Retro Single Review: Shania Twain, “God Bless the Child”
Gospel recordings were becoming all the rage in the nineties, particularly with female artists.
Sometimes it seemed like they just wanted a big showpiece for the CMA awards. Dolly Parton and Pam Tillis had performed with enormous choirs behind them in 1991 and 1994, respectively. These were, perhaps, the only times in CMA history that the demographics on stage accurately reflected greater metropolitan Nashville.


Terri Clark’s new release “The One” retains many of the familiar features that have made Clark’s music so enjoyable. It has a pleasant restrained production arrangement, and a nuanced, sincere vocal performance, along with an interesting lyrical scenario with some clever turns of phrase.
1992 | #1




