Jeanne Pruett

ACM Flashback: Single Record of the Year

April 3, 2010 // 11 Comments

As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.

As always, we start with a look at this year’s nominees and work our way back to 1968.


  • Zac Brown Band, “Toes”
  • Billy Currington, “People Are Crazy”
  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “White Liar”
  • David Nail, “Red Light”

There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.


  • Trace Adkins, “You’re Gonna Miss This”
  • Jamey Johnson, “In Color”
  • Miranda Lambert, “Gunpowder & Lead”
  • Heidi Newfield, “Johnny and June”
  • Brad Paisley, “Waitin’ On a Woman”

Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.

100 Greatest Women, #89: Jeanne Pruett

March 28, 2008 // 2 Comments

100 Greatest Women #89 Jeanne Pruett Grand Ole Opry legend Jeanne Pruett is often dismissed as a one-hit wonder, despite charting several top ten hits. Such is often the case when an artist records a monster song. Just like Jeannie C. Riley will always be “Harper Valley P.T.A.” and Lynn Anderson will always be “Rose Garden,” despite numerous other hits to their credit, Jeanne Pruett will forever be “Satin Sheets.” But as vital a record as that 1973 single was, Pruett’s legacy is longer than just that hit and those that followed. She’s one of the first female country artists in history to start as a songwriter first, gaining credibility with her pen more than a decade before her voice was center stage.Born Norma Jean Bowman in 1937, she was a teenager when she married her husband, Jack Pruett. He was a guitarist looking for work in country music, so Read More