I’m pleased to introduce a new feature to Country Universe readers, which is a spin off of Favorite Songs by Favorite Artists called Favorite Songs by Favorite Songwriters.
While we all appreciate songwriters for their invaluable contributions to our favorite artists, they still often remain unrecognized as the people behind the scenes and, therefore, stand in the shadows of the big name artists who sing their songs. The purpose of this feature is to spotlight those songwriters who had or have aspirations of being stars, but are better known for sharing their craft with the more visible artists.
Therefore, the criteria for this feature is that the spotlighted songwriter has to have both written songs that other artists have recorded and recorded music of his/her own. For instance, Darrell Scott, Rodney Crowell, Radney Foster, Kris Kristofferson, Bruce Robison, etc. are eligible songwriters, since they’ve recorded their own music and written songs for other artists. Conversely, people like Alan Jackson, Garth Brooks, Randy Travis, Clint Black etc. won’t be eligible, since they’ve mostly only written songs for themselves and not others.
Finally, Favorite Songs by Favorite Songwriters will include a mix of songs that the songwriter has recorded, and songs that he/she has written that other artists have recorded, which will obviously depend on our favorite songs by that songwriter and our preferred version of the chosen song.
With this feature, we hope to help readers realize the contributions of individual songwriters and, perhaps, inspire you to explore the artists’ own discographies as a result.
Last summer I kicked off our Songwriters Series with my favorite modern country music songwriter, Darrell Scott. So, I thought it fitting to do the same with this new feature. Since I’ve already taken up considerable space describing this feature, I encourage you all to refer to my aforementioned spotlight to learn more about the man about which this article is written.
A pertinent note, however, is that most of the songs on this list have been recorded by both Scott and other artists. While the majority of the songs on this particular list will specifically refer to other artists, please assume that Scott’s own recordings are more than worth exploring as well.
Darrell Scott, “Banjo Clark”
Aloha From Nashville
One of the things that I marvel the most about Darrell Scott is his ability to write songs that sound like timeless standards. “Banjo Clark” is one such song. In fact, I had to double check to make sure Scott had actually written this song and that it wasn’t a public domain standard that he revived.
Tim McGraw, “Old Town New”
Live Like You Were Dying
Scott wrote “Old Town New” with another superb modern songwriter, Bruce Robison. So, it’s no surprise that this song about a man wishing that he could make his old town feel new again after a failed relationship is good. While it remained just an album cut on McGraw’s signature album, it’s as good as many of the singles that were released from it.
Suzy Bogguss, “No Way Out”
Give Me Some Wheels
“No Way Out” is up-tempo, but is not devoid of life’s realities. The family experiences familiar hardships, but the husband and wife hold themselves accountable by reminding each other that they’ve “fell in love and there’s no way out.”
While Bogguss’ recording is the superior version, both Darrel Scott’s and Julie Roberts’ versions are good as well. Moreover, this is the first song of Scott’s that was recorded by another artist.
Darrell Scott, “When There’s No One Around”
Garth Brooks recorded a version of “When There’s No One Around”, but Scott’s version is more organic and sonically appealing. It’s a poignant look at who we are when there’s no one around, which is inevitably different than our public personas.
Travis Tritt, “It’s A Great Day to Be Alive”
Down the Road I Go
We all know “It’s A Great Day to Be Alive”, since it was a big hit for Travis Tritt. This song has been recorded by Scott and Cory Morrow. Tritt’s is the definitive version, however. It tries to be hopeful while still somehow managing to feel a little bleak at the same time. While he proclaims that it’s a great day to be alive, there’s a sadness that lurks under the surface that seems to threaten the bright outlook, which is actually more tangible in Scott’s recording.
Darrell Scott, “With A Memory Like Mine”
“With A Memory Like Mine” was co-written with his dad, Wayne Scott. Darrell found the beginnings of this song in a notebook of his father’s and encouraged the Elder Scott to finish it with him. Scott’s version, which can be found on a solid project with Tim O’Brien, is darker than the quick paced recording by The John Cowan Band, which is more appropriate for this chillingly sad song. The man sends his son off to war by telling him to “be a good soldier/but return again someday.” His son does return, but in the most devastating way possible for a parent. In a casket.
Martina McBride, “I’m Trying”
“I’m Trying” has been recorded by both Diamond Rio as a duet with Chely Wright and Martina McBride, though McBride’s is the stronger version. It explores a struggling relationship that almost seems like more work than it’s worth. Instead of leaving us with a typical happy or tragic ending, we are only given an assurance that they love each other and they are trying to make things work. The melody is tastefully simple with a fitting production that showcases McBride’s atypical restrained vocals, which translates into appropriate empathy for the characters within the song. It is a simple song with a simple production, but still poignant in a quiet way.
Trace Adkins, “Someday”
Adkins is the only artist to record this song, as far as I know. It’s a beautiful and hopeful song, with tinges of sadness. As is duly noted about Adkins, he sings these more serious songs the best, even if radio disagrees.
Dixie Chicks, “Heartbreak Town”
This is an indictment on Nashville, which is one of two songs written by Scott and recorded by The Chicks that tackles the topic. The song portrays Nashville, a place where so many people hope to enjoy success, as a “heartbreak town, which is something that both the Chicks and Scott have surely learned from personal experience.
Kathy Mattea, “Loves Not Through With You Yet”
Right Out of Nowhere
I’m thrilled that one of my favorite Mattea albums includes this thoughtful, gorgeous Celtic flavored song by Darrell Scott: “You may think that love takes two, but loves a gift from you to you.”
Sara Evans, “Born to Fly”
Born to Fly
Scott happened to write one of Sara Evans’ most recognizable and best hits to date. “Born to Fly” is an infectious coming of age song. While her parents are stable and grounded, that’s not the way the songs’ character wishes to live and she asks, “How do you keep your feet on the ground when you know you were born to fly?”
Darryl Worley, “Family Tree”
I Miss My Friend
While many of Scott’s songs can be heavy, this is an example of his sillier side. Scott does a great version, but Worley cuts loose just the right amount. He clearly revels in singing deliciously smarmy lyrics like, “Well, raisin’ up babies is our new sport/You’re one day late and I’m one dollar short/Now, maybe it was planned or maybe it was a goof/But a cat’s got to dance on a hot tin roof.”
Darrell Scott, “Goodle’ USA”
The Invisible Man
A more watered down version of this song can be heard on Faith Hill’s album. If one doesn’t listen closely, it’s easy to miss the probing lyrics that question the state of America. While Scott’s recording is not quite as polished, the political message is much more overt, which includes his original lyrics that were altered for Hill’s version to be less controversial.
Dixie Chicks, “Long Time Gone”
This is the other song that was written by Scott and recorded by The Chicks that takes Nashville to task. Wrapped in an unshakably catchy melody, “Long Time Gone” disregards conventional niceties and tersely critiques the music that’s being played on the radio:
“Now me and Delia singin’ every Sunday
Watchin’ the children and the garden grow
We listen to the radio to hear what’s cookin’
But the music ain’t got no soul
Now they sound tired but they don’t sound Haggard
They got money but they don’t have cash
They got Junior but they don’t have Hank
I think, I think, I think…the rest is…
A long Time Gone”
Patty Loveless, “You’ll Never Leave Harlan Alive”
Patty Loveless’ recording of “You’ll Never Leave Harlan Alive” sounds like a superb arrangement of a forgotten classic, except it isn’t a remake and was written just over ten years ago. While I feel the definitive version was recorded by Patty Loveless, Darrell Scott has recorded two versions that, even if Loveless’ version did not exist, would earn a spot on this list. Through haunting lyrics and melodic structure, “Harlan” tells the tragic story of the bleak existence of coalminers that is just about inevitable:
“But the times got hard and tobacco wasn’t selling
And old granddad knew what he’d do to survive
He went and dug for Harlan coal
And sent the money back to grandma
But he never left Harlan alive
Where the sun comes up about ten in the mornin’
And the sun goes down about three in the day
And you’ll fill your cup with whatever bitter brew you’re drinkin’
And you spend your life just thinkin’ of how to get away”
Patty Loveless sings this song with an immense emotional intensity that was likely gathered from personal experience as a daughter of a coalmining father who eventually succumbed to “Black Lung Disease” as a result of coalmining in Kentucky. In fact, each person who has sung this song so far, including Darrell Scott himself, has a personal and deep understanding of the significance of the hopelessness that the lyrics convey, since Brad Paisley, Kathy Mattea and Scott also lived in coalmining towns as children. Consequently, they were all exposed to the horrifying reality of the song’s title that authoritatively proclaims that “you’ll never leave Harlan Alive.”
This list certainly does not exhaust the extent of Darrell Scott’s immeasurable songwriting prowess, but it shows his wide range of capabilities as a diverse composer and lyricist. He can do fun, heartbreak, inspirational, political, social commentary, fast, slow, etc. Moreover, he does it all with poignancy and wit, as it is appropriate.
“Long Time Gone” is the best country single of the 2000s, bar none, and “Born to Fly” (co-written by Sara Evans and Marcus Hummon) is really high on that list as well. Those two songs and “Harlan” would fit in my top three. Nice list and feature.
Too many of my favorite songs are on this list! I love Kathy Mattea’s version of “Harlan” as well, about equal to Loveless’ version.
“Long Time Gone” is the best country single of the 2000s, bar none
Seconded. And I’ll add that releasing it to country radio at the height of their popularity was the ballsiest thing the Dixie Chicks have ever done.
Scott’s a terrific choice to kick off this feature; as Leeann stated, his “poignancy and wit” are two of his most identifiable traits as a songwriter, and those traits are sorely lacking in too many of his contemporaries. And I agree with Leeann’s picked for the best versions of these songs to-a-one, though Scott’s version of “Long Time Gone” with Tim O’Brien on Real Time is top-notch stuff, too.
Wow, Worley’s Family Tree made this list? That was one of my favorite songs when it came out. Then it just disappeared never to be heard from again.
Great feature Leeann
Nice list, Leeann. I’ve been meaning to dig more deeply into Scott’s discography (just have one album at present) and this might do the trick. I think I might put “You’ll Never Leave Harlan Alive” near the top of the list of the best anything.
A good friend slipped me a demo of the Dixie Chicks cover of “(Give Us This Day) What We Deserve”, which was of course Darrell Scott’s answer song to “God Bless the USA”. It’s too bad that it didn’t make any of the Chicks’ albums. But it’s still a very good song.
Leeann, I share your love for Darrell Scott. Great picks!
I also happen to love Scott’s voice. He’s got a great bluesy thing going on. Lately, I’ve been listening a lot to his last album (of covers) and really digging his production. Although he’s known as a songwriter, I think he’s just a great overall artist.
I like Scott’s intro! :)
Yes, he’s definitely proven himself as an all around artist, including quality producer.
Darrell Scott is by far my favorite writer. I could listen to him sing all day long. A few years ago, they used to play recorded shows from the Bluebird on Turner South. I was watching it, and thats the first time I saw Darrell Scott. He played “Title Of The Song” and “Memory Like Mine”. Once I heard that song, I had to buy everything he recorded. While I love the version on “Real TIme” I think the version on “Live In NC” kills anything else.
If Darrell Scott wrote nothing more than “Harlan” and Born To Fly, he would still be worthy of the highest acclaim for those songs alone, let alone for all the others. He is awesome, and so are my favorites singers Patty Loveless and Sara Evans who have recorded his songs.
Awesome article and list Leeann, well done!
Just another observation… both Born to Fly by Sara Evans, and “Harlan” by Patty Loveless are signature songs of those artists, very biographical. It’s awesome that Darrell Scott had a hand in writing both, and as Blake pointed out, BTF was co-written by Sara Evans and Marcus Hummon with Mr. Scott.
It’s awesome when a writer pens any hit that is recorded by a major star, and even more so when their songs become the signature songs of those very same artists.
I was just going to post that youtube clip here. I’m just listening to it and it is absolutely awesome. Not just what he says, but man does he rip the guitar like you wouldn’t believe. I’m a fan of acoustic performances, but this might be the best acoustic performance I’ve ever heard. That solo rip at the beginning was incredible.
There’s nothing more hauntingly beautiful than Darrell’s own performance of You’ll Never Leave Harlan Alive from the BBC Scotland Series Transatlantic Sessions.