In an alternate universe, Josh Turner should be square in the middle of a long string of neo-traditionalist hit songs and albums. His baritone was tailor-made for a country song, more so than just about any other male singer in recent memory.
On his newest album, If I’m Honest, Blake Shelton diverts from the album’s generally synthesized sound to take a breather for a lovely gospel gem, which he wrote with Jessi Alexander and Jon Randall.
A baffling mix of romanticism and religious imagery, Florida Georgia Line’s attempt at respectable music only puts their musical incompetence into sharper relief.
One of six popular songs that Trisha Yearwood recorded for The Passion: New Orleans, “Broken” transcends its adult rock origins through its reinvention as Mary’s plaintive wail after the death of her son on the cross.
This is the strongest song that Blake Shelton has recorded in a very long time. It’s incisively bitter, with a cold cynicism that drips with the unvarnished truth.
It’s hard to put into words how exquisitely beautiful this record is. But if you’re familiar with Reba McEntire’s body of work, I’ll start by saying this. It could be dropped, as is, into the middle of the For My Broken Heart album and not only fit in, but elevate that collection.