Terri Clark’s new release “The One” retains many of the familiar features that have made Clark’s music so enjoyable. It has a pleasant restrained production arrangement, and a nuanced, sincere vocal performance, along with an interesting lyrical scenario with some clever turns of phrase.
What it’s missing is a good hook.
Perhaps it could have been, with a stronger melody and a more refined concept. The song itself is pretty good, but Evans turns in a listless performance, delegating all of the “oomph” to the background vocalists and studio musicians. And they’re pretty listless in their own right.
As we reach the halfway point of the countdown, seventies stars like Tanya Tucker and Don Williams prove just as relevant to the decade as newbies like Terri Clark and and Clay Walker. But it’s eighties original George Strait that dominates this section with three additional entries.
400 Greatest Singles of the Nineties: #225-#201
Mary Chapin Carpenter
1992 | Peak: #4
A lightweight wish list/love ditty that somehow seems to tap into a deep well of truth. Credit Carpenter’s soulful vocal, which digs in and finds the cohesive character written between the song’s separate cute lines. – Dan Milliken
Lacy J. Dalton
1990 | Peak: #15
The electric guitar line sounds cribbed from The Police’s “Every Breath You Take”, but the sentiment couldn’t be much more different. Dalton is tense all over, as bad omens seem to stack on top of each other while she waits in anticipation of one big let-down. – DM
This section begins with a song about a farmer and his wife and ends with one about Mama. Doesn’t get much more country than this!
400 Greatest Singles of the Nineties: #275-#251
Somewhere Other Than the Night
1992 | Peak: #1
About a woman who only feels truly appreciated by her husband when they’re having sex. That kind of says it all, doesn’t it? – Dan Milliken
Looking Out For Number One
1993 | Peak: #11
From his rocking side, Tritt is tired of trying to please everyone around him, including his demanding lover. As a result, he brashly declares that he’s going to make some changes, which will include looking out for himself. Get out of the way, because his ferocious performance makes him seem quite serious about his epiphany. – Leeann Ward
Let That Pony Run
1992 | Peak: #1
Gretchen Peters wrote the gorgeous song and Pam Tillis, in turn, beautifully sings it. The song is about Mary, a woman who is forced to start a new life after her husband confesses his infidelities with no apologies. The story is sad, it’s resilient, and it’s hopeful. – LW
I Just Want to Dance With You
1998 | Peak: #1
Any monotony in the verses is overcome by the song’s completely enticing rhythm and flavor. How can you not get lost in this? – Tara Seetharam
Written by Music & More blogger Bob Losche.
Connecticut born songwriter Gary Burr got his first break when he broke his leg in a high school soccer game. With time on his hands, he taught himself to play the guitar and began writing songs. His second break came in 1982 when, without a co-writer, he penned Juice Newton’s “Love’s Been a Little Bit Hard on Me”. That same year, he became the lead singer for Pure Prairie League after Vince Gill left the group to pursue a solo career. Gary remained with PPL until 1985 and headed to Nashville in the late 1980’s. He has since been awarded ‘Songwriter of the Year’ on three separate occasions by three different organizations: Billboard, Nashville Songwriter’s Association International, and ASCAP. He has also received over twenty of ASCAP’s recognition awards for radio play activity, and cds featuring his songs have sold more than 50 million units world-wide. He’s currently affiliated with SESAC. Most recently, he was Carole King’s guitarist on her “Living Room Tour”, performing some of his own songs as well.
If you go to Gary’s website and click on Discography you’ll see a Short List of 35 of his best known songs, in alphabetical order by recording artist. If you click on Full List, you see the names of about 170 songs. You’ll find hits and albums track (“hidden treasures” to some) by country artists such as Hal Ketchum, Patty Loveless, Randy Travis, Reba McEntire, Garth Brooks, Tanya Tucker, Ty Herndon, Faith Hill, Leann Rimes, Mary Chapin Carpenter, Gary Allan, Andy Griggs, Kathy Mattea, Lorrie Morgan, Terri Clark, Collin Raye, Doug Stone, Ricky Van Shelton, Diamond Rio, Conway Twitty, Chely Wright and many others plus pop artists Kelly Clarkson, Clay Aiken, etc . The website list does not include the current Sarah Buxton hit “Outside My Window”.
Country radio was good to me for many years, but it also pigeonholed me. After my first album, I was expected to fill the slot on their playlist for ‘fun, up-tempo female.’ That provided me with a space to fill on that playlist, and a string of turntable hits, but in my entire career I had only two ballads that broke the Top 10.
There have been quite a few songs, songs that never got released as singles, that I felt were stronger than a lot of the singles that came out.
Lamenting the restraints that their former labels placed on their artistic freedom a common refrain of country artists once they go indie. But in Clark’s case, I see her point. Her first wave of hits included two ballads, but most of the biggest hits were uptempo rockers like “You’re Easy On the Eyes” and “Better Things To Do.” Her second wave was only three hits deep, a trio of upbeat numbers that all reached the top two. Radio essentially walked away when she took a turn for the serious.
The 201 Greatest Singles of the Decade, Part 5: #120-#101
“Tonight I Wanna Cry”
A chillingly frank portrait of loneliness, awkward reference to “All By Myself” notwithstanding. Few mainstream vocalists today could pull off something this intense. – Dan Milliken
Loretta Lynn with Jack White
Peak: Did not chart
If you can take a healthy dose of dirty rock ‘n’ roll in your country, this is one of the coolest-sounding records of the decade, a classic one-night-stand duet. That it’s a very cross-generational pairing singing it would be creepy if not for the goofy smiles shining through Lynn’s and White’s performances. – DM
The 201 Greatest Singles of the Decade, Part 2: #180-#161
It’s the pairing of aching nostalgia and all the power that comes with a Flatts country-pop ballad that makes this song so potent. – Tara Seetharam
“Takin’ Off This Pain”
Like a fiery-eyed hybrid of Loretta Lynn and Jennifer Nettles, Shepherd burst onto the scene snapping her newly ring-free fingers at the clueless sap not treating her right. Next Decade, please take note: you’ve got a star in waiting. – Dan Milliken
Ah, the naughties. The decade began and ended with pop crossover queens, with Shania Twain and Faith Hill at the top of their game in 2000 much like Taylor Swift and Carrie Underwood reign supreme today. In between, we had the roots music boom, best exemplified by O Brother and the platinum-selling Nickel Creek and Alison Krauss & Union Station; the post-9/11 patriotic explosion, which brought Toby Keith and Darryl Worley to the top of the charts; the near-total banishment of women from the country radio dial for a good part of the decade, which started to fade as redneck pride ascended, thanks to a certain woman trying to make Pocahontas proud; and far too many tributes to country living and island-flavored beach bum songs to count.
All of this made for a fascinating decade to be a country fan. As radio worked its way through all of the above (with the notable exception of roots music), the internet made it far easier for acts to be discovered without ever getting a single spin of traditional radio play. With MySpace, YouTube, Facebook, and the explosion of country music blogs, the barriers have been torn down between artist and audience in a way that was never possible before.
The motley crew of Country Universe has a diversity of tastes that fit within the widest boundaries of country music, as reflected our collaborative list of the 100 best albums of the decade. Five of our writers contributed to the list, with all writer’s selections being weighed equally. We’ll reveal ten entries a day until the list is complete. A look back at the greatest singles of the decade will then follow.
The 100 Greatest Albums of the Decade, Part 1
Abigail Washburn, Song of the Traveling Daughter
Song of the Traveling Daughter is the debut album from Uncle Earl claw hammer banjo player Abigail Washburn. Produced by Béla Fleck and featuring Ben Sollee, it is a subdued album filled with intriguing instrumentation and influences. Standout songs include “Nobody’s Fault but Mine,” with its interesting Civil War period influence; the upbeat “Coffee’s Cold,” originally performed by Uncle Earl; and “Song of the Traveling Daughter,” based on the classical Chinese poem “Song of the Traveling Son.” – William Ward
Recommended Tracks: “Nobody’s Fault but Mine”, “Coffee’s Cold”