lley-Georgia-Clay.jpg” alt=”” width=”150″ height=”150″ />He may be the latest of many pop dudes gone country, but I’ve got a feeling Josh Kelley could actually stick around for a while. Just because it makes business sense. He’s famous enough to enjoy name recognition, but not enough to seem like a desperate has-been for switching teams; plus, you don’t need your music to be especially “country” to market it under that name now anyway; plus, I suspect that lots of Lady Antebellum fans will be willing to give Charles’ big bro a shot.
Is he any good, though? Beats me; haven’t heard the old stuff. I can only say that it’s hard to tell from his country debut. “Georgia Clay” is the most generic sort of high school nostalgia – the most interesting line here is “Only one of my friends with a fake ID / Yeah, it made me the hometown celebrity,” if that gives you an idea. How do all these songwriters not realize they’re writing the same damn song? The vocal, likewise, is indistinct, and even the melody feels weak, taking repeated listens to stick.
Did I miss anything? Promotion will push this dud to a decent spot on the charts, you’ll forget it happened as soon as it’s gone, and hopefully Kelley’s round two will be more promising. Typical 2000s.
Written by Charles Kelley, Josh Kelley and Clint Lagerberg
Listen: Georgia Clay