Tag Archives: George Jones

In Memoriam: Ray Price (1926-2013)

Ray PriceCountry Music Hall of Famer Ray Price has passed away after a battle with pancreatic cancer. He was 87.

Price was instrumental in two of the most significant historical periods in country music, leading the way in both the twin fiddle-dominated honky-tonk of the 1950’s and the Nashville Sound pop crossover sound in the 1970’s.   While it was the former style that was dubbed the “Ray Price Shuffle”, it was the latter style that brought his greatest commercial success.

A touring artist well into his eighties, Price also recorded music right up until his illness, winning a Grammy in 2008 for his collaboration with fellow legend Willie Nelson.

This tremendous loss joins George Jones, Jack Clement, and Jack Greene in the ranks of country music legends who have passed away this year.  2013 also brought the tragic death of Mindy McCready, the near death scare for Randy Travis, and the heartbreaking news that Linda Ronstadt has lost her voice to Parkinson’s.  For country music fans, 2014 cannot come soon enough.

Enjoy two classic Ray Price hits below, one from each of his definitive eras:

“Crazy Arms”:

httpv://www.youtube.com/watch?v=duqO3LYzYgY

“For the Good Times”

httpv://www.youtube.com/watch?v=s1ZKIX0ICZo

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Single Review: Luke Bryan, “Drink a Beer”

Luke BryanJudge by the title, and you’ll think you’re getting just another mindless rave-up.  Sure, it will be catchier than most of them because of Luke Bryan’s irrepressible vocal charm, but a mindless rave-up is a mindless rave-up.

It’s tempting to make the jump and think Bryan is deliberately playing against expectations here, recording a song with a predictable title that leads to the completely unexpected territory of grief and loss.  But maybe it’s just that if drinking a beer is the way you celebrate with friends and loved ones, it’s the logical thing to do when you’re trying to cope with their unexpected departure.

Bryan’s sort of become the poster boy for the brozation of country music.  I’ve got two problems with that.  One is simply philosophical. The failure of country radio and the larger industry to present more diverse points of view lies with radio and the industry, not with those who have the one approach that’s being too prominently showcased.  Blaming Kacey Musgraves and Brandy Clark’s lack of airplay on Luke Bryan makes about as much sense as when Shania Twain was blamed for radio not playing George Jones.   Focus on the players, not the pieces, people.

But my second problem is that Luke Bryan shouldn’t be defined so narrowly in the first place.  He’s not chasing trends.  He’s completely genuine, and the music he started out with a few years ago hasn’t changed all that much.  There’s just a lot more people being successful with it.    They don’t do it as well as him, though.

“Drink a Beer” is a great reminder of how he’s a few steps ahead of his peers in song choice and vocal delivery.  He’s good enough to keep it clean. No fancy arrangements, vocoder tricks, or arena beats are needed to distract from the guy at the mic.  He’s in full command, singing a beautiful song about painful loss.   Sounds almost like country music, doesn’t it?

Written by Jim Beavers and Chris Stapleton

Grade: A

httpv://www.youtube.com/watch?v=f4qqdbRMYG0

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CMA Awards: Entertainer of the Year (1967-2013)

Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year.   Originally a revolving door of winners, the winner in early years was often not even nominated the following year.  In 1981, Barbara Mandrell became the first artist to win the award twice.   Alabama succeeded her with a three year run from 1982-1984.   Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.

Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.

Eddy Arnold1967

  • Bill Anderson
  • Eddy Arnold
  • Merle Haggard
  • Sonny James
  • Buck Owens

One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.”  He remains the only member of the Hall of Fame to win this award after being inducted.

Glen Campbell1968

  • Eddy Arnold
  • Glen Campbell
  • Johnny Cash
  • Merle Haggard
  • Charley Pride

Glen Campbell was a big awards favorite in 1968, with “By the Time I Get to Phoenix” and “Gentle On My Mind” both dominating the Grammy awards earlier that year.   His win in this category foreshadowed bigger things, as he soon became a network variety star, while also scoring major country and pop hits with “Wichita Lineman” and “Galveston.”

 johnny-cash1969

  • Glen Campbell
  • Johnny Cash
  • Roy Clark
  • Merle Haggard
  • Charley Pride

Johnny Cash’s career was rejuvenated on the strength of two live prison albums, the latter of which produced the massive Shel Silverstein-penned smash, “A Boy Named Sue.”   His victory came in a year that marked the beginning of his network variety show and had him dominating the country singles charts, spending ten combined weeks at #1 with “Sue” and “Daddy Sang Bass.”

Merle Haggard1970

  • Glen Campbell
  • Johnny Cash
  • Roy Clark
  • Merle Haggard
  • Charley Pride

Merle Haggard was a mainstay in this category from the beginning, nominated in each of the first seven years of the CMA Awards.  His victory in 1970 coincided with his commercial peak, with signature hits “The Fightin’ Side of Me” and “Okie From Muskogee” helping him secure his only win in this category.

Charley Pride1971

  • Merle Haggard
  • Loretta Lynn
  • Charley Pride
  • Jerry Reed
  • Conway Twitty

The last of four consecutive years where the Male Vocalist winner matched the Entertainer winner, Charley Pride went home with both awards in 1971.   A winner on his fourth nomination, his popularity skyrocketed upon the release of “Kiss an Angel Good Morning,” which was climbing the charts at the time of the awards ceremony.

Loretta Lynn1972

  • Merle Haggard
  • Freddie Hart
  • Loretta Lynn
  • Charley Pride
  • Jerry Reed

Instead of attending the awards show, Loretta Lynn’s husband Mooney went hunting.  He didn’t want to watch her lose, but he missed watching history unfold as she became the first woman to win Entertainer of the Year.  Lynn’s victory came on the heels of both solo hits like “One’s on the Way” and her popular duets with Conway Twitty.

Roy Clark1973

  • Roy Clark
  • Merle Haggard
  • Tom T. Hall
  • Loretta Lynn
  • Charley Pride

Today he’s best known for Hee Haw, the country music variety show that he co-hosted, and it’s no coincidence that he won while the show was in its prime. Still, Clark is also one of country’s most admired legends, and his legacy goes far beyond the television show that showcased his extensive musical and comedic talents.

Rich_Charlie_002_c_MOA.jpg1974

  • Roy Clark
  • Mac Davis
  • Loretta Lynn
  • Olivia Newton-John
  • Charlie Rich

The massive success of “The Most Beautiful Girl” and “Behind Closed Doors” helped Charlie Rich win this award.  It was a long time coming, as Rich toiled in obscurity despite critical acclaim for his work.   He would continue to score big hits on the country and pop charts over the next couple of years, at one point charting hits on different labels at the same time.

John Denver1975

  • John Denver
  • Waylon Jennings
  • Loretta Lynn
  • Ronnie Milsap
  • Conway Twitty

John Denver’s victory in this race led to the most infamous moment in CMA history. Though he claimed it was due to medication later on, presenter Charlie Rich seemed to be making a furious statement against the pop crossover artists dominating country music when he opened the envelope, read it, and then lit a cigarette lighter and burned the envelope. The paper went up in flames as he derisively snarled the winner’s name, “My friend, Mister John Denver.” Poor John, accepting via satellite, was clueless to what was going on at the Opry house, and graciously accepted his award.

Mel Tillis1976

  • Waylon Jennings
  • Ronnie Milsap
  • Willie Nelson
  • Dolly Parton
  • Mel Tillis

This 2007 Hall of Fame inductee won this award just as he was changing labels.  Tillis first gained notoriety for his remarkable songwriting talent, but eventually he was scoring enough hits to earn a place in this category. He would go on to have several more big hits after winning this award, earning another nomination in this category two years later.

Ronnie Milsap1977

  • Merle Haggard
  • Waylon Jennings
  • Ronnie Milsap
  • Dolly Parton
  • Kenny Rogers

Ronnie Milsap dominated the CMA Awards, becoming one of its most frequently honored performers during the formative years of the awards show.  He finally won the big prize on his third try, powered by the success of his classic hit, “It was Almost like a Song.”

Dolly Parton1978

  • Crystal Gayle
  • Ronnie Milsap
  • Dolly Parton
  • Kenny Rogers
  • Mel Tillis

Her famous quote – “I’m not leaving country. I’m taking it with me” – must have held some water with the Nashville establishment, as Parton won this award at the height of her pop crossover success with “Here You Come Again,” the title track of her first platinum album.  The front of her dress popped open before she went up to receive the trophy, prompting her to quip, “That’s what I get for trying to put fifty pounds of mud in a five pound bag.”

Willie Nelson1979

  • Crystal Gayle
  • Barbara Mandrell
  • Willie Nelson
  • Kenny Rogers
  • Statler Brothers

He never won Male Vocalist of the Year, but superstar Willie Nelson was given his due by the CMA in 1979 when they awarded him Entertainer of the Year.   While it wasn’t his biggest year on the charts, residual goodwill from Stardust and his collaborations with Waylon Jennings helped carry him to victory.

Barbara Mandrell 21980

  • Charlie Daniels Band
  • Larry Gatlin & The Gatlin Brothers
  • Barbara Mandrell
  • Willie Nelson
  • Kenny Rogers

She had a few big hits in 1980, like “Crackers” and “The Best of Strangers.”  But it was her incredibly popular variety show with sisters Louise and Irlene that truly showcased her versatility as an entertainer, securing the first of two wins in this category.

Barbara Mandrell 11981

  • Alabama
  • George Jones
  • Barbara Mandrell
  • Oak Ridge Boys
  • Kenny Rogers

Despite sharing the category with four artists who had never won this award, Barbara Mandrell became the first artist in CMA history to win Entertainer of the Year for the second time.  Credit the continued popularity of her television show and the biggest hit of her career, “I Was Country When Country Wasn’t Cool”,  which featured a guest turn by fellow nominee George Jones.

Alabama 21982

  • Alabama
  • Barbara Mandrell
  • Willie Nelson
  • Oak Ridge Boys
  • Ricky Skaggs

The band that laid the groundwork for all other country bands that followed, Alabama set a new bar for commercial success in the early eighties.   The eligibility period included the release of their biggest-selling studio album, and also two of their signature hits: “Mountain Music” and “Love in the First Degree.”

Alabama 31983

  • Alabama
  • Merle Haggard
  • Barbara Mandrell
  • Willie Nelson
  • Ricky Skaggs

As their studio albums sold in the millions, every single Alabama released to radio was hitting #1, a stretch that would eventually include 21 consecutive chart-toppers.  They repeated in this category on the strength of hits like “Dixieland Delight” and “The Closer You Get.”

Alabama 11984

  • Alabama
  • Lee Greenwood
  • Barbara Mandrell
  • Ronnie Milsap
  • Oak Ridge Boys

A mere three years after Barbara Mandrell made history by being the first artist to win two Entertainer awards, Alabama went her one better and won three. They remain one of only two acts to win this award three years in a row, doing so as their hits “Roll On (Eighteen Wheeler)” and “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)” dominated the airwaves.

1Ricky Skaggs985

  • Alabama
  • Lee Greenwood
  • Reba McEntire
  • Ricky Skaggs
  • George Strait

Few country artists command as much respect as Ricky Skaggs, a consummate singer and musician. Skaggs’ victory in this category signaled the resurgence of traditional country music, as he was the first winner since 1976 to not have achieved crossover hits on pop radio.

Reba McEntire1986

  • The Judds
  • Reba McEntire
  • Willie Nelson
  • Ricky Skaggs
  • George Strait

One of the most popular new traditionalists of the mid-eighties, McEntire achieved her commercial breakthrough with “Whoever’s in New England”, which was aided in popularity by her first of many high-concept music video clips.  McEntire would eventually become the most nominated woman in history, scoring ten nominations over eleven years.

Hank Williams Jr 11987

  • The Judds
  • Reba McEntire
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

When Hank Williams, Jr. won the Music Video award the previous year, he reminded voters, “I make audio, too.”  They finally got around to acknowledging his meaningful contributions to the genre,  awarding him the first of two Entertainer trophies in 1987.

Hank Williams Jr 21988

  • The Judds
  • Reba McEntire
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

Hank Jr. may have waited a long time for some CMA love, but once it came, it was in droves. He won Album of the Year the same night he repeated in this category.  His biggest hit of the year, “Young Country”, featured guest appearances by up and comers like Highway 101 and Marty Stuart.

George Strait 11989

  • Reba McEntire
  • Ricky Van Shelton
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

Three years after his most recent Male Vocalist trophy, megastar George Strait was named Entertainer of the Year. He would go on to have one of his biggest years at radio, with two multi-week #1 singles in the twelve months that followed his victory.

George Strait 21990

  • Clint Black
  • Kathy Mattea
  • Ricky Van Shelton
  • George Strait
  • Randy Travis

While Randy Travis dominated the Male Vocalist race, George Strait was given his due again in the Entertainer category.   He wore an Entertainer of the Year cowboy belt on the cover of Livin’ it Up, perhaps giving him good luck toward his second victory.  He remains the most nominated in this category, and is only the second Hall of Famer to receive a nomination after being inducted into the Hall.

Garth Brooks 19911991

  • Clint Black
  • Garth Brooks
  • Vince Gill
  • Reba McEntire
  • George Strait

A mere year after winning the Horizon award, Garth Brooks was the Entertainer of the Year at the CMA Awards. He was breaking every sales record in the book by that point.  Shortly before the ceremony, he became the first country artist to enter the overall album chart at #1, leading to a media frenzy that gained unprecedented exposure for both Garth and the genre he represented.

Garth Brooks 21992

  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire
  • Travis Tritt

Given that he was already the biggest-selling country artist the world had ever seen, it was no surprise that Garth Brooks won his second Entertainer of the Year trophy in 1992.  His continued popularity was fueled by sold out live shows that soon led to network specials showcasing his unique brand of arena country.

Vince Gill 11993

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

Vince Gill capped off an amazing night at the 1993 CMA Awards with his first victory in this category. It was his fifth win of the night, as he also took home Male Vocalist, Song, Album and Vocal Event.   As he was also the show’s sole host, the collective exposure pushed him to multi-platinum sales.

Vince Gill 21994

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

The soft-spoken Gill won for a second year, which was no big surprise given his widespread popularity in Music City. He also went home with Album and Male Vocalist the same night, giving him a stunning fourteen trophies in only five years.

Alan Jackson 11995

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

As one of the evening’s top nominees, Alan Jackson brought his parents as his special guests.  After losing in every other category, he expressed relief that he finally won something, as going home empty handed would’ve been embarrassing.   Jackson would eventually become one of the organization’s most awarded artists.

Brooks and Dunn1996

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • George Strait

They were already winners of five CMA awards, due solely to their domination of the Vocal Duo category. But in 1996,  they finally won another race, and it was a big one. Brooks & Dunn remain the only duo to win this award, with The Judds and Sugarland being the only other duos to receive nominations.

Garth Brooks 31997

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • George Strait

In a year when all five nominees had won this award before, it was Garth Brooks who returned to the winner’s circle, tying Alabama’s long-standing record of three victories in this category.   Adding to the sense of déjà vu, this was the third year in a row where all five nominees were the same.

Garth Brooks 41998

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Tim McGraw
  • George Strait

As hard as it is to believe that there were any records left for him to break by 1998, Garth Brooks shattered another one, becoming the first artist in the history of the CMA to win four Entertainer of the Year awards. By this time, Garth had already sold more than 60 million albums, and while he has yet to win this award again, he remains the top-selling solo artist of all time in the United States.

Shania Twain1999

  • Garth Brooks
  • Dixie Chicks
  • Tim McGraw
  • George Strait
  • Shania Twain

The odds seemed against Shania Twain, as she had never won a CMA award before and the last woman to win was Reba McEntire thirteen years earlier.  Fittingly, McEntire was on hand to present the trophy to Twain, who won on the strength of Come On Over, which eventually became  top-selling country album of all time and the top selling album of the decade from any genre.

Dixie Chicks2000

  • Dixie Chicks
  • Faith Hill
  • Alan Jackson
  • Tim McGraw
  • George Strait

The Dixie Chicks capped off a stunning three-year run at the CMA Awards with this victory, one of nine that they racked up since 1998.   Within those three years, their first two albums each sold over ten million copies, and the band was widely credited for championing country radio and traditionalism while other top acts were crossing over to pop radio.

Tim McGraw2001

  • Brooks & Dunn
  • Dixie Chicks
  • Alan Jackson
  • Tim McGraw
  • George Strait

After winning two Male Vocalist and two Album of the Year honors in the previous three years, Tim McGraw finally won the CMA’s top award. It was a satisfying acknowledgment of an artist who’d had his talent underestimated in the first few years of his stardom, but built up a reputation for his stellar taste in choosing material.

Alan Jackson 22002

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • George Strait

Jackson’s win in 1995 came as he was reaching his commercial peak.  In the years that followed, Jackson remained a successful and well-respected artist that got less attention every year when it came time to hand out awards. Then came the one-two punch of “Where Were You (When the World Stopped Turning)” and “Drive (For Daddy Gene)”, both of which were viewed as the very embodiment of all that makes country music unique and essential.   This was one of five awards he was honored with that night.

Alan Jackson 32003

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Tim McGraw

Although the ACM had chosen Toby Keith as their standard bearer a few months earlier, the CMA stuck with the previous year’s winner Alan Jackson. By 2003, Jackson had evolved into an elder statesman for the genre, but still managed to stay relevant with hits both clever (“It’s Five O’Clock Somewhere”) and poignant (“Remember When.”)

Kenny Chesney2004

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Tim McGraw

Chesney’s long dry spell at the CMA’s came to a satisfying end as the superstar collected both Entertainer and Album of the Year trophies. He had been charting for eleven years before finally winning his first CMA award.

keith-urban2005

  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Brad Paisley
  • Keith Urban

One of the most surprising and endearing wins in the history of this category, a shocked and humbled Urban accepted this award in New York City. He couldn’t have picked a better night to bring his Australian parents to the ceremony.

kenny-chesney2006

  • Brooks & Dunn
  • Kenny Chesney
  • Brad Paisley
  • Rascal Flatts
  • Keith Urban

It’s pretty rare to come back and win this award for a second time, as most multiple wins have been consecutive in this category. But Kenny Chesney joined Garth Brooks and Alan Jackson as the only other artists to pull it off when he won in 2006, a club that would later be joined by Taylor Swift.

kenny_chesney2007

  • Kenny Chesney
  • Brad Paisley
  • Rascal Flatts
  • George Strait
  • Keith Urban

Chesney entered the elite company of Garth Brooks, Alabama, and Alan Jackson with his third victory in this category. Rascal Flatts, meanwhile, became the first group since the Dixie Chicks to score back-to-back nominations, a feat also accomplished by Alabama and the Oak Ridge Boys.

Kenny Chesney2008

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Sugarland
  • Keith Urban

As Sugarland became only the third duo in history to receive a nomination and George Strait extended his record number of nominations to sixteen, Kenny Chesney tied Garth Brooks for the most wins in this category with his fourth victory.  His popularity at radio and retail was remarkable, but it was Chesney’s highly attended summer stadium tours that earned him these wins.

Taylor Swift CMA2009

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Keith Urban

Taylor Swift both made history and prevented it with her win in this category.  She simultaneously became the youngest artist ever and the first female solo artist in ten years to take home the prize. She also kept Kenny Chesney from becoming the sole all-time champion in this category, as he remains tied with Garth Brooks with four wins to date.

paisley2010

  • Lady Antebellum
  • Miranda Lambert
  • Brad Paisley
  • Keith Urban
  • Zac Brown Band

2010 shook up the category, with three first-time contenders in the running for the crown for the first time since 1981. Despite all the new blood, sixth time proved to be the charm for Brad Paisley, who finally won this award after five consecutive losses.  Paisley’s persistent popularity helped him earn the nod in a year where the two previous winners weren’t even nominated.

Taylor Swift Fearless Tour 2009 In New York City2011

  • Jason Aldean
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift
  • Keith Urban

Thirty years after Barbara Mandrell became the first woman to win this award twice, Swift became the second to do so.  She won the award on the strength of her third set, Speak Now, which showcased her growing maturity as a songwriter and her growing appeal beyond her teenage and young adult fan base.

Shelton2012

  • Jason Aldean
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift

One of the most surprising wins in CMA history, few saw Blake Shelton’s victory coming.  But it isn’t too surprising when you consider the number of artists who parlayed network television exposure into a win in this category.  Perhaps in this new era of media saturation and minimal album sales, television may once again become a deciding factor when choosing the genre’s top star every year.

question_mark2013

  • Jason Aldean
  • Luke Bryan
  • Blake Shelton
  • George Strait
  • Taylor Swift

George Strait’s farewell tour helped return him to the category for the first time since 2009, earning him a record-extending  eighteenth career nomination.  Strait joins previous winners Taylor Swift (2009, 2011) and Blake Shelton (2012) in attempting a return to the winner’s circle.   Luke Bryan earns his first nomination, just months after winning the ACM trophy.  Jason Aldean, meanwhile, is hoping to get lucky the third time around.

Facts & Feats

Multiple Wins:

  • (4) – Garth Brooks, Kenny Chesney
  • (3) – Alabama, Alan Jackson
  • (2) –Vince Gill, Barbara Mandrell, George Strait, Taylor Swift, Hank Williams, Jr.

Most Consecutive Wins:

  • (3) – Alabama (1982-1984), Kenny Chesney (2006-2008)
  • (2) – Garth Brooks (1991-1992, 1997-1998), Vince Gill (1993-1994), Barbara Mandrell (1980-1981), George Strait (1989-1990), Hank Williams, Jr. (1987-1988)

Most Nominations:

  • (18) – George Strait
  • (12) – Alan Jackson
  • (11) – Brooks & Dunn
  • (10) – Reba McEntire
  • (9) –  Garth Brooks, Kenny Chesney
  • (8) –  Vince Gill, Merle Haggard, Brad Paisley
  • (7) – Keith Urban
  • (6) – Barbara Mandrell, Tim McGraw, Willie Nelson, Brad Paisley, Charley Pride, Keith Urban
  • (5) – Alabama, Loretta Lynn, Ronnie Milsap, Kenny Rogers

Most Nominations Without a Win:

  • (5) – Kenny Rogers
  • (4) – Toby Keith, Randy Travis
  • (3) – Jason Aldean, Waylon Jennings, The Judds, Oak Ridge Boys

Winners in First Year of Nomination:
Eddy Arnold (1967), Garth Brooks (1991), Glen Campbell (1968), John Denver (1975), Charlie Rich (1974), Taylor Swift (2009), Mel Tillis (1976), Shania Twain (1999), Keith Urban (2004), Hank Williams, Jr. (1987)

CMA Entertainers of the Year Who Have Never Won the ACM Award:
Eddy Arnold, Johnny Cash, Glen Campbell, Roy Clark, John Denver, Vince Gill, Alan Jackson, Tim McGraw, Ronnie Milsap, Brad Paisley, Charlie Rich, Blake Shelton, Ricky Skaggs, Taylor Swift, Mel Tillis, Keith Urban

ACM Entertainers of the Year Who Have Never Won the CMA Award:
Luke Bryan, Mac Davis, Mickey Gilley, Freddie Hart, Toby Keith, Kenny Rogers, Carrie Underwood

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A Tale of Two Tributes: Alabama

Alabama-Friends

Various Artists
Alabama & Friends

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To recognize the impact that Alabama has had on modern country music, you could consider their millions of albums sold, their hundreds of awards, their many #1 songs or their induction into the Country Music Hall of Fame in 2005. You could also look at how the boys from Fort Payne, Ala. have the distinction of bringing something entirely new into country music.

Prior to Alabama, country music was predominantly a land of solo acts, with the occasional superstar duos (Conway & Loretta, George & Tammy) or backing bands (The Strangers, The Buckaroos) thrown in for good measure. Sure, there were plenty of vocal groups (Statler Brothers, Oak Ridge Boys), but actual bands, who played their own instruments, were few and far between in country music. It took Alabama to break down that particular barrier, and they paved the way for groups like Zac Brown Band, Diamond Rio, Eli Young Band and others.

Alabama is celebrating its 40th anniversary with a reunion tour and a couple of well-deserved tribute albums. The tributes are quite different, with one being done under the direction of the band, and the other a completely independent effort.

Alabama & Friends, featuring many of today’s leading country stars, comes off as less of a tribute album and more of an Alabama-themed celebrity karaoke night. Many of the songs have very similar arrangements to the originals, and even include Randy Owen, Jeff Cook and Teddy Gentry on lead and harmony vocals.

Many of the memorable elements from the original songs are still present. The fiddle breakdown in “Tennessee River” (with Jason Aldean), the tempo changes in “My Home’s in Alabama” (with Jamey Johnson) – they’re all present and accounted for. The songs that stick close to the originals aren’t necessarily bad. Luke Bryan, for instance, has plenty of flaws as a country singer, but his vocal abilities are not in question, so his version of “Love in the First Degree” is solid. The same could be said of Jason Aldean’s take on “Tennessee River” and Toby Keith’s “She and I.” There’s nothing wrong with them, but fans who love the Alabama originals might think the new ones are a bit too by-the-book.

There are a few instances where the guest singers step outside the box and add more of their own personality to the recording. Trisha Yearwood, the only female voice on the project, does a lovely job on “Forever’s as Far as I’ll Go,” and “Lady Down on Love” by Kenny Chesney stands among his best vocal performances. The same can’t be said of Florida Georgia Line, who takes “I’m in a Hurry (and Don’t Know Why),” adds their usual amount of noise and clutter to the mix, and makes it sound like every other Florida Georgia Line song ever recorded. While it’s a rare opportunity to hear both Tyler Hubbard and Brian Kelley sing lead vocals, it raises the issue of whether or not they’ve already run out of original ideas.

Alabama recorded two songs for the first time in 11 years, but they’re the weakest songs on the album. For a band that was one of the first to successfully blend country music with amped-up Southern rock, “That’s How I Was Raised” and “All American” are low-energy, generic rah-rah country disappointments.

high-cotton-tribute-to-alabama-2013

Various Artists
High Cotton: A Tribute to Alabama

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High Cotton: A Tribute to Alabama, is available from Lightning Rod Records and has a collection of Americana/Red Dirt/indie all-stars doing their takes on Alabama hits. There is some overlap with the Alabama & Friends, but these versions have a bit more of an original feel. “Why Lady Why” gets transformed into a smoldering soul tune by JD McPherson, while Jason Isbell and John Paul White of The Civil Wars completely reinvent “Old Flame.” The Turnpike Troubadours and Shonna Tucker provide a spark with “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)” and “Roll On (Eighteen Wheeler),” respectively. While neither version is light years from the original, they add energy to a project that leans heavily toward slow and reflective songs.

Two of Alabama’s love songs are recast as duets. While it’s startling to hear Todd Snider as a romantic balladeer instead of a smart-ass hippie folk singer, his voice never quite meshes with Elizabeth Cook on “Feels So Right.” Wade Bowen and Brandy Clark’s duet on “Love in the First Degree” is excellent, however, and raises the anticipation level for Clark’s debut album.

Not every experiment is a success. Once again, “I’m in a Hurry” gets short shrift, as Jessica Lea Mayfield turns it into a funereal dirge. “Lady Down on Love” just does not work as a bluegrass/spoken word ballad, as evidenced by Bob Schneider & The Texas Bluegrass Massacre with Ray Benson. Jason Boland & The Stragglers’ take on “Mountain Music” is fine, but the insistence of aping the original, from the spoken-word intro to the guest vocals from a couple of the Stragglers à la Cook and Gentry is a little cheesy.

It’s a testament to Alabama’s far-reaching appeal that artists as different as Jason Isbell and Jason Aldean would want to sing their songs. Whether it’s a note-for-note recreation or a completely new interpretation of their hit songs, there is something in these two albums to please any Alabama fan.

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Single Review: American Young, “Love is War”

American Young Love is WarThere’s a country radio station in NYC proper for the first time in nearly twenty years. The last one went off the air before I was old enough to drive, so when I found out it existed, I immediately checked it out.

Then I immediately checked out. It’s not listenable to me. It’s playing all of today’s hits and those from the past couple of years, and sometimes a song that I like will come on, but it’s always sandwiched between filler that hurts my ears.

The thing about filler is it’s always been around, even in any of the handful of golden eras the genre has seen. My favorite era had “Independence Day” and “Gone Country” on the air at the same time, but you were gonna hear “Wink” and “If Bubba Can Dance (I Can Too)” in between.

Today’s hits aren’t all that great to begin with, but the filler is plum terrible, and it’s so jarringly loud that it won’t allow you to let it fade into the background.  I’ve heard Justin Moore’s “Point at You” twice while getting into the car this week, and if I hadn’t switched to my iPod before switching from park to drive, my road rage would be notable even by New York City standards.

I say all this because American Young’s new single, “Love is War”, is the kind of filler that would keep me tuned into the country station, waiting to hear what was played next.  It sounds good from a distance.  Awesome arrangement, great instrumentation, twangy in a Civil Wars on their game/Band Perry on their meds kind of way.

It’s a really bland song though, with generic lyrics that don’t really say anything new or anything interesting about a topic that requires that you have new and interesting things to say if you’re going to write about it at all.   Love is war, it’s a battle, it’s a battlefield, yada, yada, yada.  George Jones and Pat Benatar noticed that, too.

But I would totally be on board with more of country radio sounding like this, even if it’s just the filler.

Grade: B

httpv://www.youtube.com/watch?v=QamzZKwo2qw

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Album Review: Tammy Wynette, The Essential Tammy Wynette

the essential tammy wynette

Tammy Wynette
The Essential Tammy Wynette

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The legendary First Lady of Country Music is the subject of a generous new forty-track double-disc career retrospective in Legacy Recordings’ Essential series.

The Essential Tammy Wynette opens with her 1966 debut single “Apartment No. 9,” which set the tone for the many heartbreak-themed hits that would follow it, going on to enter the annals of country music classics despite charting at only #44. From there, the album checks off Wynette’s biggest and best-loved hits in chronological order. All 29 of her Billboard Top 10 solo hits are included, with essential classics such as her signature “Stand by Your Man,” heart breakers such as “D-I-V-O-R-C-E” and “‘Til I Can Make it On My Own,” and toe tappers such as “Your Good Girl’s Gonna Go Bad” and “He Loves Me All the Way” all present and accounted for.

Of Wynette’s ten Top 10 duet hits, only four are included – her chart-topping 1967 David Houston duet “My Elusive Dreams,” two of her duets with George Jones (“Take Me” and “Golden Ring”), and her 1985 Mark Gray duet version of “Sometimes When We Touch” -Wynette’s final Top 10 hit, previously a pop hit for songwriter Dan Hill. “Two Story House” is a particularly puzzling exclusion – a classic hit which ranks among Wynette’s best work. The Essential Tammy Wynette might have benefited to some degree by including a few more of her most essential duets at the expense of some of the lesser hits included on the album.

Still, the album remains a remarkably thorough overview of Wynette’s outstanding career, and one which, in addition to the big hits, includes a few less-expected cuts such as her final pair of Top 20 hits, 1987’s “Your Love” and “Talkin’ to Myself Again.” An especially pleasant surprise is album closer “That’s the Way it Could Have Been,” a beautiful self-written cut which Wynette recorded with Loretta Lynn and Dolly Parton for their stunning 1993 collaborative effort Honky Tonk Angels. It offers an enticing hint at all the great songs that Wynette might still have written had her voice not been silenced by untimely death at the age of 55.

The Essential Tammy Wynette is a thoroughly enjoyable collection which impresses both in content and in effectively summing up the career of one of country music’s most important women. It will likely be more than enough to satisfy the casual fan, and it’s an ideal starting point for listeners who are just beginning to delve into the rich musical legacy of Tammy Wynette.

Track listing: (Disc 1) 1. Apartment #9 2. Your Good Girl’s Gonna Go Bad 3. My Elusive Dreams (with David Houston) 4. I Don’t Wanna Play House 5. Take Me to Your World 6. D-I-V-O-R-C-E 7. Stand by Your Man 8. Singing My Song 9. Too Far Gone 10. The Ways to Love a Man 11. I’ll See Him Through 12. He Loves Me All the Way 13. Run, Woman, Run 14. The Wonders You Perform 15. We Sure Can Love Each Other 16. Good Lovin’ (Makes it Right) 17. Take Me (with George Jones) 18. Bedtime Story 19. Reach Out Your Hand 20. My Man (Understands)

(Disc 2) 1. ‘Til I Get it Right 2. Kids Say the Darndest Things 3. Another Lonely Song 4. Woman to Woman 5. (You Make Me Want to Be) A Mother 6. I Still Believe in Fairy Tales 7. ‘Til I Can Make it On My Own 8. Golden Ring (with George Jones) 9. You and Me 10. Let’s Get Together (One Last Time) 11. One of a Kind 12. Womanhood 13. They Call it Making Love 14. No One Else in the World 15. Crying in the Rain 16. Another Chance 17. Sometimes When We Touch (with Mark Gray) 18. Your Love 19. Talkin’ to Myself Again 20. That’s the Way it Could Have Been (with Loretta Lynn and Dolly Parton)

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Single Review: Blake Shelton, “Mine Would Be You”

Blake Shelton Mine Would Be YouWhat a twist!

Blake Shelton’s new single is a slow-paced love song that hits all the usual notes, in the omnipresent list format that makes me think that Mad Libs is the most popular game in Nashville song publishing houses these days.  It would be one of those forgettably mundane, mundanely forgettable radio filler numbers if it wasn’t for the surprising twist in the last verse and chorus.

See, it’s not a love gone right song.  It’s a love gone wrong song, and Shelton’s been in mourning for this once in a lifetime love the whole time!  What a twist!

It’s not exactly “He Stopped Loving Her Today”, but as surprise endings go, it’s a good one.  Makes the song a bit better suited for repeated plays.  How many Blake Shelton songs can we say that about these days?

Written by Jessi Alexander, Connie Harrington, and Deric Ruttan

Grade: B

httpv://www.youtube.com/watch?v=9JkdBnT7j2I

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Single Review: Randy Travis and Joe Nichols, “Tonight I’m Playin’ Possum”

Randy Travis Joe Nichols Tonight I'm Playin' PossumCould there possibly be a more emotionally and sentimentally charged record released this year?

A heartfelt tribute to the departed George Jones that celebrates his incredible legacy of music, “Tonight I’m Playin’ Possum” is pure catnip for country music lovers.  More than just a list of nicknames for the Possum and shout-outs for some of his best songs, the reverence is coupled with relevance for his signature sound.

Randy Travis and Joe Nichols represent two successive generations that were shaped by Jones’ influence, and they weren’t even among the first generation of artists to be shaped by his work.   “Tonight I’m Playin’ Possum” makes the case for Jones’ immortality, with his voice living on in heaven while it still plays down here in every lonely jukebox joint.

All that would’ve been enough to pull on the heartstrings.  But then, Travis nearly joined Jones in immortality this summer, a stunning and frightening turn of events that makes this record all the more painful to listen to.  Much like Jones on his final recordings, time and hard living have weathered Randy’s voice to the point that it’s nearly unrecognizable.  It wasn’t until Joe Nichols piped in that I was sure it was Randy Travis that started off the song.

We lionize our legends and our icons.  Their accomplishments on records seem almost superhuman, a byproduct of artists in their prime being captured for timeless posterity.  Sometimes, a tragedy happens that freezes a Patsy Cline or a Hank Williams in that moment forever.  More often, we have to watch these wondrous talents slowly drift toward their own mortality, as more notes fade out of reach and even the greatest stylists start to lose their distinctive style.

It’s painful.  I want more Randy Travis records, just like I want more of the George Jones records that will never come.  Time can keep running for a long time, but it always runs out in the end.

“Tonight I’m Playin’ Possum” is such an amazing tribute to Jones.  I wish that listening to it didn’t make me feel so sad.

Grade: A

httpv://www.youtube.com/watch?v=YuB467Q4rdc

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We Need to Have a Little Talk about Randy Travis

Randy TravisIn a year that has already brought the deaths of immortal talents like George Jones, Slim Whitman, Patti Page,  and Jack Greene, not to mention the untimely loss of Mindy McCready, it is understandable that the recent news regarding Randy Travis is having the country music fans collectively holding their breath with nervousness and dread.

There is something distinctly different about how I am processing the news about Randy Travis.    The thought of losing him is inextricably linked with a feeling that we’d be losing an essential core of the country music that I fell in love with more than two decades ago.  Now,  I remember Randy Travis from when I was a child.   What little kid wouldn’t be in love with a catchy song like “Forever and Ever, Amen”?

By the time I was old enough to discover country music on my own, he was already something of an elder statesman, despite his young age. As I delved into the history of the genre I was falling in love with, widely accepted concepts like Travis starting the new traditionalist movement and Storms of Life being one of greatest albums of all time had taken root.   The truth is, traditionalism never really went away, and even during the Urban Cowboy years, artists like Ricky Skaggs and Emmylou Harris were having commercial success with roots-based music.

But Randy Travis didn’t just have a bit of success.  He sold millions of records in a time where almost no country acts were doing so, and certainly none who didn’t incorporate pop or rock sounds into their work.   His massive success was the tipping point that made the nineties boom inevitable, as labels saw new acts like Clint Black and Alan Jackson as being capable of superstar status, instead of just being genre favorites that sold moderately well.

He never really got the credit he deserved for this, with the industry treating him like old news despite him continuing to score hits and sell platinum throughout the nineties and early 2000’s.   There are so many great singles that I was around for when they first came out.  “Before You Kill Us All.” “Look Heart, No Hands.”  “Out of My Bones.”  “Whisper My Name.”  “If I Didn’t Have You.”  “Better Class of Losers.”  “The Hole.”   “Three Wooden Crosses.” “Dig Two Graves.”  The list goes on and on.

He’s also responsible, through no fault of his own, for what I call country music’s Messiah Complex.   After he revolutionized the widespread appeal for traditionalism, which led to a solid decade of traditional country artists being signed and succeeding wildly, the sounds began to drift back to pop and rock flavorings.   Since this shift, every slightly twangy newbie has been anointed as the savior of country music.  Lee Ann Womack, Brad Paisley, Dixie Chicks, Joe Nichols, Josh Turner, Jamey Johnson, and Gretchen Wilson have all been shouldered with the burden of being the next Randy Travis.

This has led to deep disappointment when their second or third album struggled, or even worse, to feelings of betrayal when these selected stewards veered away from traditional country music.   All that pressure, and not a one of them even started off with an album in the same league as Storms of Life, though Johnson and the Chicks came remarkably close.

I can’t get my head or my heart around the thought that his contemporary titan might not be with us anymore.  I can’t stomach the coverage that focuses more on his personal troubles than his incredible body of work and peerless impact on country music as a whole.

Please use the comments to share your own thoughts and feelings about Randy Travis.  Also, I recommend reading the Favorite Songs by Favorite Artists piece that Leeann Ward wrote a few years ago.   It’s an excellent place to start for those who are looking to discover the his rich and diverse catalog.

 

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Single Review: Chris Young, "Aw Naw"

Chris Young Aw NawIt's hard not to root for Chris Young.   He can really sing and his music would sound identifiably country if it was released twenty years ago, making it sound like Hank Williams in comparison to what's passing for it these days.

But he's got to pay the bills, I guess.  “Aw Naw” is a typical 2013 country party song that is easier to tolerate than most of the others because it's sung really well and at least sounds like it's been written and

performed by people of legal drinking age.

Now, even the greatest country artists pandered to the trends of the times.   Check out the hillbilly humor tracks that even Alan Jackson and Pam Tillis recorded in the nineties, or the string-drenched crossover pap that even George Jones and Loretta Lynn succumbed to when Nashville went uptown in the seventies and eighties.

Those songs don't make their way to the essential collections that surface when a great act's radio days are done.   Hopefully, this one won't make it to Chris Young's when his time comes.

Written by Chris DeStefano, Ashley Gorley and Chris Young

Grade: B-

Listen:

httpv://www.youtube.com/watch?v=hmQQu6Kp90o

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