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Daily Top Five: Going Solo

May 22, 2015 Kevin John Coyne 10

Kristian Bush of Sugarland released his debut solo album this year, and the buzz on it has been good. Good enough, in fact, to inspire its own Daily Top Five! What are your favorite solo

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The Best Albums of 2014

December 31, 2014 Kevin John Coyne 9

2014 was a banner year for country music albums.   In addition to the predictably solid entries from the Americana, folk, and bluegrass scenes, some excellent albums also surfaced from the unlikeliest of sources: mainstream, radio-friendly

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The Best Singles of 1994, Part 2: #30-#21

December 9, 2014 Kevin John Coyne 7

The list continues with big hits from Clay Walker, Neal McCoy, and Mary Chapin Carpenter, along with should’ve been hits from Carlene Carter and Merle Haggard. #30 “Daddy Never was the Cadillac Kind” Confederate Railroad

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Song Talk: Music that Moves Me

July 12, 2014 Leeann Ward 10

My local Public Radio station has a wonderful series called Music that Moves Me, which was conceived and originally produced by the inimitable Suzanne Nance who has now (sadly for us, but happily for her)

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A Conversation with Zane Williams

August 23, 2013 Ben Foster 3

Zane WilliamsCountry music singer-songwriter Zane Williams had his first taste of mainstream success in 2006 when Jason Michael Carroll took his song “Hurry Home” into the Top 20. Having already made inroads in the regional country market of his home state of Texas, the Abilene native is currently attempting to break through to a national audience with his fourth album Overnight Success. Amid preparations to embark on his first nationwide radio tour (in an RV with his wife and two children along for the ride), Williams found the time to call Country Universe to chat about his current single and album.

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Favorite Songs by Favorite Artists: Sara Evans

August 7, 2011 Ben Foster 41

I was in my early teens when I first discovered Sara Evans… and I thought she was the greatest thing since sliced bread. The rich throaty texture of her distinct voice reeled me in quickly, and her entertaining mixture of traditional and contemporary influences had me thoroughly hooked.

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The Best Singles of 2010, Part 1: #40-#31

December 20, 2010 Kevin John Coyne 15

Greatness comes in twos this year, as ten different artists make dual appearances on this list. Perhaps this demonstrates a greater truth about 2010. Sure, there was some good music, but greatness was concentrated among a smaller group of artists than usual.

As is the annual tradition, we’ll reveal this year’s forty best singles, ten at a time. Check back tomorrow for Part 2.

The Best Singles of 2010, Part 1: #40-#31

#40

Why Wait
Rascal Flatts

The Flatts boys return to their roots with this bright, infectious slice of country-pop. Bonus points for keeping both Gary LeVox’s voice and Dann Huff’s production in check. – Tara Seetharam

#39

That’s Important to Me
Joey + Rory

So far, Joey+Rory’s calling card has been their ability to exude authenticity through their songs with a naturalness and warmth as convincingly as a certain mother-daughter duo of the eighties, The Judds. Only, unlike the Judds, this partnership’s perceived connection isn’t marred by real accounts of strife and familial discord. Instead, by all accounts, Joey and Rory’s love is as sweet as their musical harmonies suggest. And this song is a nice encapsulation of what makes them who they are as a duo, both in a personal and professional sense. – Leeann Ward

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Starter Kit: Sara Evans

November 7, 2010 Kevin John Coyne 18

Sara Evans was one of the most successful female artists from the earlier part of the last decade, which was not a particularly good era for women as a whole. Her ease with both pop-flavored and purely traditional country allowed her to adapt to quickly changing trends in the genre.

This makes her catalog a fascinating one to sample. In compiling this Starter Kit, it would be easy to just list the hits. But I’ve left off some of her more overexposed tracks in favor of some gems that either didn’t quite dominate the charts or wasn’t sent to radio at all. I think her crossover numbers haven’t aged that well, anyway.

Be sure to let me know what I missed in the comment threads!

“Shame About That” from the 1997 album Three Chords and the Truth

The title track got all of the love, and the most airplay of the three low-charting singles from Evans’ debut album. But I think that this is the coolest little record, with Evans sounding like the female heir to Buck Owens as she can’t even feign sympathy for the ex who is now regretting his departure.

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