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Single Review: Hunter Hayes, "I Want Crazy"

May 11, 2013 Kevin John Coyne 7

Hunter Hayes I Want CrazyHunter Hayes just scored a decently big pop hit with “Wanted”, which was initially his first big country hit. Perhaps that’s why he’s taking a cue from the pop market, and re-releasing his first album in an expanded edition called (Encore) this summer.

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Single Review: Chris Young, "Aw Naw"

May 11, 2013 Kevin John Coyne 8

Chris Young Aw NawIt’s hard not to root for Chris Young. He can really sing and his music would sound identifiably country if it was released twenty years ago, making it sound like Hank Williams in comparison to what’s passing for it these days.

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Single Review: Lori McKenna, "Salt"

April 18, 2013 Kevin John Coyne 7

Lori McKenna Salt“Hearts don’t fly, but they can run like hell when they have to.”

Lori McKenna’s greatest gift as a writer is her ability to weave brilliantly constructed metaphors together with remarkably specific and quite often mundane details of small town, working class life.

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Retro Single Reviews: George Strait, 1990-1991

March 24, 2013 Kevin John Coyne 11

As the nineties began, George Strait was the reigning CMA Entertainer of the Year, a title noted on the belt buckle he wore on the cover of Livin’ it Up.

Around this time, Billboard switched to monitoring radio stations in real time, revealing just how often songs were really being played. So while all of his eighties #1 singles spent only a week at the top, all four of the #1 singles listed here spent multiple weeks in the penthouse, including two five-week runs at the top.

George Strait Love Without End Amen

“Love Without End, Amen”
1990
Peak: #1

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One of Strait’s most enduring hits, “Love Without End, Amen” foreshadowed the understated religiousness of future hits like “I Saw God Today.” A classic three act story song, it makes its point subtly and endearingly.

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Single Review: Big & Rich, “Cheat on You”

March 9, 2013 Kevin John Coyne 13

Big & Rich Cheat on YouMany moons ago, when Big & Rich seemed like the most promising and interesting duo to hit the genre in eons, they put out a song called “Holy Water.”

It was a powerful song with empathetic feminism, the sort of solidarity with women that you usually don’t hear from men in cowboy hats. It cut through their cartoonish persona and showed that they could be incisively insightful. This was no small feat given it was the follow-up to “Save a Horse (Ride a Cowboy)”, which had established that persona in the first place.

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