There are a lot of great country songs chronicling the breakup of a relationship, but it’s the female characters who have often shown a particular propensity for leaving their lovers by car. Sometimes she changes her mind and turns the car around; most of the time she doesn’t. Either way, it’s been the making of many a great country song.
There are obviously numerous songs that fit this mold, but here’s my whittled-down list of six personal favorites. I look forward to reading about your favorites in the comments section below.
“Nothin’ But the Wheel”
Written by John Scott Sherrill
Whenever I attempt to rank my many favorite Patty Loveless songs, “Nothin’ But the Wheel” is always one of the top three. Loveless’ mournful drawl is gorgeously framed by the weeping fiddle and steel guitar as she gives voice to a woman striking out on the road in the wee hours of the morning. The real gut punch comes with the line “And the only thing I know for sure is if you don’t want me anymore…” as the narrator reveals that she’s leaving not only because she’s unhappy, but because she knows she will not be missed. Continue reading
In 2008, I was finishing up my degree in journalism and trying to understand what it meant to be a professional writer. I wanted to write about music, but the divide between fan and critic felt, at times, insurmountable.
That fall, I stumbled onto Country Universe through this post, and it changed my perspective. As both a writer and leader, Kevin was thoughtful, rational and personally invested in the country music genre. He showed a deep respect for the genre’s history, but wrote about new artists with tolerance and curiosity. Best of all, he held readers and writers alike to the highest standards of decency.
It’s for that reason that this post shines. Kevin’s ability to take a stand while cultivating constructive dialogue is unmatched. He cut through the divisive hype around Carrie Underwood –an artist who is as special to me now as she was back then—and underlined the real issue at hand: country music’s staggering, frustrating gender bias. Six years and a truckload of interchangeable male artists later, it’s more imperative than ever that we continue this discussion. – Tara Seetharam
Discussion: Carrie Underwood, Shania Twain and Gender in Country Music
by Kevin John Coyne
August 29, 2008
I fear this post won’t quite live up to its ambitious title, and I realize that I’m stirring the tempest pot a bit by putting those two artists in the same sentence. But the tone that surfaces whenever Carrie Underwood is discussed here is something that I find increasingly frustrating, so I’m going to talk about it. Hopefully, I’ll get a meaningful conversation going along the way.
Ten years ago, in the dog days of Summer 2004, blogging was catching on in the political world. I thought it would be cool to do a country music and politics blog. I think it had the tagline of “Where Music Row meets Pennsylvania Avenue.”
Anyway, the politics was dropped pretty quickly, as writing about country music was more than enough ground to cover! Country Universe slowly built an audience, becoming a place for refugee fans from the nineties boom, to debate the latest singles and albums, and at our best, to write about the present in a way that is informed by the past.
Filed under CU10, Site News
Songs have such a big impact on our life experience that they sometimes inspire songs of their own. It’s a cool theme that I wish more singers and songwriters would explore.
Here are some of my favorite examples of this theme:
Trisha Yearwood, “The Song Remembers When”
Far and away, the gold standard for songs about songs. I love the way the intro’s guitar hook is repeated immediately after Yearwood, sings, “When I heard that old familiar music start.” Producer Garth Fundis is the unsung hero of this classic recording, which has always seen heaps of deserved praise for Hugh Prestwood’s poetic songwriting and Yearwood’s skillful interpretation.
My local Public Radio station has a wonderful series called Music that Moves Me, which was conceived and originally produced by the inimitable Suzanne Nance who has now (sadly for us, but happily for her) moved on to bigger things in a big Chicago market. For this series, people across Maine submitted touching or funny stories about how a particular song or specific music has moved them in their lives. As a result, this series inspired me to make a playlist of songs that move me whenever I hear them. The songs that move me the most are those that promote sensitivity and kindness in the world or in me.
Here are just a few of the songs that move me. What are some of yours and why?
Sarah Jarosz, “Ring Them Bells”
Jarosz beautifully interprets this Bob Dylan Chestnut with the help of Vince Gill. There’s just something in her voice that makes me feel that she’s emotionally connected to the song and it’s inclusive message, which, in turn, connects me to the song.
Written by Brad Paisley and Kelley Lovelace
Brad Paisley has become a fairly reliable competitor in country radio’s annual summer song rodeo. He offers a 2014 entry that is listenable and likable, if not as memorable as last year’s “Beat This Summer.”
100 Greatest Men: The Complete List
From the vantage point of history, he is the indisputable King of Rock & Roll. But he earned that title through his ability to perform country, blues, and R&B successfully, and it is often his impact as a country artist that is most easily overlooked.
Presley was born into deep poverty in Mississippi, laying the groundwork for his exposure to American roots music. By his teenage years, he was living in Memphis, and it is in that city where he would be discovered by Sun Records owner Sam Phillips. His work for Sun Records cannot be overstated in its significance. On those early recordings, he brought together elements of country, blues, and R&B into a sound called rockabilly, which created the very foundation for what would soon be known as rock and roll. His cover of Bill Monroe’s “Blue Moon of Kentucky” was among these early recordings, as were his first big country hits: “Baby, Let’s Play House”, “I Forgot to Remember to Forget”, and “Mystery Train.”
100 Greatest Men: The Complete List
Since arriving on the country music scene in 1989, Alan Jackson has become one of the most critically acclaimed and commercially successful superstars to ever call country music home. Amazingly, in this modern era, he did it all as a traditionalist.
Hailing from small town Georgia, Jackson started with singing gospel, but by his teenage years, he was already part of a local country duo. He worked odd jobs while performing with his country band, and got his first big break when his wife, Denise, passed on his demo tape to Glen Campbell after a chance meeting in an airport. He encouraged them to move to Nashville, and Jackson continued to work odd jobs while honing his craft as a singer and songwriter.
100 Greatest Men: The Complete List
Over the course of just fourteen years, Charley Pride accumulated 29 #1 country hits, proof positive that his switch from professional baseball to music was the right one.
Pride hailed from Sledge, Mississippi, one of eleven sharecropper children. He was a guitar player early on, but he first made his name in baseball, playing in both the Negro League and on several minor league baseball teams, including the Memphis Red Sox and the Boise Yankees. His career was derailed by a stint in the Army, followed by an arm injury that made his signature pitching an impossibility. He worked construction while unsuccessfully auditioning for baseball teams, then turned his attention to music.
Written by Brandon Bush, Kristian Bush, and Tim Owen
It’s not entirely without precedent. When Diana Ross left the Supremes, their first single without her did better than her first solo release. Ringo Starr managed to score two #1 pop hits before John Lennon reached the top as a solo act. Peter Gabriel was supposed to be the indispensable talent of Genesis, but they did better when they gave Phil Collins the mic. Even country acts like Highway 101 and Restless Heart have seen the same phenomenon occur.