Over jaunty acoustic guitar strums, Shania Twain reflectively sings, “Am I dreamin’ or stupid? I think I’ve been hit by Cupid, but no one needs to know right now.”
While that first stanza reasonably acknowledges that something might be amiss, Twain matter-of-factly plows ahead to reveal all the plans that she’s been making regarding the future with the special someone that she’s found, which includes the intimate details of wedding plans, kids and even pets.
Their fraternal harmonies saturated stations across the radio dial in the fifties and early sixties, and today they’re best remembered as founders of both rock and country music as we know it.
Brothers Don and Phil Everly were born two years apart in the late thirties, and grew up listening to music that transitioned out of the depression and into the second world war. Their father, Ike, was a traveling musician and had his own radio show out of Shenandoah, Iowa.
Lady and Gentlemen
A new covers album from LeAnn Rimes would likely draw comparisons to her 1999 self-titled effort, which found her covering the likes of Hank Williams and Patsy Cline. But this time, there’s a twist: All of the songs she’s covering were originally recorded by male artists. Thus, Rimes is re-interpreting them in a female perspective.
And while 1999’s LeAnn Rimes album might have given you a feeling that you were listening to really good karaoke singer, as her versions seldom strayed far from the originals, Rimes’ new collection Lady and Gentlemen finds her taking substantial liberties with these classic hits. She even alters lyrics on Waylon Jennings’ “Good Hearted Woman” and “Only Daddy That’ll Walk the Line” (re-titled as “The Only Mama That’ll Walk the Line”). The songs are given modern, yet reverent, production arrangements, with Rimes adding her own personal style to each one, resulting in a uniquely creative effort.
It’s no wonder that so many purists believe it just ain’t country if you don’t have a bit of fiddle. Thanks to Fiddlin’ John Carson, the first legitimate country hit had fiddlin’ all over it.
Like many performers of his generation, being a musician meant live performances. Hailing from Georgia, Carson traveled around the south for decades playing his signature fiddle. While the meager pay meant he had to work several other side jobs, one of which was manufacturing moonshine, Carson’s fame outpaced his fortune.