In the eleven years since the release of LeAnn Rimes’ first Greatest Hits package, she’s certainly released enough material to fill out a second installment. But the song selections of her new All-Time Greatest Hits clearly position it as a replacement rather than a continuation, with 13 of its 20 tracks having already appeared on her original 2003 retrospective.
“Gentle On My Mind The Band Perry Written by John Hartford
The Band Perry’s Grammy-winning cover of Glen Campbell’s classic “Gentle On My Mind” (the trio’s contribution to the soundtrack of the recent I’ll Be Me documentary on Campbell) is an absolute delight. It feels fresh and energetic, but you don’t get the sense that they’re going to needless lengths to modernize or reinvent it.
I discovered Country Universe in the spring of 2010 and quickly became a regular reader. At the time, Dan’s review of Miranda Lambert’s much-lauded release “The House That Built Me” was a recent post.
Besides making me wish that my own ‘shameless rants’ could come out sounding half as smart and classy as Dan’s, the article raises a series of points that remain valid nearly half a decade later. “The House That Built Me” is a great record, but should it really have stood out so dramatically as such? Dan discussed the single in a way that turned the mirror back on us. Have we developed a tendency to praise or over-praise music, not on its own merits, but in comparison to the weaker material surrounding it?
Perhaps it was my recent participation in Country Universe’s Best of 1994 feature which moved me to revisit this article and topic. I think about the great difficulty I had in narrowing down my personal list of favorite singles from that incredible year, and then I look at the singles I’ve reviewed favorably in the recent past. How many of those singles would have had a prayer of making that list if they had been released in 1994? At a time when great music is becoming harder and harder to find, Dan’s review remains a potent reminder of the need to maintain a wider perspective in evaluating the music of today. – Ben Foster
Single Review/Shameless Rant: Miranda Lambert, “The House That Built Me” by Dan Milliken
April 1, 2010
Let’s be real: to most core readers of this blog, it’s probably old news that Miranda Lambert is releasing this unusually good song to radio. And it’s probably old opinion for me to proclaim that she’s playing a more sophisticated game than just about any mainstream artist out there. You know: “she’s real, everyone else is a phony!” Is there some amount of truth in that? Sure. But you don’t need another country music Caulfield to tell you. You just have to listen to the song. The difference between this record and most of the others at radio can be felt within seconds.
Easton Corbin was a refreshing arrival at country radio when he first hit airwaves a half-decade ago, toeing the line between what was commercially viable and what was interesting with hits that brought some added warmth and personality to familiar radio tropes. He kicked off his career with an “I’m so country” song and a summer song that were both listenable and likable, even utilizing enough audible fiddle and steel for him to be tagged as a “traditionalist.” Since then he’s scored a string of radio hits with material that has been enjoyable, but not especially challenging or compelling. Is the best yet to come?
We at Country Universe are very saddened to hear that Dawn Sears passed away yesterday at age 53 after a battle with lung cancer. She is survived by her husband Kenny Sears and their daughter Tess.
Born in East Grand Forks, Missouri in 1961, Sears began her country music career as a solo recording artist on Warner Bros. Records in the early nineties. Her debut album went sadly ignored by the country music mainstream, and she at first decided to leave the industry as a result. That changed when she got a call from Vince Gill inviting her to join his road band as a harmony vocalist, which led to her appearing on several of his albums as well. She is perhaps best known for her work as a vocalist for traditional country and Western swing ensemble The Time Jumpers, her husband Kenny also being a member, with whom she recorded two albums and received two Grammy nominations.
We offer our sincere condolences to Sears’ family, friends and bandmates. She will be deeply missed.
There are a lot of great country songs chronicling the breakup of a relationship, but it’s the female characters who have often shown a particular propensity for leaving their lovers by car. Sometimes she changes her mind and turns the car around; most of the time she doesn’t. Either way, it’s been the making of many a great country song.
There are obviously numerous songs that fit this mold, but here’s my whittled-down list of six personal favorites. I look forward to reading about your favorites in the comments section below.
“Nothin’ But the Wheel” Patty Loveless Written by John Scott Sherrill
Whenever I attempt to rank my many favorite Patty Loveless songs, “Nothin’ But the Wheel” is always one of the top three. Loveless’ mournful drawl is gorgeously framed by the weeping fiddle and steel guitar as she gives voice to a woman striking out on the road in the wee hours of the morning. The real gut punch comes with the line “And the only thing I know for sure is if you don’t want me anymore…” as the narrator reveals that she’s leaving not only because she’s unhappy, but because she knows she will not be missed. Continue reading →
Brad Paisley has become a fairly reliable competitor in country radio’s annual summer song rodeo. He offers a 2014 entry that is listenable and likable, if not as memorable as last year’s “Beat This Summer.”
There are at least three things we can always count on: death, taxes, and the inevitable swamp of summer songs that overwhelm country radio annually beginning around this time of the year.
There’s nothing wrong with a good summer song, and one would think that a duo with as much natural charisma as Thompson Square would certainly be capable of delivering one of the better ones. As it turns out, “Testing the Water” is the type of song that lives or dies based on what the performer brings to it. The hook comes off as a weak attempt at clever wordplay and generally contributes nothing to the song as a whole. The lyrics that are consistently dull as a brick right down to the predictable rhyming of “water” with “hotter” – unmistakably identifying the song as the product of a three-head Nashville songwriting committee.
Equally unfortunate is the fact that the Thompsons’ efforts to sell the song are mired by tin-eared production and tastelessly processed vocals, offering little redemptive value for the disposable song material and contributing to an overall grating listening experience. Verdict: a definite station-changer.
Written by Luke Laird, Shane McAnally, and Hillary Lindsey
Women of Country on Women in Country: Miranda Lambert
On the voice of women on country radio:
“I don’t know what’s going on with all the other great female artists. I don’t know where the connection is off right now as far as the airplay….I champion the females. I’m a huge fan of female artists, and strong females in general. I’m proud of them, and I’m so thankful I’ve been able to follow in the footsteps of the ones before me, and I’m holding the door open for the ones that want to follow behind me. This is just one of those waves where females are struggling a little bit, but we’ll come back around and be a force to be reckoned with.”