Articles by Kevin John Coyne
Retro Single Reviews: George Strait, 1990-1991
As the nineties began, George Strait was the reigning CMA Entertainer of the Year, a title noted on the belt buckle he wore on the cover of Livin’ it Up.
Around this time, Billboard switched to monitoring radio stations in real time, revealing just how often songs were really being played. So while all of his eighties #1 singles spent only a week at the top, all four of the #1 singles listed here spent multiple weeks in the penthouse, including two five-week runs at the top.
“Love Without End, Amen”
1990
Peak: #1
One of Strait’s most enduring hits, “Love Without End, Amen” foreshadowed the understated religiousness of future hits like “I Saw God Today.” A classic three act story song, it makes its point subtly and endearingly.
Single Review: Big & Rich, “Cheat on You”
Many moons ago, when Big & Rich seemed like the most promising and interesting duo to hit the genre in eons, they put out a song called “Holy Water.”
It was a powerful song with empathetic feminism, the sort of solidarity with women that you usually don’t hear from men in cowboy hats. It cut through their cartoonish persona and showed that they could be incisively insightful. This was no small feat given it was the follow-up to “Save a Horse (Ride a Cowboy)”, which had established that persona in the first place.
Grammy Pre-Telecast Winners
Grammy Pre-Telecast Winners
Here are the winners in country and country-related categories, including all-genre categories that include a country-related nominee:
Best Long Form Music Video: Mumford & Sons, Edward Sharpe & The Magnetic Zeros & Old Crow Medicine Show, Big Easy Express
Song Written for Visual Media: T Bone Burnett, Taylor Swift, John Paul White & Joy Williams, “Safe and Sound”
Americana Album: Bonnie Raitt, Slipstream
Bluegrass Album: Steep Canyon Rangers, Nobody Knows You
Folk Album: Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile, The Goat Rodeo Sessions
Country Duo/Group Vocal Performance: Little Big Town, “Pontoon”
Country Song: Josh Kear & Chris Tompkins, “Blown Away”
iPod Check: Most Played Album Cuts
Country music has always been a singles genre, a fact that is clearly reflected on my iPod. Only three of my most thirty played country songs were never sent to radio. That doesn’t necessarily mean radio played them, of course.
My most played country song is Alan Jackson’s “So You Don’t Have to Love Me Anymore”, which didn’t crack the top twenty, and not far behind is Trisha Yearwood’s “Where are You Now”, which didn’t crack the top forty.
But looking at our most played album cuts is a great way to discover great music we might have missed, so it seems like a good choice for an iPod Check. Here are my country album cuts that I’ve played more than 5 times, separated by artist. Sort your list however you like. I’m getting my Amazon MP3 page loaded now so I can buy the great songs I’ve missed which surface in the comments.
Retro Single Reviews: Dolly Parton, 1975-1976
Today is Dolly Parton’s 67th birthday. What better time to revisit and relaunch our ongoing feature that reviews every single that she’s released in her illustrious career?
This post will look at her four singles from late 1975 through the end of 1976. Three were solo efforts, while the fourth was her final release of the decade that was a collaboration with Porter Wagoner.
“We Used To”
1975
Peak: #9
Written by Dolly Parton
It was clear by this point that Parton had designs on the pop market, but she hadn’t yet found the right way to make her style work in that format. So we get overlong pop ballads like this, which ramble on forever because Parton’s restraining her vocal trademarks that would make the record too identifiably country.
Six Pack: Iris DeMent
Even long-time readers of Country Universe could be forgiven for getting to #2 on our Top Country Albums of 2012 list and wondering, “Who on earth is Iris DeMent?”
Iris DeMent came out of nowhere in 1992 with a stunning debut album, Infamous Angel, that received rapturous critical acclaim. The general consensus was that it heralded the arrival of a new singer-songwriter for the ages.
Two years later, My Life only strengthened that sentiment, and DeMent was widely seen as a critical voice in what would eventually become known as the Americana music genre.
Concert Review: Carrie Underwood with Hunter Hayes
Carrie Underwood with Hunter Hayes
The Blown Away Tour
Prudential Center
Newark, NJ
December 1, 2012
There’s a desirable sweet spot in every big performer’s career where they finally have a large number of hits to fill out a two-hour show, a compelling enough current album to sustain audience interest between the hits, and the appropriate level of earned confidence to take some bold risks in staging and presentation.
