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	Single Review: Chris Young, "I Can Take It from There"
 In some aspects, Chris Young’s hook-heavy new single may come off as a calculated bid to regain the airplay he unjustly lost from country radio’s tepid response to the excellent but underappreciated “Neon.”  Unfortunately, it’s hard to call him out for peddling safe material when I can’t get my toe to stop tapping.
In some aspects, Chris Young’s hook-heavy new single may come off as a calculated bid to regain the airplay he unjustly lost from country radio’s tepid response to the excellent but underappreciated “Neon.”  Unfortunately, it’s hard to call him out for peddling safe material when I can’t get my toe to stop tapping. 


 Well… it has words that rhyme.
Well… it has words that rhyme.  I love how Hayden Panettiere’s “Juliette Barnes” character on ABC’s Nashville supposedly represents the “adolescent pop” side of country music… and yet somehow still manages to sound more country than half of what’s on country radio today.
I love how Hayden Panettiere’s “Juliette Barnes” character on ABC’s Nashville supposedly represents the “adolescent pop” side of country music… and yet somehow still manages to sound more country than half of what’s on country radio today.  An ambitious effort, but not quite as airtight as one would hope.
An ambitious effort, but not quite as airtight as one would hope. 
 One of the things that frustrates me the most about today’s mainstream country music is the way so many of the songs just seem to be screaming ‘Like me!  Like me!  Like me!’
One of the things that frustrates me the most about today’s mainstream country music is the way so many of the songs just seem to be screaming ‘Like me!  Like me!  Like me!’ 
