He may be the latest of many pop dudes gone country, but I’ve got a feeling Josh Kelley could actually stick around for a while. Just because it makes business sense. He’s famous enough to enjoy name recognition, but not enough to seem like a desperate has-been for switching teams; plus you don’t need your music to be especially “country” to market it under that name now anyway; plus I suspect that lots of Lady Antebellum fans will be willing to give Charles’ big bro a shot.
Instead, programmers would get the same song in five different versions. Top 40 Mix, AC Mix, Dance Mix Edit. All the same song at the core, I suppose, but when the only thing left from the original is the artist’s vocal, it’s hard to know what the core of the song is.
I think if we can give Blake Shelton the award for Male Vocalist in 2010, we might as well start thinking about giving it to Billy Currington in 2011. He’s giving Shelton a run for his money in putting out milquetoast material that’s elevated into listenable by a charming vocal performance.
“Let Me Down Easy” is not going to appear in one of those deluxe coffee table books of song lyrics. Coffee napkin, maybe.
Born Floyd Collin Wray in Arkansas, he is the daughter of Lois Wray, a professional musician who often opened for the big acts of the fifties, including legends like Johnny Cash and Jerry Lee Lewis. Growing up, Collin and his brother Scott would often perform on stage with their mother. As the boys got older, they struck out on their own, forming the Wrays Brothers Band. They soon became popular local performers across Texas, and also had success performing in Reno, Nevada.
The chorus is solid, the second verse about her father and her brother are quietly revealing and fully believable. I love the message about Jesus and how he’d very well love her just the way she is.
There was a lot of good music out there in 2010, provided you knew where to look. Sometimes, you could even find it on the radio. Here are the top ten albums of 2010, according to our staff:
With the charisma of Clay Walker and the chops of George Strait, Easton Corbin sauntered onto the mainstream country music scene with a hit song that –refreshingly– name-checked “country” in all the right ways. He needs no such affirmation, though, as his debut album is a collection of effortlessly neo-traditionalist songs, ripe with sincerity. It’s fair to compare Corbin to his obvious influences, but there’s something about the natural, youthful effervescence he brings to his music that makes it sparkle all on its own. – Tara Seetharam