It's easy to compare this title track to Brooks & Dunn’s dance hall classic, for example, but Young’s ode to a bar has legs all its own. “Neon” puts a different spin on melancholy – less aching and more content in defeat. If there’s a broken heart in the mix, Young’s too deep into his sweet escape (on the rocks) to care.
That’s not to say “Neon” drifts into drowsiness. As effectively as “Neon Moon” had us wallowing in Dunn’s loneliness, “Neon” has us reveling in a blissful swirl of booze, Santa Fe sunsets and Texas sunflowers. Its imagery is both vibrant and slyly playful, packing little punches like: “The sun can do the job in the daytime / But the moon ain’t quite bright enough / To light up the way to playtime for people like us.”
But no amount of clever prose could make “Neon” soar the way Young’s instrument does when paired with the neo-traditional arrangement. His voice sinks into the groove of the song so effortlessly you’d think he was singing in his sleep, skating around the melody with an appropriate blend of conviction and restraint. By the time the last chorus hits, he's melted the entire song into a sublime pool of resignation – a near-perfect encapsulation of those hazy, memory-drowning nights.
Written by Shane McAnally, Josh Osborne & Trevor Rosen