Archive for January, 2008

Lady Antebellum, “Love Don’t Live Here”

Monday, January 21st, 2008

Who doesn’t enjoy a calmly collected kiss-off number?   Sure, it doesn’t have the emotional intensity of a tortured Dwight Yoakam record, but there’s something to be said for showing someone the door in a coldly detached way.     There are a few too many lines I’ve heard too many times before, particularly the suggestion to lie in the bed you’ve made, and the song’s mood changes abruptly at the end, when the singer suddenly starts growling the title.    But overall, this is pretty good.

Written by David Haywood, Charles Kelley & Hillary Scott

Grade: B

Listen: Love Don’t Live Here

Buy:  Love Don’t Live Here

Jason Michael Carroll, “I Can Sleep When I’m Dead”

Monday, January 21st, 2008

Is it just me, or is this very, very loud?  I had to turn the volume down to give it a fair listen.   I may already be too old (or too mild-mannered) to be the target audience for this, but I can respect it from a distance.  Heck, I actually like it.

Carroll continues to demonstrate versatility as  a vocalist, this time getting high mileage out of his lower register.   For all of the shout-outs that today’s new male artists give the Outlaw generation, Carroll’s the only one who sounds like he could actually keep up with them.

Written by Jason Michael Carroll, Jim Collins & Rivers Rutherford

Grade: B+

Listen:  I Can Sleep When I’m Dead

Buy:  I Can Sleep When I’m Dead

Joe Nichols, “It Ain’t No Crime”

Monday, January 21st, 2008

I would’ve like a bit more edge to this, to bring more of the defiance in the lyric to the surface.  That said, Nichols does well enough delivering this country boy’s slacker anthem.  More people do mind to own their business, so it’s easy to sympathize with him here.

Written by Tony Martin, Mark Nesler & Tom Shapiro

Grade: B+

Listen:  It Ain’t No Crime

Buy: It Ain’t No Crime

James Otto, “Just Got Started Lovin’ You”

Monday, January 21st, 2008

Equal parts Travis Tritt and Conway Twitty,  Otto’s latest single is a smooth but not sappy romantic ballad.   It’s a sound that Josh Turner had a heck of a lot of success with when he topped the charts with “Your Man”, so I wouldn’t be surprised if Otto finally gets some traction with this performance.   He’s not exactly reinventing the wheel, but he sounds comfortable and self-assured.

Written by Jim Femino, James Otto & David Williams

Grade: B

Listen:  Just Got Started Lovin’ You

Buy: Just Got Started Lovin’ You

Eagles, “Busy Being Fabulous”

Monday, January 21st, 2008

One of the great success stories of 2007 was the massively popular Eagles album Long Road Out of Eden.    In the seventeen years since their previous studio album, country music essentially adopted their California rock sound.    In a weird way, listening to “Busy Being Fabulous” made me think to myself, “Oh. This is what Rascal Flatts is trying to do, but they keep messing it up.”

It’s hard to mess anything up when you have Don Henley singing lead, with Eagles harmonies behind him.  The song is clever, but still understated, and it’s over far too soon.  If they sold this CD somewhere other than Wal-Mart, I’d probably buy it.

Written by Glenn Frey, Don Henley & Steuart Smith

Grade: B+

Listen:  Busy Being Fabulous

Bellamy Brothers, “Drug Problem”

Monday, January 21st, 2008

An unassuming morality yarn.     The Bellamys’ trademark low-key delivery make this laundry list of good drug problems easily palatable.   See, he was drug to church on Sunday morning, drug to family reunions, drug to the woodshed when he misbehaved.   If all kids had “drug problems” like that, the world would be a better place, right?

It’s been done a million times before, and it goes on way too long; they essentially sing the entire song twice.    But it’s pleasant enough.

Written by Dave Bellamy

Grade: B-

Listen:  Drug Problem

Buy: Drug Problem

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Trisha Yearwood, “This is Me You’re Talking To”

Tuesday, January 15th, 2008

Flawless.

Written by Tommy Lee James & Karyn Rochelle

Grade: A+

Listen: This is Me You’re Talking To

Buy: This is Me You’re Talking To

Keith Anderson, “I Still Miss You”

Tuesday, January 15th, 2008

I like the lyric. Like it quite a bit, actually. It doesn’t sound like a country record to me, though. I’m not a purist by any means, but I literally don’t hear anything that sounds remotely like country music here. Sounds more like Adult Top 40.

So, good grade for the single, because it’s solid. I’m just not sure that it’s country.

Written by Keith Anderson, Tim Nichols & Jason Sellers

Grade: B

Listen: I Still Miss You

Clay Walker, “She Likes it in the Morning”

Tuesday, January 15th, 2008

He’s simply a better singer now. Like “Fall” before it, the material isn’t significantly different than his string of hits in the nineties. He’s just singing it better. There’s a seasoning that comes only with time. “She Likes it in the Morning” is executed far too well to be dismissed as radio filler, and Walker’s performance is what makes it work.

There was a time when Walker was considered a “hat act”, an artist who seemed too slight against the older artists on the radio at the time. Now that he’s a veteran himself, the new guys on the block could stand to learn from his example.

Written by Jason Greene & Clay Walker

Grade: B+

Listen: She Likes it in the Morning
Buy: She Likes it in the Morning

Big Machine Swiftboats Trisha Yearwood

Saturday, January 12th, 2008

I’m not pleased.

Big Machine Records, home of new sensation Taylor Swift, has apparently decided to market Trisha Yearwood in a similar manner.

That’s right, Trisha Yearwood. The most gifted vocalist of her generation has released her second single from her latest album, “This is Me You’re Talking To.” A heartfelt, mature ballad. Country music for post-pubescents, if you will.

So why does such a song have to be launched with this visual?

Why take a beautiful woman like this and doll her up to look like an overrated teenage sensation? All she’d need is to line her eyes with glitter and miss some easy notes, and she truly would be the middle-aged Taylor Swift.

Big Machine has a fantastic album to work with, recorded by a singer for the ages. and this is the best they can come up with to market it?

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