Here’s my list:
- John Anderson, “Straight Tequila Night”
- Merle Haggard, “I Think I’ll Just Stay Here and Drink”
- Brad Paisley and Alison Krauss, “Whiskey Lullaby”
- Martina McBride, “Cheap Whiskey”
- Clint Black, “Killin’ Time”
Here’s my list:
Here’s my list:
This One’s Not For The Girls: Finally, Hill cautions against playing too many females. And playing them back to back, he says, is a no-no. “If you want to make ratings in Country radio, take females out,” he asserts. “The reason is mainstream Country radio generates more quarter hours from female listeners at the rate of 70 to 75%, and women like male artists. I’m basing that not only on music tests from over the years, but more than 300 client radio stations. The expectation is we’re principally a male format with a smaller female component. I’ve got about 40 music databases in front of me and the percentage of females in the one with the most is 19%. Trust me, I play great female records and we’ve got some right now; they’re just not the lettuce in our salad. The lettuce is Luke Bryan and Blake Shelton, Keith Urban and artists like that. The tomatoes of our salad are the females.”
Tossed salad imagery aside, in what other professional setting would such blatant gender discrimination be openly advocated? The breathtaking condescension toward female listeners in country music is nothing new, but it’s been more than twenty years since any such case could be supported by sales numbers.
What are your favorite pre-fame releases? You can pick singles and/or albums. Whatever works for you.
Here’s my Top Five:
What are your favorite story songs?
Here are mine:
This is the strongest album Reba McEntire has released in more than twenty years.
Listening to Love Somebody is hearing a legend of the genre rediscover her own voice. She’s always been an excellent singer, but after making her name as both a heartbreak queen and the common folk’s Everywoman, she had tremendous difficulty navigating the post-Shania Twain landscape of female empowerment anthems.
The fiftieth annual Academy of Country Music Awards air tonight, and Country Universe has you covered! Here’s a rundown of all of the major categories, along with some commentary from our writers about who should win, who will, and what the nominations as a whole say about the current state of country music.
Share your thoughts about this year’s show in the comments, and check back for a list of winners when it’s all said and done.
Update: Join the CU crew on Twitter (@CountryUniverse) during the show to share your thoughts as things unfold!
BF: I think Lambert is due, but I could get on board with a win for Brooks, whose comeback tour certainly warrants recognition. Those are about the only two possible victories I could swallow.
SG: This is fan-voted, so it really comes down to who can most mobilize their fan base. I give Miranda the nod, simply because she and her husband can both rally the troops. As to who deserves it, it’s hard to deny the impact that Luke Bryan has had on country music, love him or loathe him. He also seems like a fair entertainer, whether it’s shimmying around the stage or falling off them.
“Better Than You Left Me”
Written by Mickey Guyton, Jennifer Hanson, and Jenn Schott
This is pretty much how a country ballad is supposed to sound, as far as I’m concerned. Nothing says heartache like a steel guitar, and if you’re going to sing with vulnerability, it’ll do a lot of the heavy lifting for you. All you need to do is show up with a decent lyric, not let the production get in the way, sing the song well, and you’re done.
The third most prestigious country music industry award nominations – but the most important ones handed out in the spring – have been announced. Here’s a rundown of all the major categories, along with some back-of-the-envelope analysis:
Who’s In: Jason Aldean, Garth Brooks, Florida Georgia Line
Who’s Out: Blake Shelton, George Strait, Taylor Swift
Last year’s winner, George Strait, didn’t get a return invitation, but Garth Brooks, who has won this award six times before, returns to the competition. Much like Strait’s farewell tour was a reminder of his extensive popularity, Garth’s ability to sell out several dates per city overshadows the lukewarm reception to his new material at radio and retail. Taylor Swift’s exit is directly tied to her cutting ties with the genre. Jason Aldean’s return makes logical sense, but it’s quite the mystery to see Blake Shelton gone and Florida Georgia Line in.
The countdown concludes with a wide range of classics, including breakthrough hits, signature songs, and exciting later career gems from long-established icons of the genre.
Written by Alan Jackson and Jim McBride
LW #10 | BF #5 | JK #38
What makes a better country song than a stark naked light bulb, one lonely pillow on a double bed, a mournful fiddle and steel guitar? Jackson’s “(Who Says) You Can’t Have It All” is one of the finest exhibits to present as the answer to that question. – Leeann Ward