So now it’s the second day of the month. What are your favorite second singles from albums or compilations? I’ll pick different artists this time around: Patty Loveless, “Here I am” John Anderson, “Straight Tequila Night” Carlene Carter, “Come on Back” Lee Roy Parnell, “I’m Holdin’ My Own” Emerson Drive, “Moments”
Drinking is among the biggest themes in country music. What are your five favorite drinking songs? Here’s my list: John Anderson, “Straight Tequila Night” Merle Haggard, “I Think I’ll Just Stay Here and Drink” Brad Paisley and Alison Krauss, “Whiskey Lullaby” Martina McBride, “Cheap Whiskey” Clint Black, “Killin’ Time”
Every album tries to starts off strong, but it’s usually the second track that convinces you to keep listening to the rest. What do you think are the best second tracks on albums? Here’s my list: “Straight Tequila Night”, John Anderson (Seminole Wind) “Blown Away”, Carrie Underwood (Blown Away) “Dry Town”, Miranda Lambert (Crazy Ex-Girlfriend) “Guitars, Cadillacs”, Dwight Yoakam (Guitars, Cadillacs, Etc., Etc.) “Let Him Fly”, Patty Griffin (Living With Ghosts)
This week brought tax season to an end, and depending on how it went for you last year, you’ll be collecting a refund check or writing one out to the IRS instead. Seems as good a time as any to share our five favorite songs about money! Here ‘s my top five: Merle Haggard, “If We Make it Through December” John Anderson, “Money in the Bank” Todd Snider, “Broke” Shania Twain, “Ka-Ching!” Alabama, “40 Hour Week (For a Livin’)”
Today, we kick off a new feature: Daily Top Five. Every day, one of our writers will post their top five picks for a given category, and invite readers to share their own lists in the comments. This idea was ripped off from inspired by the film Top Five. Since this is the first entry, today’s topic is First Favorites – your top five songs that got you into country music. For me: John Anderson, “Straight Tequila Night” Reba McEntire, “For My Broken Heart” Kenny Rogers, “The Gambler” Pam Tillis, “Maybe it Was Memphis” Dwight Yoakam, “It Only Hurts When I Cry” What’s your top five?
The list continues with big hits from Clay Walker, Neal McCoy, and Mary Chapin Carpenter, along with should’ve been hits from Carlene Carter and Merle Haggard. #30 “Daddy Never was the Cadillac Kind” Confederate Railroad Written by Dave Gibson and Bernie Nelson KJC #10 | JK #22 | SG #39 Confederate Railroad made it big by balancing party anthems with thoughtful songs about growing up in the south. This was their best “growing up” song, a thoughtful tribute from a son to his late father. As tends to happen, the lessons taught to us in our youth aren’t fully appreciated or understood until it’s too late to truly say “thank you.” – Kevin John Coyne
As one of the finest new traditionalists of the eighties and nineties, John Anderson pushed the boundaries of country music without sacrificing its distinctive heritage.
Lady and Gentlemen
A new covers album from LeAnn Rimes would likely draw comparisons to her 1999 self-titled effort, which found her covering the likes of Hank Williams and Patsy Cline. But this time, there’s a twist: All of the songs she’s covering were originally recorded by male artists. Thus, Rimes is re-interpreting them in a female perspective.
And while 1999’s LeAnn Rimes album might have given you a feeling that you were listening to really good karaoke singer, as her versions seldom strayed far from the originals, Rimes’ new collection Lady and Gentlemen finds her taking substantial liberties with these classic hits. She even alters lyrics on Waylon Jennings’ “Good Hearted Woman” and “Only Daddy That’ll Walk the Line” (re-titled as “The Only Mama That’ll Walk the Line”). The songs are given modern, yet reverent, production arrangements, with Rimes adding her own personal style to each one, resulting in a uniquely creative effort.
The themes of love and loss have permeated country music for as long as it’s been in existence. This second-to-last batch of great nineties hits contains songs that are direct descendants of well-known classics like “Can the Circle Be Unbroken” and “I’m So Lonesome I Could Cry”, along with a Shania Twain hit that would have made Roba Stanley smile.
400 Greatest Singles of the Nineties: #50-#26
Here’s a Quarter (Call Someone Who Cares)
1991 | Peak: #2
From the first forceful guitar strum on, this kiss-off number somehow manages to seem unusually cool and collected in its own aggression. You get the impression that Tritt’s character has been anticipating this moment, and has already determined that he’s going to relish every second of it. – Dan Milliken
I’ve Come to Expect it From You
1990 | Peak: #1
This is about as dark and bitter as George Strait gets. It’s a coat that he wears well. – Kevin Coyne
Signature hits, breakthrough hits, and why-weren’t-they-hits abound in this entry.
400 Greatest Singles of the Nineties: #150-#126
1994 | Peak: #1
A perfect time capsule of the boom times, as Jackson wryly notes all of those genre-hoppers who saw dollar signs in the growing country music scene. Funny how they didn’t arrive on radio until a decade later. – Kevin Coyne
I Want to Be Loved Like That
1993 | Peak: #3
Sometimes the deepest understanding of love comes from what you see around you. The narrator in this song won’t settle for anything less than the unwavering love he’s witnessed in his life, and his examples are stunning in the way they slice straight to the core of love, to the bond that can’t be broken by the physical world. This is one of the purest tributes to love I’ve ever heard. – Tara Seetharam