1995 | Peak: #1
By now, “Any Man of Mine” has become such a familiar Shania classic that it’s easy to take for granted what a bold artistic move it was at the time.
Though feminist viewpoints previously had surfaced in country music at times through the likes of Loretta Lynn and Kitty Wells, they were the exception rather than the rule in 1995. In the early to mid-nineties, it was more common for female artists like Reba to be topping the charts with sad songs that often cast the woman as the victim.
After being in the automatic add club for a good four years, Montgomery Gentry seems to have fallen off country radio’s map lately. Their last big hit was two years ago, and their three most recent singles all missed the Top 20. They’re back now for another attempt at getting back on the radio. “Where I Come From” is the duo’s first single release under their new label home Average Joe’s Entertainment. But it sounds like their new single “Where I Come From” is primarily trying to sound like all the Montgomery Gentry hits that came before it.
Country Universe is proud to introduce our newest staff writer, Ben Foster. Ben began his blogging career at his own 1-to-10 Country Music Review, which is essential daily reading for country music afici0nados. We are thrilled to have him on board! – KJC.
Hey, y’all! My name is Ben Foster. I was born a Yankee up in Michigan, near Detroit, and now I currently live in Russellville – a small town located right smack in Middle of Nowhere, Kentucky. Some of the regular readers may already have an idea of who I am, since I’ve been an active comment thread participant for well over a year now.
1994 | Peak: #8
The distinction of being Tim McGraw’s first Top 10 hit could hardly have gone to a more oddball song.
Ever had one of those songs that you used to enjoy when you were younger, but then you kind of… I dunno… grew up and then realized it wasn’t that good? This is one of those songs for me. It’s catchy, to be sure. Tim puts a lot of character and personality into his performance, and the fiddle and tom-tom-driven arrangement is infectious.