Country Universe – A Country Music Blog

CMA Live Blog 2013

Wednesday, November 6th, 2013

The festivities begin at 8 PM EST.  Refresh for updates and check for winners above the fold:

Winners:

Entertainer: George Strait

Male Vocalist: Blake Shelton

Female Vocalist: Miranda Lambert

Vocal Group: Little Big Town

Album: Blake Shelton, Based On a True Story…

New Artist: Kacey Musgraves

Vocal Duo: Florida Georgia Line

Song: “I Drive Your Truck” – Jessi Alexander, Connie Harrington, and Jimmy Yeary

Single: “Cruise” – Florida Georgia Line

Music Video:  “Highway Don’t Care” – Tim McGraw with Taylor Swift and Keith Urban; director: Shane Drake

Musical Event: “Highway Don’t Care” – Tim McGraw with Taylor Swift and Keith Urban

Live Blog (EST):

7:04  First two wins go to “Highway Don’t Care” for Music Video and Vocal Event.  First wavering of previously held sentiment: I totally want George Strait to win Entertainer of the Year for his farewell tour.  – KJC

8:01  It’s 8:01 and Luke Bryan is wearing a glittery shirt.  I’m already confused.  – KJC

8:03 And the show starts with two of the most insufferable songs of the year (to me). Where’s the money shot of Zac Brown’s face? -TS

8:06 Weird how we can go from such a horrible representation of the genre to such a charming one.  Carrie/Brad >>>Luke/FGL. – KJC

8:08 Brad and Carrie shining as always. This feud sketch is stellar. Thoughts on the Julianne Hough dig?  – TS

8:09 It would be nice if there was someone other than Darius Rucker to hand the name to. – KJC

8:10 A bunch of rich people with insurance making health care jokes.  Privilege goes down smooth with “Amarillo by Morning.” – KJC

8:10 “Cruise” is only one of the biggest crossovers of all time because they changed the chart rules.  Boo. – KJC

8:12 I thought that was Blake Shelton in a costume. Turns out it’s the real Duck Dynasty guys. Wow. – KJC

8:15 SINGLE OF THE YEAR:  “Cruise”  – Florida Georgia Line.   (That is not a typo.)

8:17 I can’t think of anything quippy, I’m so disgusted by this FGL win! – LW

8:20: CMA Awards 1992: The feud is Billy Ray Cyrus vs. Travis Tritt, and “Achy Breaky Heart” wins Single of the Year over “Maybe it Was Memphis”, “I Feel Lucky”, “Love, Me” and “Look at Us.”    The more things change… – KJC

8:23 Jason Aldean singing “Night Train” is the best actual performance so far.  We’re reaching a point where last year’s nadir is this year’s apex.  Where’s Kacey Musgraves? – KJC

8:25 There she is.  Singing a Brandy Clark co-write. Now we’re talking. -KJC

8:28 Can we take a moment to reflect on how awesome this chick’s mainstream success is? She’s looking and sounding fab here. Love this song.  – TS

8:30 Always nice to hear some actual audible steel guitar on the CMAs for a change. – BF

8:32 Check out the Engine 145 Live Blog, led by the incomparable Juli Thanki!

8:34 Who else feels like a giddy 14-year-old listening to this new Lady Antebellum song? I’m not sure if that’s a good or bad thing. – TS

8:35 Lady Antebellum with “Compass,” a song which is really growing on me. It sounds like it was made for a live setting. – BF

8:37 Song: “I Drive Your Truck” – Jessi Alexander, Connie Harrington, and Jimmy Yeary

8:38 Lee Brice wins Song of the Year with “I Drive Your Truck.” I’m not complaining. - TS

8:41 I feel like “I Drive Your Truck” is a surprise win…but maybe that just shows how much I’m out of the mainstream these days. – LW

8:42 As truck songs go, it’s not a bad one.  But wow, there was so much more compelling material to choose from this year. – KJC

8:44 “Sober.” YES. – BF

8:45 Every year, there’s at least one performance that makes it clear that it’s not the sound system’s fault that everyone sounds bad.  This year, it’s Little Big Town.  They sound fantastic. – KJC

8:46 I’ll say it again: I always love LBT live, even if I don’t love the recorded version of the same song. – LW

8:45 LBT nailing “Sober” with a sparse and spiritual performance. – TS

8:46 LBT sounding fantastic as usual. This is one of those performances that makes me glad I tuned in in spite of all the drivel. – BF

8:47 Vocal Duo: Florida Georgia Line

8:48 For one brief moment, I was clinging to a tiny shred of hope that The Civil Wars would get it. I don’t know why. – BF

8:53: Keith and Miranda with “We Were Us.” I actually think I’m liking this performance better than the studio version. It’s one of those songs that I like well enough, but would like better if it had a better production. – BF

9:00 Having Vince Gill and Alison Krauss onstage doesn’t exactly invite favorable comparison to Taylor Swift’s vocal abilities, but I am enjoying this performance. I love hearing the cheers for Vince and Alison.

9:02 Incidentally, I may be going crazy, but I actually think T-Swift is sounding quite decent tonight. – BF

9:02 The R-eh-eh-ed hook doesn’t work in this setting. – KJC

9:01 I feel like the TS collaboration with Vince and Alison could be good, but my sound must be messed up, because it’s not working for me… – LW

9:02 Even when Taylor isn’t sounding as bad as she usually does, it’s pretty daring of her to sing with two of the best voices in country music! – LW

9:04 Florida Georgia Line performing “Round Here.” – BF

9:10 Hunter Hayes and Jason Mraz with “Everybody’s Got Somebody But Me.” I’m actually enjoying this so far. – BF

9:12 Hunter Hayes channeling Gary LeVox with this messy live performance. This kid has so much potential, though. – TS

9:12 New Artist: Kacey Musgraves

9:13 Woohoo! I could not be happier for Kacey. This is one that the CMA got very, very right. – BF

9:14 I liked that Hayes/Mraz performance – LW

9:14 Eric Church performing “The Outsiders.” – BF

9:16 I don’t think Eric Church’s backup singers are actually making those sounds – KCJ

9:17 I wonder what the aforementioned Tom Petty thinks of this one. Me, I kinda dig it. - TS

9:18 Does that bass breakdown in the Church song remind anyone else of “The Devil Went Down to Georgia”? – LW

9:19 It would be hilarious if this segued right into the George jones tribute. – KJC

9:23 The Band Perry performing “Don’t Let Me Be Lonely.” – BF

9:24 I’m half expecting Jennifer Nettles to walk out during this Sugar Land-lite tune. Really, though, that would be kind of awesome. – TS

9:28 Sheryl Crow presenting Album of the Year. – BF

9:29 Album: Blake Shelton, Based On a True Story…

9:29 Blech. So much for my optimism is predicting an LBT win here.

9:31 This is pretty much the worst slate of winners I can remember. – KJC

9:31 Tim McGraw performing “Southern Girl.” – BF

9:32 I’ve decided the CMA voters are just trolling now. – KJC

9:33 This song gets on my nerves so bad. I can’t believe the songwriters have the bad taste to rhyme “girl” with “rock my world.” – BF

9:35 And there’s glitter on Tim’s hat. – KJC

9:35 Nashville fans, do you get a 90s Rayna James vibe from this song? Have I lost my mind? – TS

9:35 What is with all the glitter? – KJC

9:40 Nice to hear some acknowledgement for Cowboy Jack Clement and Bobby Bare.

9:40 Blake Shelton performing “Mine Would Be You.” – BF

9:44 Not one part of me can get behind a Blake Shelton AOTY win, but this is a decent song and performance. – TS

9:47 Tim McGraw, Faith Hill, Keith Urban, George Strait, and Rascal Flatts presenting Taylor Swift with the CMA Pinnacle Award.

9:48 Leeann: I would like to hear George Strait do a Swift song. – LW

9:49 LOL to Keith Urban describing Taylor Swift’s contribution to country music while “22″ plays in the background. – TS

9:50 LOL at Ellen’s “Pineapple Award” quip! – BF

9:51  “The Pinnacle Award?”  Okay ,they’re just making things up now.  No time for the Hall of Fame inductees, but time for this. And stop acting so shocked. They announced this beforehand. – KJC

9:54 This is like the first husband who knows his wife is leaving and tries to keep her by giving a really shiny piece of jewelry. – KJC

9:56 But it’s not on her. It’s on them.  We got a stupid award made up in 2005 for Garth Brooks, with Mick Jagger and Julia Roberts shout-outs, and nothing but a three-second wave for Bobby Bare.  Too much. – KJC

10:01 Carrie Underwood highlight reel from the past year leading up to her Entertainer of the Year award… Oh, wait – KJC

10:05 So Tim McGraw got a standing O but Carrie polite applause? Huh. – KJC

10:05 Disappointed in her team for taking the lazy route with this medley, but nonetheless proud of Carrie for, ahem, following her own arrow during this Blown Away era. My EOTY. – TS

10:05 So weird that Carrie’s doing a medley. It’s usually what people do when they’re not big anymore… – LW

10:05 I really enjoy Carrie’s voice these days. – LW

10:07 Vocal Group: Little Big Town

10:07 Can’t complain about LBT. Though they still look like ABBA to me. – KJC

10:08 Beautiful shout-out to Nancy Jones. – KJC

10:09 Loving the George Jones tribute with George Strait and Alan Jackson. I cannot think of two guys better qualified for this job. – BF

10:11 First time tonight I couldn’t take my eyes off the screen. Just lovely. – TS

10:12 So much history. So much love. – KJC

10:14 Kinda weird how the Opry can be just like a digital backdrop, given how many years the show was aired from the actual Opry. It feels sometimes like the arena has swallowed the CMA show like arena rock has swallowed country music. - KJC

10:14 The Jones tribute was wonderful. I felt a bit emotional during. I’m such a wimp. – LW

10:17 Zac Brown Band with Dave Grohl of The Foo Fighters debuting a new song, “Day of the Dead.” – BF

10:21 Between this and Eric Church’s “The Outsiders,” I’m all kinds of confused and happy. – TS

10:22 Brad Paisley performing “The Mona Lisa.” – BF

10:31 The Kenny Rogers tribute begins with Jennifer Nettles. – BF

10:32 Jennifer Nettles is certainly doing her best Dolly Parton impression. – KJC

10:32 Rascal Flatts singing “Just Dropped In (To See What Condition My Condition Was In).” – BF

10:33 Darius Rucker singing “The Gambler.” This I can take, but if given a choice, I would just as soon hear Kenny Rogers sing it himself. – BF

10:35 Kenny Rogers singing “Islands In the Stream.” I love this song. Unashamedly. – BF

10:35 The audience sing-along to these Kenny Rogers tunes is my favorite part of the night so far. – TS

10:35 I’m enjoying hearing Jennifer Nettles sing this, but I can only imagine the warm fuzzies I would be getting if Dolly were onstage singing it. – BF

10:36 Wow. Darius did a rough job on “The Gambler.” Nettles and Rogers doing “Islands in the Stream” works for me! - LW

10:39 Female Vocalist: Miranda Lambert

10:40 Eh. Not my choice this year, but she’s being classy as ever in her acceptance speech. – BF

10:42 Very sweet of Miranda to recognize the other females in the category. Don’t agree with it, but there are worse things than her fourth FVOTY trophy (see: basically every other award given out today). – TS

10:44 Miranda is always classy when she accepts these awards. – LW

10:44 Given how the night’s gone so far, can we just call Male and Entertainer for Blake now? – KJC

10:46 Luke Bryan performing “Drink a Beer” (“a very personal and meaningful song dedicated to the memory of his brother and sister”). – BF

10:49 Leeann: I’ll admit that as much as I hate Luke’s music these days, I soften when I think of how he lost two siblings within a short span. I’m just a sap that way, I guess. – LW

10:49 It’s so easy to forget what a good vocalist Luke Bryan is these days. Wish that weren’t the case. His voice deserves better material. – TS

10:50 It’s nice to hear Luke Bryan singing in a quieter setting. – BF

10:50 This is a great song that is being sung well…on the set of Once Upon a Time.  ABC sure is good with the corporate synergy. – KJC

10:50 Seriously? He even turns a song about his deceased siblings into a beer-drinking song? That takes…something. – LW

10:50 Male Vocalist: Blake Shelton

10:51 Can we just get over Blake Shelton already? – BF

10:51 Blake Shelton, however, is not in the same league as the other two men who won four of these at the time that they won. – KJC

10:53 Other two: Vince Gill and George Strait. – KJC

10:53 I can’t even. – TS

10:56 Blake Shelton, Vince Gill and George Strait: One of these things is not like the other. – TS

10:57 I’ve learned to accept that ABC is going to use the CMA Awards to shamelessly plug their programming. I just wish that they’d leave the Entertainer of the Year award out of it. – BF

10:57 Entertainer: George Strait

10:58 That just saved the whole night. – KJC

10:59 I share Kevin’s remorse for not picking George Strait for Entertainer. Was he on the top of his game this year? No. But he’s still the only nominee whom I can be genuinely happy for their winning. – BF

11:00 Keith Urban’s arms in the air is the best reaction to George Strait’s EOTY win. I had the privilege of seeing and reviewing his farewell concert earlier this year, and he is an entertainer indeed. – TS

11:01 Go King Gentleman George Strait!! I’m so, so happy for George Strait right now! Strait is so classy. – LW

10:03 Thanks so much for hanging with us, y’all. Not a bad show, in all honesty. All props to Ben for keeping this post alive in the midst of technical difficulties! – TS

10:03 That was almost worth the three hours. Almost! – KJC

10:04 I’m relieved that that didn’t wind up another Blake Shelton victory. – BF

10:04 Thanks, all! This was a blast. Rough show as usual, but we had a few great moments. – BF

CMA Awards: Entertainer of the Year (1967-2013)

Sunday, November 3rd, 2013

Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year.   Originally a revolving door of winners, the winner in early years was often not even nominated the following year.  In 1981, Barbara Mandrell became the first artist to win the award twice.   Alabama succeeded her with a three year run from 1982-1984.   Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.

Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.

1967

• Bill Anderson
• Eddy Arnold
• Merle Haggard
• Sonny James
• Buck Owens

One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.”  He remains the only member of the Hall of Fame to win this award after being inducted.

1968

• Eddy Arnold
• Glen Campbell
• Johnny Cash
  
• Merle Haggard
• Charley Pride

Glen Campbell was a big awards favorite in 1968, with “By the Time I Get to Phoenix” and “Gentle On My Mind” both dominating the Grammy awards earlier that year.   His win in this category foreshadowed bigger things, as he soon became a network variety star, while also scoring major country and pop hits with “Wichita Lineman” and “Galveston.”

 1969

• Glen Campbell
• Johnny Cash
  
• Roy Clark
• Merle Haggard
• Charley Pride

Johnny Cash’s career was rejuvenated on the strength of two live prison albums, the latter of which produced the massive Shel Silverstein-penned smash, “A Boy Named Sue.”   His victory came in a year that marked the beginning of his network variety show and had him dominating the country singles charts, spending ten combined weeks at #1 with “Sue” and “Daddy Sang Bass.”

1970

• Glen Campbell
• Johnny Cash
• Roy Clark
• Merle Haggard
  
• Charley Pride

Merle Haggard was a mainstay in this category from the beginning, nominated in each of the first seven years of the CMA Awards.  His victory in 1970 coincided with his commercial peak, with signature hits “The Fightin’ Side of Me” and “Okie From Muskogee” helping him secure his only win in this category.

1971

• Merle Haggard
• Loretta Lynn
• Charley Pride
• Jerry Reed
• Conway Twitty

The last of four consecutive years where the Male Vocalist winner matched the Entertainer winner, Charley Pride went home with both awards in 1971.   A winner on his fourth nomination, his popularity skyrocketed upon the release of “Kiss an Angel Good Morning,” which was climbing the charts at the time of the awards ceremony.

1972

• Merle Haggard
• Freddie Hart
• Loretta Lynn
• Charley Pride
• Jerry Reed
  

Instead of attending the awards show, Loretta Lynn’s husband Mooney went hunting.  He didn’t want to watch her lose, but he missed watching history unfold as she became the first woman to win Entertainer of the Year.  Lynn’s victory came on the heels of both solo hits like “One’s on the Way” and her popular duets with Conway Twitty.

1973

• Roy Clark
• Merle Haggard
• Tom T. Hall
• Loretta Lynn
• Charley Pride

Today he’s best known for Hee Haw, the country music variety show that he co-hosted, and it’s no coincidence that he won while the show was in its prime. Still, Clark is also one of country’s most admired legends, and his legacy goes far beyond the television show that showcased his extensive musical and comedic talents.

1974

• Roy Clark
• Mac Davis
• Loretta Lynn
• Olivia Newton-John
• Charlie Rich

The massive success of “The Most Beautiful Girl” and “Behind Closed Doors” helped Charlie Rich win this award.  It was a long time coming, as Rich toiled in obscurity despite critical acclaim for his work.   He would continue to score big hits on the country and pop charts over the next couple of years, at one point charting hits on different labels at the same time.

1975

• John Denver
• Waylon Jennings
• Loretta Lynn
• Ronnie Milsap
• Conway Twitty

John Denver’s victory in this race led to the most infamous moment in CMA history. Though he claimed it was due to medication later on, presenter Charlie Rich seemed to be making a furious statement against the pop crossover artists dominating country music when he opened the envelope, read it, and then lit a cigarette lighter and burned the envelope. The paper went up in flames as he derisively snarled the winner’s name, “My friend, Mister John Denver.” Poor John, accepting via satellite, was clueless to what was going on at the Opry house, and graciously accepted his award.

1976

• Waylon Jennings
• Ronnie Milsap
• Willie Nelson
• Dolly Parton
• Mel Tillis

This 2007 Hall of Fame inductee won this award just as he was changing labels.  Tillis first gained notoriety for his remarkable songwriting talent, but eventually he was scoring enough hits to earn a place in this category. He would go on to have several more big hits after winning this award, earning another nomination in this category two years later.

1977

• Merle Haggard
• Waylon Jennings
• Ronnie Milsap
• Dolly Parton
• Kenny Rogers

Ronnie Milsap dominated the CMA Awards, becoming one of its most frequently honored performers during the formative years of the awards show.  He finally won the big prize on his third try, powered by the success of his classic hit, “It was Almost like a Song.”

1978

• Crystal Gayle
• Ronnie Milsap
• Dolly Parton
• Kenny Rogers
• Mel Tillis

Her famous quote – “I’m not leaving country. I’m taking it with me” – must have held some water with the Nashville establishment, as Parton won this award at the height of her pop crossover success with “Here You Come Again,” the title track of her first platinum album.  The front of her dress popped open before she went up to receive the trophy, prompting her to quip, “That’s what I get for trying to put fifty pounds of mud in a five pound bag.”

1979

• Crystal Gayle
• Barbara Mandrell
• Willie Nelson
• Kenny Rogers
• Statler Brothers

He never won Male Vocalist of the Year, but superstar Willie Nelson was given his due by the CMA in 1979 when they awarded him Entertainer of the Year.   While it wasn’t his biggest year on the charts, residual goodwill from Stardust and his collaborations with Waylon Jennings helped carry him to victory.

1980

• Charlie Daniels Band
• Larry Gatlin & The Gatlin Brothers
• Barbara Mandrell
  
• Willie Nelson
• Kenny Rogers

She had a few big hits in 1980, like “Crackers” and “The Best of Strangers.”  But it was her incredibly popular variety show with sisters Louise and Irlene that truly showcased her versatility as an entertainer, securing the first of two wins in this category.

1981

• Alabama
• George Jones
• Barbara Mandrell
  
• Oak Ridge Boys
• Kenny Rogers

Despite sharing the category with four artists who had never won this award, Barbara Mandrell became the first artist in CMA history to win Entertainer of the Year for the second time.  Credit the continued popularity of her television show and the biggest hit of her career, “I Was Country When Country Wasn’t Cool”,  which featured a guest turn by fellow nominee George Jones.

1982

• Alabama
• Barbara Mandrell
• Willie Nelson
• Oak Ridge Boys
• Ricky Skaggs

The band that laid the groundwork for all other country bands that followed, Alabama set a new bar for commercial success in the early eighties.   The eligibility period included the release of their biggest-selling studio album, and also two of their signature hits: “Mountain Music” and “Love in the First Degree.”

1983

• Alabama
• Merle Haggard
• Barbara Mandrell
• Willie Nelson
• Ricky Skaggs

As their studio albums sold in the millions, every single Alabama released to radio was hitting #1, a stretch that would eventually include 21 consecutive chart-toppers.  They repeated in this category on the strength of hits like “Dixieland Delight” and “The Closer You Get.”

1984

• Alabama
• Lee Greenwood
• Barbara Mandrell
• Ronnie Milsap
• Oak Ridge Boys

A mere three years after Barbara Mandrell made history by being the first artist to win two Entertainer awards, Alabama went her one better and won three. They remain one of only two acts to win this award three years in a row, doing so as their hits “Roll On (Eighteen Wheeler)” and “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)” dominated the airwaves.

1985

• Alabama
• Lee Greenwood
• Reba McEntire
• Ricky Skaggs
• George Strait

Few country artists command as much respect as Ricky Skaggs, a consummate singer and musician. Skaggs’ victory in this category signaled the resurgence of traditional country music, as he was the first winner since 1976 to not have achieved crossover hits on pop radio.

1986

• The Judds
• Reba McEntire
• Willie Nelson
• Ricky Skaggs
• George Strait

One of the most popular new traditionalists of the mid-eighties, McEntire achieved her commercial breakthrough with “Whoever’s in New England”, which was aided in popularity by her first of many high-concept music video clips.  McEntire would eventually become the most nominated woman in history, scoring ten nominations over eleven years.

1987

• The Judds
• Reba McEntire
• George Strait
• Randy Travis
• Hank Williams, Jr.

When Hank Williams, Jr. won the Music Video award the previous year, he reminded voters, “I make audio, too.”  They finally got around to acknowledging his meaningful contributions to the genre,  awarding him the first of two Entertainer trophies in 1987.

1988

• The Judds
• Reba McEntire
• George Strait
• Randy Travis
• Hank Williams, Jr.

Hank Jr. may have waited a long time for some CMA love, but once it came, it was in droves. He won Album of the Year the same night he repeated in this category.  His biggest hit of the year, “Young Country”, featured guest appearances by up and comers like Highway 101 and Marty Stuart.

1989

• Reba McEntire
• Ricky Van Shelton
• George Strait
• Randy Travis
• Hank Williams, Jr.

Three years after his most recent Male Vocalist trophy, megastar George Strait was named Entertainer of the Year. He would go on to have one of his biggest years at radio, with two multi-week #1 singles in the twelve months that followed his victory.

1990

• Clint Black
  
• Kathy Mattea
• Ricky Van Shelton
• George Strait
• Randy Travis

While Randy Travis dominated the Male Vocalist race, George Strait was given his due again in the Entertainer category.   He wore an Entertainer of the Year cowboy belt on the cover of Livin’ it Up, perhaps giving him good luck toward his second victory.  He remains the most nominated in this category, and is only the second Hall of Famer to receive a nomination after being inducted into the Hall.

1991

• Clint Black
• Garth Brooks
• Vince Gill
• Reba McEntire
• George Strait

A mere year after winning the Horizon award, Garth Brooks was the Entertainer of the Year at the CMA Awards. He was breaking every sales record in the book by that point.  Shortly before the ceremony, he became the first country artist to enter the overall album chart at #1, leading to a media frenzy that gained unprecedented exposure for both Garth and the genre he represented.

1992

• Garth Brooks
• Vince Gill
• Alan Jackson
• Reba McEntire
• Travis Tritt

Given that he was already the biggest-selling country artist the world had ever seen, it was no surprise that Garth Brooks won his second Entertainer of the Year trophy in 1992.  His continued popularity was fueled by sold out live shows that soon led to network specials showcasing his unique brand of arena country.

1993

• Brooks & Dunn
• Garth Brooks
• Vince Gill
• Alan Jackson
• Reba McEntire

Vince Gill capped off an amazing night at the 1993 CMA Awards with his first victory in this category. It was his fifth win of the night, as he also took home Male Vocalist, Song, Album and Vocal Event.   As he was also the show’s sole host, the collective exposure pushed him to multi-platinum sales.

1994

• Brooks & Dunn
• Garth Brooks
• Vince Gill
• Alan Jackson
• Reba McEntire

The soft-spoken Gill won for a second year, which was no big surprise given his widespread popularity in Music City. He also went home with Album and Male Vocalist the same night, giving him a stunning fourteen trophies in only five years.

1995

• Brooks & Dunn
• Garth Brooks
• Vince Gill
• Alan Jackson
• Reba McEntire

As one of the evening’s top nominees, Alan Jackson brought his parents as his special guests.  After losing in every other category, he expressed relief that he finally won something, as going home empty handed would’ve been embarrassing.   Jackson would eventually become one of the organization’s most awarded artists.

1996

• Brooks & Dunn
• Garth Brooks
• Vince Gill
• Alan Jackson
• George Strait

They were already winners of five CMA awards, due solely to their domination of the Vocal Duo category. But in 1996,  they finally won another race, and it was a big one. Brooks & Dunn remain the only duo to win this award, with The Judds and Sugarland being the only other duos to receive nominations.

1997

• Brooks & Dunn
• Garth Brooks
• Vince Gill
• Alan Jackson
• George Strait

In a year when all five nominees had won this award before, it was Garth Brooks who returned to the winner’s circle, tying Alabama’s long-standing record of three victories in this category.   Adding to the sense of déjà vu, this was the third year in a row where all five nominees were the same.

1998

• Brooks & Dunn
• Garth Brooks
• Vince Gill
• Tim McGraw
• George Strait
  

As hard as it is to believe that there were any records left for him to break by 1998, Garth Brooks shattered another one, becoming the first artist in the history of the CMA to win four Entertainer of the Year awards. By this time, Garth had already sold more than 60 million albums, and while he has yet to win this award again, he remains the top-selling solo artist of all time in the United States.

1999

• Garth Brooks
• Dixie Chicks
• Tim McGraw
• George Strait
• Shania Twain

The odds seemed against Shania Twain, as she had never won a CMA award before and the last woman to win was Reba McEntire thirteen years earlier.  Fittingly, McEntire was on hand to present the trophy to Twain, who won on the strength of Come On Over, which eventually became  top-selling country album of all time and the top selling album of the decade from any genre.

2000

• Dixie Chicks
• Faith Hill
• Alan Jackson
• Tim McGraw
• George Strait

The Dixie Chicks capped off a stunning three-year run at the CMA Awards with this victory, one of nine that they racked up since 1998.   Within those three years, their first two albums each sold over ten million copies, and the band was widely credited for championing country radio and traditionalism while other top acts were crossing over to pop radio.

2001

• Brooks & Dunn
• Dixie Chicks
• Alan Jackson
• Tim McGraw
• George Strait

After winning two Male Vocalist and two Album of the Year honors in the previous three years, Tim McGraw finally won the CMA’s top award. It was a satisfying acknowledgment of an artist who’d had his talent underestimated in the first few years of his stardom, but built up a reputation for his stellar taste in choosing material.

2002

• Brooks & Dunn
• Kenny Chesney
• Alan Jackson
• Toby Keith
• George Strait

Jackson’s win in 1995 came as he was reaching his commercial peak.  In the years that followed, Jackson remained a successful and well-respected artist that got less attention every year when it came time to hand out awards. Then came the one-two punch of “Where Were You (When the World Stopped Turning)” and “Drive (For Daddy Gene)”, both of which were viewed as the very embodiment of all that makes country music unique and essential.   This was one of five awards he was honored with that night.

2003

• Brooks & Dunn
• Kenny Chesney
• Alan Jackson
• Toby Keith
• Tim McGraw

Although the ACM had chosen Toby Keith as their standard bearer a few months earlier, the CMA stuck with the previous year’s winner Alan Jackson. By 2003, Jackson had evolved into an elder statesman for the genre, but still managed to stay relevant with hits both clever (“It’s Five O’Clock Somewhere”) and poignant (“Remember When.”)

2004

• Brooks & Dunn
• Kenny Chesney
• Alan Jackson
• Toby Keith
• Tim McGraw

Chesney’s long dry spell at the CMA’s came to a satisfying end as the superstar collected both Entertainer and Album of the Year trophies. He had been charting for eleven years before finally winning his first CMA award.

2005

• Kenny Chesney
• Alan Jackson
• Toby Keith
• Brad Paisley
• Keith Urban
  

One of the most surprising and endearing wins in the history of this category, a shocked and humbled Urban accepted this award in New York City. He couldn’t have picked a better night to bring his Australian parents to the ceremony.

2006

• Brooks & Dunn
• Kenny Chesney
• Brad Paisley
• Rascal Flatts
• Keith Urban

It’s pretty rare to come back and win this award for a second time, as most multiple wins have been consecutive in this category. But Kenny Chesney joined Garth Brooks and Alan Jackson as the only other artists to pull it off when he won in 2006, a club that would later be joined by Taylor Swift.

2007

• Kenny Chesney
• Brad Paisley
• Rascal Flatts
• George Strait
• Keith Urban

Chesney entered the elite company of Garth Brooks, Alabama, and Alan Jackson with his third victory in this category. Rascal Flatts, meanwhile, became the first group since the Dixie Chicks to score back-to-back nominations, a feat also accomplished by Alabama and the Oak Ridge Boys.

2008

• Kenny Chesney
• Brad Paisley
• George Strait
• Sugarland
• Keith Urban

As Sugarland became only the third duo in history to receive a nomination and George Strait extended his record number of nominations to sixteen, Kenny Chesney tied Garth Brooks for the most wins in this category with his fourth victory.  His popularity at radio and retail was remarkable, but it was Chesney’s highly attended summer stadium tours that earned him these wins.

2009

• Kenny Chesney
• Brad Paisley
• George Strait
• Taylor Swift
• Keith Urban

Taylor Swift both made history and prevented it with her win in this category.  She simultaneously became the youngest artist ever and the first female solo artist in ten years to take home the prize. She also kept Kenny Chesney from becoming the sole all-time champion in this category, as he remains tied with Garth Brooks with four wins to date.

2010

• Lady Antebellum
• Miranda Lambert
• Brad Paisley
• Keith Urban
• Zac Brown Band

2010 shook up the category, with three first-time contenders in the running for the crown for the first time since 1981. Despite all the new blood, sixth time proved to be the charm for Brad Paisley, who finally won this award after five consecutive losses.  Paisley’s persistent popularity helped him earn the nod in a year where the two previous winners weren’t even nominated.

2011

• Jason Aldean
• Brad Paisley
• Blake Shelton
• Taylor Swift
• Keith Urban

Thirty years after Barbara Mandrell became the first woman to win this award twice, Swift became the second to do so.  She won the award on the strength of her third set, Speak Now, which showcased her growing maturity as a songwriter and her growing appeal beyond her teenage and young adult fan base.

2012

• Jason Aldean
• Kenny Chesney
• Brad Paisley
• Blake Shelton
• Taylor Swift

One of the most surprising wins in CMA history, few saw Blake Shelton’s victory coming.  But it isn’t too surprising when you consider the number of artists who parlayed network television exposure into a win in this category.  Perhaps in this new era of media saturation and minimal album sales, television may once again become a deciding factor when choosing the genre’s top star every year.

2013

• Jason Aldean
• Luke Bryan
• Blake Shelton
• George Strait
• Taylor Swift

George Strait’s farewell tour helped return him to the category for the first time since 2009, earning him a record-extending  eighteenth career nomination.  Strait joins previous winners Taylor Swift (2009, 2011) and Blake Shelton (2012) in attempting a return to the winner’s circle.   Luke Bryan earns his first nomination, just months after winning the ACM trophy.  Jason Aldean, meanwhile, is hoping to get lucky the third time around.

Facts & Feats

Multiple Wins:

• (4) – Garth Brooks, Kenny Chesney
• (3) – Alabama, Alan Jackson
• (2) –Vince Gill, Barbara Mandrell, George Strait, Taylor Swift, Hank Williams, Jr.

Most Consecutive Wins:

• (3) – Alabama (1982-1984), Kenny Chesney (2006-2008)
• (2) – Garth Brooks (1991-1992, 1997-1998), Vince Gill (1993-1994), Barbara Mandrell (1980-1981), George Strait (1989-1990), Hank Williams, Jr. (1987-1988)

Most Nominations:

• (18) – George Strait
• (12) – Alan Jackson
• (11) – Brooks & Dunn
• (10) – Reba McEntire
• (9) -  Garth Brooks, Kenny Chesney
• (8) -  Vince Gill, Merle Haggard, Brad Paisley
• (7) – Keith Urban
• (6) – Barbara Mandrell, Tim McGraw, Willie Nelson, Brad Paisley, Charley Pride, Keith Urban
• (5) – Alabama, Loretta Lynn, Ronnie Milsap, Kenny Rogers

Most Nominations Without a Win:

• (5) – Kenny Rogers
• (4) – Toby Keith, Randy Travis
• (3) – Jason Aldean, Waylon Jennings, The Judds, Oak Ridge Boys

Winners in First Year of Nomination:
Eddy Arnold (1967), Garth Brooks (1991), Glen Campbell (1968), John Denver (1975), Charlie Rich (1974), Taylor Swift (2009), Mel Tillis (1976), Shania Twain (1999), Keith Urban (2004), Hank Williams, Jr. (1987)

CMA Entertainers of the Year Who Have Never Won the ACM Award:
Eddy Arnold, Johnny Cash, Glen Campbell, Roy Clark, John Denver, Vince Gill, Alan Jackson, Tim McGraw, Ronnie Milsap, Brad Paisley, Charlie Rich, Blake Shelton, Ricky Skaggs, Taylor Swift, Mel Tillis, Keith Urban

ACM Entertainers of the Year Who Have Never Won the CMA Award:
Luke Bryan, Mac Davis, Mickey Gilley, Freddie Hart, Toby Keith, Kenny Rogers, Carrie Underwood

2013 CMA Awards: Staff Picks & Predictions

Saturday, November 2nd, 2013

They’re as hope-dangling and ridiculous as they’ve ever been, those Country Music Association voters, and the CU staff has picked and predicted their 2013 awards below. Let us know what you think, and check back for our live blog on Wednesday at 7 p.m. CST!

Entertainer of the Year

Should Win:

• Jason Aldean
• Luke Bryan
• Blake Shelton
• George Strait
• Taylor Swift

Will Win:

• Jason Aldean
• Luke Bryan
• Blake Shelton – Dan, Ben, Jonathan, Tara, Kevin
• George Strait
• Taylor Swift

Dan: Sadly, it’s become hard to care about the night’s biggest prize. Swift and Strait are the two I can stomach right now, and neither of them actually had much to do with the country scene this past year—the former because she was flexing her pop muscles, the latter because he’s winding down.

Ben: I want to care, but I really don’t. There’s only one artist whom I could have supported unequivocally, and she didn’t get a nomination.

Jonathan: The CMAs have a tendency to lag a few years behind peak commercial trends, so I think Bryan will have to wait another year or two before he takes this award. While Bryan, Aldean, and Shelton could split votes among the bro contingent (presumably, to the benefit of Strait), I think Shelton’s visibility will be enough to earn him another win here.

Tara: This was Carrie Underwood’s year. I’m angry, unsurprised and completely apathetic about the rest of these contenders.

Kevin: Shelton won last year and if anything, his star has only shone brighter this year.  That being said, if I was a CMA voter, I’d leave this category blank.  Carrie Underwood was this year’s Entertainer of the Year.

Male Vocalist of the Year

Should Win:

• Jason Aldean
• Luke Bryan – Kevin
• Eric Church – Ben, Jonathan, Tara, Dan
• Blake Shelton
• Keith Urban

Will Win:

• Jason Aldean
• Luke Bryan - Dan, Ben, Jonathan, Tara
• Eric Church
• Blake Shelton – Kevin
• Keith Urban

Dan: Again, pretty indifferent here.

Ben: Church was between albums this year, but he’s the one whom I feel has represented country music the best. With Urban being past his commercial peak, I’m going to give the edge to Luke Bryan for his current red-hot momentum, but I honestly couldn’t care less which of the three dudebros gets it.

Jonathan: I’d replace four-fifths of this lineup with Gary Allan, Dierks Bentley, Darius Rucker, and Chris Young. If Bryan won’t win Entertainer of the Year, this will be his consolation prize.

Tara: I feel a little guilty rewarding Church’s residual awesomeness from Chief over Aldean’s admittedly solid year, but I’m still one redeeming single away from getting over “She’s Country.” Like Jonathan said, though, I think this is where the voters will reward Bryan.

Kevin: I’d give it to Bryan simply because he’s had a good year and has a good voice.  Another Shelton win seems inevitable to me.

Female Vocalist of the Year

Should Win:

• Kelly Clarkson
• Miranda Lambert
• Kacey Musgraves
• Taylor Swift
• Carrie Underwood – Dan, Ben, Jonathan, Tara, Kevin

Will Win:

• Kelly Clarkson
• Miranda Lambert – Dan, Ben, Jonathan, Kevin
• Kacey Musgraves – Tara
• Taylor Swift
• Carrie Underwood

Dan: Who knows? Voters could give Lambert a record-tying (with Reba McEntire) four-peat, or maybe give Underwood her fourth trophy instead, or maybe give Swift a second one just to be zany, or dismiss the stats entirely and make a surprise investment in Musgraves. I can imagine any of those scenarios playing out.

Ben: I’ll probably be 100% Team Kacey at next year’s ACMs, but right now I want to see Underwood recognized for her incredible Blown Away era. As Dan noted above, this category is difficult to predict this year. I’m going to play it safe and bet on Lambert, but Kelly Clarkson is the only one without a shot.

Jonathan: Since there are far stronger albums than Blown Away in contention for Album of the Year, this is where I’d prefer to see Underwood recognized for the artistic gains she’s made during her current era. Lambert basically told voters to do just that during her acceptance speech for Female Vocalist of the Year during the ACMs a few months back, but it seems doubtful that they will. She seems poised to repeat, even though she’s coming off the most poorly received and lowest selling run of her career. Based on the quality of what was released during the eligibility period, I would have preferred to see Brandy Clark, Ashley Monroe, Kellie Pickler, and LeAnn Rimes squaring off against Underwood.

Tara: Just going out on a limb here with Musgraves; it feels like this category is due for a change. Or maybe that change will be a throwback to Underwood? One can hope.

Kevin:  I think Lambert will win out of force of habit, with bonus votes for having the good taste to cover Musgraves and Clark before they both became breakout artists this year. Underwood made the best music and, as always, sang it better than the rest.

Vocal Group of the Year

Should Win:

• The Band Perry
• Eli Young Band
• Lady Antebellum
• Little Big Town – Ben, Jonathan, Tara
• Zac Brown Band – Dan, Kevin

Will Win:

• The Band Perry – Kevin
• Eli Young Band
• Lady Antebellum
• Little Big Town – Dan, Ben, Jonathan, Tara
• Zac Brown Band

Dan: I suppose that Little Big Town will repeat—but with “Your Side of the Bed” having doused their white-hot momentum, it’s hard to say for sure. Perhaps voters will finally throw Zac Brown Band the bone, if Brown’s Luke Bryan comments didn’t ruffle too many feathers. [Update: And ditto what Kevin says below.]

Ben: Little Big Town may have lost some steam with “Your Side of the Bed,” but they’re still going into the ring with a platinum album and two big hit singles, and they’re one of the only groups with multiple nominations this year. The trophy is theirs to lose.

Jonathan: Had The Band Perry scored more across-the-board support, I’d say they might have been able to pull off the upset here, but this remains Little Big Town’s to lose. Hopefully, a repeat victory will lend “Sober,” one of the year’s finest singles and arguably a new career-best for LBT, greater momentum at radio.

Tara: Cheers to that, Jonathan. Agreed.

Kevin: The Band Perry had a new album this year that was well-received.  My personal pick is Zac Brown Band, only because I want last year’s Little Big Town win to start a new era in this category of acknowledging the overdue.  Having the Dixie Chicks rack up four wins in five years is one thing.  Rascal Flatts and Lady Antebellum dominating in the same way robbed the award of its luster.  Last year, it got a little back. Let’s keep it going.

Vocal Duo of the Year

Should Win:

• Big & Rich
• The Civil Wars – Dan, Ben, Jonathan, Tara, Kevin
• Florida Georgia Line
• Love and Theft
• Sugarland
• Thompson Square

Will Win:

• Big & Rich
• The Civil Wars
• Florida Georgia Line – Dan, Ben, Jonathan, Tara, Kevin
• Love and Theft
• Sugarland
• Thompson Square

Dan: After years of sluggish Sugarland and shruggish Thompson Square, at least this year’s winning duo will have clear commercial heft behind them. Too bad I’m talking about Florida Georgia Line and not the also-quite-successful Civil Wars.

Ben: Whatever.

Jonathan: Same as it ever was: This category is years overdue to merge with Vocal Group. And the nomination for Sugarland is absurd.

Tara: I can’t decide what’s more amusing: Sugarland’s nomination or Florida Georgia Line’s inevitable win. (Although it does kind of feel like Sugarland is still haunting country radio with that new Band Perry single, no?)

Kevin:  The Civil Wars.  I swear they’re only nominating them so we can feel extra bad when they lose to Florida Georgia Line. (See: Rascal Flatts over Alison Krauss & Union Station, Martina McBride over Dolly Parton and Patty Loveless…)

New Artist of the Year

Should Win:

• Lee Brice
• Brett Eldredge
• Florida Georgia Line
• Kacey Musgraves – Dan, Ben, Jonathan, Tara, Kevin
• Kip Moore

Will Win:

• Lee Brice
• Brett Eldredge
• Florida Georgia Line – Dan, Ben
• Kacey Musgraves – Jonathan, Tara, Kevin
• Kip Moore

Dan: Musgraves is class valedictorian, and Moore’s a solid B+ student, but expect the boys of Florida Georgia Line to cruise in on baseball scholarship and come out on top.

Ben: Musgraves has a chance, but I don’t know if her critical clout will be enough to compete with the “Cruise” phenomenon.

Jonathan: That Musgraves is the night’s leading nominee gives me hope that she can overcome Florida Georgia Line’s commercial heft. That she had the balls to push “Follow Your Arrow” as a proper single puts me firmly in her corner.

Tara: Moore is my personal favorite here, but Musgraves outclasses them all. I’ll throw my optimism in with Jonathan and Kevin.

Kevin:  This is a defining moment for the CMA’s.  Musgraves will help restore their credibility. Florida Georgia Line will destroy what’s left of it.  FWIW, Ricky Skaggs beat Lee Greenwood and Mark Chesnutt beat John Michael Montgomery.  Then again, Rascal Flatts beat Nickel Creek and Terri Gibbs beat Rosanne Cash…

Album of the Year

Should Win:

• Little Big Town, Tornado – Jonathan
• Kacey Musgraves, Same Trailer Different Park – Dan, Ben
• Blake Shelton, Based On a True Story…
• Taylor Swift, Red
• Carrie Underwood, Blown Away – Tara, Kevin

Will Win:

• Little Big Town, Tornado – Ben, Tara
• Kacey Musgraves, Same Trailer Different Park – Jonathan
• Blake Shelton, Based On a True Story… – Dan
• Taylor Swift, Red
• Carrie Underwood, Blown Away –  Kevin

Dan: Tough call. In recent years, the CMA has coalesced around the album with the most “story” value, whether that story was total domination (Fearless, My Kinda Party) or a respected artist finally hitting pay dirt (Revolution, Chief). Tornado seems like a fit for that second grouping, except that Little Big Town’s pay dirt was already last year. So the field seems open.

Ben: Of the four albums that have any real business being nominated for country awards, I consider the Musgraves set to be the strongest, but my gut says that it’s going to come down to either Shelton or Little Big Town. I’m going to be optimistic and predict an LBT victory.

Jonathan: I’m not nearly as bullish on Musgraves’ album as many others are, but it seems like this is safest place for voters to recognize her distinctive, critically acclaimed work. Tornado is my pick for the most consistently excellent set of this line-up; Red hits some glorious highs, but it’s also wildly uneven and has little business being recognized as a country album.

Tara: Tornado has some really fantastic production, and Blown Away is a stand-out showcase of Underwood’s interpretive abilities. Personal investment puts me in Underwood’s camp, but based on momentum and the fact that Musgraves is new, I think Little Big Town will take this.

Kevin: Musgraves has the most critical support, but Underwood made a much better album, in my opinion. I’m going out on a limb here and saying Underwood will win.  My logic is that she had an incredible year and this is the best category to acknowledge that in.  Also, a debut album has never won this award. There’s always a first time, but Musgraves has a lot of history up against her here.

Single of the Year

Should Win:

• Florida Georgia Line, “Cruise”
• Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
• Miranda Lambert, “Mama’s Broken Heart” – Jonathan, Tara, Kevin
• Kacey Musgraves, “Merry Go ‘Round” – Dan, Ben
• Darius Rucker, “Wagon Wheel”

Will Win:

• Florida Georgia Line, “Cruise” – Dan, Jonathan, Ben
• Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
• Miranda Lambert, “Mama’s Broken Heart”
• Kacey Musgraves, “Merry Go ‘Round”
• Darius Rucker, “Wagon Wheel” – Tara, Kevin

Dan: “Cruise” is the behemoth here, and behemoths tend to win Single.

Ben: Dan said it.

Jonathan: I’d like to think that a record-setting run atop Billboard’s ridiculous mongrel chart would be its own reward, but it probably won’t be.

Kevin:  There have been some goofy winners in the past.  “Elvira.” “Achy Breaky Heart.” “Bop.”  But there aren’t any in the recent past.  I think that “Wagon Wheel” allows the CMA to pick a big mainstream hit that has a bit of alt-country cred, should they decide against a Musgraves sweep.

Tara: I agree with Kevin that “Wagon Wheel” seems like a nice compromise for the voters. I’d be cool with any of the latter three winning, but to me, “Mama’s Broken Heart” has the most momentum from start to finish.

Song of the Year

Should Win:

• “I Drive Your Truck” (Lee Brice) - Jessi Alexander, Connie Harrington and Jimmy Yeary
• “Mama’s Broken Heart” (Miranda Lambert) – Brandy Clark, Shane McAnally and Kacey Musgraves – Kevin
• “Merry Go ‘Round” (Kacey Musgraves) – Kacey Musgraves, Shane McAnally and Josh Osborne – Dan, Ben, Tara
• “Pontoon” (Little Big Town) - Barry Dean, Natalie Hemby and Luke Laird
• “Wagon Wheel” (Darius Rucker) - Bob Dylan and Ketch Secor – Dan, Jonathan

Will Win:

• “I Drive Your Truck” (Lee Brice) - Jessi Alexander, Connie Harrington and Jimmy Yeary - Dan, Jonathan
• “Mama’s Broken Heart” (Miranda Lambert) – Brandy Clark, Shane McAnally and Kacey Musgraves
• “Merry Go ‘Round” (Kacey Musgraves) – Kacey Musgraves, Shane McAnally and Josh Osborne – Ben, Tara, Kevin
• “Pontoon” (Little Big Town) - Barry Dean, Natalie Hemby and Luke Laird
• “Wagon Wheel” (Darius Rucker) - Bob Dylan and Ketch Secor 

Dan: “Wagon Wheel” is a proven standard, but voters will probably want to go with something newer, and I guess I do, too. There’s a decent chance that Musgraves will get acknowledged here with “Merry Go ‘Round,” but with two co-writes in the pool, her danger is vote-splitting—and if that does happen, I defer to Jonathan’s logic below. Plus, frankly, CMA voters love songs about deceased loved ones.

Ben: It’s definitely possible that vote-splitting may be turn out to be Musgraves’ undoing in this category, but my guess is that “Merry Go ‘Round” will ultimately overshadow “Mama’s Broken Heart,” and that this will be where she gets her trip to the podium.

Jonathan: I’m all-in for the idea of recognizing brilliant songs that should have been hits a decade ago. Next year, can we get Drive-By Truckers’ “Outfit” or Neko Case’s “Deep Red Bells,” please? This year, I just can’t see the CMA giving an award to Bob Dylan, and, as much as I’d love to see Brandy Clark win, I think the Musgraves co-writes will split votes. Which leaves a frivolous holdover from last year to face off against the only “truck” song in years that’s worth even half a damn. I think the latter pulls off the night’s only real upset.

Tara: Lots of solid choices here; even “Pontoon” has a melody worth respecting. “Merry Go ‘Round” just edges out “Mama’s Broken Heart” for me, but I think the voters will be more pointed with their choice and reward Musgraves for her breakout song.

Kevin: “Merry Go ‘Round” fits in well with previous female writer wins. Distinct point of view, attention to details, and some quiet feminist commentary. My pick is “Mama’s Broken Heart”, which I think is just brilliant. “Line your lips and keep them closed.”  Wow.

Music Video of the Year

Should Win:

• Carrie Underwood, “Blown Away” – Ben, Kevin, Tara
• Blake Shelton featuring Pistol Annies, “Boys ‘Round Here”
• Lady Antebellum, “Downtown”
• Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
• Miranda Lambert, “Mama’s Broken Heart”
• Little Big Town, “Tornado” – Dan, Jonathan

Will Win:

• Carrie Underwood, “Blown Away” – Dan, Ben, Jonathan, Kevin, Tara
• Blake Shelton featuring Pistol Annies, “Boys ‘Round Here”
• Lady Antebellum, “Downtown”
• Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
• Miranda Lambert, “Mama’s Broken Heart”
• Little Big Town, “Tornado” 

Dan: The Underwood clip was made to win this award, but I find it silly. Why does she have lie around all sexily on that bed in the tornado shelter?

Ben: Little Big Town’s “Tornado” is also a worthy contender, but Underwood’s “Blown Away” video is an absolute tour de force.

Jonathan: The idea that this could be how the Pistol Annies win a CMA award just makes my teeth hurt. As big a fan of hers as I may be, Miranda’s mugging in the video for “Mama’s Broken Heart” makes her laughable acting gig on Law & Order: Perverts Unit seem measured and subtle by comparison.

Kevin:  Because why shouldn’t there be two winners in this category that give homage to Oz?

Tara: Tornadoes scares the crap out of me.

Musical Event of the Year

Should Win:

• Blake Shelton featuring Pistol Annies, “Boys ‘Round Here”
• Florida Georgia Line featuring Nelly, “Cruise” (Remix)
• Kelly Clarkson featuring Vince Gill, “Don’t Rush” – Jonathan, Ben, Tara
• Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care” – Dan, Kevin
• Jason Aldean with Luke Bryan and Eric Church, “The Only Way I Know”

Will Win:

• Blake Shelton featuring Pistol Annies, “Boys ‘Round Here”
• Florida Georgia Line featuring Nelly, “Cruise”
• Kelly Clarkson featuring Vince Gill, “Don’t Rush”
• Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care” – Jonathan, Ben, Dan, Kevin, Tara
• Jason Aldean with Luke Bryan and Eric Church, “The Only Way I Know” 

Ben: Clarkson and Gill made the best record of the lot, but it doesn’t have the commercial muscle to pull off a victory, so I’m giving the edge to McGraw and Company.

Jonathan: Cosigning Ben’s comment, word for word.

Dan: “Highway Don’t Care” is kinda weird and meh, but it’s not “Boys ‘Round Here” and “The Only Way I Know”. For this, I am grateful.

Tara: I swear I’m not throwing this to Clarkson and Gill just because they’re Clarkson and Gill – I can stomach not one of these other songs. Part of me thinks Aldean and co. might take this, but McGraw and co. seems more likely.

Kevin:  “Highway Don’t Care” made me enjoy both McGraw and Swift as singers, not just song pickers/songwriters.  For that alone, the win.

Musician of the Year

Should Win:

• Sam Bush (Mandolin) – Jonathan, Ben
• Paul Franklin (Steel Guitar) – Kevin
• Dann Huff (Guitar)
• Brent Mason (Guitar)
• Mac McAnally (Guitar)

Will Win:

• Sam Bush (Mandolin)
• Paul Franklin (Steel Guitar) – Jonathan, Ben, Kevin
• Dann Huff (Guitar)
• Brent Mason (Guitar)
• Mac McAnally (Guitar)

Ben: I’ll be all for Paul Franklin next year thanks to Bakersfield, but this year I would like to see Sam Bush get his due.

Jonathan: Bush may not have a MacArthur fellowship like Chris Thile, but his progressive mandolin work is certainly overdue for recognition. Hard to begrudge Franklin, though, as Bakersfield is one of the year’s best albums.

Kevin: Until he wins. I will pick him until he wins. 

2013 CMA Nominations

Tuesday, September 10th, 2013

This year’s CMA nominees were just announced this morning by Sheryl Crow and Florida Georgia Line from Nashville’s Bridgestone Arena. This year’s crop features many of the usual suspects, as well as a few surprising inclusions and exclusions. The full list of nominees follows with some brief commentary. Musgraves, Shelton and Swift lead with five nominations each, followed by Florida Georgia Line with four. Share your thoughts in the comments section below.

Entertainer of the Year

• Jason Aldean
• Luke Bryan
• Blake Shelton
• George Strait
• Taylor Swift

Dude, where’s Carrie Underwood?

Male Vocalist of the Year

• Jason Aldean
• Luke Bryan
• Eric Church
• Blake Shelton
• Keith Urban

Female Vocalist of the Year

• Kelly Clarkson
• Miranda Lambert
• Kacey Musgraves
• Taylor Swift
• Carrie Underwood

For the first time since 1997, the Female Vocalist race is Martina-less.

Vocal Group of the Year

• The Band Perry
• Eli Young Band
• Lady Antebellum
• Little Big Town
• Zac Brown Band

No surprises here.

Vocal Duo of the Year

• Big & Rich
• The Civil Wars
• Florida Georgia Line
• Love and Theft
• Sugarland
• Thompson Square

No idea why they decided to nominated six duos this year when it’s usually all they can do to come up with five, especially considering that Sugarland was not active as a duo this year.

New Artist of the Year

• Lee Brice
• Brett Eldredge
• Florida Georgia Line
• Kacey Musgraves
• Kip Moore

Album of the Year

• Little Big Town, Tornado
  Produced by Jay Joyce
• Kacey Musgraves, Same Trailer Different Park
  Produced by Luke Laird, Shane McAnally and Kacey Musgraves
• Blake Shelton, Based On a True Story…
  Produced by Scott Hendricks
• Taylor Swift, Red
  Produced by Jeff Bhasker, Scott Borchetta, Nathan Chapman, Dann Huff, Jacknife Lee, Max Martin, Shellback, Taylor Swift, Butch Walker and Dan Wilson
• Carrie Underwood, Blown Away
  Produced by Mark Bright

Yay, Kacey Musgraves!

Single of the Year

• Florida Georgia Line, “Cruise”
  Produced by Joey Moi
• Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
  Produced by Byron Gallimore and Tim McGraw
• Miranda Lambert, “Mama’s Broken Heart”
  Produced by Frank Liddell, Glenn Worf and Chuck Ainlay
• Kacey Musgraves, “Merry Go ‘Round”
  Produced by Luke Laird, Shane McAnally and Kacey Musgraves
• Darius Rucker, “Wagon Wheel”
  Produced by Frank Rogers

Dude, where’s Carrie Underwood?

Song of the Year

• “I Drive Your Truck” (Lee Brice)
  Written by Jessi Alexander, Connie Harrington and Jimmy Yeary
• “Mama’s Broken Heart” (Miranda Lambert)
  Written by Brandy Clark, Shane McAnally and Kacey Musgraves
• “Merry Go ‘Round” (Kacey Musgraves)
  Written by Kacey Musgraves, Shane McAnally and Josh Osborne
• “Pontoon” (Little Big Town)
  Written by Barry Dean, Natalie Hemby and Luke Laird
• “Wagon Wheel” (Darius Rucker)
  Written by Bob Dylan and Ketch Secor

“Pontoon” gets nominated – “Blown Away” doesn’t? I don’t get it.

Music Video of the Year

• Carrie Underwood, “Blown Away”
  Directed by Randee St. Nicholas
• Blake Shelton featuring Pistol Annies, “Boys ‘Round Here”
  Directed by Trey Fanjoy
• Lady Antebellum, “Downtown”
  Directed by Peter Zavadil
• Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
  Directed by Shane Drake
• Miranda Lambert, “Mama’s Broken Heart”
  Directed by Trey Fanjoy
• Little Big Town, “Tornado”
  Directed by Shane Drake

Musical Event of the Year

• Blake Shelton featuring Pistol Annies, “Boys ‘Round Here”
• Florida Georgia Line featuring Nelly, “Cruise”
• Kelly Clarkson featuring Vince Gill, “Don’t Rush”
• Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
• Jason Aldean with Luke Bryan and Eric Church, “The Only Way I Know”

Seriously? “Boys ‘Round Here” is what it takes for the Pistol Annies to finally get some CMA recognition?

Musician of the Year

• Same Bush (Mandolin)
• Paul Franklin (Steel Guitar)
• Dann Huff (Guitar)
• Brent Mason (Guitar)
• Mac McAnally (Guitar)

CMA 2012: Live Blog

Thursday, November 1st, 2012

Winners

Entertainer: Blake Shelton

Female Vocalist: Miranda Lambert

Male Vocalist: Blake Shelton

Vocal Group: Little Big Town

New Artist: Hunter Hayes

Vocal Duo: Thompson Square

Musician: Mac McAnally

Album: Eric Church, Chief

Single: Little Big Town, “Pontoon”

Song:  Miranda Lambert & Blake Shelton, “Over You”

Musical Event: Tim McGraw & Kenny Chesney, “Feel Like a Rock Star”

Video:  Toby Keith, “Red Solo Cup”

LIVE BLOG

9:59 I enjoyed Shelton’s acceptance speech, nodding to his “other” jobs but maintaining his commitment to the genre. And hey, at least it wasn’t Jason Aldean. Thanks SO much for sticking with us, everyone; we promise to iron out the technical difficulties come spring award season. -TS

9:57 Say what? -TS

9:57 Entertainer of the Year: Blake Shelton

9:56 Here we go. An always-glowing Reba McEntire and Tim Allen presenting Entertainer of the Year to … -TS

9:49 Willie Nelson starts singing “On the Road Again,” and it’s like a big sigh of country relief. -TS

9:40 This Willie tribute is pretty solid so far, methinks.  I’m liking Tim and Faith’s take on “Good Hearted Woman.” -BF

9:47 Faith Hill and Tim McGraw singing onstage together for the first time in a while. Very cute. -TS

9:46 Huge ditto to that last comment, Tara. -BF

9:45 I typically would not expect Hillary Scott to fare well on a Patsy Cline classic, but I daresay she acquitted herself nicely on that. -BF

9:43 If they stop winning every damn award, I think there’s still hope they’ll be inspired to step up their game, Ben. -TS

9:43 It’s lovely to hear Lady Antebellum singing a truly great song for once.  It makes me think of what could have been :( -BF

9:42 This is the soulful, organic Lady A I used to love. But Willie’s all like, who are these peeps? -TS

9:42 “If there’s a Mt. Rushmore for country music [Willie's] on it.”  Totally agree, Brad! -BF

9:36 It’s nice to hear Miranda say some kind words for her fellow nominees.  It almost feels like a subtle antidote to all the Carrie – Taylor – Miranda fanwar nonsense. -BF

9:34 Lambert says she doesn’t necessarily deserve the award. I tend to agree, but since this is the night of retroactive awards (Little Big Town), whatevs. Love that she personally acknowledged every single female in the category. -TS

9:34 Female Vocalist of the Year: Miranda Lambert

9:33 The ABC star cameos generally bug me, but at least they’ve mostly dialed back on that this year, and this one is somewhat country music-related. Panetierre needs to turn off the fake Southern drawl. -BF

9:33 The ladies of “Nashville” presenting the Female Vocalist of the Year award to … -TS

9:31 I would take “Wanted” over this as well. -BF

9:30 I don’t love “El Cerrito Place,” but I would have preferred to hear it over “Come Over.” -BF

9:28 Kenny Chesney singing his previous boring single. Reader poll: What’s better – “Come Over” or “Wanted”? I vote the latter. -TS

9:21 Repeat Male Vocalist of the Year win for a tipsy Blake Shelton. Expected. He had a solid year, I’ll admit. -TS

9:20 Male Vocalist of the Year: Blake

Shelton

9:20 I would have liked to hear a little more of Vince, but Kelly nailed it.  Plus this actually has some country flair to it.  Is that a steel guitar I hear? This is definitely in the running for my favorite performance of the night. -BF

9:17 Hey, I can actually hear Kelly’s vocals! -BF

9:16 And K. Clarkson’s stylist is still MIA. But if those aren’t two of the greatest voices of our generation… -TS

9:15 I’m hoping that her Female Vocalist nod (unwarranted though it may be) will give Kelly a nudge toward finally making that country album. -BF

9:11 I almost forgot about the K. Clarkson / Vince Gill performance. Stoked, y’all. -TS

9:08 Oh my… I just about rocketed out of my chair when they announced the Little Big Town win! -BF

9:06 And Lady A goes down. Very happy for Little Big Town. -TS

9:06 Vocal Group of the Year: Little Big Town

9:06  Ben:  Not Lady A, not Lady A, not Lady A… -BF

9:05 Definitely one of my favorite Underwood singles in recent memory.  It’s just so COOL. -BF

9:05 Ouch. Underwood did not nail that falsetto. But the rest of the performance was solid, per usual. Kind of glad “Blown Away” has run its performance course. -TS

9:03 So far this is actually sounding better than I expected.  The vocals are coming through pretty well, but then again, this is Carrie we’re talking about. -BF

8:59 Side note – I’m still trying to decide how much I like “Nashville,” but this version of “Telescope” is stellar. -TS

8:56 I want to be excited about Carrie’s performance of “Blown Away,” but all I can think about is how lousy the sound is going to be. -BF

8:51 Kind of wish that could have stayed an acoustic performance. -BF

8:50 I really do think there’s something special about “Southern Comfort Zone.” This acoustic version drives that home for me. -TS

2012 CMA Awards: Staff Picks & Predictions

Sunday, October 28th, 2012

While the rest of the country fixates on “Nashville,” the 46th annual Country Music Association Awards air live from Music City with equal drama and ridiculousness November 1 at 7 p.m. CST. The CU staff picked and predicted the awards below. Chime in with your thoughts, and check back for our live blog on Thursday night!

Entertainer of the Year 

Should Win:

• Jason Aldean – Dan, Ben, Kevin
  
• Kenny Chesney
• Brad Paisley
• Blake Shelton
• Taylor Swift – Jonathan, Tara, Leeann

Will Win:

• Jason Aldean – Dan, Ben, Jonathan, Kevin
  
• Kenny Chesney
• Brad Paisley
• Blake Shelton
• Taylor Swift – Tara, Leeann

Dan: I’ll probably never be able to fully embrace Aldean, but his impact on the genre remains undeniable, and once in a while he releases something like “Fly Over States” that lends some dimension to his hick-rock formula.

Tara: “Fly Over States” will land on my best-of-2012 list (I’m as surprised as you are), but I just can’t get behind Jason Aldean’s overall brand of country, regardless of his impact. That leaves me with Blake Shelton and Taylor Swift, and only the latter put out music to match her star in the eligibility period. Boring category.

Ben: Sadly, this category just keeps getting harder and harder for me to care about.  I could still see Swift taking it, but an Aldean victory is almost certain to happen sooner or later, and I’m thinking this could be his year.  Blake’s turn will come eventually, but not until after Aldean has had his.

Jonathan: Aldean has yet to release anything I’ve liked even a little bit, but this award has increasingly turned into Nashville’s way to say “thank you” to whoever is bringing the most cash back to Music Row, so Aldean is likely due for a pat on the back. On some level, Shelton’s heightened media presence is its own reward, but he’s the most likely spoiler here, since pop crossover stars like Swift rarely pull off repeat wins.

Kevin: Should win: Carrie Underwood. But since she’s not nominated, I’ll go with Jason Aldean, who has been the biggest country artist this past year. I expect he’ll win, too.

Leeann: While it’s completely baffling to me that Jason Aldean has taken off as he has, I wouldn’t be shocked if he won this award. I, however, feel that it’s far more likely that Taylor Swift will win again.

Female Vocalist of the Year 

Should Win:

• Kelly Clarkson
• Miranda Lambert – Leeann
• Martina McBride
• Taylor Swift
• Carrie Underwood – Dan, Ben, Jonathan, Tara, Kevin
  

Will Win:

• Kelly Clarkson
• Miranda Lambert – Dan, Ben, Jonathan, Tara, Kevin
  
• Martina McBride
• Taylor Swift – Leeann
• Carrie Underwood

Tara: I still believe Underwood’s best is yet to come, but she deserves respect from the industry and critics alike for taking the kind of creative, thematic and interpretive risks she took with Blown Away. Maybe come next year she’ll have more influence; this year, the award is still Lambert’s to lose. (And shout out to homegirl Clarkson, who may have no place in this category, but who gave us the best cover of “Go Rest High On That Mountain” that I’ve ever heard.)

Ben: In my perfect world, Carrie Underwood’s solid new music (which was released within this year’s eligibility period) would nab her the trophy.  Miranda had the most radio success this year, and will almost surely emerge victorious, but I simply can’t endorse the idea of rewarding her for releasing two singles that were easily the worst duds of her career.  Footnote:  Country radio seriously needs to start supporting more female artists.

Jonathan: I adore Kelly Clarkson, and, based upon nearly a decade’s worth of concert performances, I’d argue that she has the best taste in country material of any of the women nominated, and I look forward to the day when she finally records a proper country album. But her nomination here is absurd. Fortunately, she’s not really in the running to win. This likely comes down to Lambert and Underwood. In the past, I’ve championed Lambert for her fearless artistic vision, and I’ve been highly critical of Underwood’s grossly over-praised and over-rewarded output. But, this year, I’d prefer to see Underwood recognized for what is far and away her career-best work than to see Lambert win for what is quite obviously her worst. I doubt the voters will agree.

Dan: Ditto the others, pretty much. Underwood’s taste in material has deepened, but what excites me most is that her interpretive abilities have, too. I never used to feel comfortable with those comparisons to the Trishas and Connies of the world. Now I do.

Kevin: It’s all been said. Underwood’s reached new heights of artistry while still maintaining her commercial relevance. I’d call her one of the best,  but that would imply there’s anyone else in her league right now.

Leeann: Miranda Lambert is still my favorite out of these choices and Kelly Clarkson’s nomination is still confusing to me. I think the award is a toss up between Taylor and Carrie in all actuality though.

Male Vocalist of the Year

Should Win:

• Jason Aldean
• Luke Bryan
• Eric Church – Dan, Ben, Jonathan, Tara, Kevin
  
• Blake Shelton – Leeann
• Keith Urban

Will Win:

• Jason Aldean
• Luke Bryan – Dan
• Eric Church – Kevin
• Blake Shelton – Ben, Jonathan, Tara, Leeann
• Keith Urban

Tara: Unlike last year’s crop of men, these five at least put out memorable if not entirely thoughtful material in the eligibility period. But Church is the only one who’s had a consistent vision, and what a difference that makes. I don’t see the voters dethroning Shelton, though.

Ben: I expect that the CMA is going to continue shoving the whole “Blake and Miranda are the new Tim and Faith!” idea down our throats, but Eric Church made the best music of the field by far, and country radio finally decided to get on board with it.  Eric Church deserves this.

Jonathan: Church is the only one of the five who has released any strong material during the eligibility period, though I generally remain a fan of Urban’s. It’s hard to see either of those two men winning, though. Urban’s past his commercial peak, and Church is still too divisive a persona. I also think Aldean’s vocal limitations play against him here – see Chesney, Kenny, and his track record in Male Vocalist races – especially since he’s likely to be recognized elsewhere. That leaves Crest WhiteStrips to take on Shelton. I think Shelton gets another win before Bryan’s inevitable coronation here.

Dan: CMA has developed a bad habit of just voting for the incumbent. But Bryan has the most momentum right now, so what the hey; I’ll mix things up and call it Crest Whitestrips 2012.

Kevin: Gonna go out on a limb and say the best one takes it home this year. They’ve got to be itching to finally acknowledge Eric Church, right? Right???

Leeann: Blake Shelton has had a good year. I suppose he has a good, high profile chance of being rewarded for it.

Vocal Group of the Year 

Should Win:

• The Band Perry
• Eli Young Band
• Lady Antebellum
• Little Big Town – Kevin
• Zac Brown Band – Dan, Ben, Jonathan, Tara, Leeann

Will Win:

• The Band Perry
• Eli Young Band
• Lady Antebellum – Dan, Ben, Leeann
• Little Big Town – Jonathan, Tara, Kevin
  
• Zac Brown Band

Dan: Little Big Town’s album is too new, but their sudden momentum could power them to a spoiler win here anyway, depending on who Capitol gets behind. I’ll support them come ACM time; for now, give Zac Brown Band their freakin’ due.

Tara: Zac Brown Band and Little Big Town both put out stellar new music; the only major difference is timing. I support a ZBB win but won’t be disappointed if/when the “Pontoon”-fueled LBT steals this from the most complacent group in country music.

Ben: Zac Brown Band should win.  Lady Antebellum will win. Déjà vu?

Jonathan: As much as logic points to another indefensible win for the most useless act in popular music, and as much as I want to see Zac Brown Band finally earn their long-overdue recognition, I’m calling this one an upset for the also-long-overdue Little Big Town. That karaoke video for “Pontoon” showed off just how deeply likedthey are by their peers, and now that they have the commercial stats, I think that that pervasive goodwill gives them the edge here.

Kevin: I think the red-hot momentum of Little Big Town could put them over the top. Zac Brown Band’s been my pick for a couple of years, but I really think they’re just treading water at this point.

Leeann: Zac Brown Band is far and away my favorite group of the nominees here, but Little Big Town’s talent is undeniable. I’d be happy if either of them won. I’m afraid Lady A will still win though.

Vocal Duo of the Year

Should Win:

• Big & Rich
• Love and Theft
• Sugarland
• The Civil Wars – Dan, Ben, Jonathan, Tara, Kevin, Leeann
  
• Thompson Square

Will Win:

• Big & Rich
• Love and Theft
• Sugarland – Leeann
• The Civil Wars  – Kevin
• Thompson Square – Dan, Ben, Jonathan, Tara

Ben: Because The Civil Wars are good.

Jonathan: Per usual: Merge this category with Vocal Group to trim the fat. The only act here deserving of the recognition is the one with the longest of long-shots to win.

Dan: La la la.

Tara: So pointless.

Kevin: I’m going out on another limb, this time by thinking that the whole “massive commercial success without radio” thing will give the Civil Wars a Mavericks-style victory. I’d honestly rather be wrong in my predictions than be depressed before the show even airs.

Leeann: I don’t think Sugarland has had a particularly active year, but I think they might still win based on name recognition.

New Artist of the Year

Should Win:

• Lee Brice – Ben, Tara, Leeann
• Brantley Gilbert
• Hunter Hayes – Dan, Kevin
  
• Love and Theft
• Thompson Square

Will Win:

• Lee Brice
• Brantley Gilbert – Dan, Ben, Jonathan
• Hunter Hayes – Kevin, Leeann, Tara
• Love and Theft
• Thompson Square

Dan: Since none of these artists do it for me, I’d shrug it over to the technically skilled Hayes, who I think could be interesting in the future if he challenges himself to become more than a one-man boy-band. As Sawyer Brown and Keith Urban have proven, sometimes an artist earns their win in this category retroactively.

Tara: Hunter Hayes needs to rein it in a bit, but his chops have potential. Lee Brice needs to find better material, but his performances are believable. “Hard To Love” is one of my favorite guilty pleasures of the year, so I guess I’ll go with the latter?

Ben: Lee Brice strikes me as having the most potential of these nominees, but right now, I think the Brantley Gilbert virus has already spread too far.

Jonathan: Absolutely not.

Kevin: Hunter Hayes is the musical equivalent of those memes that show cats doing people things. He’s putting out real country music, and it’s adorable! All joking aside, I’m pulling for real country music wherever I can find it. Hayes is all I’ve got to work with here.

Leeann: I’m really not fond of any of these choices.

Album of the Year

Should Win:

• Luke Bryan, Tailgates and Tanlines
• Eric Church, Chief – Dan, Ben, Jonathan, Tara, Kevin, Leeann
  
• Miranda Lambert, Four the Record
• Dierks Bentley, Home
• Lady Antebellum, Own the Night

Will Win:

• Luke Bryan, Tailgates and Tanlines
• Eric Church, Chief – Dan, Kevin
  
• Miranda Lambert, Four the Record – Ben, Tara
  
• Dierks Bentley, Home
• Lady Antebellum, Own the Night – Jonathan, Leeann

Dan: Everyone but Bentley’s got a shot, but my hopeful guess is that this is where the CMA will reward Church.

Tara: Chief and Four the Record both made big impressions on me last year, but only the former has held up with time. I’ll be optimistic and predict the CMA will reward its reigning Female Vocalist of the Year over its reigning Group of the Year. (I still can’t get over Own the Night winning a Grammy, y’all. Unbelievable.)

Ben: Church’s Chief is head-and-shoulders above the rest of the field, but my gut is still predicting a Lambert and Shelton sweep, though there’s still a chance the voters may decide to reward that dreadful Lady A album instead.

Jonathan: Bright side: This is the last major “Album of the Year”-type award Own the Night is eligible to win. Downside: This is the last major “Album of the Year”-type award Own the Night will win, at the expense of far more deserving competition.

Kevin:  I think Chief really made an impression, and I’m betting it was enough of one to win.

Leeann: I  reflexively assume Lady A will win this award at this point, but I’m hoping for a Dierks Bentley or Eric Church win. Dierks Bentley’s album is quality and I feel Eric Church’s album is interesting and fresh.

Song of the Year

Should Win:

• “Even If It Breaks Your Heart” – Will Hoge and Eric Paslay – Dan, Jonathan, Tara
• “God Gave Me You” – Dave Barnes
• “Home” – Dierks Bentley, Dan Wilson and Brett Beavers – Kevin, Leeann
• “Over You” – Miranda Lambert and Blake Shelton
• “Springsteen” – Eric Church, Jeff Hyde and Ryan Tyndell – Ben

Will Win:

• “Even If It Breaks Your Heart” – Will Hoge and Eric Paslay – Dan, Tara
• “God Gave Me You” – Dave Barnes – Leeann
• “Home” – Dierks Bentley, Dan Wilson and Brett Beavers
• “Over You” – Miranda Lambert and Blake Shelton – Ben, Jonathan
  
• “Springsteen” – Eric Church, Jeff Hyde and Ryan Tyndell  – Kevin

Dan: I think I’m just being optimistic, but maybe the earnest Hoge/Paslay story of struggling for an artistic life will resonate with enough music-industry vets to overcome the bait-ishness of “Over You” and “Home.” Maybe?

Tara: I’d be fine with three of these five winning — and would even argue that, as a composition, “God Gave Me You” is solid — but “Even If It Breaks Your Heart” has the most soul. I’m not entirely sure where the votes will fall on this one, but maybe pop culture’s spotlight on Nashville will mean a win for the songwriters’ anthem?

Ben: I can’t picture this going to anyone but Lambert and Shelton. If the CMA intends to keep working this ridiculous power-couple nonsense, they have created a golden opportunity here, and I highly doubt the song’s awfulness will be any hindrance.

Jonathan: If knowing a song’s tragic backstory is a requirement for finding “meaning” in that song, then its songwriters have failed.

Kevin: I’m hoping the CMA voters sing Shelton and Lambert’s song back to them when filling out their ballots, and pick the strongest singer-songwriter in this race. Bentley’s cut is my personal favorite.

Leeann: I just have a feeling that the bland love song will win, but I’m hoping that the thoughtful  “Home” will prove me wrong.

Single of the Year 

Should Win:

• Jason Aldean, “Dirt Road Anthem” – Kevin
• Blake Shelton, “God Gave Me You”
• Dierks Bentley, “Home” – Leeann
• Little Big Town, “Pontoon”
• Eric Church, “Springsteen” – Dan, Ben, Jonathan, Tara

Will Win:

• Jason Aldean, “Dirt Road Anthem” – Kevin
• Blake Shelton, “God Gave Me You” – Ben, Leeann
• Dierks Bentley, “Home” – Dan, Jonathan, Tara
• Little Big Town, “Pontoon”
• Eric Church, “Springsteen”

Dan: Feels like a toss-up, actually. I’d figure “Home” and “Springsteen” to duke it out, but remember that year when “I Saw God Today” randomly won?

Tara: “Home”’s graceful approach to patriotism is lovely and especially appreciated during this infuriating election season, but the song itself lacks spark. “Springsteen” is the better all-around record, and I think it’ll hold up with time, which is a lot more than I can say about the remaining three songs in the category.

Ben: I think “Springsteen” is going to be the song with the most staying power.

Jonathan: As fine a single as “Springsteen” is, I just can’t see the CMA rallying behind a song inspired by the Boss, especially not in an election year. Bentley’s thoughtful and relatively subtle brand of patriotism seems like a far safer bet.

Kevin: I think that Aldean’s track is the coolest sounding record of the five. Surface pleasures will suffice.

Leeann: Please not “Dirt Road Anthem”!

Musical Event of the Year 

Should Win:

• ”Dixie Highway”- Alan Jackson and Zac Brown Band
• ”Feel Like a Rock Star” – Kenny Chesney and Tim McGraw
• ”Roll Me Up and Smoke Me When I Die” – Willie Nelson featuring Snoop Dogg, Kris Kristofferson and Jamey Johnson – Dan, Jonathan, Tara
• ”Safe and Sound” – Taylor Swift featuring the Civil Wars – Ben, Kevin, Leeann
  
• ”Stuck on You” – Lionel Richie and Darius Rucker

Will Win:

• ”Dixie Highway”- Alan Jackson and Zac Brown Band
• ”Feel Like a Rock Star” – Kenny Chesney and Tim McGraw – Ben, Jonathan, Leeann
• ”Roll Me Up and Smoke Me When I Die” – Willie Nelson featuring Snoop Dogg, Kris Kristofferson and Jamey Johnson
• ”Safe and Sound” – Taylor Swift featuring the Civil Wars – Dan, Kevin, Tara
  
• ”Stuck on You” – Lionel Richie and Darius Rucker

Dan: “Roll Me Up” is a little hoot. But “Safe and Sound” had a higher profile, and it gives CMA a chance to be like, “See? We do appreciate the Civil Wars!”

Tara: Every song but “Roll Me Up” feels like it’s lacking something (in Chesney/McGraw’s case, taste), but I think “Safe and Sound” will have enough commercial clout to nab this one.

Ben:  While I’m always happy to see some Alan Jackson love, “Dixie Highway” just doesn’t match the simple charm of Jackson and ZBB’s previous collaboration.  “Safe and Sound” is just such a cool, haunting record – one that brings out the best in both of the acts involved.  But since “Feel Like a Rock Star” has the biggest names attached, I think it’s an easy call that it’s going to win.

Jonathan:“Safe and Sound” is my favorite track here, but not necessarily because it’s a great collaboration. “Roll Me Up,” on the other hand, is a fun standalone cut that feels like a real event, and I appreciate the self-awareness with which the artists toy with their public personas. But it’s hard to imagine more conservative voters being on-board with the phrase, “CMA award winner Snoop Dogg.” The Chesney and McGraw duet quite rightfully bricked at radio, but it’s still the most likely winner here on star power alone.

Kevin: “Safe and Sound” succeeded in pushing the most  mainstream of artists into an alternative country sound without sacrificing the identity of the duo that helped her get there. Plus it actually worked as a theme song to a movie that didn’t exactly lend itself to easy theming.

Leeann: I’d be fine with any of these except for the one that will probably win.

Music Video

order cialis online

of the Year

Should Win:

• Eric Church, “Springsteen” – Dan, Ben, Tara, Kevin
  
• Kenny Chesney, “Come Over”
• Miranda Lambert, “Over You”
• Little Big Town, “Pontoon”
• Toby Keith, “Red Solo Cup”

Will Win:

• Eric Church, “Springsteen”
• Kenny Chesney, “Come Over”
• Miranda Lambert, “Over You” – Dan, Ben, Jonathan, Kevin
  
• Little Big Town, “Pontoon”
• Toby Keith, “Red Solo Cup”

Dan: The “Springsteen” video is pretty neato. Oh well.

Tara: The video for “Springsteen” is haunting. I dig it.

Jonathan: The Twilight-hued video for “Over You” is every bit as narrativeless, cloying, and shallow as the song itself, so I’m just going to pretend this is a retroactive win for “Kerosene.”

Kevin:  (…Goes to YouTube to watch videos for first time…) Lambert, you had me until the horse. I’m going with Church, mostly because it reminds me of my own childhood and also Poltergeist for some reason.

Musician of the Year 

Should Win:

• Sam Bush – Jonathan, Kevin
  
• Paul Franklin – Ben, Leeann
  
• Dann Huff
• Brent Mason
• Mac McAnally

Will Win:

• Sam Bush
• Paul Franklin
• Dann Huff – Jonathan, Kevin
  
• Brent Mason
• Mac McAnally – Ben, Leeann

Ben: It’s Paul Franklin’s turn… and it has been for years now.

Jonathan: It’s not as cool as Chris Thile’s winning a MacArthur Fellowship, but Sam Bush’s nomination for his extraordinary mandolin work is my favorite thing on the entire CMA ballot this year.

Kevin: I can’t vote against the mandolin. I just can’t.

Leeann: I continue to root for the steel guitar.

2012 CMA Nominations

Wednesday, September 5th, 2012

The list of nominees for the 46th annual Country Music Association Awards has been released.  Eric Church had a big breakthrough this past year, and such is reflected in the nominee list – Church leads the pack with five nominations.  Power couple Blake Shelton and Miranda Lambert follow with four each, including a shared Song of the Year nod for their co-write “Over You.”

What’s your take on this year’s field of CMA nominees? Whose nominations were deserved, and whose were not? Who got snubbed? Share your thoughts in the comments section.

The live presentation airs Thursday, November 1 at 8pm Eastern on ABC-TV.  The Country Universe Staff Picks & Predictions will be released the week of the show.  Feel free to join us on show night for some live-blogging fun!

Entertainer of the Year 

• Jason Aldean
• Kenny Chesney
• Brad Paisley
• Blake Shelton
• Taylor Swift

Who’s in:  Kenny Chesney
Who’s out:  Keith Urban

No real surprises here.  This year we swapped out Urban for Chesney, but all of these nominees have been here at least once before.

Female Vocalist of the Year

• Kelly Clarkson
• Miranda Lambert
• Martina McBride
• Taylor Swift
• Carrie Underwood

Who’s in:  Kelly Clarkson
Who’s out:  Sara Evans

Well, I was hoping for some new blood in this category, and that’s definitely what I got.  Pop crossover star Kelly Clarkson scores her first nomination in the Female Vocalist field, displacing Sara Evans.  There will likely be some amount of upset over Clarkson receiving such an accolade, as she had one #21-peaking country hit in the past year with “Mr. Know It All,” but has yet to release a full-length country album.  And…that makes her one of the top five leading female vocalists in the country format?  Okay…

Male Vocalist of the Year

• Jason Aldean
• Luke Bryan
• Eric Church
• Blake Shelton
• Keith Urban

Who’s in:  Luke Bryan, Eric Church
Who’s out:  Kenny Chesney, Brad Paisley

Bryan and Church’s recent career strides are rewarded

with their first nominations in the always-competitive Male Vocalist race.

Vocal Group of the Year

• The Band Perry
• Eli Young Band
• Lady Antebellum
• Little Big Town
• Zac Brown Band

Who’s in:  Eli Young Band
Who’s out:  Rascal Flatts (!!!)

Eli Young Band scores a pair of huge radio hits, and thus squeezes out a former staple of the Vocal Group race.

Vocal Duo of the Year

• Big & Rich
• Love and Theft
• Sugarland
• The Civil Wars
• Thompson Square

Who’s in:  Big & Rich, Love and Theft
Who’s out:  Montgomery Gentry, Steel Magnolia

New Artist of the Year

• Lee Brice
• Brantley Gilbert
• Hunter Hayes
• Love and Theft
• Thompson Square

Who’s in:  Lee Brice, Brantley Gilbert, Hunter Hayes, Love and Theft
Who’s out:  The Band Perry (won), Luke Bryan, Eric Church, Chris Young (So, everyone except Thompson Square)

Album of the Year (Awarded to artist and producer)

• Luke Bryan, Tailgates and Tanlines
  Produced by Jeff Stevens and Mark Bright
• Eric Church, Chief
  Produced by Jay Joyce
• Miranda Lambert, Four the Record
  Produced by Frank Liddell, Chuck Ainlay, and Glenn Worf
• Dierks Bentley, Home
  Produced by Brett Beavers, Luke Wooten, and Jon Randall Stewart
• Lady Antebellum, Own the Night
  Produced by Paul Worley and Lady Antebellum

Song of the Year (Awarded to songwriters)

• Eli Young Band, “Even if It Breaks Your Heart”
  Written by Will Hoge and Eric Paslay
• Blake Shelton, “God Gave Me You”
  Written by Dave Barnes
• Dierks Bentley, “Home”
  Written by Dierks Bentley, Dan Wilson and Brett Beavers
• Miranda Lambert, “Over You”
  Written by Miranda Lambert and Blake Shelton
• Eric Church, “Springsteen”
  Written by Eric Church, Jeff Hyde and Ryan Tyndell

Single of the Year (Awarded to artist and producer)

• Jason Aldean, “Dirt Road Anthem”
  Produced by Michael Knox
• Blake Shelton, “God Gave Me You”
  Produced by Scott Hendricks
• Dierks Bentley, “Home”
  Produced by Brett Beavers and Luke Wooten
• Little Big Town, “Pontoon”
  Produced by Jay Joyce
• Eric Church, “Springsteen”
  Produced by Jay Joyce

Musical Event of the Year

• Alan Jackson and Zac Brown Band, “Dixie Highway”
•  Kenny Chesney and Tim McGraw, “Feel Like a Rock Star”
•  Willie Nelson featuring Snoop Dogg, Kris Kristofferson and Jamey Johnson, “Roll Me Up and Smoke Me When I Die”
•  Taylor Swift featuring the Civil Wars, “Safe and Sound”
•  Lionel Richie and Darius Rucker, “Stuck on You”

Music Video of the Year (Awarded to artist and director)

• Eric Church, “Springsteen”
  Directed by Peter Zavadil
• Kenny Chesney, “Come Over”
  Directed by Shaun Silva
• Miranda Lambert, “Over You”
  Directed by Trey Fanjoy
• Little Big Town, “Pontoon”
  Directed by Declan Whitebloom
• Toby Keith, “Red Solo Cup”
  Directed by Michael Salomon

Musician of the Year

Sam Bush
Paul Franklin
Dann Huff
Brent Mason
Mac McAnally

CMA Live Blog 2011

Wednesday, November 9th, 2011

THE WINNERS

Entertainer:  Taylor Swift

Female Vocalist:  Miranda Lambert

Male Vocalist:  Blake Shelton

New Artist:  The Band Perry

Vocal Group:  Lady Antebellum

Vocal Duo:  Sugarland

Song:  “If I Die Young” – Kimberly Perry

Single:  The Band Perry, “If I Die Young”

Music Video:  Kenny Chesney and Grace Potter, “You and Tequila”

Musical Event:  Jason Aldean and Kelly Clarkson, “Don’t You Wanna Stay”

Musician:  Mac McAnally

Correct Prediction Tally:

9:  Tara

6:  Ben, Dan

5:  Jonathan, Kevin, Leeann

10:02 – It’s been fun.  Thanks for being my live blog buddy this year, Leeann!

10:00 – Leeann:  Thank you for reading and participating. And thanks especially to Ben for doing such a great job of leading the live blog this year.

9:59 – Thanks for joining us, y’all!  This was so much fun!  See you at the ACMs!

9:59 – I’m happy for Taylor.  I love how she acts like a happy little kid.

9:58 – Leeann:  I think Brad and Carrie did pretty well this year. Brad stepped it up this year by not seeming as stiff and Carrie’s actually been decent to good all along.

9:58 – Tara wins the correct production tally by a landslide with nine correct predictions.

9:57 – Leeann:  Okay, I’m totally tuning in for CMA Country Christmas.

9:55 – ENTERTAINER:  Taylor Swift

9:55 – Leeann:  Whoa, Entertainer already? Will they end early?

9:54 – Carrie’s dress was AWFUL.

9:52 – I so want to see that new Dolly Parton movie.  Not that I expect it to be good.

9:49 – “Seriously??”  Miranda is so cute.  Nice little acceptable speech.  You can tell she genuinely did not expect this.  Taylor looked a little disappointed though.

9:48 – Leeann:  Aw yes…Country music’s power couple. Glad they don’t seem as tumultuous as past power couples though.

9:47  - FEMALE VOCALIST:  Miranda Lambert

9:47 – Will it be Miranda?

9:46 – Oh gosh, now they’re plugging Revenge too.

9:42 – I’d like to muster up more enthusiasm for Faith Hill’s return, but a OneRepublic cover was so not what I was hoping to hear from her right now, especially with it having been so long since she’s released any new music.  She’s singing well though.

9:42 – Leeann:  Fun that Carrie Underwood gets to introduce Faith Hill.

9:40 – The Glen Campbell tribute is easily the show’s best moment.  I suppose I could add a qualifying “…so far,” but I just might not.

9:34 – Leeann:  Not to be a total sap, but this takes on a certain significance for me because mygrandfather died from Alzheimer’s last month. He used to be the bass singer in a barber shop quartet, but he had to stop early on in the disease.

9:35 – My seven-year-old sister says “Is this still the CMA Awards?  ‘Cause it looks really old.”

9:32 – Leeann:  So far, the tribute is even more than I hoped it would be.

9:32 – I’m digging the retro vibe of this performance. (My parents are watching with me andsinging along)

9:29 – Leeann:  I have high hopes for the Campbell tribute. Yeah! There’s Vince Gill. I miss him as host.

9:29 – The Glen Campbell tribute.  This… is… beautiful.

9:28 – I heard it too, Leeann!  We’d better pinch ourselves just in case.

9:26 – Leeann:  Hark! Can it be that I heard them say that Vince Gill would be coming up soon?

9:25 – Am I the only one who, as soon as Martina McBride performs, immediately has to check @DrunkenMartina’s Twitter feed?  I can’t believe she’s not tweeting anything right now.

9:20 – Oh gosh, it’s Martina (“One of the greatest femalve vocalists of all time”) with the cancer song.  She is really beating this into the ground.  I’m getting tired of this song.

9:19 – Tara takes the lead with seven correct predictions!

9:18 – MALE VOCALIST:  Blake Shelton

9:17 – Hasn’t Reese Witherspoon presented this award before?

9:17 – Leeann:  Why, oh why does Jason Aldean always have to be so arena rock?

9:14 – Jason Aldean with “Tattoos On This Town.”  One of his more interesting songs, methinks, not that “Dirt Road Anthem” is difficult to top.

9:11 – Leeann:  Yes, the McCreery song was  actually tolerable.

9:07 – Pleasantly surprised to see McCreery singing what I thought was one of the most tolerable songs on his album.  Thank goodness it’s not “The Trouble with Girls.”

9:06 – NEW ARTIST:  The Band Perry

9:05 – Presented by Lauren Alaina and Jake Owen?  Are they randomly drawing presenter names out of a hat?

9:03 – Brad and Carrie singing “Remind Me.”  They’re turning in a pretty good engaged performance.  A bit too loud, but so is everything except Chesney and Potter.

9:02 – Checking in with the correct prediction tally (I hope I added this up right).  It looks like me, Dan, and Tara tied for the lead with four, followed by Jonathan and Leeann with two, and Kevin with one.

8:56:  That Chesney win was quite a surprise.  Not a single one of us predicted it.  Glad to see “Tequila” get some recognition though.

8:55: – MUSIC VIDEO:  Kenny Chesney and Grace Potter, “You and Tequila”

8:54 – There’s Kristian, faithfully standing off to the side.  This performance is okay, but The Band Perry was better, IMO.

8:52 – Sugarland with Matt Nathanson.  (Gasp) Was that a steel guitar I just heard?

8:50 – FAIL.

8:50 – VOCAL GROUP:  Lady Antebellum

8:49 – Oh LeAnn Rimes… that dress… oh no…

8:48 – I think so too.  But I like how the mid-song breakdown sounds live.

8:47 – Leeann:  I still think the fireflies verse is odd.

8:47 – With that mouth full of teeth, Kimberly looks like she could be a blonde Osmond.

8:46 – The Band Perry.  Hey, totally sounds like country music!  What are we watching again?

8:36 – He starts singing with Rascal Flatts, and stops sounding country.  Surprise.

8:34 – Aww, Tim McGraw’s singing along!

8:34 – Yay for Little Big Town!  Sounding awesome as usual.

8:33 – And the award for Most Audible Steel Guitar of the Night goes to… Lionel Richie. #Irony

8:31 – …And we have the requisite Little Jimmy Dickens cameo!  As Little Justin Bieber.  This I did not see coming, but it’s hilarious.  “It Ain’t My Baby, Baby” – Ha!

8:25 – Whoa, Detroit’s Edwards and Lee won a Radio Personality award.  I actually used to listen to them.  Back when I lived in Michigan.  And listened to radio.

8:24 – Ditto to that, Leeann.  I really enjoyed the simplicity of that performance.  Thank God he didn’t do “Reality” instead, though.

8:24 – Leeann:  I feel like I’m in the Twilight Zone with Kenny Chesney and Eric Church being among my favorite performances so far

8:23 – First performance to have me actually starting to sing along, though Church came fairly close.

8:21 – Ah, “You and Tequila.”  This I can totally take. (LOL, Leeann)

8:19 – Crud!  My prediction hot streak comes to a grinding halt.  I had Swift pegged for this.

8:18 – ALBUM:  Jason Aldean, My Kinda Party

8:18 – Leeann:  Ha about Miss Piggy, Ben. You sound like an old man now. It’s his birthday today, btw, y’all!

8:17 – From the comments:  “Miss Piggy being there made my night. Anyone who doesn’t like The Muppets is a bad person.” – Brian :)

8:15 – Lady A is owning the night.  Bathroom break, anyone?

8:14:  “Hi-yah!”  Hilarious.

8:13 – Miss Piggy.  I heart Miss Piggy.  Even though she’ll never be the same without Frank Oz.

8:08 – MUSICIAN:  Mac McAnally

8:06 – Dumb as the song is, I find myself involuntarily bobbing my head to it.  Help.

8:05 – Joy.  Luke Bryan in a twanged-up spoof of Flashdance.

8:04 – Did Carrie recycle that dress from the video shoot for “Cowboy Casanova”?

8:01 – I don’t recognize the song, but I daresay this is one of Taylor’s less-grating live performances.

8:00 – Am I the only one half-expecting Taylor Swift to rip off that pink sweater halfway through the song?

7:59 – I just happened to pop over to the Engine 145 live blog, and I must say, Karlie and Juli are hot tonight!

7:54 – Chris Young.  Why “Voices”??  Why not “Tomorrow”??

7:52 – Shawna has a pretty voice, but other than that, I get nothing out of “Are You Gonna Kiss Me Or Not.”

7:51 – If so, Leeann, I’ll just have to turn my badge in along with yours.  The performance had an infectious energy to it.

7:50 – Leeann:  Is it wrong for me to think that the Eric church performances is one of the better performances of the night? Do I need to turn in my critic badge?

7:49 – Eric Church’s shades just kill me.  How bright can it be in there?  You’d think he’d gone blind.

7:48 – “Outlaw” Eric Church singing “Drink In My Hand.”  This song was made for a live setting.

7:47 – So I knew it was never going to the Civil Wars.  But I can dream, right?

7:46 – VOCAL DUO:  Sugarland (Surpise!  Not)

7:45 – ABC is wasting no opportunities plugging their programming here.  Do these award presenters even like country music?

7:43 – Enter country legend Natasha Bedingfield singing with Rascal Flatts.  Wearing a roll of pink fuzzy carpet, no less.

7:41 – Still worth noting that this is one of the few times in recent years when Kenny’s recorded an award-worthy song.  Gotta love Matraca Berg and Deana Carter.

7:40 – Leeann:  Oops!! That’s right about song of the year. My bad.

7:38 – Agreed, Leeann!

7:37 – Leeann:  Zac Brown Band doing “Georgia”is a highlight, as their performances tend to be at these things.

7:36 – (Song of the Year goes to songwriters, not artists)

7:35 – Leeann:  Good for the Band Perry, but it’s probably the first time I’d been pulling for Chesney to win an award.

7:32 – SONG:  Kimberly Perry, “If I Die Young”

7:32 – Kellie Pickler – always presenting, never receiving.

7:20 – Still don’t like the lyrics of “Baggage Claim,” but I’m finding myself digging the arrangement, and Miranda sure is sounding good tonight.

7:28 – “So, Carrie, been reading anything interesting lately?”  “Nope!”  HA!

7:22 – Sara Evans and the acrobats.  I did not see that coming.  I really like this song though.

7:22 – From the comments:  “i think keith was not supposed to perform because he is having surgery, something about his throat.” – Andie (Good point)

7:19 – Leeann:  Keith isn’t sounding as good as normal tonight to me.

7:18 – We’re at dress number two for the Carrie Count (I think).  At my house we always guess how many outfit changes she’ll do.  My guess this year is eight.

7:18 – Keith Urban with “You Gonna Fly.”  Not my favorite song of his, but it just keeps growing on me.

7:15 – Yo, if Leeann and I are boring you (hope not), be sure to check out the live blogs over at Roughstock and Engine 145!  Or check ‘em out just because.

7:13 – I approve!

7:12 – SINGE:  The Band Perry, “If I Die Young”

7:11 – Leeann:  Brad does seem less nervous this year so far.

7:10 – Ooooh, no supper for Brad tonight!

7:09 – Leeann:  The Tim and Faith Barbie skit was kinda funny.

7:08 – The Tim and Faith Barbie bit was hilarious.

7:07 – Leeann:  They haven’t cared about Hank in years, but now they’re showing their support?

7:06 – I did not see the Hank cameo coming.  Cute though.

7:05 – Leeann:  Hmmm…the​y’re really getting political on Hank’s side?

7:05 – Okay, I am laughing my butt off at this Hank, Jr. parody.  “You can’t compare the president to Hitler!”

7:03 – Overall a pretty good performance.  Now here come Brad and Carrie!

7:03 – Leeann:  Blake sounds better here than on the recording.

7:02 – And here comes country legend Kenny Loggins.

7:01 – How about turning up that mic a bit?

7:00 – Blake Shelton opens the show with “Footloose.”  I can hardly find him among all those dancers!

2011 CMA Awards: Staff Picks and Predictions

Monday, November 7th, 2011

It’s that time of year again!  The time when we all dutifully tune in to the CMA Awards show, raise our eyebrows at the “What the heck are they doing here?” award presenters, and afterwards complain about how totally un-country the whole show was.  I don’t know about the rest of you, but I can’t wait.

We’re pleased to share the Country Universe staff picks for this year’s CMA Awards, as well as our predictions of who the winners will be.  This year we have some highly competitive categories in which predicting the winners is quite difficult, leading to some significantly divergent picks among our writing staff.  Agree?  Disagree?  Join in the discussion in the comment thread below, and let us know.

The CMA Awards telecast will air on Wednesday, November 9, 8pm Eastern on ABC-TV.  We will be live blogging the show here at Country Universe, so do be sure to drop by and join in the fun!

Entertainer of the Year

Should Win:

• Jason Aldean – Kevin
• Brad Paisley
• Blake Shelton
• Taylor Swift - Dan, Ben, Leeann, Jonathan, Tara
• Keith Urban

Will Win:

• Jason Aldean
• Brad Paisley
• Blake Shelton - Dan, Leeann, Jonathan
• Taylor Swift – Ben, Kevin, Tara
  
• Keith Urban

Dan: I can imagine anyone but Urban taking it, but I like Jonathan’s logic.

Ben:  It’s hard to bet on the Entertainer award going to a female artist, but it seems Swift has undoubtedly had the biggest year of all the nominees.  Her album sold like hotcakes, and produced a trio of killer radio singles, while she topped that off with her Speak Now tour.  That combination should bag her this year’s top prize.

Leeann: Paisley could take it again, but my money’s on the CMA wanting to give it to fresh blood this year. Taylor Swift is who probably actually deserves it, however.

Jonathan:   Paisley is probably the most logical pick, but he didn’t figure as heavily into the nominations this year as he could have, so I’m wondering if the voters have cooled on him as much as the crew here at CU have of late. Swift’s live show should be a factor in this category, but she has a whole lot of gender bias to overcome, and there seems to be at least something of a backlash against her in the country community post-Fearless. Which leaves the ubiquitous Shelton, who has been something of a new “Everywhere Man” for the genre over the past year.

Kevin:  I think Swift will win because she had the highest profile year.  But I think Aldean defines the genre in 2011, for better or for worse.  Mostly worse.

Tara: As I’ve said before, this is the most appropriate way for the voters to reward Swift’s monster success, and for the first time at the CMAs, I truly feel she deserves this award. I’m particularly impressed with the way she continues to cultivate her relationship with her fans. I just hope the voters don’t pair this award with the FVOTY award.

Male Vocalist of the Year

Should Win:

• Jason Aldean - Dan, Ben
• Kenny Chesney
• Brad Paisley
• Blake Shelton
• Keith Urban - Leeann, Jonathan, Kevin, Tara
  

Will Win:

• Jason Aldean – Dan, Ben
  
• Kenny Chesney
• Brad Paisley
• Blake Shelton - Leeann, Jonathan, Kevin, Tara
  
• Keith Urban

Dan:  Aldean’s not my thing, but he’s the biggest guy in the field by an unignorable margin. More than anything, I think the indie Broken Bow Records deserves props for building their flagship artist so well.

Ben:  I’m largely indifferent to this particular field of nominees (save possibly Keith Urban), but Aldean’s massive success should most likely nab him his first Male Vocalist trophy.

Leeann: Again, I think it’s Shelton’s night to sweep in order to shake things up this year. He and Urban have the strongest voices in the category anyway.

Jonathan:  Urban’s the only one of the lot who has released even one single I’ve liked in the past year, so he’d get my vote. Aldean has the commercial clout, sure, but quality has to count for something, right? Voters have looked at the word “Vocalist” in the category name and have passed over Chesney for years, and I wonder if they’ll do the same to Aldean here. I’m thinking yes.

Kevin: Urban’s the one who I can stand to listen to. But if Shelton was able to win last year, I don’t see how he loses this year. Not post-Voice and “Honey Bee.”

Tara: It makes me sad that I can’t find a solid reason to support Urban or Paisley, both of whom I used to feel passionately about. And in all honesty, I can’t find a solid reason to support any of these guys, based on their output during the eligibility period. I’m going to blindly back Urban –who, despite being “Urban-lite” these days, is at least consistent– and predict that Shelton’s amped public profile will give him the edge with voters.

Female Vocalist of the Year

Should Win:

• Sara Evans – Kevin
• Miranda Lambert
• Martina McBride
• Taylor Swift – Dan, Ben, Leeann, Jonathan
• Carrie Underwood – Tara

Will Win:

• Sara Evans
• Miranda Lambert – Dan, Leeann, Jonathan, Kevin, Tara
  
• Martina McBride
• Taylor Swift - Ben
  
• Carrie Underwood

Dan:  Come ACM season, I’ll be all for Lambert; Pistol Annies and Four The Record prove she’s using her new commercial powers nobly. But I like Swift’s performances on Speak Now, and that album just applies more to this awards cycle.

Ben:  Swift is the overall strongest contender, but I could see voters seizing the opportunity to recognize Evans, who released a new album and had a number one single during the eligibility period.  I wouldn’t rule Lambert out either, though she didn’t have as strong a year as she did in 2010.  But I doubt this will be Underwood’s year, and McBride’s was essentially a filler nomination, so I’d say it’s down to Swift, Evans, and Lambert. (But, like Dan, I will totally be Team Miranda when the ACMs roll around)

Leeann: I reflexively say Lambert should win, but Swift has had the best year and will likely win as a result. I won’t be heart broken if Lambert takes it though.

Jonathan:  There’s a part of me that would vote for Lambert on principle and out of loyalty, but I can’t argue with a simple mathematical inequality: “Back to December,” “Mean,” and “Sparks Fly” > “Only Prettier,” “Heart Like Mine” and “Baggage Claim.” Had her label been campaigning harder that she’s never won this award, Evans could’ve been a bigger threat here, but Lambert’s ongoing momentum should carry her to a repeat win.

Kevin: Can this power couple nonsense be derailed?  Probably not, so while I’d rather see Swift get it over Lambert, I’m doubtful it would happen. My real fantasy would be for the only non-winner, Sara Evans, to take it.  For prosperity’s sake, and for actually putting out a great single that I failed to realize was great until it was already a hit.

Tara: This is a tough one for me. Lambert’s worked the genre like no other female has this past year and a half, but the singles she’s released in the eligibility period have been so-so. Swift’s put out some solid material, but I’m not sure I’ll ever be able to support her winning a vocalist award. And then there’s Underwood, who’s been relatively quiet on the radio front, but whose stunning performance of “How Great Thou Art” back in April went viral and serves as a reminder of what I firmly believe is one of the finest voices in the genre. I’m going with my gut and backing Underwood, but I think the voters will reward Lambert again, which is fine with me.

Vocal Duo of the Year

Should Win:

• The Civil Wars – Dan, Ben, Leeann, Jonathan, Kevin, Tara
  
• Montgomery Gentry
• Steel Magnolia
• Sugarland
• Thompson Square

Will Win:

• The Civil Wars
• Montgomery Gentry
• Steel Magnolia
• Sugarland - Dan, Ben, Leeann, Jonathan, Kevin, Tara
  
• Thompson Square

Dan:  Seriously, why not the Civil Wars? They’ve sold about as many albums (200,000-ish) as everyone besides Sugarland without the support of a major label. Not to mention they just made the most interesting music.

Ben:  I’m supporting the Civil Wars on principle, but it’s a no-brainer that Sugarland’s hot streak is not over yet.

Leeann: I love The Civil Wars. The end.

Jonathan:  Yet more evidence that this category should be merged with Vocal Group of the Year to cut the deadweight. Though the Civil Wars getting in instead of the JaneDear Girls is a nice testament to the fact that the CMAs, every so often, can exercise good taste and discretion.

Kevin:  Sugarland’s album was atrocious.  The Civil Wars are in the running for my favorite set of the year.  Easy call for me.

Tara: Can Sugarland hurry up and release a new, redeeming album, please?

Vocal Group of the Year

Should Win:

• The Band Perry
• Lady Antebellum
• Little Big Town
• Rascal Flatts
• Zac Brown Band – Dan, Ben, Leeann, Jonathan, Kevin, Tara
  

Will Win:

• The Band Perry
• Lady Antebellum – Tara
• Little Big Town
• Rascal Flatts
• Zac Brown Band - Dan, Ben, Leeann, Jonathan, Kevin
  

Dan:  Lady A were between albums. Some variety this year, please.

Ben:  It’ hard to bet against Lady Antebellum, but the Zac Brown band gave us a strong album and two of the year’s most memorable hit singles (“As She’s Walking Away” and “Colder Weather”), and I predict that they will be rewarded justly.

Leeann: Zac Brown Band has a good chance with the best music in the category, but Lady A just might not be out yet.

Jonathan:  Little Big Town’s brilliant “Little White Church” should’ve put them back in the mix for good, but they really botched the single releases from their album and are right back to being also-rans. The Band Perry will settle for the “New Artist” award as a consolation prize this year, which leaves Lady A and Zac Brown Band to duke it out. In terms of the quality of their output, Zac Brown Band has Lady A dead to rights, but is that enough to stop the trio’s awards-show juggernaut? Let’s hope so.

Kevin:  Zac Brown Band is the only option both realistic and palatable.

Tara: This is the first of these categories that I feel strongly about this year. Based on the strength of You Get What You Give, Zac Brown Band deserves to nab this award, hands down. But I’ll go against my co-bloggers here and guess that Lady Antebellum still has the industry wrapped around its finger.

New Artist of the Year

Should Win:

• The Band Perry - Ben
  
• Luke Bryan
• Eric Church - Leeann, Jonathan
• Thompson Square
• Chris Young – Dan, Kevin, Tara
  

Will Win:

• The Band Perry – Ben, Jonathan, Tara
• Luke Bryan
• Eric Church – Dan, Leeann, Kevin
• Thompson Square
• Chris Young

Dan: Church seems the most likely to have a long, interesting career and probably deserves the win. I just don’t want to encourage “Homeboy,” I guess.

Ben:  Thompson Square and The Band Perry are the only two nominees whom I would still consider “new” artists, and I think The Band Perry beats Thompson Square any day.  Bryan, however, did reach a new level of stardom over the past year, so he stands a good chance at wining nonetheless.

Leeann: While it’s strange that with three albums Church is still in the New Artist category, it’s probably that same reason that he should win the award, not to mention that he had the strongest album of the nominees in the past year.

Jonathan:  Young’s the best singer in the field, but his material is still too inconsistent in quality for me to get on board with him. Church, on the other hand, finally made good on his early promise and his considerable hype with Chief and would be a deserving winner, as would the uneven but still pretty good The Band Perry. As the only nominee with any other nominations, they have to be considered the slight favorites over Crest WhiteStrips.

Kevin:  I think Church’s big breakthrough happened close enough to the voting window to give him a slight edge.  I’d like to see Chris Young get the boost from a win.

Tara: Of all the nominees, I’m the most excited for Chris Young’s future in country music – his vocal talent is tremendous, and even though it falls right outside of the eligibility period, Neon is one of my favorite releases of this year. Based on their other major nominations, though, I think The Band Perry will take this.

Album of the Year

Should Win:

• Blake Shelton, All About Tonight
• Jason Aldean, My Kinda Party
• Taylor Swift, Speak Now - Ben, Kevin
  
• Brad Paisley, This Is Country Music
• Zac Brown Band, You Get What You Give - Dan, Leeann, Jonathan, Tara

Will Win:

• Blake Shelton, All About Tonight
• Jason Aldean, My Kinda Party – Dan, Leeann, Jonathan, Tara
• Taylor Swift, Speak Now – Ben, Kevin
  
• Brad Paisley, This Is Country Music
• Zac Brown Band, You Get What You Give

Dan: Here’s a logical place to acknowledge Aldean, though I hope voters think twice about it.

Ben:  In my book, Swift and the Zac Brown Band are the only truly worthy winners (and I’m still scratching my head over why a Blake Shelton “Six Pak” was even nominated in the first place).  To me, the most intriguing thing about Swift is that she really does seem to get a little better and a little deeper with each album.  Speak Now is her crowning achievement to date, and in my opinion, the best album on this ballot.

Leeann: It hurts my heart to think it, but Jason Aldean’s big year will likely earn him the award for best album, even though numbers isn’t how such an award should be selected.

Jonathan:  Speak Now is Swift’s strongest album, but, “Mean” notwithstanding, it’s also her most unabashedly pop album. And song-for-song, I still think You Get What You Give is slightly better. But Aldean has been a steady seller, and he’s big enough that he has to win one of the major awards, and this one’s his best bet.

Kevin:  “All songs composed by Taylor Swift” impressed the heck out of me, not the least of which because the songs were far better than her earlier work.  Zac Brown Band’s a close second for me.

Tara: Speak Now is solid, but You Get What You Give is the better example of how to move this genre forward, with its delicious yet reverent mishmash of influences. But I think this is where the voters will recognize the often overlooked commercial success of Jason Aldean.

Single of the Year

Should Win:

• Sara Evans, “A Little Bit Stronger”
• Zac Brown Band, “Colder Weather”- Leeann, Tara
• Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay”
• Blake Shelton, “Honey Bee”
• The Band Perry, “If I Die Young” – Dan, Ben, Jonathan, Kevin
  

Will Win:

• Sara Evans, “A Little Bit Stronger”
• Zac Brown Band, “Colder Weather”
• Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay” - Jonathan, Tara
• Blake Shelton, “Honey Bee” - Kevin
• The Band Perry, “If I Die Young” - Dan, Ben, Leeann

Dan: It’d be heartening to see The Band Perry’s risky, rootsy release get its due. Plus: the single alone is 3x Platinum, better than any of its competitors can claim.

Ben:  “Colder Weather” and “If I Die Young” are the two strongest competitors, but for me, a cool folksy arrangement puts the latter over the edge.

Leeann: This is tough. I can actually see any of these singles winning, but I have a good feeling about “If I Die Young”, though I’d love to see “Colder Weather” prove me wrong.

Jonathan:  This one’s actually a tough call, since all five of the singles are big radio hits and everyone here has multiple nominations. “If I Die Young” is the best-produced single of the lot, but I’m predicting that Kelly Clarkson’s endless likability gives the edge to her duet with Aldean.

Kevin:  Love the Band Perry record most, followed by Sara Evans.  But this is the CMA awards, and Shelton managed to be both completely vanilla and namedrop Conway Twitty and Loretta Lynn.

Tara: If I better understood the story in “If I Die Young,” I might be able to get behind it, but I think “Colder Weather” is the more memorable single. It’s my favorite kind of country ballad – killer vocals, gripping melody and palpable emotion. I see the fiery Aldean / Clarkson collaboration taking this one, though. (By the way, dude, “Honey Bee” – really CMA?)

Song of the Year

Should Win:

• “Colder Weather” – Zac Brown, Wyatt Durrette, Levi Lowrey & Coy Bowles
• “Dirt Road Anthem” – Brantley Gilbert & Colt Ford
• “If I Die Young” – Kimberly Perry – Dan, Tara
• “Mean” – Taylor Swift - Jonathan, Kevin
  
• “You and Tequila” – Matraca Berg & Deana Carter - Ben, Leeann
  

Will Win:

• “Colder Weather” – Zac Brown, Wyatt Durrette, Levi Lowrey & Coy Bowles
• “Dirt Road Anthem” – Brantley Gilbert & Colt Ford
• “If I Die Young” – Kimberly Perry - Dan, Ben, Jonathan, Tara
• “Mean” – Taylor Swift - Kevin
  
• “You and Tequila” – Matraca Berg & Deana Carter – Leann

Dan:  “If I Die Young” is a flawed composition, but it’s still the most striking and strange one here, and that’s worth something.

Ben:  I never though I’d see a CMA Song of the Year field in which Matraca Berg and Deana Carter would compete against Colt Ford and Brantley Gilbert.  I would so love to see Berg and Carter win the award.  I might tend to be slightly biased when it comes to Matraca Berg, but I think “Tequila” is a fine composition on its own merits, and a worthy winner indeed.  Still, my gut predicion is that Perry will grab the trophy instead.

Leeann: “Mean” is probably my favorite song in terms of production and melody, but “You and Tequila” is the best song of the nominees.

Jonathan:  Berg is a treasure and I like Carter well enough, so it’s nice to see their names on the ballot again, but “You and Tequila” isn’t either of their best compositions. Here’s the thing about “Mean”: What doesn’t work about the song has everything to do with the fact that it shows the extent to which Swift still hasn’t fully figured out her artistic persona. But in terms of melody and overall construction as a stand-alone song? It’s the class of the field. As Dan said, “If I Die Young” is flawed, but it also has a lot going for it and will be a fine, worthy winner when it inevitably takes this.

Kevin: I love “You and Tequila”, but it’s an old song.  I’m glad Chesney rediscovered it, but I can’t see it as this year’s Song of the Year.  I think “Mean” is the best of the bunch, with the music as clever as the lyrics.

Musical Event of the Year

Should Win:

• “As She’s Walking Away” – Zac Brown Band featuring Alan Jackson – Dan, Ben, Leeann, Jonathan, Kevin, Tara
  
• “Coal Miner’s Daughter” – Loretta Lynn, Sheryl Crow & Miranda Lambert
• “Don’t You Wanna Stay” – Jason Aldean with Kelly Clarkson
• “Old Alabama” – Brad Paisley with Alabama
• “You and Tequila” – Kenny Chesney featuring Grace Potter

Will Win:

• “As She’s Walking Away” – Zac Brown Band featuring Alan Jackson – Kevin, Tara
• “Coal Miner’s Daughter” – Loretta Lynn, Sheryl Crow & Miranda Lambert
• “Don’t You Wanna Stay” – Jason Aldean with Kelly Clarkson – Dan, Ben, Leeann, Jonathan
• “Old Alabama” – Brad Paisley with Alabama
• “You and Tequila” – Kenny Chesney featuring Grace Potter

Dan:  The Single nod for Jason and Kelly suggests they have the edge here. But my heart echoes a resounding “Go on, son.”

Ben:  “As She’s Walking Away” is just so effortlessly charming that it would easily be my first pick, but the cross-genre appeal – and bonus Clarkson star power – of “Don’t You Wanna Stay” make it the most likely winner.  The fact that “Don’t You Wanna Stay” is also nominated for Single (which “As She’s Walking Away” sadly isn’t) suggests a likely victory in this category.

Leeann: How can I not pull for the Zac Brown Band and Alan Jackson when I have a chance? I’m pretty confident that the drama, cross genre appeal, and, yup, the drama again, make “Don’t You Want to Stay” the sure bet though.

Jonathan:  “As She’s Walking Away” is one of the purest and truest duets in years, and it could pull some votes from the more traditionalist voters, but the Aldean and Clarkson single just has too much firepower to lose here.

Kevin:  If this doesn’t go to Zac Brown Band and Alan Jackson, then I no longer understand how CMA voters think.

Music Video of the Year

Should Win:

• Blake Shelton, “Honey Bee”
• The Band Perry, “If I Die Young” – Dan
• Taylor Swift, “Mean” – Ben, Kevin, Tara
  
• Brad Paisley featuring Alabama, “Old Alabama”
• Kenny Chesney featuring Grace Potter, “You and Tequila”

Will Win:

• Blake Shelton, “Honey Bee” - Ben
• The Band Perry, “If I Die Young”
• Taylor Swift, “Mean”
• Brad Paisley featuring Alabama, “Old Alabama” - Dan, Jonathan, Kevin, Tara
  
• Kenny Chesney featuring Grace Potter, “You and Tequila”

Dan: It’s my least favorite Paisley video ever, though.

Ben:  Swift’s “Mean” is my personal favorite among these nominees, but I’m expecting that voters will show some Shelton love instead.

Jonathan:  Paisley has to win something, right? And this also gives the voters a chance to honor some beloved genre vets.

Kevin: I think the video splicing tricks will give Paisley and Alabama an additional edge.  Of the five clips, “Mean” is the one I like the most.

Musician of the Year

Should Win:

• Paul Franklin (steel guitar) - Dan, Ben, Leeann, Jonathan, Kevin, Tara
  
• Dann Huff (guitar)
• Brent Mason (guitar)
• Mac McAnally (guitar)
• Randy Scruggs (guitar)

Will Win:

• Paul Franklin (steel guitar) - Leeann, Jonathan
• Dann Huff (guitar)
• Brent Mason (guitar)
• Mac McAnally (guitar) – Dan, Ben, Kevin, Tara
  
• Randy Scruggs (guitar)

Dan: Default underdog support.

Ben:  I would love to see this go to the steel guitar man (and preferably not to Dann Huff), but Mac McAnally tends to be the favorite here.

Leeann: I want the steel guitar to represent this year. So, I’ll will it to happen.

Jonathan:  Franklin’s the only nominee who hasn’t won previously, and being regarded as long overdue eventually helped McAnally score his first win, leading to his current three-year hot streak.

Kevin:  I’ll be rooting for Paul Franklin until he finally wins, but I won’t believe that he’ll win until he finally does.

Tara: What Ben and Kevin said.

2011 CMA Nominations

Tuesday, September 6th, 2011

It’s always interesting to see how music industry awards reflect (or don’t reflect) larger narratives in the industry itself.

If you’re interested in the narratives behind this year’s CMAs, look no further than the two men who’ve made the biggest strides on the ballot: Blake Shelton and Jason Aldean. Both show up in Entertainer and Male Vocalist, plus Album and Single, plus assorted other stuff. But the marketing approaches that have gotten them there are vastly different.

Shelton’s is the traditional wisdom: cover all media ground with an inoffensive product until the people buy in. So he’s a core act at radio; he’s on a popular TV show (The Voice); he hosted the ACMs; he was in a ton of magazines for his marriage; he Twitters a lot.

Then there’s the Aldean approach: make a distinct product, generate enough radio support to plant the seeds, then go straight to the fans, tour relentlessly, build up word-of-mouth – let the industry come to you. I think it’s the more effective approach, personally. Look at Eric Church, who has a fraction of Shelton’s ubiquity but beat him in first-week album sales and is still beating him cumulatively - no TV spotlights, no gossip mags, no Twitter.

And look at how many acts on this ballot started on indie labels. Aldean, Taylor Swift, Zac Brown Band, Thompson Square, the freaking Civil Wars. Major-label power still matters, but it seems to mean less all the time. Media saturation still matters, but it seems to mean less all the time. Music is the only thing that always counts, and even the highly political CMAs are starting to have trouble ignoring it.

Just my thoughts, anyway. What say you to this list?

Entertainer

• Jason Aldean
• Brad Paisley
• Blake Shelton
• Taylor Swift
• Keith Urban

Who’s In: Jason Aldean, Blake Shelton, Taylor Swift

Who’s Out: Lady Antebellum, Miranda Lambert, Zac Brown Band

Male Vocalist

• Jason Aldean
• Kenny Chesney
• Brad Paisley
• Blake Shelton
• Keith Urban

Who’s In: Jason Aldean, Kenny Chesney

Who’s Out: Dierks Bentley, George Strait

Female Vocalist

• Sara Evans
• Miranda Lambert
• Martina McBride
• Taylor Swift
• Carrie Underwood

Who’s In: Sara Evans

Who’s Out: Reba McEntire

Vocal Duo

• The Civil Wars
• Montgomery Gentry
• Steel Magnolia
• Sugarland
• Thompson Square

Who’s In: The Civil Wars, Thompson Square

Who’s Out: Brooks & Dunn (historical moment!), Joey + Rory

Vocal Group

• The Band Perry
• Lady Antebellum
• Little Big Town
• Rascal Flatts
• Zac Brown Band

Who’s In: Nobody

Who’s Out: Nobody

New Artist

• The Band Perry
• Luke Bryan
• Eric Church
• Thompson Square
• Chris Young

Who’s In: The Band Perry, Eric Church, Thompson Square

Who’s Out: Easton Corbin, Jerrod Niemann, Zac Brown Band (won)

Notes: Bryan and Young are both on their second nominations here, but for once there’s no obvious frontrunner. Thompson Square pick up the category-filler nom from Jerrod Niemann. This reminds me: where has Easton Corbin gone?

Album

• Blake Shelton, All About Tonight
• Jason Aldean, My Kinda Party
• Taylor Swift, Speak Now
• Brad Paisley, This Is Country Music
• Zac Brown Band, You Get What You Give

Notes: Shelton’s is a low-selling EP. Uhhh.

Single

• Sara Evans, “A Little Bit Stronger”
• Zac Brown Band, “Colder Weather”
• Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay”
• Blake Shelton, “Honey Bee”
• The Band Perry, “If I Die Young”

Song

• “Colder Weather” – written by Zac Brown, Wyatt Durrette, Levi Lowrey, and Coy Bowles
• “Dirt Road Anthem” – written by Brantley Gilbert and Colt Ford
• “If I Die Young ” – written by Kimberly Perry
• “Mean” – written by Taylor Swift
• “You and Tequila” – written by Matraca Berg and Deana Carter

Notes: Nice to see there are still some Matraca Berg fans out there amid the Brantley Gilbert ones. Interestingly, Swift’s first nomination in this category.

Musical Event

• “As She’s Walking Away” – Zac Brown Band featuring Alan Jackson
• “Coal Miner’s Daughter” – Loretta Lynn, Sheryl Crow and Miranda Lambert
• “Don’t You Wanna Stay” – Jason Aldean with Kelly Clarkson
• “Old Alabama” – Brad Paisley with Alabama
• “You and Tequila” – Kenny Chesney featuring Grace Potter

Notes: I’m troubled by the fact that “Don’t You Wanna Stay” is nominated for Single and “As She’s Walking Away” isn’t.

Music Video

• “Honey Bee” – Blake Shelton
• “If I Die Young” – The Band Perry
• “Mean” – Taylor Swift
• “Old Alabama” – Brad Paisley featuring Alabama
• “You and Tequila” – Kenny Chesney featuring Grace Potter

Notes: The worst Brad Paisley video ever to be nominated here, I think.

Musician

• Paul Franklin
• Dann Huff
• Brent Mason
• Mac McAnally
• Randy Scruggs

Who’s In: Sam Bush, Jerry Douglas

Who’s Out: Brent Mason, Randy Scruggs

.

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2010 CMA Nominations