The combined efforts of nine women and three men form the upper echelon of our Best Albums list from 1993. This embarrassment of riches showcases just how much great music there was to choose from that year, especially given how many of the genre’s biggest and most acclaimed stars – Vince Gill, Alan Jackson, Reba McEntire, Mary Chapin Carpenter, and Pam Tillis, just to name a few – were between albums that year. It was also a strong and diverse enough year that despite some overall consensus among the lists of all of the writers, each one of us has a different album at #1 on our personal lists. Enjoy the second half of our list, and look for the Singles list to kick off next weekend. #10 Uncle Tupelo Anodyne #1 – JK | #3 – SG In jumping to a major label, Uncle Tupelo was supposed to give Read More
Since he’s one of the few country legends who is best defined by his albums rather than his individual tracks, creating a Starter Kit for Willie Nelson is a tough row to hoe.
What follows is the cream of the crop from Willie Nelson’s peak years, minus the collaborations with other artists. His pairings with other great acts would be another Starter Kit unto itself.
When you’re ready to dig deeper, check out his studio albums in their entirety, starting with Phases and Stages and Shotgun Willie, moving on to Red Headed Stranger and Stardust, and picking up lesser-known classics from the later years, like Spirit, Teatro, and You Don’t Know Me: The Songs of Cindy Walker.
“Yesterday’s Wine” from the 1971 album Yesterday’s Wine
Nelson encounters an old friend at a local drinking establishment and they share a round of drinks as they reflect on how they’re “aging with time, like yesterday’s wine.”
“Whiskey River” from the 1973 album Shotgun Willie
It’s since become a live favorite of Nelson’s fans at a speedier tempo, but there’s a a beautiful melancholy to the studio version found on this album.
“Bloody Mary Morning” from the 1974 album Phases and Stages
A centerpiece of what is arguably Nelson’s finest concept album, it’s since become something of a standard. Also of note from this set is “It’s Not Supposed to Be That Way.”
The CMA Awards should be the evening every year where country music is shown in the best possible light. However, it’s been many years now since the CMA fully took advantage of the opportunities that prime-time slot presents. Here are ten ways the show can get back on track, and maybe even be better than ever. 1. Expand the Ballot Limiting the second ballot to only twenty entries per category was a disaster, resulting in some truly lackluster nominees. Take a page from the Grammy playbook and put all eligible submissions on the second ballot, regardless of vote total. Have the CMA voters choose five entries from a wider swath of nominees, and create a more level playing field for all of the labels, major and indie. 2. Limit the Number of Entries per Artist The CMA can go one step further and improve the Grammy model by eliminating the first ballot entirely, Read More
#4: Cindy Walker Hall of Fame acceptance speech 1997 Cindy Walker was inducted into the Hall of Fame in 1997, an honor that is still rare for women (only nine female artists currently hold membership). This achievement was made all the more remarkable considering that Walker was a songwriter. But her talent was undeniable, as she penned songs such as “Dream Baby (How Long Must I Dream),” “I Don’t Care,” “Take Me in Your Arms” and “You Don’t Know Me.”
100 Greatest Women #18 Cindy Walker For all intents and purposes, the story of professional female songwriters in country music begins with Cindy Walker. In an era where almost all artists and writers were men, she was a phenomenon, a prolific writer whose work was cut by the top recording artists of the forties and fifties, and whose songs were so strong that they’d be recorded over and over again in the decades that followed. She grew up in Texas, where her mother was a highly skilled pianist. Though she loved performing, and was doing so publicly from the age of seven, her greatest passion was songwriting. She dreamed of going to Los Angeles, where the western movies of her hero Bing Crosby were made. In 1941, her father had to go to L.A. on a business trip, and he invited his wife and daughter along. Cindy threw all of Read More