Every No. 1 Single of the Seventies: Charley Pride, “I’m Just Me”

“I’m Just Me”

Charley Pride

Written by Glenn Martin

Billboard

#1 (4 weeks)

July 31 – August 21, 1971

This song is so personally connected to Charley Pride’s lived experience that it serves as the title of an excellent documentary on his career.

It may be surprising to many that he didn’t write it, because he brings so much emotion to this performance that it feels revelatory, like we’re getting a window into how he maintains his identity and his confidence against the headwinds of racism, none of which he could publicly comment on at the time.

I wonder what it felt like for him to sing this song, as he had access to most of the best things about being a country music superstar but was never allowed to forget he was the other. I think about what it was like to have someone like Willie Nelson call him the n-word and try to spin it as a compliment, or to have someone like George Jones perform a horrifying prank on tour that faked a hate crime for giggles. I even think about how he couldn’t move to Nashville because he knew he couldn’t keep his children safe.

Maybe that’s why his producer finally got everyone out of his way and built this record around what was his best vocal performance yet at the time. The background singers are still there, but they’re pushed back in the mix so Pride’s vocal stays front and center. He pours his heart out, his voice palpable with emotion as he embraces his own identity in a world that won’t let him forget it.

“I’m Just Me” gets an A.

Every No. 1 Single of the Seventies

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4 Comments

  1. This feature has convinced me I’m overdue to buy the most expansive Charley Pride hits compilation that I can get my hands on. I’ve heard this song once or twice over the years, but not nearly as much as its quality and the magnitude of its chart success warrants. Other Charley Pride songs from this era have never once been broadcast over my radio dial. I’d heard about the Willie Nelson comment but hadn’t heard about the George Jones “hate crime prank”. That undoubtedly only scratches the surface of what Pride endured as a consequence of his pioneer spirit. His recurrent radio legacy deserves to be at least as comprehensive as that of T.G. Sheppard, but at least on the classic country stations I frequent, it isn’t.

    The next album that I add to my collection will be a Charley Pride compilation album, so I guess I’ll be doing whatever small part I can to get his legacy up to where it deserves to be.

  2. This is a wonderful song. I’ve always been a fan of his voice, but I’ve only known his popular hits. It’s sad how many hits he’s had that I don’t know. This featureis helping me rectify that oversight on my part. It’s heartbreaking and disappointing how much racism he endured, even from Willie Nelson, somebody who is known for being one of the more progressive artists in the business.

  3. How have I never heard of this song before? Even in a market with well above average exposure to the classics, Charley Pride always got pushed aside.

    This is probably the best I’ve ever heard from him. It’s an evergreen message made all the more powerful by who’s singing it. I was reminded of Brothers Osborne’s “I’m Not for Everyone” and Chapel Hart’s “I Will Follow”, the one-two punch from 2021 of self-worth anthems from 2021 that just knocked me dead the first time I heard either.

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