In 2008, I was finishing up my degree in journalism and trying to understand what it meant to be a professional writer. I wanted to write about music, but the divide between fan and critic felt, at times, insurmountable. That fall, I stumbled onto Country Universe through this post, and it changed my perspective. As both a writer and leader, Kevin was thoughtful, rational and personally invested in the country music genre. He showed a deep respect for the genre’s history, but wrote about new artists with tolerance and curiosity. Best of all, he held readers and writers alike to the highest standards of decency. It’s for that reason that this post shines. Kevin’s ability to take a stand while cultivating constructive dialogue is unmatched. He cut through the divisive hype around Carrie Underwood –an artist who is as special to me now as she was back then—and underlined the Read More
Eight years ago, we posted our second edition of Hall Worthy, a list of significant country music figures who we felt were most deserving of being in the Country Music Hall of Fame.
Since then, a lot has changed. First and foremost, more than half of the list is now in the Hall of Fame (or, at least, headed there later this year.) An additional entry, Wanda Jackson, is now in the Rock and Roll Hall of Fame.
A bigger change came in 2009, when new categories were introduced to ensure that two artist inductees would be represented from different eras: The Modern Era (20-44 years of national prominence), and the Veterans Era (45+ years of national prominence.) There are also three more categories that rotate, meaning one from each category gets in every third year: Non-Performer, Songwriter, and Recording and/or Touring Musician.
Finally, since that list was published, our readership has grown tremendously and is incredibly well-versed on country music, past and present. So in this new and now annual edition of Hall Worthy, we are going to run down the list of the most successful artists that are eligible but have yet to make it into the Hall of Fame, in the order of “Hall Worthiness.”
The Modern Era:
Scoring his first hit in 1990 with “Here in the Real World”, Alan Jackson is the most successful country artist that isn’t currently in the Hall of Fame. His storied career has included 25 #1 hits and 49 visits to the top ten. He’s won a slew of awards over the years, including many for his songwriting. He is the most traditionalist of all of the nineties superstars, but has managed to stay relevant regardless of how pop the genre went over the past quarter century, selling more than forty million albums in the U.S. alone. He should be the next inductee for the Modern Era.
The Class of 1989 permanently changed the face of country music. Clint Black was its valedictorian.
What if one of the big female artists of 2011 were the first to release this song?
If Carrie Underwood recorded it in 2011, the song would be praised as one of the best she’s ever recorded, but she’d be criticized for over-singing and over-producing it.
It’s hard to believe that there once was a time that country artists put out two full-length albums a year. If they were part of a regular superstar duet team, like Conway Twitty & Loretta Lynn or Porter Wagoner & Dolly Parton, a fan might hear as many as four new studio albums from their favorite artist.
By the time that I got into country music – twenty years ago, natch – things had slowed down a bit. Artists usually released a new album every 12-18 months. Sometimes they’d push it to two years, but not often.
Those were the days. Waits between album releases have gotten crazy lately. I’m all for taking the time to get it right, but once we push past the half-decade mark, things have gone too far. Sure, we’re given side projects to carry us over, but there’s no substitute for a full-length studio album of all-new material.
Here are five artists who I’d really love to see make a long-awaited return with a new album in 2011, along with a brief rundown of the side projects that they’ve been busy with while we’ve waited for that new album:
The themes of love and loss have permeated country music for as long as it’s been in existence. This second-to-last batch of great nineties hits contains songs that are direct descendants of well-known classics like “Can the Circle Be Unbroken” and “I’m So Lonesome I Could Cry”, along with a Shania Twain hit that would have made Roba Stanley smile.
400 Greatest Singles of the Nineties: #50-#26
Here’s a Quarter (Call Someone Who Cares)
1991 | Peak: #2
From the first forceful guitar strum on, this kiss-off number somehow manages to seem unusually cool and collected in its own aggression. You get the impression that Tritt’s character has been anticipating this moment, and has already determined that he’s going to relish every second of it. – Dan Milliken
I’ve Come to Expect it From You
1990 | Peak: #1
This is about as dark and bitter as George Strait gets. It’s a coat that he wears well. – Kevin Coyne
As might be expected, the subject matters are getting more intense as we edge closer to the top. But there’s still room for some carefree moments here, thanks to the Dixie Chicks and Jo Dee Messina.
400 Greatest Singles of the Nineties: #75-#51
When You Say Nothing at All
Alison Krauss & Union Station
1995 | Peak: #3
This Keith Whitley classic was recorded as part of a tribute album to the late country star. It became a hit all over again, perhaps because Krauss performed it in a near-whisper. The quiet arrangement matches the sentiment beautifully. – Kevin Coyne
1993 | Peak: #1
Lawrence dishes on his ex’s cheating ways to her new potential lover. How did she get that way? He reveals that he’s the one who taught her everything she knows from the cheater’s playbook. Moreover, he seems regretful of her corruption. – Leeann Ward
Some of these covers became big hits, like Billy Dean’s “We Just Disagree” and Brooks & Dunn’s “My Maria.” Various album cuts and tribute projects demonstrated Lorrie Morgan’s fondness for Bonnie Tyler (“It’s a Heartache”), Garth Brooks’ love for Kiss (“Hard Luck Woman”), and more than a dozen artists’ affinity for the Eagles.
It’s just a matter of time before today’s country stars start remaking pop and rock hits from the nineties. Here’s a few that I think would work well: