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2009's Remaining Release Schedule Comes into Focus

July 8, 2009 Kevin John Coyne 41

Thus far, 2009’s releases have done little to fire up the charts, with most of this year’s strongest-selling albums being holdovers from 2008. While Rascal Flatts, Jason Aldean, and Keith Urban have sold strongly, the chart remains dominated by last year’s releases from Taylor Swift, Sugarland, Zac Brown Band, Lady Antebellum, Darius Rucker, and Jamey Johnson.

So what’s left for 2009? Here’s what we know so far:

New Releases

  • Carrie Underwood will release her third studio album on November 3, with a lead single going to radio this fall. Her previous set, Carnival Ride, is nearing sales of 3 million, and produced four #1 singles and a #2 single, all five of which were certified gold in their own right.
  • George Strait will release Twang on August 11. It’s the follow-up to his 33rd platinum album Troubadour, a set which produced his 43rd #1 single and earned him the first Grammy of his career, along with a pair of CMA trophies (Single and Album)
  • Miranda Lambert is readying Revolution for September 29. Lead single “Dead Flowers” is struggling at radio, but that’s never slowed her down at retail anyway.
  • Reba McEntire’s Valory debut Keep on Lovin’ You arrives August 18. Lead single “Strange” is approaching the top ten.
  • Willie Nelson releases another standards collection called American Classic on August 25.
  • Brooks & Dunn’s new studio album streets on September 8, preceded by lead single “Indian Summer.” The duo’s previous set, Cowboy Town, was their first to fall short of gold certification.
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Brooks & Dunn, “Indian Summer”

July 5, 2009 Kevin John Coyne 3

The unintended consequences of requited love. Such is the story told by a sympathetic narrator about a young woman who has to leave town after the consummation of her love for the high school football hero. Ronnie Dunn gives a nuanced performance of an interesting story song, revealing toward the end that he isn’t quite the impartial narrator that he appeared.

The arrangement is reminiscent of the Eagles at their Henley-best, with the only thing holding back the track being that Dunn’s sincerity isn’t matched by his enunciation. It’s often difficult to make out the details of the verses, which makes following the storyline more of a task than it should be.

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George Strait Honored As Artist of the Decade

May 28, 2009 Leeann Ward 43

There is really no new way to pontificate about the fascinating longevity of George Strait’s career. Many, including myself, have speculated regarding the many possible reasons behind his staying power, but it is more than likely that many of the factors that we have already considered could be easily applied to other artists with lesser careers to show for it. Therefore, the consensus that can be agreed upon by most everyone is that George Strait is consistent. In the last three decades, without being loud or splashy in any way, Strait has consistently remained a vibrant country music artist, both on the charts and in concert sales. As a result, he is one of the most respected, if not intriguing, artists in the business.

On May 27, the Academy of Country Music honored George Strait as their Artist of the Decade in a two hour CBS special. The show consisted of many of today’s biggest artists paying homage to Strait by singing the songs of the Man of Honor.

Unlike most tribute shows, this show moved along at a reasonably fast clip with few over-dramatic or slick moments to weigh it down, which was highly appropriate considering the man who was being honored that night.

The show opened with a rousing version of Strait’s Cajun flavored “Adalida” ably performed by Sugarland. Jennifer Nettle’s exaggerated drawl, while very different from Strait’s laid back vocals, gave the song energy and seemed to be a wise way to invigorate the crowd. Other energetic performances included a rocked up version of “All My Exes Live in Texas” by Jack Ingram, which was fun but lacked the whimsical charm of Strait’s western swing flavored interpretation. Alan Jackson did a faithful steel laden cover of “The Fireman”, which is always sung at events such as these, though it’s certainly not one of Strait’s most interesting classics.

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ACM Awards: Predicted Winners

April 3, 2009 Kevin John Coyne 17

As we gear up for the 2009 Academy of Country Music Awards, the writing staff of Country Universe have prepared our predicted winners among this year’s nominees. Check out our Personal Picks as well, and share your own predictions in the comments. As always, we’ll be live-blogging the festivities this Sunday, starting at 8 EST.

ACM 2009: Country Universe Predicts the Winners

Entertainer of the Year

* Kenny Chesney – Dan
* Brad Paisley
* George Strait
* Carrie Underwood – Kevin, Leeann, Lynn
* Keith Urban

Kevin: For as much as the industry favors male acts, it’s the female acts who really post the big numbers. I think that the fans having a say will put Underwood over the top, though the industry is certainly behind her, too. The depth and breadth of her appeal warrants the win.

Leeann: I know how zealous Carrie Underwood fans are. So, I’d be shocked if she doesn’t win it. I like the way Lynn said it though.

Dan: You know, I really have no idea. It’s not going to be George Strait, and I probably wouldn’t anticipate a win for Keith Urban this year. I’ll say Chesney again, but either Paisley or Underwood could conceivably take him down with the help of the fan voting.

Lynn: If the fans are truly allowed to have their say…Ms. Underwood, please watch your step on the way up to receive your first Entertainer of the Year award.

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ACM Awards: Personal Picks

April 3, 2009 Kevin John Coyne 6

As we gear up for the 2009 Academy of Country Music Awards, the writing staff of Country Universe have prepared our personal picks among this year’s nominees. Check out our Predicted Winners as well, and share your own personal picks in the comments. As always, we’ll be live-blogging the festivities this Sunday, starting at 8 EST.

ACM 2009: Country Universe’s Personal Picks

Entertainer of the Year

* Kenny Chesney
* Brad Paisley – Leeann
* George Strait – Lynn
* Carrie Underwood – Kevin, Dan
* Keith Urban

Kevin: I haven’t been as happy with the standard-bearing superstar of country music since the heyday of the Dixie Chicks, so I’m definitely pulling for Carrie Underwood. She strikes the perfect balance of contemporary relevance and reverence for tradition.

Leeann: I’m always pulling for Paisley to win an Entertainer award, but I’d be happy to see a female win it as well, especially since Underwood’s not undeserving at this point.

Dan: None of these artists has impressed me recently from an artistic standpoint, although Strait has been less grating than the rest. But I think I’m going to say Carrie Underwood, simply because it’d be cool to see a woman win.

Lynn: I’m pulling for Strait to win this year. The ACMs put out a promo the other day that was essentially a glamour magazine photo shoot with three cute blonde singers. I’ll be honest…I didn’t want to watch the show after seeing that. Maybe I’m the odd one out, but I’d be more interested in watching the show if the promo had Strait sitting in a chair singing one of his classic tunes. I’m tired of the promotion of style over substance. Paisley, Underwood and Urban aren’t necessarily guilty of this, but I hope Strait wins just to remind everyone to keep it real.

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Hall of Fame, By the Numbers

March 16, 2009 Kevin John Coyne 11

My good friend and favorite sports blogger Charles Geier, of The Widening Geier fame, has long used statistics-based reasoning when making the case for the best in sports, whether for the current season or throughout

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"Say What?" Classic – Harlan Howard

February 24, 2009 Kevin John Coyne 4

Harlan Howard is in country music history. When interviewed about his #1 hit for the Judds (“Why Not Me”), he made an interesting statement about the need for repeating certain titles throughout a song: “Why

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Pat Green, “Country Star”

February 16, 2009 Leeann Ward 11

What can I say? Pat Green’s “Country Star” is gimmicky, bland and altogether misses the mark. It shamelessly namechecks artists such as Faith Hill, Kenny Chesney, Tim McGraw, Big & Rich, Brooks & Dunn, Vince

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