze. Lady Antebellum came out two full years ago.

Single Record of the Year

  • Lady Antebellum, “Need You Now”
  • Billy Currington, “People Are Crazy”
  • David Nail, “Red Light”
  • Zac Brown Band, “Toes”
  • Miranda Lambert, “White Liar”

Snap Judgment: I’m used to scratching my head in this category. Whatever.

Song of the Year

  • “Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “White Liar” – Natalie Hemby & Miranda Lambert
  • “You Belong With Me” – Liz Rose & Taylor Swift

Snap Judgment: …It’s like, do people even pay attention to lyrics anymore?

Video of the Year

  • Randy Houser, “Boots On”
  • Lady Antebellum, “Need You Now”
  • Brad Paisley, “Welcome to the Future”
  • Miranda Lambert, “White Liar”
  • Taylor Swift, “You Belong With Me”

Snap Judgment: Actually not a bad pool. The Lady A video is pretty boring, though.

Vocal Event of the Year

  • Blake Shelton feat. Trace Adkins, “Hillbilly Bone”
  • Brooks & Dunn feat. Billy Gibbons, “Honky Tonk Stomp”
  • Carrie Underwood feat. Randy Travis, “I Told You So”
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Jack Ingram with Patty Griffin, “Seeing Stars”

Snap Judgment: Eh.

- – -

What are y’all’s thoughts?

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Say What? – Terri Clark

In an interview with Gibson.com , Terri Clark reflects on her hit-making days:

Country radio was good to me for many years, but it also pigeonholed me. After my first album, I was expected to fill the slot on their playlist for ‘fun, up-tempo female.’ That provided me with a space to fill on that playlist, and a string of turntable hits, but in my entire career I had only two ballads that broke the Top 10.

There have been quite a few songs, songs that never got released as singles, that I felt were stronger than a lot of the singles that came out.

Lamenting the restraints that their former labels placed on their artistic freedom is a common refrain of country artists once they go indie. But in Clark’s case, I see her point. Her first wave of hits included two ballads, but most of the biggest hits were uptempo rockers like “You’re Easy On the Eyes” and “Better Things To Do.”  Her second wave was only three hits deep, a trio of upbeat numbers that all reached the top two.  Radio essentially walked away when she took a turn for the serious.

Interestingly enough, she fell out of favor during Gretchen Wilson’s meteoric rise, who essentially filled that “fun, up-tempo female” slot.  Radio embraced Wilson more than they ever embraced Clark, but also tired of her quickly.  Radio has since backed more female artists than it did in the early part of the decade, with Carrie Underwood,  Taylor Swift and Sugarland regularly topping the charts.  But it could be argued that Clark’s niche has never been filled again, much like Mary Chapin Carpenter and Patty Loveless were never succeeded by a younger counterpart.

Do you agree with Clark that radio pigeonholds its artists to the detriment of their music?  If so, what artists are currently being the most limited by this mindset?

H/T: GAC

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Grammy 2010 Staff Picks & Predictions

Even in Grammy’s darkest hours, CU brings its picking powers!

- Superhero television show about our blog from the 50′s.

We won’t be live-blogging this time around, but will be reacting to the show in a full post tomorrow, and welcome your reactions in comments on this post. The awards telecast starts at 8 pm Eastern, and I imagine there will be some red carpet action in the hour prior.

Record of the Year

Picks

  • Beyonce, “Halo” – Kevin
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” - Tara
  • Lady GaGa, “Poker Face” - Dan
  • Taylor Swift, “You Belong with Me”

Predictions

  • Beyonce, “Halo”
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Kevin, Dan, Tara
  • Lady GaGa, “Poker Face”
  • Taylor Swift, “You Belong with Me”

Kevin: Am I wrong for preferring Eric Cartman’s rendition of “Poker Face” over the original? This is a pretty lightweight slate of contenders. I really like “Halo”, but I suspect Kings of Leon will win, simply because it’s the only rock song in a lineup of pop hits.

Dan: “Poker Face” just feels very representative of popular music in 2009. I wouldn’t whine if it got passed over so that “Bad Romance” could take this award next year, though.

Tara: I would’ve pulled for “Single Ladies” in a heartbeat had it been submitted, but “Use Somebody” is just as deserving of this award. It’s a fantastic song even outside the context of its moment in pop culture, and it’s the kind of larger-than-life song that the voters have picked to win in the past.

Album of the Year

Picks

  • Beyonce, I Am…Sasha Fierce
  • Black Eyed Peas, The E.N.D.
  • Lady GaGa, The Fame Kevin, Tara
  • Dave Matthews Band, Big Whiskey and the Groogrux King
  • Taylor Swift, Fearless - Dan

Predictions

  • Beyonce, I Am…Sasha Fierce
  • Black Eyed Peas, The E.N.D.
  • Lady GaGa, The Fame
  • Dave Matthews Band, Big Whiskey and the Groogrux King - Kevin
  • Taylor Swift, Fearless - Dan, Tara

Kevin: I’d like to see dance music get some respect in the big category, even if there are a half-dozen Madonna albums at this point that would’ve been worthier winners than The Fame. Again, I think the Top 40 votes are going to be split, leaving Dave Matthews Band the winners.

Dan: In little over a year, Fearless has grown from success story to cultural artifact. It’s that rare pop album that seems to have a personality all its own, like Jagged Little Pill in a yellow sundress (and sung about as well). I could see anyone but the Peas taking this, but I think Swift’s support in both Nashville and the Top 40 crowd will take her to the top.

Tara: I have to say I was fairly shocked to see Swift’s truckload of Grammy nominations, so I’m having a little trouble wrapping my mind around the Academy’s thought process – but, I suppose a Swift win in this category is inevitable. However, I fully back Lady GaGa, who is the perfect storm of creativity, vision, swagger and raw vocal talent (remember that, pop world?). Continue reading

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My Grammy Wish List: 2010 Edition

Since this was a solo blog, doing a Grammy Wish List has been an annual tradition.  I’m not too excited about this year’s Grammys, to be honest. 2009 was a weak year in my opinion, and the shortened 11-month eligibility period didn’t help matters.  But a tradition is a tradition, so here are my picks in the eleven categories that I care about this year:

* denotes my personal wish:

Record of the Year

  • Beyoncé, “Halo”  *
  • The Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody”
  • Lady Gaga, “Poker Face”
  • Taylor Swift, “You Belong With Me”

It’s always nice to see a country radio hit in there, but I honestly can’t stand “You Belong With Me.”  I dig the Kings of Leon song, but the record that I enjoy the most here is “Halo.”  Some pundits have suggested that Beyoncé threw her chances at this trophy by submitting “Halo” instead of “Single Ladies”, but I like that song even less than “You Belong With Me.” Love “Halo”, though.

Song of the Year

  • Lady Gaga & RedOne, “Poker Face”
  • Hod David & Musze, “Pretty Wings”
  • Thaddis Harrell, Beyoncé Knowles, Terius Nash & Christopher Stewart, “Single Ladies (Put a Ring On It)”
  • Caleb Followill, Jared Followill, Matthew Followill & Nathan Followill, “Use Somebody”  *
  • Liz Rose & Taylor Swift, “You Belong With Me”

Great to see Liz Rose in there, too, but I still can’t stand the song.  I think “Use Somebody” is a great composition that could easily be a hit in other formats if the right artist covered it. Are you listening, Sugarland?

Best New Artist

  • Zac Brown Band *
  • Keri Hilson
  • MGMT
  • Silversun Pickups
  • The Ting Tings

Zac Brown Band don’t quite live up to the hype, but they come a lot closer than last year’s nominee, Lady Antebellum.

Best Country Album

  • Zac Brown Band, The Foundation
  • George Strait, Twang *
  • Taylor Swift, Fearless
  • Keith Urban, Defying Gravity
  • Lee Ann Womack, Call Me Crazy

There isn’t an album here that is built for more than cherry-picking. Strait’s set has the most cherries.

Best Female Country Vocal Performance

  • Miranda Lambert, “Dead Flowers”
  • Martina McBride, “I Just Call You Mine”
  • Taylor Swift, “White Horse”
  • Carrie Underwood, “Just a Dream” *
  • Lee Ann Womack, “Solitary Thinkin’”

The only women who brought their A-game to this category are Swift and Underwood.  “White Horse” might be the better song, but Underwood’s is the better vocal performance by a country mile.

Best Male Country Vocal Performance

  • Trace Adkins, “All I Ask For Anymore”
  • Billy Currington, “People Are Crazy”
  • Jamey Johnson, “High Cost of Living”
  • George Strait, “Living For the Night” *
  • Keith Urban, “Sweet Thing”

I love the Strait song, so it’s my pick, but this is one of the only strong categories this year and I wouldn’t mind seeing any of these five win.

Best Country Performance by a Duo or Group With Vocals

  • Brooks & Dunn, “Cowgirls Don’t Cry”
  • Zac Brown Band, “Chicken Fried”
  • Lady Antebellum, “I Run to You”
  • Rascal Flatts, “Here Comes Goodbye”
  • Sugarland, “It Happens” *

No A-game here, but Sugarland’s B-game is better than the rest.

Best Country Vocal Collaboration

  • Dierks Bentley & Patty Griffin, “Beautiful World”
  • Kenny Chesney & Mac McAnally, “Down the Road”
  • Brad Paisley & Keith Urban, “Start a Band”
  • Carrie Underwood & Randy Travis, “I Told You So” *
  • Lee Ann Womack & George Strait, “Everything But Quits”

Some amazing pairings here, but Underwood and Travis are the only ones with the material to match the talent.

Best Female Pop Vocal Performance

  • Adele, “Hometown Glory”
  • Beyoncé, “Halo”
  • Katy Perry, “Hot N Cold”
  • Pink, “Sober” *
  • Taylor Swift, “You Belong With Me”

Pink is an awesome songwriter, and easily the most substantial female pop star to come along in the last decade.  “Sober” is one of her best.

Best Pop Vocal Album

  • The Black Eyed Peas, The End
  • Colbie Caillat, The Breakthrough
  • Kelly Clarkson, All I Ever Wanted
  • The Fray, The Fray
  • Pink, Funhouse *

It’s not quite as good as I’m Not Dead, but it comes close.

Best Dance Recording

  • The Black Eyed Peas, “Boom Boom Pow”
  • David Guetta and Kelly Rowland, “When Love Takes Over”
  • Lady Gaga, “Poker Face”
  • Madonna, “Celebration” *
  • Britney Spears, “Womanizer”

Even her throwaway singles are built to last.

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Best Country Albums of 2009, Part 2: #10-#1

Round 2 – FIGHT!


#10
Play On
Carrie Underwood

World: meet Underwood. She’s fiercely compassionate and endearingly idealistic (the riveting “Change”). She holds her beliefs with a firm but quiet conviction (“Temporary Home”). She’s as comfortable and convincing at tearing down a wrong-doer (the Dixie Chicks-esque “Songs Like This”) as she is nursing an irreparable heartache, whether it’s in the form of a haunting country standard (“Someday When I Stop Loving You”) or a rich pop ballad (“What Can I Say?”). And she’s one of the most gifted vocalists of this generation, possessing an instrument that, when colored and layered with emotion as she’s aptly learned to do on Play On, can have bone-chilling effects.

Like it or leave it, Play On is the most authentic encapsulation of Underwood’s artistry and persona to date, and serves as an exciting glimpse at how far a little growth can carry her. The best is yet to come, but in the meantime, the “good” is pretty damn good. – Tara Seetharam


#9
Sara Watkins
Sara Watkins

As most people know by now, Sara Watkins is the female member of the now-disbanded (hopefully temporarily) New Grass trio, Nickel Creek. While Nickel Creek was difficult to classify in a certain genre (not bluegrass, not country), they were embraced by bluegrass and country music fans alike. Each member of the popular trio has released intriguing projects outside of Nickel Creek, but Watkins’ album  has assumed the most decidedly country direction of them all. As a result, we are treated to a sublime album thanks to Watkins’ sweet voice and a set of impressively solid songs. – Leeann Ward Continue reading

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Best Country Singles of 2009, Part 2: #20-#1

We proceed.

#20

Taylor Swift, “You Belong with Me”

Teen-pop perfection, bursting with personality and unshakable hooks. – Dan Milliken

#19

Keith Urban, “‘Til Summer Comes Around”

There’s nothing quite as lonely as a carnival that has shut down, except for being alone at a carnival, surrounded by everyone but the love who has left you behind. – Kevin Coyne

#18

Lady Antebellum, “I Run to You”

Sheer passion and pulsing energy from start to finish. – Tara Seetharam Continue reading

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Top-Selling Country Albums of 2009

Here are the top selling country albums of the calendar year 2009.  The number in parentheses is the album’s rank on the overall list encompassing all genres. The totals are rounded to the nearest thousand:

  1. Taylor Swift, Fearless (1) – 3,157,000
  2. Zac Brown Band, Foundation (15) – 1,243,000
  3. Carrie Underwood, Play On (19) – 1,150,000
  4. Rascal Flatts, Unstoppable (21) – 1,123,000
  5. Lady Antebellum, Lady Antebellum (24) – 948,000
  6. Jason Aldean, Wide Open (27) – 940,000
  7. Darius Rucker, Learn to Live (31) – 849,000
  8. Taylor Swift, Taylor Swift (36) – 766,000
  9. Keith Urban, Defying Gravity (38) – 715,000
  10. Sugarland, Love On the Inside (41) – 678,000
  11. Kenny Chesney, Greatest Hits II (54) – 547,000
  12. Tim McGraw, Southern Voice (55) – 547,000
  13. George Strait, Twang (62) – 499,000
  14. Brad Paisley, American Saturday Night (69) – 462,000
  15. Jamey Johnson, That Lonesome Song (71) – 460,000
  16. Carrie Underwood, Carnival Ride (74) – 457,000
  17. Taylor Swift, The Holiday Collection (79) – 425,000
  18. Reba McEntire, Keep On Loving You (93) – 389,000
  19. Rascal Flatts, Greatest Hits Volume 1 (104) – 359,000
  20. Miranda Lambert, Revolution (112) – 334,000
  21. Alan Jackson, Good Time (124) – 311,000
  22. Billy Currington, Little Bit of Everything (125) – 310,000
  23. Robert Plant & Alison Krauss, Raising Sand (126) – 305,000
  24. Dierks Bentley, Feel That Fire (129) – 298,000
  25. Toby Keith, American Ride (137) – 288,000
  26. Sugarland, Gold and Green (149) – 255,000
  27. Carrie Underwood, Some Hearts (158) – 248,000
  28. Sugarland, Live on the Inside (168) – 232,000
  29. Sugarland, Enjoy the Ride (180) – 225,000
  30. Kellie Pickler, Kellie Pickler (190) – 218,000
  31. Various Artists, Now Country Vol. 2 (192) – 214,000
  32. Kenny Chesney, Lucky Old Sun (193) – 219,000

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The 201 Greatest Singles of the Decade, Conclusion: #20-#1

#20
“Not Ready to Make Nice”
Dixie Chicks
2006
Peak: #36

It’s easy to label this as a transitory response of a song, whose quality is stamped by context and time, but to do so is to undermine its carefully crafted layers of universal emotion. Anger is only the outer coating of the song – beneath it lies a tender-to-the-touch complex of feelings:  pain and disgust, confusion and resolve, stubbornness and defeat. “Not Ready to Make Nice” may always recall a certain unfortunate episode in country music history, but its theme – that sometimes there’s a price to pay for standing up for what you believe – is timeless. – Tara Seetharam

#19
“Probably Wouldn’t Be this Way”
LeAnn Rimes
2005
Peak: #3

A striking portrait of grief that alternates between phases of desolation, disillusionment and gratitude. Rimes’ interpretation of the lyrics is chillingly precise. – TS Continue reading

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The 201 Greatest Singles of the Decade, Part 3: #160-#141

The 201 Greatest Singles of the Decade, Part 3: #160-#141

lee-ann-womack-call-me-crazy

#160
“Last Call”
Lee Ann Womack
2008
Peak: #14

Womack’s second-best Aughts song about late-night temptations is still better than a lot of people’s first-best songs about anything. Even in avoiding her drunken ex’s advances, she sounds positively heartbroken, suggesting she’d gladly make the other decision if she didn’t know better. – Dan Milliken

159 Shania Up

#159
“She’s Not Just a Pretty Face”
Shania Twain
2003
Peak: #9

Her motivation for her music has always been escapism, but I love the personal touch she slips into this one. Her late mother is the one who she’s referring to when she sings “at night, she pumps gasoline.” – Kevin Coyne

Continue reading

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The 201 Greatest Singles of the Decade, Part 2: #180-#161

The 201 Greatest Singles of the Decade, Part 2: #180-#161

180 Flatts Melt

#180
“These Days”
Rascal Flatts
2002
Peak: #1

It’s the pairing of aching nostalgia and all the power that comes with a Flatts country-pop ballad that makes this song so potent. – Tara Seetharam

179 Ashton

#179
“Takin’ Off This Pain”
Ashton Shepherd
2007
Peak: #20

Like a wide-eyed hybrid of Loretta Lynn and Jennifer Nettles, Shepherd burst onto the scene snapping her newly ring-free fingers at the clueless sap not treating her right. Next Decade, please take note: you’ve got a star in waiting. – Dan Milliken Continue reading

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