Rodney Crowell – Page 11 – Country Universe

The 201 Greatest Singles of the Decade, Part 4: #140-#121

December 16, 2009 Dan Milliken 27

The 201 Greatest Singles of the Decade, Part 4: #140-#121

#140
“Who Says You Can’t Go Home”
Bon Jovi featuring Jennifer Nettles
2005
Peak: #1

Packed as country music has been lately with rocked-up little singalongs, perhaps it was only natural that one of the leading bands in rocked-up little singalongs should cross over for a bit to show everybody how it’s done. It was newcomer Nettles, though, who stole this show, driving Bon Jovi’s ditty home with an infectiously joyful performance. – Dan Milliken

139 Johnny Cash V

#139
“God’s Gonna Cut You Down”
Johnny Cash
2006
Peak: Did not chart

The arrangement is cool enough, but it’s Cash’s stoic, slicing vocal performance that makes his version of this song so memorable. – Tara Seetharam

The 201 Greatest Singles of the Decade, Part 3: #160-#141

December 16, 2009 Dan Milliken 17

The 201 Greatest Singles of the Decade, Part 3: #160-#141

#160
“Last Call”
Lee Ann Womack
2008
Peak: #14

Womack’s second-best Aughts song about late-night temptations is still better than a lot of people’s first-best songs about anything. Even in avoiding her drunken ex’s advances, she sounds positively heartbroken, suggesting she’d gladly make the other decision if she didn’t know better. – Dan Milliken

159 Shania Up

#159
“She’s Not Just a Pretty Face”
Shania Twain
2003
Peak: #9

Her motivation for her music has always been escapism, but I love the personal touch she slips into this one. Her late mother is the one who she’s referring to when she sings “at night, she pumps gasoline.” – Kevin Coyne

The 100 Greatest Albums of the Decade, Part 6: #50-#41

December 5, 2009 Kevin John Coyne 31

The 100 Greatest Albums of the Decade, Part 6

#50
Kathy Mattea, Right Out of Nowhere

Kathy Mattea has rarely sounded more open and warm than on this set of innovative folk-tinged songs. Topics of peace, love, resignation and heartache are sensitively explored in songs both written by Mattea and other well-known names, including captivating interpretations of The Rolling Stones’ “Gimme Me Shelter” and Creedence Clearwater Revival’s “Down on the Corner.” It’s a rich album with a decisively vibrant feel. – Leeann Ward

Recommended Tracks: “Gimme Shelter”, “Down on the Corner”, “Give It Away”

#49
Johnny Cash, American IV: The Man Comes Around

American IV: The Man Comes Around was the last Cash album released in his lifetime; the bulk of its tracks are covers performed by the then ailing singer. Amazingly enough, the album seems almost biographical despite the limited material written by Cash. Still, American IV is not limited to “Hurt” (written by Trent Reznor of Nine Inch Nails), as other well-interpreted covers and Cash’s own “The Man Comes Around” help cement the depth of the album. – William Ward

The 100 Greatest Albums of the Decade, Part 4: #70-#61

December 3, 2009 Kevin John Coyne 16

The 100 Greatest Albums of the Decade, Part 4

#70
Pam Tillis, It’s All Relative: Tillis Sings Tillis

By the time she released a tribute to her father Mel, she’d become something of a legend in her own right. So it’s no surprise that she approached Mel’s stellar songwriting catalog as if she was recording any other studio album, taking the best of the bunch and making them her own. Bonus points for preserving the original fiddle breakdown from “Heart Over Mind” while making that classic shuffle a forlorn ballad, and a few more for hitting the archives of the Country Music Hall of Fame until she found a forgotten gem that should’ve been a hit back in the day (“Not Like it Was With You.”) – Kevin Coyne

Recommended Tracks: “Mental Revenge”, “Detroit City”

#69
Dwight Yoakam, dwightyoakamacoustic.net

Yoakam takes a new, inspired spin on the greatest hits album concept, presenting us with a hearty sampling (over 20 songs) of his catalog served acoustic style. It simply works for the country legend. He introduces some delightful new twists and turns to his old classics, and as it should go with acoustic music, the album is driven by unadulterated, raw vocals, coupled with honest storytelling – the purest form of country music. – Tara Seetharam

100 Greatest Albums of the Decade, Part 2: #90-#81

December 1, 2009 Kevin John Coyne 17

The 100 Greatest Albums of the Decade, Part 2

#90
Miranda Lambert, Kerosene

On her first major-label album, Lambert reveals herself as a fiery, spirited artist with a lot to say, and a clever voice with which to speak. Her sharp songwriting skills, though a work in progress as we’d later learn, take her naturally from aggression to desolation and back again. But most notably, through Kerosene, Lambert got the traditionalists to pay a little more attention to mainstream country music and its more promising artists. – Tara Seetharam

Recommended Tracks: “Kerosene”, “I Can’t Be Bothered”

#89
Kris Kristofferson, This Old Road
This Old Road has not have received as much mainstream attention as Kristofferson’s recent appearance in Ethan Hawke’s Rolling Stone article; an unfortunate fact, given it was the legendary writer’s first album of new material in 11 years. With This Old Road Kristofferson shines a spotlight on the world much in the same his earlier writing shined a spotlight on himself. The result is an overtly political album with more depth than most modern attempts have been able to produce.- William Ward

Recommended Tracks: “The Last Thing to Go”, “Pilgrim’s Progress”

Bargain Hunter: The Rodney Crowell Collection

October 20, 2009 Kevin John Coyne 3

RC Collection When Rodney Crowell had his gold-selling commercial breakthrough with the album Diamonds & Dirt, his previous label was quick to capitalize on his success. Usually, pre-hit cash-in CDs are little more than a curiosity, but Crowell’s is the exception.

There is a smorgasbord of great material here, including early versions of songs that Crowell would see other artists have success with the same songs.

iPod Check: Recommend Ten Songs Redux

September 25, 2009 Leeann Ward 24

ipod2 It’s time for another iPod (or any other music player) check. Last time, I asked you to put your music device on shuffle and then tell us the first ten songs that you would recommend. This time, I want you to do the same thing, but then jot down your initial thoughts on the songs as your ten recommended songs play. Then share your informal thoughts in the comments.

I’ll play along too, but I’ll spare you the Christmas songs that will inevitably come up in my shuffle, which I’d heartily recommend if I wasn’t keenly aware that it’s still only September.

John Anderson, “I’d Love You Again”

Nice, sweet song from the rough voice guy who’s still able to sing a tender song with the best of them.

Todd Snider, “Alright Guy”

I love how Snider really seems to be pondering this question: “I’m an alright guy? Right? Right?”

Ashley Monroe, “Can’t Let Go”

Peppy…reminds me of a Garth Brooks type song.

Create A Super Group

July 17, 2009 Leeann Ward 22

In 1985, four country music rebels/icons came together to form a larger-than-life group that people wouldn’t have even dared dream about before their actual union. Johnny Cash, Kris Kristofferson, Waylon Jennings and Willie Nelson formed the country super group, The Highwaymen. The four highly revered friends recorded three albums worth of material, much to the delight of the astonished public. While all of the members were extremely successful in their own rights, their potential egos were set aside to make music as a cohesive unit. They sounded like a polished group, not just some people thrown together as a marketing gimmick.

Then, in 1988, the rock world hit the jackpot when superstars George Harrison, Tom Petty, Roy Orbison, Bob Dylan and Jeff Lynne formed The Traveling Wilburys. Again, these immensely famous, talented and respected people formed a super group that still seems too good to be true to this day. Their unbelievable union created two albums that were repackaged in 2007 with bonus material, which sold surprisingly well for a reissue. Like The Highwaymen, their voices blended amazingly well together as if they were meant to be a group.

2009 Americana Music Association Awards Nominees Announced

May 21, 2009 Kevin John Coyne 2

The nominations for the 8th Annual Americana Music Association Awards have been announced:

ALBUM OF THE YEAR
Real Animal, by ALEJANDRO ESCOVEDO
Written in Chalk, by BUDDY & JULIE MILLER
Jason Isbell & The 40 Unit, by JASON ISBELL & THE 40 UNIT
Midnight At The Movies, by JUSTIN TOWNES EARLE

ARTIST OF THE YEAR
ALEJANDRO ESCOVEDO
BUDDY MILLER
JUSTIN TOWNES EARLE
RAUL MALO

INSTRUMENTALIST OF THE YEAR
BUDDY MILLER
GURF MORLIX
JERRY DOUGLAS
SAM BUSH

NEW & EMERGING ARTIST
BAND OF HEATHENS
BELLEVILLE OUTFIT
JUSTIN TOWNES EARLE
SARAH BORGES

Dwight Yoakam Starter Kit

May 3, 2009 Kevin John Coyne 22

Few artists command as much critical acclaim as Dwight Yoakam, yet he was also a stunningly successful commercial act from the start. Nine of his releases have been certified gold or better, and his biggest set to date – This Time – has sold more than three million copies.

His catalog is deep with classic cuts. Here are ten of the best, a solid introduction to one of the genre’s greatest talents.

And while it’s not represented on the list, I highly recommend his stellar Under the Covers, an excellent covers album that is best heard in its entirety.

“Guitars, Cadillacs” from the 1986 album Guitars, Cadillacs, Etc., Etc.

It’s tempting to kick off with “Honky Tonk Man”, Yoakam’s effective cover of Johnny Horton’s classic that was also his breakthrough hit. But what’s missing from that track is Yoakam’s signature heartache and pain. In Yoakam’s best songs, he’s not seeking out the night life because he enjoys it. It’s to distract him from the loneliness and rejection that his lover has inflicted upon him.

“Streets of Bakersfield” (featuring Buck Owens) from the 1988 album Buenas Noches From a Lonely Room

Yoakam was instrumental in making the younger generations aware of the importance of Buck Owens, clearly Yoakam’s strongest country influence. When he chose to revive an old Owens tune, he invited the man himself to help him out. The end result was a #1 hit that was a comeback for Owens and a signature smash for both of them.

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