We at Country Universe were very saddened to hear of Linda Ronstadt’s recent announcement that she was diagnosed with Parkinson’s disease eight months ago, and that the disease has resulted in the total loss of her ability to sing.
In 2007, Katie Armiger released her first album at just 15-years-old after winning a local singing competition in Texas. Since then, she’s had quiet but solid success in the industry, earning four Billboard-charting singles and touring with major artists such as Brad Paisley, Little Big Town, Jason Aldean and Ronnie Dunn.
Last year, Country Weekly’s readers voted 21-year-old Armiger the “Hottest Bachelorette” for the second consecutive year, just before she appeared on ABC’s dubious reality television show, “The Bachelor Pad.” Ironic events, considering the fellow Sugar Land native has built her image on independence and empowerment, themes she captures pithily on her first Top 40 hit, “Better in a Black Dress.”
Their fraternal harmonies saturated stations across the radio dial in the fifties and early sixties, and today they’re best remembered as founders of both rock and country music as we know it.
Brothers Don and Phil Everly were born two years apart in the late thirties, and grew up listening to music that transitioned out of the depression and into the second world war. Their father, Ike, was a traveling musician and had his own radio show out of Shenandoah, Iowa.
You can count their country hits on one hand, and still have fingers to spare. But the Eagles did more to shape the sound of country music than any rock band before or since.
They’ve been around in various incarnations for more than four decades, but the common thread has always been a deep respect for, and desire to preserve, the history of country music.
As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.
As always, we start with a look at this year’s nominees and work our way back to 1968.
- Zac Brown Band, “Toes”
- Billy Currington, “People Are Crazy”
- Lady Antebellum, “Need You Now”
- Miranda Lambert, “White Liar”
- David Nail, “Red Light”
There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.
- Trace Adkins, “You’re Gonna Miss This”
- Jamey Johnson, “In Color”
- Miranda Lambert, “Gunpowder & Lead”
- Heidi Newfield, “Johnny and June”
- Brad Paisley, “Waitin’ On a Woman”
Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.
The 201 Greatest Singles of the Decade, Part 5: #120-#101
“Tonight I Wanna Cry”
A chillingly frank portrait of loneliness, awkward reference to “All By Myself” notwithstanding. Few mainstream vocalists today could pull off something this intense. – Dan Milliken
Loretta Lynn with Jack White
Peak: Did not chart
If you can take a healthy dose of dirty rock ‘n’ roll in your country, this is one of the coolest-sounding records of the decade, a classic one-night-stand duet. That it’s a very cross-generational pairing singing it would be creepy if not for the goofy smiles shining through Lynn’s and White’s performances. – DM
The 100 Greatest Albums of the Decade, Part 6
Kathy Mattea, Right Out of Nowhere
Kathy Mattea has rarely sounded more open and warm than on this set of innovative folk-tinged songs. Topics of peace, love, resignation and heartache are sensitively explored in songs both written by Mattea and other well-known names, including captivating interpretations of The Rolling Stones’ “Gimme Me Shelter” and Creedence Clearwater Revival’s “Down on the Corner.” It’s a rich album with a decisively vibrant feel. – Leeann Ward
Recommended Tracks: “Gimme Shelter”, “Down on the Corner”, “Give It Away”
Johnny Cash, American IV: The Man Comes Around
American IV: The Man Comes Around was the last Cash album released in his lifetime; the bulk of its tracks are covers performed by the then ailing singer. Amazingly enough, the album seems almost biographical despite the limited material written by Cash. Still, American IV is not limited to “Hurt” (written by Trent Reznor of Nine Inch Nails), as other well-interpreted covers and Cash’s own “The Man Comes Around” help cement the depth of the album. – William Ward