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iPod Check: Most Played Album Cuts

January 21, 2013 Kevin John Coyne 20

iPodCountry music has always been a singles genre, a fact that is clearly reflected on my iPod. Only three of my most thirty played country songs were never sent to radio. That doesn’t necessarily mean radio played them, of course.

My most played country song is Alan Jackson’s “So You Don’t Have to Love Me Anymore”, which didn’t crack the top twenty, and not far behind is Trisha Yearwood’s “Where are You Now”, which didn’t crack the top forty.

But looking at our most played album cuts is a great way to discover great music we might have missed, so it seems like a good choice for an iPod Check. Here are my country album cuts that I’ve played more than 5 times, separated by artist. Sort your list however you like. I’m getting my Amazon MP3 page loaded now so I can buy the great songs I’ve missed which surface in the comments.

 

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Retro Single Reviews: Dolly Parton, 1975-1976

January 19, 2013 Kevin John Coyne 5

Today is Dolly Parton’s 67th birthday. What better time to revisit and relaunch our ongoing feature that reviews every single that she’s released in her illustrious career?

This post will look at her four singles from late 1975 through the end of 1976. Three were solo efforts, while the fourth was her final release of the decade that was a collaboration with Porter Wagoner.

Dolly Parton The Seeker and We Used To

“We Used To”
1975
Peak: #9

Written by Dolly Parton

It was clear by this point that Parton had designs on the pop market, but she hadn’t yet found the right way to make her style work in that format. So we get overlong pop ballads like this, which ramble on forever because Parton’s restraining her vocal trademarks that would make the record too identifiably country.

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Six Pack: Iris DeMent

January 13, 2013 Kevin John Coyne 7

Iris DementEven long-time readers of Country Universe could be forgiven for getting to #2 on our Top Country Albums of 2012 list and wondering, “Who on earth is Iris DeMent?”

Iris DeMent came out of nowhere in 1992 with a stunning debut album, Infamous Angel, that received rapturous critical acclaim. The general consensus was that it heralded the arrival of a new singer-songwriter for the ages.

Two years later, My Life only strengthened that sentiment, and DeMent was widely seen as a critical voice in what would eventually become known as the Americana music genre.

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Concert Review: Carrie Underwood with Hunter Hayes

December 3, 2012 Kevin John Coyne 9

Carrie Underwood with Hunter Hayes
The Blown Away Tour
Prudential Center
Newark, NJ
December 1, 2012

There’s a desirable sweet spot in every big performer’s career where they finally have a large number of hits to fill out a two-hour show, a compelling enough current album to sustain audience interest between the hits, and the appropriate level of earned confidence to take some bold risks in staging and presentation.

Carrie Underwood just hit that sweet spot.

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