Kenny Chesney Just Who I Am: Poets & Pirates What’s the difference between a signature style and an artistic rut? It’s a question that’s hard to avoid contemplating when listening to Kenny Chesney’s latest record,
Ya gotta love the CMAs. It’s the most politically-motivated award show the genre offers up, but at the same time, factions in its membership can tilt the balance and deliver some surprise nominations and dark
Vince Gill, “What You Give Away” This is why I love country music. This is why I wade through all the songs about redneck pride and checking for ticks. I keep coming back for
It wasn’t a banner year for the genre like 2005 was, but there were still a lot of good singles sent to radio and retail this year. Some were hits, some weren’t, but these were
Three days later than intended, thanks to a Blogspot glitch, here’s the first of a few year-in-review entries. Given the incessant single listing on this page lately, it seems only right to kcik things off
The 400 Best Contemporary Country Singles Part 15: #50-#26 #50 “Meet In The Middle” Diamond Rio 1991 Peak: #1 Diamond Rio burst on to the country music scene with an ideal showcase of their talents:
The 400 Best Contemporary Country Singles Part 14: #75-#51 #75 “Wrong Side of Memphis” Trisha Yearwood 1992 Peak: #4 Yearwood kicked it into a higher gear with this lead single from her second album, the
The 400 Best Contemporary Country Singles Part 12: #125-#101 #125 “Any Man of Mine” Shania Twain 1995 Peak: #1 There are a few records in country music history that serve as a clear turning point.
The 400 Best Contemporary Country Singles Part 8: #225-#201 #225 “Heads Carolina, Tails California” Jo Dee Messina 1996 Peak: #2 Messina’s debut single established her edgy sound right out of the gate. Here, she’s convincing
Best Country Albums of 2004 1. Tim McGraw, Live Like You Were Dying A stunning mainstream country album that manages to challenge the listener while still pleasing radio. There are too many high points to