Earlier this week, writer and friend-of-Country Universe C.M. Wilcox announced that he was shuttering his blog, Country California. The crew here have long been admirers of the sharp, insightful writing and wry humor that Country California brought to the country music blogosphere, and we all wish Chris the best in his new ventures.
As we enter the top half of the list, signature hits by some of the era’s biggest stars rub elbows with a pair of breakthrough singles and an overlooked release by a future superstar. You’ll also find out, in case you’ve been wondering for the past 22 years, just what Dwight Yoakam sneers at the end of one of his classic records. #20 “Soon” Tanya Tucker Written by Casey Kelly and Bob Regan Peak: #2 #13 – LW | #22 – JK | #28 – KJC | #30 – BF Cheating songs that successfully make us feel compassion for the other woman are a rarity, but “Soon” manages to make us root for the woman who finds herself in a losing cycle, one that she finally finds the strength to stop. Tanya Tucker’s sympathetic performance and the song’s soothing melody invite us to feel compassion for the woman in Read More
Today, we kick off our Best of 1993 feature with the first part of our album retrospective. Included in this list are the debut albums of two underrated singer-songwriters, confident projects from the genre’s leading ladies, and highlights from legends of both the mainstream and alternative country landscapes. When our writers wax rhapsodic about the glory days of the nineties, one reason why is that albums as great as this aren’t even among the top ten albums of the year. Look for the conclusion of the albums list tomorrow and the singles list next weekend! #20 Lari White Lead Me Not #9 – JK | #19 – KJC Rather than establishing a clear identity for Lari White as an artist, Lead Me Not made for an eclectic debut, as White and producer Rodney Crowell explored styles ranging from traditional country and jazzy torch ballads to torrid Southern gospel and even Read More
We’ve all heard of the Sophomore Slump. It’s the phenomenon where an artist’s second album isn’t as good as their first album. This presumably happens because they’ve had more time to choose or write songs for their first album than they do after their careers have taken off and/or because there was so much hype surrounding their first album that their second album had no chance of living up to anyone’s expectations. Many artists, however, are able to avoid that slump and their second album ends up turning out to be better or at least as good as their first album. What are some of your favorite sophomore successes? Here’s my list: Miranda Lambert, Crazy Ex-Girlfriend Martina McBride, The Way that I am Tracy Lawrence, Alibis Shania Twain, The Woman in Me Sara Watkins, Sun Midnight Sun
Drinking is among the biggest themes in country music. What are your five favorite drinking songs? Here’s my list: John Anderson, “Straight Tequila Night” Merle Haggard, “I Think I’ll Just Stay Here and Drink” Brad Paisley and Alison Krauss, “Whiskey Lullaby” Martina McBride, “Cheap Whiskey” Clint Black, “Killin’ Time”
So with the site up and running again, we’re back to work. What better way to kick things off than with a Daily Top Five of your favorite songs about work? Here’s my list: Sawyer Brown, “Cafe on the Corner” Alabama, “40 Hour Week (For a Livin’)” Dolly Parton, “He’s a Go Getter” Martina McBride, “Goin’ to Work” Aaron Tippin, “I Got it Honest”
UPDATE: Check out the impeccably researched work of Deb B, also known as Windmills, over at MJ’s Big Blog: Country Radio & The Anti-Female Female Myth: A Data-Based Look ORIGINAL POST: Via Terri Clark’s Twitter, this gem from radio consultant Keith Hill: This One’s Not For The Girls: Finally, Hill cautions against playing too many females. And playing them back to back, he says, is a no-no. “If you want to make ratings in Country radio, take females out,” he asserts. “The reason is mainstream Country radio generates more quarter hours from female listeners at the rate of 70 to 75%, and women like male artists. I’m basing that not only on music tests from over the years, but more than 300 client radio stations. The expectation is we’re principally a male format with a smaller female component. I’ve got about 40 music databases in front of me and the Read More
From longtime reader Six String Richie. What are your favorite pre-fame releases? You can pick singles and/or albums. Whatever works for you. Here’s my Top Five: Patty Loveless, “I Did” Shania Twain, “Dance With the One That Brought You” Kenny Chesney, “Whatever it Takes” Carlene Carter, “Never Together but Close Sometimes” Martina McBride, “Cheap Whiskey”
Today’s Daily Top Five was suggested by reader caj: What are your favorite story songs? Here are mine: The Night the Lights Went Out in Georgia (Vicki Lawrence, Reba McEntire) Independence Day (Martina McBride) He Stopped Loving Her Today (George Jones) Three Wooden Crosses (Randy Travis) Lucille (Kenny Rogers)
Reba McEntire Love Somebody This is the strongest album Reba McEntire has released in more than twenty years. Listening to Love Somebody is hearing a legend of the genre rediscover her own voice. She’s always been an excellent singer, but after making her name as both a heartbreak queen and the common folk’s Everywoman, she had tremendous difficulty navigating the post-Shania Twain landscape of female empowerment anthems.