Hayes Carll Trouble in Mind The first couplet of Hayes Carll’s Trouble in Mind is a fitting introduction to a common man’s intellectual. On the arresting “Drunken Poet’s Dream,” he croons, “I’ve got a woman,
Steve Azar Indianola Almost twenty years after he first started touring in the Southeast, Azar signed his first major label record deal with Mercury in 2001. The resulting album Waitin’ on Joe, included a top five
Shelby Lynne Just a Little Lovin’ Dusty Springfield portrayed sexual longing and soulful intensity in a thrilling manner. Her nakedly honest songs seemed to be a survival mechanism. If she couldn’t speak her candid truths,
Allison Moorer Mockingbird Allison Moorer’s latest album is an exercise in splendid restraint. Excepting the title track, a Moorer original, Mockingbird is a collection of songs written and performed by the women who serve as her musical idols. Moorer shows an overt dedication to
George Strait Troubadour A paragon of consistency, George Strait debuted in 1981, just as the Urban Cowboy fad was fading. But Strait, a true-to-life Texas buckaroo, is no fad, and judging by his newest album, Troubadour, he’s surely not fading. Strait
Rebecca Lynn Howard No Rules Patty Loveless has proclaimed her as a thrilling voice in modern-day country. Trisha Yearwood covered two of her gorgeously sad ballads on 2001’s Inside Out. And yet, Rebecca Lynn Howard
Dolly Parton Backwoods Barbie Parton’s return to mainstream country wasn’t as long a wait as press materials suggested. While she has championed this as her first regular country album in seventeen years, nearly all of
The SteelDrivers The SteelDrivers With their eponymous debut, The Steeldrivers have delivered a stirring symphony of haunting rhythms and clever stories that are classified as bluegrass. But the five-piece band, a collection of veteran musicians based
Billy Ray Cyrus Love Songs Trisha Yearwood Love Songs If labels were as creative and resourceful in marketing the music of their artists before they left the roster as they are once they’re gone, maybe
Neal McCoy The Very Best of Neal McCoy Country music’s modern golden age was the nineties. The artistry was compelling, while the sales numbers were staggering. There was so much great music from so many