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Retro Single Review: Shania Twain, "Rock This Country!"

April 28, 2012 Ben Foster 1

2000 | #30

The eleventh single from Shania Twain’s Come On Over was one of the least successful in the U.S., barely scraping the bottom of the Top 30. This was due in part to a lack of promotion for the single, though it did go Top 5 in Twain’s native Canada. In some ways, “Rock This Country!” comes across as a standard Twain up-tempo – peppy, with a fun Mutt Lange-style pop-country production, but the lyrics are surprisingly flavorless.

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Album Review: Marty Stuart, <i>Nashville, Vol. 1: Tear the Woodpile Down</i>

April 24, 2012 Ben Foster 4

Marty Stuart
Nashville, Vol. 1: Tear the Woodpile Down

The casual listener may remember Marty Stuart for the string of country radio hits he enjoyed in the late eighties and early nineties. However, Stuart’s legacy was cemented by groundbreaking projects released after his commercial heyday had drawn to a close, particularly 1999’s landmark The Pilgrim as well as 2010’s career-best effort Ghost Train: The Studio B Sessions. Through such critically lauded work Stuart has built up a reputation as an elder statesman of country music, acting to preserve country music’s heritage and traditions, while simultaneously working to move the genre forward.

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Retro Single Review: Tim McGraw, "Something Like That"

April 18, 2012 Ben Foster 18

1999 | #1

You know what’s one of the best ways for a contemporary country song to worm its way into my heart? To display a mature and insightful perspective, or to tap into some universal truth, while dressing itself up with the catchiest of melodies and hooks.

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Retro Single Review: Shania Twain, "Come On Over"

April 13, 2012 Ben Foster 4

1999 | #6

“Get a life, get a grip, get away somewhere, take a trip
Take a break, take control, take advice from someone you know

“Come on over, come on in
Pull up a seat, and take a load off your feet
Come on over, come on in
You can unwind, and take a load off your mind.”

Hmm. So the lyrics don’t seem to have a whole lot to say. The song is primarily simple series of feel-good platitudes.

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Single Review: Edens Edge, &quot;Too Good to Be True&quot;

April 11, 2012 Ben Foster 3

Emerging with the slow-blooming Top 20 debut single “Amen” last year, Arkansas trio Edens Edge introduced themselves to the country audience as one of the genre’s brightest and most refreshing new talents. Their follow-up release “Too Good to Be True” lacks the distinct lyrical freshness that made “Amen” a winner, but continues to showcase the group’s unique, left-of-center musical style.

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Single Review: Scotty McCreery, "Water Tower Town"

April 7, 2012 Ben Foster 22

Reviewing mainstream country singles can be mighty depressing these days. It often seems like we’re hearing the same song over and over again. Conversely, I often feel as if I’m writing the same review over and over again.

So how can I find a fresh angle from which to approach this new Scotty McCreery single?

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Single Review: Sara Evans, “Anywhere”

March 31, 2012 Ben Foster 7

Nothing like a good country music driving song, right? I could make a whole road trip playlist full of them. Ostensibly, Sara Evans upcoming single “Anywhere” is seeking a spot on my road trip playlist. It’s a bit off-putting, unfortunately, that the lyric plays more like a watered-down knockoff of Jo Dee Messina’s “Heads Carolina, Tails California.”

At the very least, the single earns points for a committed vocal performance on Evans’ part, as well as a cool banjo-rocker of a production, which could have made for a pleasant little slice of pop-country. But the song structure is totally not there.

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Single Review: Martina McBride featuring Pat Monahan, “Marry Me”

March 23, 2012 Ben Foster 9

Honestly, I was never a huge fan of this particular Train hit. The lyric has a few interesting lines, but I couldn’t help but find it a bit schmaltzy and heavy-handed. Plus it’s like he just met this girl in a cafe, and he’s already getting ready to propose marriage? I would probably have liked the song better without “If I ever get the nerve to say hello in this cafe.”

So it figures that Martina McBride reworks it into a duet with Train frontman Pat Monohan (after having joined Train for an episode of CMT Crossroads), and I can’t get over how cool they make it sound.

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